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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 68 135 it is the complementary color RGB 27 187 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 68 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 68 135 shade: RGB 233 68 130, RGB 250 86 149, RGB 255 104 168, RGB 255 122 187 and RGB 255 140 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 68 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 68 135 shade: RGB 228 68 135, RGB 211 50 116, RGB 194 32 97, RGB 177 14 78 and RGB 160 0 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 68 135 shade: RGB 228 67 134, RGB 228 67 91 and RGB 228 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 68 135 shade: RGB 228 67 134, RGB 228 67 178, RGB 228 67 221, RGB 191 67 228 and RGB 148 67 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 68 135 shade matches the following richer shades: RGB 228 67 134 and RGB 245 50 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 68 135 shade: RGB 228 67 134, RGB 210 84 137, RGB 193 102 140, RGB 176 119 143 and RGB 158 136 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 68 135 shade: RGB 228 67 222, RGB 228 67 180, RGB 228 67 137, RGB 228 67 94 and RGB 228 83 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 68 135 shade: RGB 186 26 93, RGB 222 31 111, RGB 228 67 134, RGB 233 103 157 and RGB 238 139 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 68 135 shade: RGB 228 68 135, RGB 228 190 67 and RGB 67 201 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 68 135 shade: RGB 228 68 135, RGB 137 228 67 and RGB 67 137 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 68 135 shade: RGB 228 68 135, RGB 228 190 67, RGB 67 228 158 and RGB 67 105 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 68 135 shade: RGB 228 68 135, RGB 217 228 67, RGB 67 228 158 and RGB 78 67 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

Complementary color

CMYK 86 / 0 / 36 / 27

HEX #1BBB78

RGB 27 187 120

HSL 154.88, 0.75%, 0.42%

LAB 67.37, -54.19, 23.28

 

CMYK 0 / 71 / 44 / 9

HEX #E94482

RGB 233 68 130

HSL 337.45, 0.79%, 0.59%

LAB 55.14, 67.1, 2.73

 

CMYK 0 / 66 / 40 / 2

HEX #FA5695

RGB 250 86 149

HSL 336.95, 0.94%, 0.66%

LAB 60.91, 67.14, 0.3

 

CMYK 0 / 59 / 34 / 0

HEX #FF68A8

RGB 255 104 168

HSL 334.57, 1%, 0.7%

LAB 64.95, 63.28, -4.61

 

CMYK 0 / 52 / 27 / 0

HEX #FF7ABB

RGB 255 122 187

HSL 330.68, 1%, 0.74%

LAB 68.58, 57.49, -9.98

 

CMYK 0 / 45 / 19 / 0

HEX #FF8CCE

RGB 255 140 206

HSL 325.57, 1%, 0.77%

LAB 72.54, 51.42, -14.63

 

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

CMYK 0 / 76 / 45 / 17

HEX #D33274

RGB 211 50 116

HSL 335.4, 0.65%, 0.51%

LAB 48.75, 65.66, 1.39

 

CMYK 0 / 84 / 50 / 24

HEX #C22061

RGB 194 32 97

HSL 335.93, 0.72%, 0.44%

LAB 43.31, 64.39, 4.86

 

CMYK 0 / 92 / 56 / 31

HEX #B10E4E

RGB 177 14 78

HSL 336.44, 0.85%, 0.37%

LAB 38.22, 62.02, 9.22

 

CMYK 0 / 100 / 63 / 37

HEX #A0003B

RGB 160 0 59

HSL 337.88, 1%, 0.31%

LAB 33.54, 58.38, 14.59

 

CMYK 0 / 71 / 41 / 11

HEX #E44386

RGB 228 67 134

HSL 335.03, 0.75%, 0.58%

LAB 54.27, 66.44, -1.03

 

CMYK 0 / 71 / 60 / 11

HEX #E4435B

RGB 228 67 91

HSL 351.06, 0.75%, 0.58%

LAB 53.24, 62.96, 23.19

 

CMYK 0 / 71 / 71 / 11

HEX #E44343

RGB 228 67 67

HSL 0, 0.75%, 0.58%

LAB 52.85, 61.65, 36.73

 

CMYK 0 / 71 / 41 / 11

HEX #E44386

RGB 228 67 134

HSL 335.03, 0.75%, 0.58%

LAB 54.27, 66.44, -1.03

 

CMYK 0 / 71 / 22 / 11

HEX #E443B2

RGB 228 67 178

HSL 318.63, 0.75%, 0.58%

LAB 55.81, 71.43, -24.59

 

CMYK 0 / 71 / 3 / 11

HEX #E443DD

RGB 228 67 221

HSL 302.61, 0.75%, 0.58%

LAB 57.78, 77.53, -46.14

 

CMYK 16 / 71 / 0 / 11

HEX #BF43E4

RGB 191 67 228

HSL 286.21, 0.75%, 0.58%

LAB 52.61, 70.97, -58.66

 

CMYK 35 / 71 / 0 / 11

HEX #9443E4

RGB 148 67 228

HSL 270.19, 0.75%, 0.58%

LAB 46.86, 62.63, -68.24

 

CMYK 0 / 71 / 41 / 11

HEX #E44386

RGB 228 67 134

HSL 335.03, 0.75%, 0.58%

LAB 54.27, 66.44, -1.03

 

