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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23.1 108.8 224 it is the complementary color RGB 231.9 146.2 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23.1 108.8 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23.1 108.8 224 shade: RGB 28.1 108.8 219, RGB 45.1 126.8 238, RGB 62.1 144.8 255, RGB 79.1 162.8 255 and RGB 96.1 180.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23.1 108.8 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23.1 108.8 224 shade: RGB 23.1 108.8 224, RGB 6.1 90.8 205, RGB 0 72.8 186, RGB 0 54.8 167 and RGB 0 36.8 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23.1 108.8 224 shade: RGB 23 108 222, RGB 23 54 222, RGB 46 23 222, RGB 99 23 222 and RGB 153 23 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23.1 108.8 224 shade: RGB 23 108 222, RGB 23 54 222 and RGB 23 23 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23.1 108.8 224 shade matches the following richer shades: RGB 23 108 222 and RGB 3 105 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23.1 108.8 224 shade: RGB 23 108 222, RGB 43 111 202, RGB 63 114 182, RGB 83 117 162 and RGB 102 119 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23.1 108.8 224 shade: RGB 23 215 222, RGB 23 162 222, RGB 23 109 222, RGB 23 56 222 and RGB 43 23 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23.1 108.8 224 shade: RGB 15 71 147, RGB 19 90 184, RGB 23 108 222, RGB 52 130 234 and RGB 90 153 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23.1 108.8 224 shade: RGB 23.1 108.8 224, RGB 175 23 222 and RGB 188 222 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23.1 108.8 224 shade: RGB 23.1 108.8 224, RGB 222 23 109 and RGB 109 222 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23.1 108.8 224 shade: RGB 23.1 108.8 224, RGB 175 23 222, RGB 222 136 23 and RGB 70 222 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23.1 108.8 224 shade: RGB 23.1 108.8 224, RGB 222 23 208, RGB 222 136 23 and RGB 23 222 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

Complementary color

CMYK 0 / 37 / 87 / 9

HEX #E7921F

RGB 231.9 146.2 31

HSL 34.41, 0.81%, 0.52%

LAB 67.92, 24.51, 67.35

 

CMYK 87 / 50 / 0 / 14

HEX #1C6CDB

RGB 28.1 108.8 219

HSL 214.64, 0.77%, 0.48%

LAB 47.31, 18, -62.77

 

CMYK 81 / 47 / 0 / 7

HEX #2D7EEE

RGB 45.1 126.8 238

HSL 214.59, 0.85%, 0.56%

LAB 53.88, 15.19, -62.83

 

CMYK 76 / 43 / 0 / 0

HEX #3E90FF

RGB 62.1 144.8 255

HSL 214.28, 1%, 0.62%

LAB 60.28, 12.15, -61.91

 

CMYK 69 / 36 / 0 / 0

HEX #4FA2FF

RGB 79.1 162.8 255

HSL 211.45, 1%, 0.66%

LAB 65.76, 3.73, -53.16

 

CMYK 62 / 29 / 0 / 0

HEX #60B4FF

RGB 96.1 180.8 255

HSL 208.02, 1%, 0.69%

LAB 71.34, -3.74, -44.32

 

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

CMYK 97 / 56 / 0 / 20

HEX #065ACD

RGB 6.1 90.8 205

HSL 214.45, 0.94%, 0.41%

LAB 41.05, 23.21, -64.94

 

CMYK 100 / 61 / 0 / 27

HEX #0048BA

RGB 0 72.8 186

HSL 216.52, 1%, 0.36%

LAB 34.57, 27.4, -64.46

 

CMYK 100 / 67 / 0 / 35

HEX #0036A7

RGB 0 54.8 167

HSL 220.31, 1%, 0.33%

LAB 28.12, 31.92, -63.72

 

CMYK 100 / 75 / 0 / 42

HEX #002494

RGB 0 36.8 148

HSL 225.08, 1%, 0.29%

LAB 21.76, 36.34, -62.63

 

CMYK 90 / 51 / 0 / 13

HEX #176CDE

RGB 23 108 222

HSL 214.37, 0.81%, 0.48%

LAB 47.21, 19.38, -64.64

 

CMYK 90 / 76 / 0 / 13

HEX #1736DE

RGB 23 54 222

HSL 230.65, 0.81%, 0.48%

LAB 34.18, 53.05, -86.01

 

CMYK 79 / 90 / 0 / 13

HEX #2E17DE

RGB 46 23 222

HSL 246.93, 0.81%, 0.48%

LAB 30.56, 67.19, -91.99

 

CMYK 55 / 90 / 0 / 13

HEX #6317DE

RGB 99 23 222

HSL 262.91, 0.81%, 0.48%

LAB 35.08, 70.3, -84.36

 

CMYK 31 / 90 / 0 / 13

HEX #9917DE

RGB 153 23 222

HSL 279.2, 0.81%, 0.48%

LAB 42.24, 76.11, -72.31

 

CMYK 90 / 51 / 0 / 13

HEX #176CDE

RGB 23 108 222

HSL 214.37, 0.81%, 0.48%

LAB 47.21, 19.38, -64.64

 

CMYK 90 / 76 / 0 / 13

HEX #1736DE

RGB 23 54 222

HSL 230.65, 0.81%, 0.48%

LAB 34.18, 53.05, -86.01

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 90 / 51 / 0 / 13

HEX #176CDE

RGB 23 108 222

HSL 214.37, 0.81%, 0.48%

LAB 47.21, 19.38, -64.64

 

