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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230.7 128.6 94 it is the complementary color RGB 24.3 126.4 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230.7 128.6 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230.7 128.6 94 shade: RGB 235.7 128.6 89, RGB 252.7 146.6 108, RGB 255 164.6 127, RGB 255 182.6 146 and RGB 255 200.6 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230.7 128.6 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230.7 128.6 94 shade: RGB 230.7 128.6 94, RGB 213.7 110.6 75, RGB 196.7 92.6 56, RGB 179.7 74.6 37 and RGB 162.7 56.6 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230.7 128.6 94 shade: RGB 231 130 95 and RGB 231 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230.7 128.6 94 shade: RGB 231 130 95, RGB 231 166 95, RGB 231 203 95, RGB 223 231 95 and RGB 186 231 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230.7 128.6 94 shade matches the following richer shades: RGB 231 130 95 and RGB 246 122 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230.7 128.6 94 shade: RGB 231 130 95, RGB 216 137 110, RGB 201 144 125, RGB 187 152 140 and RGB 172 159 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230.7 128.6 94 shade: RGB 231 95 134, RGB 231 95 98, RGB 231 129 95, RGB 231 165 95 and RGB 231 202 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230.7 128.6 94 shade: RGB 212 77 32, RGB 226 101 59, RGB 231 130 95, RGB 236 158 131 and RGB 242 186 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230.7 128.6 94 shade: RGB 230.7 128.6 94, RGB 170 231 95 and RGB 95 116 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230.7 128.6 94 shade: RGB 230.7 128.6 94, RGB 95 231 129 and RGB 129 95 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230.7 128.6 94 shade: RGB 230.7 128.6 94, RGB 170 231 95, RGB 95 197 231 and RGB 156 95 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230.7 128.6 94 shade: RGB 230.7 128.6 94, RGB 129 231 95, RGB 95 197 231 and RGB 197 95 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

Complementary color

CMYK 85 / 21 / 0 / 37

HEX #187EA1

RGB 24.3 126.4 161

HSL 195.19, 0.74%, 0.36%

LAB 49.25, -15.13, -26.31

 

CMYK 0 / 45 / 62 / 8

HEX #EB8059

RGB 235.7 128.6 89

HSL 16.2, 0.79%, 0.64%

LAB 65.04, 37.75, 39.48

 

CMYK 0 / 42 / 57 / 1

HEX #FC926C

RGB 252.7 146.6 108

HSL 16.01, 0.97%, 0.71%

LAB 71.32, 36.4, 37.62

 

CMYK 0 / 35 / 50 / 0

HEX #FFA47F

RGB 255 164.6 127

HSL 17.63, 1%, 0.75%

LAB 75.8, 29.52, 33.3

 

CMYK 0 / 28 / 43 / 0

HEX #FFB692

RGB 255 182.6 146

HSL 20.15, 1%, 0.79%

LAB 80.2, 21.94, 29.03

 

CMYK 0 / 21 / 35 / 0

HEX #FFC8A5

RGB 255 200.6 165

HSL 23.73, 1%, 0.82%

LAB 84.77, 14.62, 25.19

 

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

CMYK 0 / 48 / 65 / 16

HEX #D56E4B

RGB 213.7 110.6 75

HSL 15.4, 0.63%, 0.57%

LAB 58.08, 37.56, 37.9

 

CMYK 0 / 53 / 72 / 23

HEX #C45C38

RGB 196.7 92.6 56

HSL 15.61, 0.56%, 0.5%

LAB 51.69, 39.08, 40.08

 

CMYK 0 / 58 / 79 / 30

HEX #B34A25

RGB 179.7 74.6 37

HSL 15.81, 0.66%, 0.42%

LAB 45.33, 40.65, 42.36

 

CMYK 0 / 65 / 89 / 36

HEX #A23812

RGB 162.7 56.6 18

HSL 16.01, 0.8%, 0.35%

LAB 39.05, 42.2, 44.34

 

CMYK 0 / 44 / 59 / 9

HEX #E7825F

RGB 231 130 95

HSL 15.44, 0.74%, 0.64%

LAB 64.79, 35.62, 35.81

 

CMYK 0 / 59 / 59 / 9

HEX #E75F5F

RGB 231 95 95

HSL 0, 0.74%, 0.64%

LAB 58.04, 52.78, 27.23

 

CMYK 0 / 44 / 59 / 9

HEX #E7825F

RGB 231 130 95

HSL 15.44, 0.74%, 0.64%

LAB 64.79, 35.62, 35.81

 

CMYK 0 / 28 / 59 / 9

HEX #E7A65F

RGB 231 166 95

HSL 31.32, 0.74%, 0.64%

LAB 72.95, 16.58, 45.74

 

CMYK 0 / 12 / 59 / 9

HEX #E7CB5F

RGB 231 203 95

HSL 47.65, 0.74%, 0.64%

LAB 82.12, -2.84, 56.37

 

CMYK 3 / 0 / 59 / 9

HEX #DFE75F

RGB 223 231 95

HSL 63.53, 0.74%, 0.64%

LAB 88.76, -20.11, 63.58

 

CMYK 19 / 0 / 59 / 9

HEX #BAE75F

RGB 186 231 95

HSL 79.85, 0.74%, 0.64%

LAB 86.21, -34.57, 60.04

 

CMYK 0 / 44 / 59 / 9

HEX #E7825F

RGB 231 130 95

HSL 15.44, 0.74%, 0.64%

LAB 64.79, 35.62, 35.81

 

