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Color name
RGB 228 26 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 26 121 it is the complementary color RGB 27 229 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 26 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 26 121 shade: RGB 233 26 116, RGB 250 44 135, RGB 255 62 154, RGB 255 80 173 and RGB 255 98 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 26 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 26 121 shade: RGB 228 26 121, RGB 211 8 102, RGB 194 0 83, RGB 177 0 64 and RGB 160 0 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 26 121 shade: RGB 229 25 121, RGB 229 25 66 and RGB 229 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 26 121 shade: RGB 229 25 121, RGB 229 25 176, RGB 227 25 229, RGB 172 25 229 and RGB 117 25 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 26 121 shade matches the following richer shades: RGB 229 25 121 and RGB 250 4 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 26 121 shade: RGB 229 25 121, RGB 208 46 122, RGB 188 66 123, RGB 167 87 125 and RGB 146 108 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 26 121 shade: RGB 226 25 229, RGB 229 25 178, RGB 229 25 124, RGB 229 25 69 and RGB 229 35 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 26 121 shade: RGB 155 17 82, RGB 192 21 101, RGB 229 25 121, RGB 233 62 143 and RGB 237 99 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 26 121 shade: RGB 228 26 121, RGB 229 171 25 and RGB 25 205 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 26 121 shade: RGB 228 26 121, RGB 124 229 25 and RGB 25 124 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 26 121 shade: RGB 228 26 121, RGB 229 171 25, RGB 25 229 130 and RGB 25 83 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 26 121 shade: RGB 228 26 121, RGB 226 229 25, RGB 25 229 130 and RGB 28 25 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

Complementary color

CMYK 88 / 0 / 41 / 10

HEX #1BE586

RGB 27 229 134

HSL 151.78, 0.8%, 0.5%

LAB 80.73, -66.34, 33.78

 

CMYK 0 / 89 / 50 / 9

HEX #E91A74

RGB 233 26 116

HSL 333.91, 0.82%, 0.51%

LAB 51.06, 76.43, 5.26

 

CMYK 0 / 82 / 46 / 2

HEX #FA2C87

RGB 250 44 135

HSL 333.5, 0.95%, 0.58%

LAB 55.96, 78.64, 1.32

 

CMYK 0 / 76 / 40 / 0

HEX #FF3E9A

RGB 255 62 154

HSL 331.4, 1%, 0.62%

LAB 59.01, 77.04, -5.31

 

CMYK 0 / 69 / 32 / 0

HEX #FF50AD

RGB 255 80 173

HSL 328.11, 1%, 0.66%

LAB 61.67, 73.25, -12.38

 

CMYK 0 / 62 / 25 / 0

HEX #FF62C0

RGB 255 98 192

HSL 324.08, 1%, 0.69%

LAB 64.8, 68.67, -18.49

 

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

CMYK 0 / 96 / 52 / 17

HEX #D30866

RGB 211 8 102

HSL 332.22, 0.93%, 0.43%

LAB 45.61, 72.39, 5.48

 

CMYK 0 / 100 / 57 / 24

HEX #C20053

RGB 194 0 83

HSL 334.33, 1%, 0.38%

LAB 41.36, 67.93, 10.94

 

CMYK 0 / 100 / 64 / 31

HEX #B10040

RGB 177 0 64

HSL 338.31, 1%, 0.35%

LAB 37.33, 62.77, 17.04

 

CMYK 0 / 100 / 72 / 37

HEX #A0002D

RGB 160 0 45

HSL 343.13, 1%, 0.31%

LAB 33.27, 57.65, 23.41

 

CMYK 0 / 89 / 47 / 10

HEX #E51979

RGB 229 25 121

HSL 331.76, 0.8%, 0.5%

LAB 50.37, 76.04, 1.13

 

CMYK 0 / 89 / 71 / 10

HEX #E51942

RGB 229 25 66

HSL 347.94, 0.8%, 0.5%

LAB 49.19, 72.71, 33.02

 

CMYK 0 / 89 / 89 / 10

HEX #E51919

RGB 229 25 25

HSL 0, 0.8%, 0.5%

LAB 48.79, 71.58, 54.47

 

CMYK 0 / 89 / 47 / 10

HEX #E51979

RGB 229 25 121

HSL 331.76, 0.8%, 0.5%

LAB 50.37, 76.04, 1.13

 

CMYK 0 / 89 / 23 / 10

HEX #E519B0

RGB 229 25 176

HSL 315.59, 0.8%, 0.5%

LAB 52.38, 81.48, -28.71

 

CMYK 1 / 89 / 0 / 10

HEX #E319E5

RGB 227 25 229

HSL 299.41, 0.8%, 0.5%

LAB 54.74, 88.11, -55.5

 

CMYK 25 / 89 / 0 / 10

HEX #AC19E5

RGB 172 25 229

HSL 283.24, 0.8%, 0.5%

LAB 45.8, 79.64, -70.38

 

CMYK 49 / 89 / 0 / 10

HEX #7519E5

RGB 117 25 229

HSL 267.06, 0.8%, 0.5%

LAB 38.08, 73.07, -83.33

 

CMYK 0 / 89 / 47 / 10

HEX #E51979

RGB 229 25 121

HSL 331.76, 0.8%, 0.5%

LAB 50.37, 76.04, 1.13

 