CMYK 99 / 56 / 0 / 5

HEX #0369F1

RGB 3 105 241

HSL 214.29, 0.98%, 0.48%

LAB 47.59, 28.02, -74.73

 

CMYK 90 / 51 / 0 / 13

HEX #176CDE

RGB 23 108 222

HSL 214.37, 0.81%, 0.48%

LAB 47.21, 19.38, -64.64

 

CMYK 79 / 45 / 0 / 21

HEX #2B6FCA

RGB 43 111 202

HSL 214.34, 0.65%, 0.48%

LAB 47.17, 11.32, -53.29

 

CMYK 65 / 37 / 0 / 29

HEX #3F72B6

RGB 63 114 182

HSL 214.29, 0.49%, 0.48%

LAB 47.58, 4.92, -41.06

 

CMYK 49 / 28 / 0 / 36

HEX #5375A2

RGB 83 117 162

HSL 214.18, 0.32%, 0.48%

LAB 48.47, 0.74, -27.94

 

CMYK 28 / 16 / 0 / 44

HEX #66778E

RGB 102 119 142

HSL 214.5, 0.16%, 0.48%

LAB 49.46, -0.68, -14.57

 

CMYK 90 / 3 / 0 / 13

HEX #17D7DE

RGB 23 215 222

HSL 182.11, 0.81%, 0.48%

LAB 78.49, -39.49, -15.68

 

CMYK 90 / 27 / 0 / 13

HEX #17A2DE

RGB 23 162 222

HSL 198.09, 0.81%, 0.48%

LAB 62.76, -13, -39.86

 

CMYK 90 / 51 / 0 / 13

HEX #176DDE

RGB 23 109 222

HSL 214.07, 0.81%, 0.48%

LAB 47.49, 18.74, -64.19

 

CMYK 90 / 75 / 0 / 13

HEX #1738DE

RGB 23 56 222

HSL 230.05, 0.81%, 0.48%

LAB 34.57, 51.95, -85.36

 

CMYK 81 / 90 / 0 / 13

HEX #2B17DE

RGB 43 23 222

HSL 246.03, 0.81%, 0.48%

LAB 30.4, 67.08, -92.27

 

CMYK 90 / 52 / 0 / 42

HEX #0F4793

RGB 15 71 147

HSL 214.55, 0.81%, 0.32%

LAB 31.15, 13.28, -46.64

 

CMYK 90 / 51 / 0 / 28

HEX #135AB8

RGB 19 90 184

HSL 214.18, 0.81%, 0.4%

LAB 39.43, 15.86, -55.36

 

CMYK 90 / 51 / 0 / 13

HEX #176CDE

RGB 23 108 222

HSL 214.37, 0.81%, 0.48%

LAB 47.21, 19.38, -64.64

 

CMYK 78 / 44 / 0 / 8

HEX #3482EA

RGB 52 130 234

HSL 214.29, 0.81%, 0.56%

LAB 54.7, 12.4, -59.28

 

CMYK 62 / 36 / 0 / 7

HEX #5A99EE

RGB 90 153 238

HSL 214.46, 0.81%, 0.64%

LAB 62.62, 5.46, -48.8

 

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

CMYK 21 / 90 / 0 / 13

HEX #AF17DE

RGB 175 23 222

HSL 285.83, 0.81%, 0.48%

LAB 45.64, 79.13, -66.64

 

CMYK 15 / 0 / 90 / 13

HEX #BCDE17

RGB 188 222 23

HSL 70.25, 0.81%, 0.48%

LAB 83.44, -33.19, 79.76

 

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

CMYK 0 / 90 / 51 / 13

HEX #DE176D

RGB 222 23 109

HSL 334.07, 0.81%, 0.48%

LAB 48.57, 73.78, 5.68

 

CMYK 51 / 0 / 90 / 13

HEX #6DDE17

RGB 109 222 23

HSL 94.07, 0.81%, 0.48%

LAB 79.36, -61.1, 74.73

 

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

CMYK 21 / 90 / 0 / 13

HEX #AF17DE

RGB 175 23 222

HSL 285.83, 0.81%, 0.48%

LAB 45.64, 79.13, -66.64

 

CMYK 0 / 39 / 90 / 13

HEX #DE8817

RGB 222 136 23

HSL 34.07, 0.81%, 0.48%

LAB 64.32, 25.59, 66.12

 

CMYK 68 / 0 / 90 / 13

HEX #46DE17

RGB 70 222 23

HSL 105.83, 0.81%, 0.48%

LAB 78.23, -70.33, 73.33

 

CMYK 90 / 51 / 0 / 12

HEX #176CE0

RGB 23.1 108.8 224

HSL 214.41, 0.81%, 0.48%

LAB 47.57, 19.65, -65.18

 

CMYK 0 / 90 / 6 / 13

HEX #DE17D0

RGB 222 23 208

HSL 304.22, 0.81%, 0.48%

LAB 52.62, 84.52, -46.99

 

CMYK 0 / 39 / 90 / 13

HEX #DE8817

RGB 222 136 23

HSL 34.07, 0.81%, 0.48%

LAB 64.32, 25.59, 66.12

 

CMYK 90 / 0 / 84 / 13

HEX #17DE24

RGB 23 222 36

HSL 123.92, 0.81%, 0.48%

LAB 77.61, -75.65, 69.97

 

Description

Color code: RGB 23.1 108.8 224 | qconv.com Color code: RGB 23.1 108.8 224 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23.1 red, 108.8 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23.1 108.8 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 51 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 51% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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