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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 230.14 108 89 it is the complementary color RGB 24.86 147 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 230.14 108 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 230.14 108 89 shade: RGB 235.14 108 84, RGB 252.14 126 103, RGB 255 144 122, RGB 255 162 141 and RGB 255 180 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 230.14 108 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 230.14 108 89 shade: RGB 230.14 108 89, RGB 213.14 90 70, RGB 196.14 72 51, RGB 179.14 54 32 and RGB 162.14 36 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 230.14 108 89 shade: RGB 230 110 91 and RGB 230 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 230.14 108 89 shade: RGB 230 110 91, RGB 230 147 91, RGB 230 185 91, RGB 230 223 91 and RGB 201 230 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 230.14 108 89 shade matches the following richer shades: RGB 230 110 91 and RGB 246 98 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 230.14 108 89 shade: RGB 230 110 91, RGB 215 121 106, RGB 200 132 121, RGB 185 143 137 and RGB 169 154 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 230.14 108 89 shade: RGB 230 91 147, RGB 230 91 109, RGB 230 109 91, RGB 230 147 91 and RGB 230 184 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 230.14 108 89 shade: RGB 208 55 31, RGB 225 78 55, RGB 230 110 91, RGB 236 141 127 and RGB 241 173 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 230.14 108 89 shade: RGB 230.14 108 89, RGB 184 230 91 and RGB 91 128 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 230.14 108 89 shade: RGB 230.14 108 89, RGB 91 230 109 and RGB 109 91 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 230.14 108 89 shade: RGB 230.14 108 89, RGB 184 230 91, RGB 91 212 230 and RGB 137 91 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 230.14 108 89 shade: RGB 230.14 108 89, RGB 142 230 91, RGB 91 212 230 and RGB 179 91 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

Complementary color

CMYK 85 / 11 / 0 / 35

HEX #1893A6

RGB 24.86 147 166

HSL 188.08, 0.74%, 0.37%

LAB 55.91, -24.36, -18.94

 

CMYK 0 / 54 / 64 / 8

HEX #EB6C54

RGB 235.14 108 84

HSL 9.53, 0.79%, 0.63%

LAB 60.83, 47.47, 37.05

 

CMYK 0 / 50 / 59 / 1

HEX #FC7E67

RGB 252.14 126 103

HSL 9.25, 0.96%, 0.7%

LAB 66.99, 46.18, 34.85

 

CMYK 0 / 44 / 52 / 0

HEX #FF907A

RGB 255 144 122

HSL 9.92, 1%, 0.74%

LAB 71.29, 39.71, 30.1

 

CMYK 0 / 36 / 45 / 0

HEX #FFA28D

RGB 255 162 141

HSL 11.05, 1%, 0.78%

LAB 75.47, 32.19, 25.35

 

CMYK 0 / 29 / 37 / 0

HEX #FFB4A0

RGB 255 180 160

HSL 12.63, 1%, 0.81%

LAB 79.86, 24.83, 21.11

 

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

CMYK 0 / 58 / 67 / 16

HEX #D55A46

RGB 213.14 90 70

HSL 8.38, 0.63%, 0.56%

LAB 53.94, 47.23, 35.7

 

CMYK 0 / 63 / 74 / 23

HEX #C44833

RGB 196.14 72 51

HSL 8.68, 0.59%, 0.48%

LAB 47.79, 48.44, 38.43

 

CMYK 0 / 70 / 82 / 30

HEX #B33620

RGB 179.14 54 32

HSL 8.97, 0.7%, 0.41%

LAB 41.76, 49.45, 41.37

 

CMYK 0 / 78 / 92 / 36

HEX #A2240D

RGB 162.14 36 13

HSL 9.25, 0.85%, 0.34%

LAB 35.96, 49.98, 43.97

 

CMYK 0 / 52 / 60 / 10

HEX #E66E5B

RGB 230 110 91

HSL 8.2, 0.74%, 0.63%

LAB 60.54, 45.07, 32.66

 

CMYK 0 / 60 / 60 / 10

HEX #E65B5B

RGB 230 91 91

HSL 0, 0.74%, 0.63%

LAB 57.13, 53.95, 28.33

 

CMYK 0 / 52 / 60 / 10

HEX #E66E5B

RGB 230 110 91

HSL 8.2, 0.74%, 0.63%

LAB 60.54, 45.07, 32.66

 

CMYK 0 / 36 / 60 / 10

HEX #E6935B

RGB 230 147 91

HSL 24.17, 0.74%, 0.63%

LAB 68.35, 26, 42.25

 

CMYK 0 / 20 / 60 / 10

HEX #E6B95B

RGB 230 185 91

HSL 40.58, 0.74%, 0.63%

LAB 77.45, 5.82, 52.89

 

CMYK 0 / 3 / 60 / 10

HEX #E6DF5B

RGB 230 223 91

HSL 56.98, 0.74%, 0.63%

LAB 87.17, -13.62, 63.69

 

CMYK 13 / 0 / 60 / 10

HEX #C9E65B

RGB 201 230 91

HSL 72.52, 0.74%, 0.63%

LAB 86.88, -28.65, 62.75

 

CMYK 0 / 52 / 60 / 10

HEX #E66E5B

RGB 230 110 91

HSL 8.2, 0.74%, 0.63%

LAB 60.54, 45.07, 32.66

 

