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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230.1 126.8 10 it is the complementary color RGB 24.9 128.2 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230.1 126.8 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230.1 126.8 10 shade: RGB 235.1 126.8 5, RGB 252.1 144.8 24, RGB 255 162.8 43, RGB 255 180.8 62 and RGB 255 198.8 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230.1 126.8 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230.1 126.8 10 shade: RGB 230.1 126.8 10, RGB 213.1 108.8 0, RGB 196.1 90.8 0, RGB 179.1 72.8 0 and RGB 162.1 54.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230.1 126.8 10 shade: RGB 230 127 10, RGB 230 67 10 and RGB 230 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230.1 126.8 10 shade: RGB 230 127 10, RGB 230 186 10, RGB 215 230 10, RGB 155 230 10 and RGB 96 230 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230.1 126.8 10 shade matches the following richer shades: RGB 230 127 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230.1 126.8 10 shade: RGB 230 127 10, RGB 211 125 29, RGB 191 124 48, RGB 172 123 68 and RGB 153 122 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230.1 126.8 10 shade: RGB 230 10 13, RGB 230 65 10, RGB 230 124 10, RGB 230 182 10 and RGB 219 230 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230.1 126.8 10 shade: RGB 151 83 6, RGB 191 105 8, RGB 230 127 10, RGB 246 147 35 and RGB 247 166 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230.1 126.8 10 shade: RGB 230.1 126.8 10, RGB 72 230 10 and RGB 35 10 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230.1 126.8 10 shade: RGB 230.1 126.8 10, RGB 10 230 124 and RGB 124 10 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230.1 126.8 10 shade: RGB 230.1 126.8 10, RGB 72 230 10, RGB 10 116 230 and RGB 168 10 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230.1 126.8 10 shade: RGB 230.1 126.8 10, RGB 10 230 13, RGB 10 116 230 and RGB 230 10 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

Complementary color

CMYK 90 / 48 / 0 / 4

HEX #1880F5

RGB 24.9 128.2 245

HSL 211.84, 0.92%, 0.53%

LAB 54.33, 15.6, -66.01

 

CMYK 0 / 46 / 98 / 8

HEX #EB7E05

RGB 235.1 126.8 5

HSL 31.76, 0.96%, 0.47%

LAB 64.01, 35.61, 70

 

CMYK 0 / 43 / 90 / 1

HEX #FC9018

RGB 252.1 144.8 24

HSL 31.78, 0.98%, 0.54%

LAB 70.15, 33.45, 71.96

 

CMYK 0 / 36 / 83 / 0

HEX #FFA22B

RGB 255 162.8 43

HSL 33.91, 1%, 0.58%

LAB 74.55, 25.71, 70.37

 

CMYK 0 / 29 / 76 / 0

HEX #FFB43E

RGB 255 180.8 62

HSL 36.93, 1%, 0.62%

LAB 78.8, 16.94, 67.54

 

CMYK 0 / 22 / 68 / 0

HEX #FFC651

RGB 255 198.8 81

HSL 40.62, 1%, 0.66%

LAB 83.24, 8.45, 64.38

 

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

CMYK 0 / 49 / 100 / 16

HEX #D56C00

RGB 213.1 108.8 0

HSL 30.63, 1%, 0.42%

LAB 57.13, 35.91, 65.01

 

CMYK 0 / 54 / 100 / 23

HEX #C45A00

RGB 196.1 90.8 0

HSL 27.78, 1%, 0.38%

LAB 50.92, 38.27, 60.02

 

CMYK 0 / 59 / 100 / 30

HEX #B34800

RGB 179.1 72.8 0

HSL 24.39, 1%, 0.35%

LAB 44.71, 40.51, 55.07

 

CMYK 0 / 66 / 100 / 36

HEX #A23600

RGB 162.1 54.8 0

HSL 20.28, 1%, 0.32%

LAB 38.56, 42.49, 50.18

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 0 / 71 / 96 / 10

HEX #E6430A

RGB 230 67 10

HSL 15.55, 0.92%, 0.47%

LAB 52.8, 60.81, 61.88

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 0 / 19 / 96 / 10

HEX #E6BA0A

RGB 230 186 10

HSL 48, 0.92%, 0.47%

LAB 77.26, 2.31, 78.2

 

CMYK 7 / 0 / 96 / 10

HEX #D7E60A

RGB 215 230 10

HSL 64.09, 0.92%, 0.47%

LAB 87.52, -26.08, 85.24

 

CMYK 33 / 0 / 96 / 10

HEX #9BE60A

RGB 155 230 10

HSL 80.45, 0.92%, 0.47%

LAB 83.75, -49.51, 80.69

 

CMYK 58 / 0 / 96 / 10

HEX #60E60A

RGB 96 230 10

HSL 96.55, 0.92%, 0.47%

LAB 81.35, -67.56, 77.77

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 0 / 41 / 86 / 17

HEX #D37D1D

RGB 211 125 29

HSL 31.65, 0.76%, 0.47%

LAB 60.43, 26.94, 60.79

 

