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Color name
RGB 228 200.2 141

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 200.2 141 it is the complementary color RGB 27 54.8 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 200.2 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 200.2 141 shade: RGB 233 200.2 136, RGB 250 218.2 155, RGB 255 236.2 174, RGB 255 254.2 193 and RGB 255 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 200.2 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 200.2 141 shade: RGB 228 200.2 141, RGB 211 182.2 122, RGB 194 164.2 103, RGB 177 146.2 84 and RGB 160 128.2 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 200.2 141 shade: RGB 227 199 139, RGB 227 175 139, RGB 227 151 139 and RGB 227 139 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 200.2 141 shade: RGB 227 199 139, RGB 227 223 139, RGB 208 227 139, RGB 184 227 139 and RGB 160 227 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 200.2 141 shade matches the following richer shades: RGB 227 199 139, RGB 239 203 127 and RGB 250 207 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 200.2 141 shade: RGB 227 199 139, RGB 216 195 150, RGB 204 191 162, RGB 193 187 173 and RGB 181 182 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 200.2 141 shade: RGB 227 151 139, RGB 227 174 139, RGB 227 198 139, RGB 227 221 139 and RGB 210 227 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 200.2 141 shade: RGB 212 167 72, RGB 220 183 105, RGB 227 199 139, RGB 235 215 172 and RGB 243 231 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 200.2 141 shade: RGB 228 200.2 141, RGB 151 227 139 and RGB 162 139 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 200.2 141 shade: RGB 228 200.2 141, RGB 139 227 198 and RGB 198 139 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 200.2 141 shade: RGB 228 200.2 141, RGB 151 227 139, RGB 139 168 227 and RGB 216 139 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 200.2 141 shade: RGB 228 200.2 141, RGB 139 227 154, RGB 139 168 227 and RGB 227 139 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

Complementary color

CMYK 76 / 52 / 0 / 55

HEX #1B3672

RGB 27 54.8 114

HSL 220.83, 0.62%, 0.28%

LAB 24.2, 12.14, -37.25

 

CMYK 0 / 14 / 42 / 9

HEX #E9C888

RGB 233 200.2 136

HSL 39.71, 0.69%, 0.72%

LAB 82.11, 3.03, 36.36

 

CMYK 0 / 13 / 38 / 2

HEX #FADA9B

RGB 250 218.2 155

HSL 39.92, 0.9%, 0.79%

LAB 88.42, 2.45, 35.17

 

CMYK 0 / 7 / 32 / 0

HEX #FFECAE

RGB 255 236.2 174

HSL 46.07, 1%, 0.84%

LAB 93.63, -2.58, 32.51

 

CMYK 0 / 0 / 24 / 0

HEX #FFFEC1

RGB 255 254.2 193

HSL 59.23, 1%, 0.88%

LAB 98.48, -9.15, 29.45

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

CMYK 0 / 14 / 42 / 17

HEX #D3B67A

RGB 211 182.2 122

HSL 40.58, 0.5%, 0.65%

LAB 75.32, 2.17, 34.42

 

CMYK 0 / 15 / 47 / 24

HEX #C2A467

RGB 194 164.2 103

HSL 40.35, 0.43%, 0.58%

LAB 68.8, 2.84, 35.7

 

CMYK 0 / 17 / 53 / 31

HEX #B19254

RGB 177 146.2 84

HSL 40.13, 0.37%, 0.51%

LAB 62.17, 3.63, 37.03

 

CMYK 0 / 20 / 59 / 37

HEX #A08041

RGB 160 128.2 65

HSL 39.92, 0.42%, 0.44%

LAB 55.43, 4.59, 38.4

 

CMYK 0 / 12 / 39 / 11

HEX #E3C78B

RGB 227 199 139

HSL 40.91, 0.61%, 0.72%

LAB 81.31, 1.6, 33.67

 

CMYK 0 / 23 / 39 / 11

HEX #E3AF8B

RGB 227 175 139

HSL 24.55, 0.61%, 0.72%

LAB 75.36, 14.27, 25.76

 

CMYK 0 / 33 / 39 / 11

HEX #E3978B

RGB 227 151 139

HSL 8.18, 0.61%, 0.72%

LAB 69.7, 27.11, 18.04

 

CMYK 0 / 39 / 39 / 11

HEX #E38B8B

RGB 227 139 139

HSL 0, 0.61%, 0.72%

LAB 67.02, 33.49, 14.31

 

CMYK 0 / 12 / 39 / 11

HEX #E3C78B

RGB 227 199 139

HSL 40.91, 0.61%, 0.72%

LAB 81.31, 1.6, 33.67

 

CMYK 0 / 2 / 39 / 11

HEX #E3DF8B

RGB 227 223 139

HSL 57.27, 0.61%, 0.72%

LAB 87.47, -10.68, 41.63

 

CMYK 8 / 0 / 39 / 11

HEX #D0E38B

RGB 208 227 139

HSL 72.95, 0.61%, 0.72%

LAB 87.1, -19.96, 40.87

 

CMYK 19 / 0 / 39 / 11

HEX #B8E38B

RGB 184 227 139

HSL 89.32, 0.61%, 0.72%

LAB 85.5, -28.83, 38.49

 

CMYK 30 / 0 / 39 / 11

HEX #A0E38B

RGB 160 227 139

HSL 105.68, 0.61%, 0.72%

LAB 84.11, -37.17, 36.42

 

