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Color name
RGB 228 114 81

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 114 81 it is the complementary color RGB 27 141 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 114 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 114 81 shade: RGB 233 114 76, RGB 250 132 95, RGB 255 150 114, RGB 255 168 133 and RGB 255 186 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 114 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 114 81 shade: RGB 228 114 81, RGB 211 96 62, RGB 194 78 43, RGB 177 60 24 and RGB 160 42 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 114 81 shade: RGB 228 116 83 and RGB 228 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 114 81 shade: RGB 228 116 83, RGB 228 155 83, RGB 228 194 83, RGB 223 228 83 and RGB 184 228 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 114 81 shade matches the following richer shades: RGB 228 116 83 and RGB 244 107 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 114 81 shade: RGB 228 116 83, RGB 212 124 99, RGB 196 133 115, RGB 180 142 131 and RGB 164 151 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 114 81 shade: RGB 228 83 129, RGB 228 83 90, RGB 228 114 83, RGB 228 153 83 and RGB 228 192 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 114 81 shade: RGB 198 68 31, RGB 223 87 47, RGB 228 116 83, RGB 234 144 119 and RGB 239 173 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 114 81 shade: RGB 228 114 81, RGB 168 228 83 and RGB 83 110 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 114 81 shade: RGB 228 114 81, RGB 83 228 114 and RGB 114 83 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 114 81 shade: RGB 228 114 81, RGB 168 228 83, RGB 83 197 228 and RGB 143 83 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 114 81 shade: RGB 228 114 81, RGB 124 228 83, RGB 83 197 228 and RGB 187 83 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

Complementary color

CMYK 84 / 19 / 0 / 32

HEX #1B8DAE

RGB 27 141 174

HSL 193.47, 0.73%, 0.39%

LAB 54.38, -18.3, -25.87

 

CMYK 0 / 51 / 67 / 9

HEX #E9724C

RGB 233 114 76

HSL 14.52, 0.78%, 0.61%

LAB 61.55, 43.29, 42.15

 

CMYK 0 / 47 / 62 / 2

HEX #FA845F

RGB 250 132 95

HSL 14.32, 0.94%, 0.68%

LAB 67.76, 41.88, 40.05

 

CMYK 0 / 41 / 55 / 0

HEX #FF9672

RGB 255 150 114

HSL 15.32, 1%, 0.72%

LAB 72.42, 36, 35.88

 

CMYK 0 / 34 / 48 / 0

HEX #FFA885

RGB 255 168 133

HSL 17.21, 1%, 0.76%

LAB 76.65, 28.3, 31.23

 

CMYK 0 / 27 / 40 / 0

HEX #FFBA98

RGB 255 186 152

HSL 19.81, 1%, 0.8%

LAB 81.1, 20.79, 27.06

 

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

CMYK 0 / 55 / 71 / 17

HEX #D3603E

RGB 211 96 62

HSL 13.69, 0.63%, 0.54%

LAB 54.62, 43.14, 40.77

 

CMYK 0 / 60 / 78 / 24

HEX #C24E2B

RGB 194 78 43

HSL 13.91, 0.64%, 0.46%

LAB 48.38, 44.61, 43.17

 

CMYK 0 / 66 / 86 / 31

HEX #B13C18

RGB 177 60 24

HSL 14.12, 0.76%, 0.39%

LAB 42.22, 46, 45.46

 

CMYK 0 / 74 / 97 / 37

HEX #A02A05

RGB 160 42 5

HSL 14.32, 0.94%, 0.32%

LAB 36.25, 47.07, 46.87

 

CMYK 0 / 49 / 64 / 11

HEX #E47453

RGB 228 116 83

HSL 13.66, 0.73%, 0.61%

LAB 61.32, 40.82, 37.95

 

CMYK 0 / 64 / 64 / 11

HEX #E45353

RGB 228 83 83

HSL 0, 0.73%, 0.61%

LAB 55.39, 56.23, 30.64

 

CMYK 0 / 49 / 64 / 11

HEX #E47453

RGB 228 116 83

HSL 13.66, 0.73%, 0.61%

LAB 61.32, 40.82, 37.95

 

CMYK 0 / 32 / 64 / 11

HEX #E49B53

RGB 228 155 83

HSL 29.79, 0.73%, 0.61%

LAB 69.87, 20.38, 48.01

 

CMYK 0 / 15 / 64 / 11

HEX #E4C253

RGB 228 194 83

HSL 45.93, 0.73%, 0.61%

LAB 79.44, -0.25, 58.69

 

CMYK 2 / 0 / 64 / 11

HEX #DFE453

RGB 223 228 83

HSL 62.07, 0.73%, 0.61%

LAB 87.87, -19.44, 67.54

 

CMYK 19 / 0 / 64 / 11

HEX #B8E453

RGB 184 228 83

HSL 78.21, 0.73%, 0.61%

LAB 85.15, -34.88, 63.83

 

CMYK 0 / 49 / 64 / 11

HEX #E47453

RGB 228 116 83

HSL 13.66, 0.73%, 0.61%

LAB 61.32, 40.82, 37.95

 

CMYK 0 / 56 / 73 / 4

HEX #F46B43

RGB 244 107 67

HSL 13.56, 0.89%, 0.61%

LAB 61.79, 50.26, 47.53

 