CMYK 0 / 35 / 75 / 25

HEX #BF7C30

RGB 191 124 48

HSL 31.89, 0.6%, 0.47%

LAB 57.76, 19.57, 50.15

 

CMYK 0 / 28 / 60 / 33

HEX #AC7B44

RGB 172 123 68

HSL 31.73, 0.43%, 0.47%

LAB 55.44, 13.04, 37.18

 

CMYK 0 / 20 / 43 / 40

HEX #997A57

RGB 153 122 87

HSL 31.82, 0.28%, 0.47%

LAB 53.36, 7.16, 23.72

 

CMYK 0 / 96 / 94 / 10

HEX #E60A0D

RGB 230 10 13

HSL 359.18, 0.92%, 0.47%

LAB 48.35, 73.4, 58.65

 

CMYK 0 / 72 / 96 / 10

HEX #E6410A

RGB 230 65 10

HSL 15, 0.92%, 0.47%

LAB 52.54, 61.52, 61.74

 

CMYK 0 / 46 / 96 / 10

HEX #E67C0A

RGB 230 124 10

HSL 31.09, 0.92%, 0.47%

LAB 62.73, 35.03, 68.06

 

CMYK 0 / 21 / 96 / 10

HEX #E6B60A

RGB 230 182 10

HSL 46.91, 0.92%, 0.47%

LAB 76.25, 4.4, 77.47

 

CMYK 5 / 0 / 96 / 10

HEX #DBE60A

RGB 219 230 10

HSL 63, 0.92%, 0.47%

LAB 87.81, -24.43, 85.59

 

CMYK 0 / 45 / 96 / 41

HEX #975306

RGB 151 83 6

HSL 31.86, 0.92%, 0.31%

LAB 42.43, 23.59, 49.78

 

CMYK 0 / 45 / 96 / 25

HEX #BF6908

RGB 191 105 8

HSL 31.8, 0.92%, 0.39%

LAB 53.16, 28.85, 59.38

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 0 / 40 / 86 / 4

HEX #F69323

RGB 246 147 35

HSL 31.85, 0.92%, 0.55%

LAB 69.88, 30.04, 68.51

 

CMYK 0 / 33 / 70 / 3

HEX #F7A64B

RGB 247 166 75

HSL 31.74, 0.91%, 0.63%

LAB 74.54, 21.95, 57.56

 

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

CMYK 69 / 0 / 96 / 10

HEX #48E60A

RGB 72 230 10

HSL 103.09, 0.92%, 0.47%

LAB 80.74, -72.7, 77.02

 

CMYK 85 / 96 / 0 / 10

HEX #230AE6

RGB 35 10 230

HSL 246.82, 0.92%, 0.47%

LAB 30.13, 71.89, -97.32

 

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

CMYK 96 / 0 / 46 / 10

HEX #0AE67C

RGB 10 230 124

HSL 151.09, 0.92%, 0.47%

LAB 80.8, -69.2, 38.82

 

CMYK 46 / 96 / 0 / 10

HEX #7C0AE6

RGB 124 10 230

HSL 271.09, 0.92%, 0.47%

LAB 38.23, 76.5, -83.64

 

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

CMYK 69 / 0 / 96 / 10

HEX #48E60A

RGB 72 230 10

HSL 103.09, 0.92%, 0.47%

LAB 80.74, -72.7, 77.02

 

CMYK 96 / 50 / 0 / 10

HEX #0A74E6

RGB 10 116 230

HSL 211.09, 0.92%, 0.47%

LAB 49.82, 16.89, -64.93

 

CMYK 27 / 96 / 0 / 10

HEX #A80AE6

RGB 168 10 230

HSL 283.09, 0.92%, 0.47%

LAB 44.6, 81.27, -72.94

 

CMYK 0 / 45 / 96 / 10

HEX #E67E0A

RGB 230.1 126.8 10

HSL 31.84, 0.92%, 0.47%

LAB 63.33, 33.62, 68.47

 

CMYK 96 / 0 / 94 / 10

HEX #0AE60D

RGB 10 230 13

HSL 120.82, 0.92%, 0.47%

LAB 80, -79.17, 75.83

 

CMYK 96 / 50 / 0 / 10

HEX #0A74E6

RGB 10 116 230

HSL 211.09, 0.92%, 0.47%

LAB 49.82, 16.89, -64.93

 

CMYK 0 / 96 / 2 / 10

HEX #E60AE2

RGB 230 10 226

HSL 301.09, 0.92%, 0.47%

LAB 54.59, 89.64, -54.02

 

Description

Color code: RGB 230.1 126.8 10 | qconv.com Color code: RGB 230.1 126.8 10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230.1 red, 126.8 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230.1 126.8 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 96 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 96% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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