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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 225 216 it is the complementary color RGB 26 30 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 225 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 225 216: RGB 234 225 211, RGB 251 243 230, RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 225 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 225 216: RGB 229 225 216, RGB 212 207 197, RGB 195 189 178, RGB 178 171 159 and RGB 161 153 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

 

Complementary color

CMYK 33 / 23 / 0 / 85

HEX #1A1E27

RGB 26 30 39

HSL 221.54, 0.2%, 0.13%

LAB 11.24, 0.82, -6.7

 

CMYK 0 / 4 / 10 / 8

HEX #EAE1D3

RGB 234 225 211

HSL 36.52, 0.35%, 0.87%

LAB 89.88, 0.7, 7.92

 

CMYK 0 / 3 / 8 / 2

HEX #FBF3E6

RGB 251 243 230

HSL 37.14, 0.72%, 0.94%

LAB 96.13, 0.5, 7.2

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 0 / 2 / 7 / 17

HEX #D4CFC5

RGB 212 207 197

HSL 40, 0.15%, 0.8%

LAB 83.26, -0.02, 5.56

 

CMYK 0 / 3 / 9 / 24

HEX #C3BDB2

RGB 195 189 178

HSL 38.82, 0.12%, 0.73%

LAB 76.81, 0.18, 6.29

 

CMYK 0 / 4 / 11 / 30

HEX #B2AB9F

RGB 178 171 159

HSL 37.89, 0.11%, 0.66%

LAB 70.24, 0.39, 7.06

 

CMYK 0 / 5 / 13 / 37

HEX #A1998C

RGB 161 153 140

HSL 37.14, 0.1%, 0.59%

LAB 63.55, 0.62, 7.87

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 0 / 1 / 6 / 11

HEX #E4E2D7

RGB 228 226 215

HSL 50.77, 0.19%, 0.87%

LAB 89.76, -1.23, 5.6

 

CMYK 0 / 0 / 6 / 11

HEX #E4E4D7

RGB 228 228 215

HSL 60, 0.19%, 0.87%

LAB 90.27, -2.26, 6.33

 

CMYK 1 / 0 / 6 / 11

HEX #E2E4D7

RGB 226 228 215

HSL 69.23, 0.19%, 0.87%

LAB 90.12, -2.95, 6.1

 

CMYK 2 / 0 / 6 / 11

HEX #DFE4D7

RGB 223 228 215

HSL 83.08, 0.19%, 0.87%

LAB 89.9, -3.97, 5.75

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 0 / 0 / 4 / 90

HEX #191918

RGB 25 25 24

HSL 60, 0.02%, 0.1%

LAB 8.72, -0.25, 0.7

 

CMYK 0 / 1 / 5 / 70

HEX #4C4B48

RGB 76 75 72

HSL 45, 0.03%, 0.29%

LAB 31.89, -0.22, 1.93

 

CMYK 0 / 2 / 6 / 50

HEX #7F7D78

RGB 127 125 120

HSL 42.86, 0.03%, 0.48%

LAB 52.44, -0.21, 2.98

 

CMYK 0 / 2 / 6 / 30

HEX #B2AFA8

RGB 178 175 168

HSL 42, 0.06%, 0.68%

LAB 71.52, -0.21, 3.95

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 5 / 0 / 6 / 11

HEX #D8E4D7

RGB 216 228 215

HSL 115.38, 0.19%, 0.87%

LAB 89.39, -6.35, 4.95

 

CMYK 4 / 6 / 0 / 11

HEX #DAD7E4

RGB 218 215 228

HSL 253.85, 0.19%, 0.87%

LAB 86.56, 3.41, -6.02

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 6 / 0 / 2 / 11

HEX #D7E4E0

RGB 215 228 224

HSL 161.54, 0.19%, 0.87%

LAB 89.54, -5.06, 0.44

 

CMYK 2 / 6 / 0 / 11

HEX #E0D7E4

RGB 224 215 228

HSL 281.54, 0.19%, 0.87%

LAB 87.02, 5.41, -5.28

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 5 / 0 / 6 / 11

HEX #D8E4D7

RGB 216 228 215

HSL 115.38, 0.19%, 0.87%

LAB 89.39, -6.35, 4.95

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 1 / 6 / 0 / 11

HEX #E2D7E4

RGB 226 215 228

HSL 290.77, 0.19%, 0.87%

LAB 87.18, 6.08, -5.03

 

CMYK 0 / 2 / 6 / 10

HEX #E5E1D8

RGB 229 225 216

HSL 41.54, 0.2%, 0.87%

LAB 89.61, -0.2, 4.87

SW® 6070

CMYK 6 / 0 / 5 / 11

HEX #D7E4D9

RGB 215 228 217

HSL 129.23, 0.19%, 0.87%

LAB 89.37, -6.34, 3.86

 

CMYK 6 / 4 / 0 / 11

HEX #D7DBE4

RGB 215 219 228

HSL 221.54, 0.19%, 0.87%

LAB 87.34, 0.33, -4.88

 

CMYK 0 / 6 / 1 / 11

HEX #E4D7E2

RGB 228 215 226

HSL 309.23, 0.19%, 0.87%

LAB 87.28, 6.4, -3.8

 

Description

Color code: RGB 229 225 216 | qconv.com Color code: RGB 229 225 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 225 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 225 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 6 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 6% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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