CMYK 0 / 49 / 64 / 11

HEX #E47453

RGB 228 116 83

HSL 13.66, 0.73%, 0.61%

LAB 61.32, 40.82, 37.95

 

CMYK 0 / 42 / 53 / 17

HEX #D47C63

RGB 212 124 99

HSL 13.27, 0.57%, 0.61%

LAB 61.06, 31.66, 28.35

 

CMYK 0 / 32 / 41 / 23

HEX #C48573

RGB 196 133 115

HSL 13.33, 0.41%, 0.61%

LAB 61.44, 22.01, 19.53

 

CMYK 0 / 21 / 27 / 29

HEX #B48E83

RGB 180 142 131

HSL 13.47, 0.25%, 0.61%

LAB 62.24, 12.71, 11.34

 

CMYK 0 / 8 / 10 / 36

HEX #A49793

RGB 164 151 147

HSL 14.12, 0.09%, 0.61%

LAB 63.45, 4.07, 3.82

 

CMYK 0 / 64 / 43 / 11

HEX #E45381

RGB 228 83 129

HSL 340.97, 0.73%, 0.61%

LAB 56.35, 59.84, 4.96

 

CMYK 0 / 64 / 61 / 11

HEX #E4535A

RGB 228 83 90

HSL 357.1, 0.73%, 0.61%

LAB 55.5, 56.67, 26.74

 

CMYK 0 / 50 / 64 / 11

HEX #E47253

RGB 228 114 83

HSL 12.83, 0.73%, 0.61%

LAB 60.92, 41.82, 37.46

 

CMYK 0 / 33 / 64 / 11

HEX #E49953

RGB 228 153 83

HSL 28.97, 0.73%, 0.61%

LAB 69.4, 21.45, 47.47

 

CMYK 0 / 16 / 64 / 11

HEX #E4C053

RGB 228 192 83

HSL 45.1, 0.73%, 0.61%

LAB 78.94, 0.79, 58.14

 

CMYK 0 / 66 / 84 / 22

HEX #C6441F

RGB 198 68 31

HSL 13.29, 0.73%, 0.45%

LAB 47.29, 50.13, 48.17

 

CMYK 0 / 61 / 79 / 13

HEX #DF572F

RGB 223 87 47

HSL 13.64, 0.73%, 0.53%

LAB 54.77, 51.11, 49.17

 

CMYK 0 / 49 / 64 / 11

HEX #E47453

RGB 228 116 83

HSL 13.66, 0.73%, 0.61%

LAB 61.32, 40.82, 37.95

 

CMYK 0 / 38 / 49 / 8

HEX #EA9077

RGB 234 144 119

HSL 13.04, 0.73%, 0.69%

LAB 68.58, 31.45, 27.69

 

CMYK 0 / 28 / 36 / 6

HEX #EFAD9A

RGB 239 173 154

HSL 13.41, 0.73%, 0.77%

LAB 76.42, 21.74, 19.32

 

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

CMYK 26 / 0 / 64 / 11

HEX #A8E453

RGB 168 228 83

HSL 84.83, 0.73%, 0.61%

LAB 84.19, -40.86, 62.52

 

CMYK 64 / 52 / 0 / 11

HEX #536EE4

RGB 83 110 228

HSL 228.83, 0.73%, 0.61%

LAB 50.21, 26.87, -63.08

 

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

CMYK 64 / 0 / 50 / 11

HEX #53E472

RGB 83 228 114

HSL 132.83, 0.73%, 0.61%

LAB 81.04, -62.13, 44.18

 

CMYK 50 / 64 / 0 / 11

HEX #7253E4

RGB 114 83 228

HSL 252.83, 0.73%, 0.61%

LAB 46.13, 48.38, -69.58

 

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

CMYK 26 / 0 / 64 / 11

HEX #A8E453

RGB 168 228 83

HSL 84.83, 0.73%, 0.61%

LAB 84.19, -40.86, 62.52

 

CMYK 64 / 14 / 0 / 11

HEX #53C5E4

RGB 83 197 228

HSL 192.83, 0.73%, 0.61%

LAB 74.43, -22.93, -24.98

 

CMYK 37 / 64 / 0 / 11

HEX #8F53E4

RGB 143 83 228

HSL 264.83, 0.73%, 0.61%

LAB 49.04, 54.02, -64.73

 

CMYK 0 / 50 / 64 / 11

HEX #E47251

RGB 228 114 81

HSL 13.47, 0.73%, 0.61%

LAB 60.89, 41.7, 38.51

 

CMYK 46 / 0 / 64 / 11

HEX #7CE453

RGB 124 228 83

HSL 103.03, 0.73%, 0.61%

LAB 82.05, -55.54, 59.58

 

CMYK 64 / 14 / 0 / 11

HEX #53C5E4

RGB 83 197 228

HSL 192.83, 0.73%, 0.61%

LAB 74.43, -22.93, -24.98

 

CMYK 18 / 64 / 0 / 11

HEX #BB53E4

RGB 187 83 228

HSL 283.03, 0.73%, 0.61%

LAB 54.4, 63.57, -55.82

 

Description

Color code: RGB 228 114 81 | qconv.com Color code: RGB 228 114 81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 114 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 114 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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