CMYK 0 / 80 / 46 / 4

HEX #F53284

RGB 245 50 132

HSL 334.77, 0.91%, 0.58%

LAB 55.44, 75.79, 2.24

 

CMYK 0 / 71 / 41 / 11

HEX #E44386

RGB 228 67 134

HSL 335.03, 0.75%, 0.58%

LAB 54.27, 66.44, -1.03

 

CMYK 0 / 60 / 35 / 18

HEX #D25489

RGB 210 84 137

HSL 334.76, 0.58%, 0.58%

LAB 53.87, 54.71, -3.75

 

CMYK 0 / 47 / 27 / 24

HEX #C1668C

RGB 193 102 140

HSL 334.95, 0.42%, 0.58%

LAB 54.8, 40.77, -4.42

 

CMYK 0 / 32 / 19 / 31

HEX #B0778F

RGB 176 119 143

HSL 334.74, 0.27%, 0.58%

LAB 56.49, 25.91, -3.91

 

CMYK 0 / 14 / 8 / 38

HEX #9E8892

RGB 158 136 146

HSL 332.73, 0.1%, 0.58%

LAB 58.93, 10.08, -2.26

 

CMYK 0 / 71 / 3 / 11

HEX #E443DE

RGB 228 67 222

HSL 302.24, 0.75%, 0.58%

LAB 57.83, 77.68, -46.62

 

CMYK 0 / 71 / 21 / 11

HEX #E443B4

RGB 228 67 180

HSL 317.89, 0.75%, 0.58%

LAB 55.89, 71.69, -25.63

 

CMYK 0 / 71 / 40 / 11

HEX #E44389

RGB 228 67 137

HSL 333.91, 0.75%, 0.58%

LAB 54.36, 66.73, -2.68

 

CMYK 0 / 71 / 59 / 11

HEX #E4435E

RGB 228 67 94

HSL 349.94, 0.75%, 0.58%

LAB 53.29, 63.16, 21.48

 

CMYK 0 / 64 / 71 / 11

HEX #E45343

RGB 228 83 67

HSL 5.96, 0.75%, 0.58%

LAB 55.16, 55.38, 39.4

 

CMYK 0 / 86 / 50 / 27

HEX #BA1A5D

RGB 186 26 93

HSL 334.88, 0.75%, 0.42%

LAB 41.17, 63.33, 4.09

 

CMYK 0 / 86 / 50 / 13

HEX #DE1F6F

RGB 222 31 111

HSL 334.87, 0.75%, 0.5%

LAB 49.08, 72.62, 5.18

 

CMYK 0 / 71 / 41 / 11

HEX #E44386

RGB 228 67 134

HSL 335.03, 0.75%, 0.58%

LAB 54.27, 66.44, -1.03

 

CMYK 0 / 56 / 33 / 9

HEX #E9679D

RGB 233 103 157

HSL 335.08, 0.75%, 0.66%

LAB 61.18, 55.68, -4.24

 

CMYK 0 / 42 / 24 / 7

HEX #EE8BB5

RGB 238 139 181

HSL 334.55, 0.74%, 0.74%

LAB 69.45, 42.77, -5.56

 

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

CMYK 0 / 17 / 71 / 11

HEX #E4BE43

RGB 228 190 67

HSL 45.84, 0.75%, 0.58%

LAB 78.3, 0.94, 64.18

 

CMYK 71 / 12 / 0 / 11

HEX #43C9E4

RGB 67 201 228

HSL 190.06, 0.75%, 0.58%

LAB 75.18, -27.27, -23.87

 

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

CMYK 40 / 0 / 71 / 11

HEX #89E443

RGB 137 228 67

HSL 93.91, 0.75%, 0.58%

LAB 82.49, -52.76, 66.37

 

CMYK 71 / 40 / 0 / 11

HEX #4389E4

RGB 67 137 228

HSL 213.91, 0.75%, 0.58%

LAB 56.77, 7.83, -52.59

 

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

CMYK 0 / 17 / 71 / 11

HEX #E4BE43

RGB 228 190 67

HSL 45.84, 0.75%, 0.58%

LAB 78.3, 0.94, 64.18

 

CMYK 71 / 0 / 31 / 11

HEX #43E49E

RGB 67 228 158

HSL 153.91, 0.75%, 0.58%

LAB 81.37, -57.18, 22.46

 

CMYK 71 / 54 / 0 / 11

HEX #4369E4

RGB 67 105 228

HSL 225.84, 0.75%, 0.58%

LAB 48.13, 27.61, -66.48

 

CMYK 0 / 70 / 41 / 11

HEX #E44487

RGB 228 68 135

HSL 334.88, 0.75%, 0.58%

LAB 54.43, 66.19, -1.4

 

CMYK 5 / 0 / 71 / 11

HEX #D9E443

RGB 217 228 67

HSL 64.1, 0.75%, 0.58%

LAB 87.31, -22.75, 72.76

 

CMYK 71 / 0 / 31 / 11

HEX #43E49E

RGB 67 228 158

HSL 153.91, 0.75%, 0.58%

LAB 81.37, -57.18, 22.46

 

CMYK 66 / 71 / 0 / 11

HEX #4E43E4

RGB 78 67 228

HSL 244.1, 0.75%, 0.58%

LAB 39.97, 51.87, -79.77

 

Description

Color code: RGB 228 68 135 | qconv.com Color code: RGB 228 68 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 68 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 68 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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