CMYK 0 / 12 / 39 / 11

HEX #E3C78B

RGB 227 199 139

HSL 40.91, 0.61%, 0.72%

LAB 81.31, 1.6, 33.67

 

CMYK 0 / 15 / 47 / 6

HEX #EFCB7F

RGB 239 203 127

HSL 40.71, 0.78%, 0.72%

LAB 83.23, 3.07, 42.47

 

CMYK 0 / 17 / 54 / 2

HEX #FACF74

RGB 250 207 116

HSL 40.75, 0.93%, 0.72%

LAB 85.1, 4.47, 50.42

 

CMYK 0 / 12 / 39 / 11

HEX #E3C78B

RGB 227 199 139

HSL 40.91, 0.61%, 0.72%

LAB 81.31, 1.6, 33.67

 

CMYK 0 / 10 / 31 / 15

HEX #D8C396

RGB 216 195 150

HSL 40.91, 0.46%, 0.72%

LAB 79.52, 0.71, 25.35

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 3 / 10 / 24

HEX #C1BBAD

RGB 193 187 173

HSL 42, 0.14%, 0.72%

LAB 76, -0.33, 7.83

 

CMYK 2 / 2 / 0 / 27

HEX #B5B6B9

RGB 181 182 185

HSL 225, 0.03%, 0.72%

LAB 74.05, 0.22, -1.65

 

CMYK 0 / 33 / 39 / 11

HEX #E3978B

RGB 227 151 139

HSL 8.18, 0.61%, 0.72%

LAB 69.7, 27.11, 18.04

 

CMYK 0 / 23 / 39 / 11

HEX #E3AE8B

RGB 227 174 139

HSL 23.86, 0.61%, 0.72%

LAB 75.12, 14.8, 25.43

 

CMYK 0 / 13 / 39 / 11

HEX #E3C68B

RGB 227 198 139

HSL 40.23, 0.61%, 0.72%

LAB 81.06, 2.12, 33.34

 

CMYK 0 / 3 / 39 / 11

HEX #E3DD8B

RGB 227 221 139

HSL 55.91, 0.61%, 0.72%

LAB 86.95, -9.67, 40.97

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 0 / 21 / 66 / 17

HEX #D4A748

RGB 212 167 72

HSL 40.71, 0.62%, 0.56%

LAB 70.94, 6.51, 53.91

 

CMYK 0 / 17 / 52 / 14

HEX #DCB769

RGB 220 183 105

HSL 40.7, 0.62%, 0.64%

LAB 76.13, 3.79, 44.31

 

CMYK 0 / 12 / 39 / 11

HEX #E3C78B

RGB 227 199 139

HSL 40.91, 0.61%, 0.72%

LAB 81.31, 1.6, 33.67

 

CMYK 0 / 9 / 27 / 8

HEX #EBD7AC

RGB 235 215 172

HSL 40.95, 0.61%, 0.8%

LAB 86.62, 0.44, 23.76

 

CMYK 0 / 5 / 15 / 5

HEX #F3E7CE

RGB 243 231 206

HSL 40.54, 0.61%, 0.88%

LAB 91.98, 0.02, 13.63

 

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

CMYK 33 / 0 / 39 / 11

HEX #97E38B

RGB 151 227 139

HSL 111.82, 0.61%, 0.72%

LAB 83.64, -40.11, 35.72

 

CMYK 29 / 39 / 0 / 11

HEX #A28BE3

RGB 162 139 227

HSL 255.68, 0.61%, 0.72%

LAB 63.09, 27.44, -41.66

 

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

CMYK 39 / 0 / 13 / 11

HEX #8BE3C6

RGB 139 227 198

HSL 160.23, 0.61%, 0.72%

LAB 84.23, -32.99, 5.86

 

CMYK 13 / 39 / 0 / 11

HEX #C68BE3

RGB 198 139 227

HSL 280.23, 0.61%, 0.72%

LAB 66.53, 37.91, -36.03

 

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

CMYK 33 / 0 / 39 / 11

HEX #97E38B

RGB 151 227 139

HSL 111.82, 0.61%, 0.72%

LAB 83.64, -40.11, 35.72

 

CMYK 39 / 26 / 0 / 11

HEX #8BA8E3

RGB 139 168 227

HSL 220.23, 0.61%, 0.72%

LAB 68.78, 4.57, -32.92

 

CMYK 5 / 39 / 0 / 11

HEX #D88BE3

RGB 216 139 227

HSL 292.5, 0.61%, 0.72%

LAB 68.47, 43.32, -32.87

 

CMYK 0 / 12 / 38 / 11

HEX #E4C88D

RGB 228 200.2 141

HSL 40.83, 0.62%, 0.72%

LAB 81.74, 1.59, 33.21

 

CMYK 39 / 0 / 32 / 11

HEX #8BE39A

RGB 139 227 154

HSL 130.23, 0.61%, 0.72%

LAB 83.32, -41.45, 27.56

 

CMYK 39 / 26 / 0 / 11

HEX #8BA8E3

RGB 139 168 227

HSL 220.23, 0.61%, 0.72%

LAB 68.78, 4.57, -32.92

 

CMYK 0 / 39 / 6 / 11

HEX #E38BD5

RGB 227 139 213

HSL 309.55, 0.61%, 0.72%

LAB 69.18, 44.17, -23.92

 

Description

Color code: RGB 228 200.2 141 | qconv.com Color code: RGB 228 200.2 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 200.2 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 200.2 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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