CMYK 0 / 60 / 69 / 4

HEX #F6624C

RGB 246 98 76

HSL 7.76, 0.9%, 0.63%

LAB 60.65, 55.46, 41.61

 

CMYK 0 / 52 / 60 / 10

HEX #E66E5B

RGB 230 110 91

HSL 8.2, 0.74%, 0.63%

LAB 60.54, 45.07, 32.66

 

CMYK 0 / 44 / 51 / 16

HEX #D7796A

RGB 215 121 106

HSL 8.26, 0.58%, 0.63%

LAB 60.92, 35.03, 24.33

 

CMYK 0 / 34 / 40 / 22

HEX #C88479

RGB 200 132 121

HSL 8.35, 0.42%, 0.63%

LAB 61.79, 24.84, 16.7

 

CMYK 0 / 23 / 26 / 27

HEX #B98F89

RGB 185 143 137

HSL 7.5, 0.26%, 0.63%

LAB 63.15, 14.98, 9.3

 

CMYK 0 / 9 / 10 / 34

HEX #A99A98

RGB 169 154 152

HSL 7.06, 0.09%, 0.63%

LAB 64.81, 5.15, 3.04

 

CMYK 0 / 60 / 36 / 10

HEX #E65B93

RGB 230 91 147

HSL 335.83, 0.74%, 0.63%

LAB 58.43, 58.95, -2.55

 

CMYK 0 / 60 / 53 / 10

HEX #E65B6D

RGB 230 91 109

HSL 352.23, 0.74%, 0.63%

LAB 57.47, 55.28, 18.33

 

CMYK 0 / 53 / 60 / 10

HEX #E66D5B

RGB 230 109 91

HSL 7.77, 0.74%, 0.63%

LAB 60.35, 45.56, 32.42

 

CMYK 0 / 36 / 60 / 10

HEX #E6935B

RGB 230 147 91

HSL 24.17, 0.74%, 0.63%

LAB 68.35, 26, 42.25

 

CMYK 0 / 20 / 60 / 10

HEX #E6B85B

RGB 230 184 91

HSL 40.14, 0.74%, 0.63%

LAB 77.2, 6.34, 52.6

 

CMYK 0 / 74 / 85 / 18

HEX #D0371F

RGB 208 55 31

HSL 8.14, 0.74%, 0.47%

LAB 47.29, 58.41, 48.88

 

CMYK 0 / 65 / 76 / 12

HEX #E14E37

RGB 225 78 55

HSL 8.12, 0.74%, 0.55%

LAB 53.74, 55.94, 44.17

 

CMYK 0 / 52 / 60 / 10

HEX #E66E5B

RGB 230 110 91

HSL 8.2, 0.74%, 0.63%

LAB 60.54, 45.07, 32.66

 

CMYK 0 / 40 / 46 / 7

HEX #EC8D7F

RGB 236 141 127

HSL 7.71, 0.74%, 0.71%

LAB 68.33, 34.56, 22.98

 

CMYK 0 / 28 / 32 / 5

HEX #F1ADA3

RGB 241 173 163

HSL 7.69, 0.74%, 0.79%

LAB 76.82, 23.6, 15.04

 

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

CMYK 20 / 0 / 60 / 10

HEX #B8E65B

RGB 184 230 91

HSL 79.86, 0.74%, 0.63%

LAB 85.78, -35.19, 61.22

 

CMYK 60 / 44 / 0 / 10

HEX #5B80E6

RGB 91 128 230

HSL 224.03, 0.74%, 0.63%

LAB 55.46, 17.88, -55.74

 

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

CMYK 60 / 0 / 53 / 10

HEX #5BE66D

RGB 91 230 109

HSL 127.77, 0.74%, 0.63%

LAB 81.8, -61.89, 47.52

 

CMYK 53 / 60 / 0 / 10

HEX #6D5BE6

RGB 109 91 230

HSL 247.77, 0.74%, 0.63%

LAB 47.55, 43.53, -68.42

 

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

CMYK 20 / 0 / 60 / 10

HEX #B8E65B

RGB 184 230 91

HSL 79.86, 0.74%, 0.63%

LAB 85.78, -35.19, 61.22

 

CMYK 60 / 8 / 0 / 10

HEX #5BD4E6

RGB 91 212 230

HSL 187.77, 0.74%, 0.63%

LAB 79.06, -28.46, -19

 

CMYK 40 / 60 / 0 / 10

HEX #895BE6

RGB 137 91 230

HSL 259.86, 0.74%, 0.63%

LAB 50.11, 49.06, -64.15

 

CMYK 0 / 53 / 61 / 10

HEX #E66C59

RGB 230.14 108 89

HSL 8.08, 0.74%, 0.63%

LAB 60.15, 45.96, 33.29

 

CMYK 38 / 0 / 60 / 10

HEX #8EE65B

RGB 142 230 91

HSL 97.99, 0.74%, 0.63%

LAB 83.49, -50.02, 58.05

 

CMYK 60 / 8 / 0 / 10

HEX #5BD4E6

RGB 91 212 230

HSL 187.77, 0.74%, 0.63%

LAB 79.06, -28.46, -19

 

CMYK 22 / 60 / 0 / 10

HEX #B35BE6

RGB 179 91 230

HSL 277.99, 0.74%, 0.63%

LAB 54.84, 58.45, -56.3

 

Description

Color code: RGB 230.14 108 89 | qconv.com Color code: RGB 230.14 108 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230.14 red, 108 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230.14 108 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 61 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 61% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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