CMYK 0 / 50 / 67 / 4

HEX #F67A50

RGB 246 122 80

HSL 15.18, 0.9%, 0.64%

LAB 65.03, 44.45, 44.57

 

CMYK 0 / 44 / 59 / 9

HEX #E7825F

RGB 231 130 95

HSL 15.44, 0.74%, 0.64%

LAB 64.79, 35.62, 35.81

 

CMYK 0 / 37 / 49 / 15

HEX #D8896E

RGB 216 137 110

HSL 15.28, 0.58%, 0.64%

LAB 64.66, 27.28, 27.05

 

CMYK 0 / 28 / 38 / 21

HEX #C9907D

RGB 201 144 125

HSL 15, 0.41%, 0.64%

LAB 64.84, 19.13, 18.66

 

CMYK 0 / 19 / 25 / 27

HEX #BB988C

RGB 187 152 140

HSL 15.32, 0.26%, 0.64%

LAB 65.68, 11.2, 11.23

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9B

RGB 172 159 155

HSL 14.12, 0.09%, 0.64%

LAB 66.47, 4.03, 3.78

 

CMYK 0 / 59 / 42 / 9

HEX #E75F86

RGB 231 95 134

HSL 342.79, 0.74%, 0.64%

LAB 58.88, 56.12, 5.71

 

CMYK 0 / 59 / 58 / 9

HEX #E75F62

RGB 231 95 98

HSL 358.68, 0.74%, 0.64%

LAB 58.09, 52.99, 25.57

 

CMYK 0 / 44 / 59 / 9

HEX #E7815F

RGB 231 129 95

HSL 15, 0.74%, 0.64%

LAB 64.58, 36.14, 35.55

 

CMYK 0 / 29 / 59 / 9

HEX #E7A55F

RGB 231 165 95

HSL 30.88, 0.74%, 0.64%

LAB 72.71, 17.11, 45.46

 

CMYK 0 / 13 / 59 / 9

HEX #E7CA5F

RGB 231 202 95

HSL 47.21, 0.74%, 0.64%

LAB 81.87, -2.33, 56.08

 

CMYK 0 / 64 / 85 / 17

HEX #D44D20

RGB 212 77 32

HSL 15, 0.74%, 0.48%

LAB 51.16, 51.19, 52.04

 

CMYK 0 / 55 / 74 / 11

HEX #E2653B

RGB 226 101 59

HSL 15.09, 0.74%, 0.56%

LAB 57.84, 46.18, 46.52

 

CMYK 0 / 44 / 59 / 9

HEX #E7825F

RGB 231 130 95

HSL 15.44, 0.74%, 0.64%

LAB 64.79, 35.62, 35.81

 

CMYK 0 / 33 / 44 / 7

HEX #EC9E83

RGB 236 158 131

HSL 15.43, 0.73%, 0.72%

LAB 72.18, 26, 25.97

 

CMYK 0 / 23 / 31 / 5

HEX #F2BAA7

RGB 242 186 167

HSL 15.2, 0.74%, 0.8%

LAB 80.06, 17.6, 17.42

 

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

CMYK 26 / 0 / 59 / 9

HEX #AAE75F

RGB 170 231 95

HSL 86.91, 0.74%, 0.64%

LAB 85.26, -40.48, 58.71

 

CMYK 59 / 50 / 0 / 9

HEX #5F74E7

RGB 95 116 231

HSL 230.74, 0.74%, 0.64%

LAB 52.61, 26.27, -60.85

 

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

CMYK 59 / 0 / 44 / 9

HEX #5FE781

RGB 95 231 129

HSL 135, 0.74%, 0.64%

LAB 82.47, -58.51, 38.75

 

CMYK 44 / 59 / 0 / 9

HEX #815FE7

RGB 129 95 231

HSL 255, 0.74%, 0.64%

LAB 50.24, 45.46, -64.55

 

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

CMYK 26 / 0 / 59 / 9

HEX #AAE75F

RGB 170 231 95

HSL 86.91, 0.74%, 0.64%

LAB 85.26, -40.48, 58.71

 

CMYK 59 / 15 / 0 / 9

HEX #5FC5E7

RGB 95 197 231

HSL 195, 0.74%, 0.64%

LAB 74.91, -19.96, -25.83

 

CMYK 32 / 59 / 0 / 9

HEX #9C5FE7

RGB 156 95 231

HSL 266.91, 0.74%, 0.64%

LAB 52.97, 51.35, -60

 

CMYK 0 / 44 / 59 / 10

HEX #E6805E

RGB 230.7 128.6 94

HSL 15.19, 0.74%, 0.64%

LAB 64.44, 36.16, 35.91

 

CMYK 44 / 0 / 59 / 9

HEX #81E75F

RGB 129 231 95

HSL 105, 0.74%, 0.64%

LAB 83.26, -54.09, 55.9

 

CMYK 59 / 15 / 0 / 9

HEX #5FC5E7

RGB 95 197 231

HSL 195, 0.74%, 0.64%

LAB 74.91, -19.96, -25.83

 

CMYK 15 / 59 / 0 / 9

HEX #C55FE7

RGB 197 95 231

HSL 285, 0.74%, 0.64%

LAB 57.87, 61.04, -51.89

 

Description

Color code: RGB 230.7 128.6 94 | qconv.com Color code: RGB 230.7 128.6 94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230.7 red, 128.6 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230.7 128.6 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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