CMYK 0 / 98 / 52 / 2

HEX #FA0478

RGB 250 4 120

HSL 331.71, 0.97%, 0.5%

LAB 53.78, 82.64, 7.17

 

CMYK 0 / 89 / 47 / 10

HEX #E51979

RGB 229 25 121

HSL 331.76, 0.8%, 0.5%

LAB 50.37, 76.04, 1.13

 

CMYK 0 / 78 / 41 / 18

HEX #D02E7A

RGB 208 46 122

HSL 331.85, 0.64%, 0.5%

LAB 47.97, 66.6, -3.48

 

CMYK 0 / 65 / 35 / 26

HEX #BC427B

RGB 188 66 123

HSL 331.97, 0.48%, 0.5%

LAB 47, 54.12, -5.91

 

CMYK 0 / 48 / 25 / 35

HEX #A7577D

RGB 167 87 125

HSL 331.5, 0.31%, 0.5%

LAB 47.64, 37.48, -6.51

 

CMYK 0 / 26 / 14 / 43

HEX #926C7E

RGB 146 108 126

HSL 331.58, 0.15%, 0.5%

LAB 49.91, 18.1, -4.03

 

CMYK 1 / 89 / 0 / 10

HEX #E219E5

RGB 226 25 229

HSL 299.12, 0.8%, 0.5%

LAB 54.58, 87.94, -55.77

 

CMYK 0 / 89 / 22 / 10

HEX #E519B2

RGB 229 25 178

HSL 315, 0.8%, 0.5%

LAB 52.47, 81.71, -29.74

 

CMYK 0 / 89 / 46 / 10

HEX #E5197C

RGB 229 25 124

HSL 330.88, 0.8%, 0.5%

LAB 50.46, 76.29, -0.57

 

CMYK 0 / 89 / 70 / 10

HEX #E51945

RGB 229 25 69

HSL 347.06, 0.8%, 0.5%

LAB 49.23, 72.84, 31.28

 

CMYK 0 / 85 / 89 / 10

HEX #E52319

RGB 229 35 25

HSL 2.94, 0.8%, 0.5%

LAB 49.41, 69.79, 54.92

 

CMYK 0 / 89 / 47 / 39

HEX #9B1152

RGB 155 17 82

HSL 331.74, 0.8%, 0.34%

LAB 33.94, 56.39, -0.11

 

CMYK 0 / 89 / 47 / 25

HEX #C01565

RGB 192 21 101

HSL 331.93, 0.8%, 0.42%

LAB 42.28, 66.37, 0.81

 

CMYK 0 / 89 / 47 / 10

HEX #E51979

RGB 229 25 121

HSL 331.76, 0.8%, 0.5%

LAB 50.37, 76.04, 1.13

 

CMYK 0 / 73 / 39 / 9

HEX #E93E8F

RGB 233 62 143

HSL 331.58, 0.8%, 0.58%

LAB 54.82, 70.34, -5.47

 

CMYK 0 / 58 / 31 / 7

HEX #ED63A4

RGB 237 99 164

HSL 331.74, 0.79%, 0.66%

LAB 61.31, 59.56, -8.01

 

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

CMYK 0 / 25 / 89 / 10

HEX #E5AB19

RGB 229 171 25

HSL 42.94, 0.8%, 0.5%

LAB 73.45, 9.97, 73.01

 

CMYK 89 / 10 / 0 / 10

HEX #19CDE5

RGB 25 205 229

HSL 187.06, 0.8%, 0.5%

LAB 75.78, -32.58, -23.56

 

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

CMYK 46 / 0 / 89 / 10

HEX #7CE519

RGB 124 229 25

HSL 90.88, 0.8%, 0.5%

LAB 82.05, -59.18, 76.9

 

CMYK 89 / 46 / 0 / 10

HEX #197CE5

RGB 25 124 229

HSL 210.88, 0.8%, 0.5%

LAB 52.15, 12.08, -60.6

 

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

CMYK 0 / 25 / 89 / 10

HEX #E5AB19

RGB 229 171 25

HSL 42.94, 0.8%, 0.5%

LAB 73.45, 9.97, 73.01

 

CMYK 89 / 0 / 43 / 10

HEX #19E582

RGB 25 229 130

HSL 150.88, 0.8%, 0.5%

LAB 80.66, -67.18, 35.68

 

CMYK 89 / 64 / 0 / 10

HEX #1953E5

RGB 25 83 229

HSL 222.94, 0.8%, 0.5%

LAB 41.3, 38.22, -78.25

 

CMYK 0 / 89 / 47 / 11

HEX #E41A79

RGB 228 26 121

HSL 331.78, 0.8%, 0.5%

LAB 50.23, 75.66, 0.89

 

CMYK 1 / 0 / 89 / 10

HEX #E2E519

RGB 226 229 25

HSL 60.88, 0.8%, 0.5%

LAB 88.1, -20.85, 84.32

 

CMYK 89 / 0 / 43 / 10

HEX #19E582

RGB 25 229 130

HSL 150.88, 0.8%, 0.5%

LAB 80.66, -67.18, 35.68

 

CMYK 88 / 89 / 0 / 10

HEX #1C19E5

RGB 28 25 229

HSL 240.88, 0.8%, 0.5%

LAB 30.88, 67.96, -95.5

 

Description

Color code: RGB 228 26 121 | qconv.com Color code: RGB 228 26 121 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 26 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 26 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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