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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 72 26 it is the complementary color RGB 28 183 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 72 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 72 26 shade: RGB 232 72 21, RGB 249 90 40, RGB 255 108 59, RGB 255 126 78 and RGB 255 144 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 72 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 72 26 shade: RGB 227 72 26, RGB 210 54 7, RGB 193 36 0, RGB 176 18 0 and RGB 159 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 72 26 shade: RGB 228 72 26 and RGB 228 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 72 26 shade: RGB 228 72 26, RGB 228 127 26, RGB 228 181 26, RGB 220 228 26 and RGB 166 228 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 72 26 shade matches the following richer shades: RGB 228 72 26 and RGB 248 61 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 72 26 shade: RGB 228 72 26, RGB 207 84 47, RGB 186 95 68, RGB 166 106 88 and RGB 145 117 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 72 26 shade: RGB 228 26 90, RGB 228 26 36, RGB 228 70 26, RGB 228 124 26 and RGB 228 177 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 72 26 shade: RGB 154 49 18, RGB 191 61 22, RGB 228 72 26, RGB 232 102 63 and RGB 236 131 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 72 26 shade: RGB 227 72 26, RGB 144 228 26 and RGB 26 63 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 72 26 shade: RGB 227 72 26, RGB 26 228 70 and RGB 70 26 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 72 26 shade: RGB 227 72 26, RGB 144 228 26, RGB 26 184 228 and RGB 110 26 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 72 26 shade: RGB 227 72 26, RGB 83 228 26, RGB 26 184 228 and RGB 171 26 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

Complementary color

CMYK 88 / 20 / 0 / 10

HEX #1CB7E5

RGB 28 183 229

HSL 193.73, 0.79%, 0.5%

LAB 69.31, -21.48, -33.5

 

CMYK 0 / 69 / 91 / 9

HEX #E84815

RGB 232 72 21

HSL 14.5, 0.83%, 0.5%

LAB 53.86, 59.73, 59.76

 

CMYK 0 / 64 / 84 / 2

HEX #F95A28

RGB 249 90 40

HSL 14.35, 0.95%, 0.57%

LAB 59.53, 58.59, 58.3

 

CMYK 0 / 58 / 77 / 0

HEX #FF6C3B

RGB 255 108 59

HSL 15, 1%, 0.62%

LAB 63.59, 53.42, 53.9

 

CMYK 0 / 51 / 69 / 0

HEX #FF7E4E

RGB 255 126 78

HSL 16.27, 1%, 0.65%

LAB 67.08, 45.75, 48.26

 

CMYK 0 / 44 / 62 / 0

HEX #FF9061

RGB 255 144 97

HSL 17.85, 1%, 0.69%

LAB 70.92, 37.85, 42.98

 

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

CMYK 0 / 74 / 97 / 18

HEX #D23607

RGB 210 54 7

HSL 13.89, 0.94%, 0.43%

LAB 47.44, 59, 57.63

 

CMYK 0 / 81 / 100 / 24

HEX #C12400

RGB 193 36 0

HSL 11.19, 1%, 0.38%

LAB 42.15, 59.21, 55.27

 

CMYK 0 / 90 / 100 / 31

HEX #B01200

RGB 176 18 0

HSL 6.14, 1%, 0.35%

LAB 37.23, 58.33, 51.17

 

CMYK 0 / 100 / 100 / 38

HEX #9F0000

RGB 159 0 0

HSL 0, 1%, 0.31%

LAB 32.64, 56.28, 46.7

 

CMYK 0 / 68 / 89 / 11

HEX #E4481A

RGB 228 72 26

HSL 13.66, 0.8%, 0.5%

LAB 53.17, 58.51, 57.21

 

CMYK 0 / 89 / 89 / 11

HEX #E41A1A

RGB 228 26 26

HSL 0, 0.8%, 0.5%

LAB 48.64, 71.18, 53.85

 

CMYK 0 / 68 / 89 / 11

HEX #E4481A

RGB 228 72 26

HSL 13.66, 0.8%, 0.5%

LAB 53.17, 58.51, 57.21

 

CMYK 0 / 44 / 89 / 11

HEX #E47F1A

RGB 228 127 26

HSL 30, 0.8%, 0.5%

LAB 63.13, 32.88, 64.77

 

CMYK 0 / 21 / 89 / 11

HEX #E4B51A

RGB 228 181 26

HSL 46.04, 0.8%, 0.5%

LAB 75.83, 4.28, 74.61

 

CMYK 4 / 0 / 89 / 11

HEX #DCE41A

RGB 220 228 26

HSL 62.38, 0.8%, 0.5%

LAB 87.38, -22.85, 83.39

 

CMYK 27 / 0 / 89 / 11

HEX #A6E41A

RGB 166 228 26

HSL 78.42, 0.8%, 0.5%

LAB 83.79, -44.36, 79.01

 

CMYK 0 / 68 / 89 / 11

HEX #E4481A

RGB 228 72 26

HSL 13.66, 0.8%, 0.5%

LAB 53.17, 58.51, 57.21

 

CMYK 0 / 75 / 98 / 3

HEX #F83D06

RGB 248 61 6

HSL 13.64, 0.95%, 0.5%

LAB 55.39, 68.28, 65.93

 

CMYK 0 / 68 / 89 / 11

HEX #E4481A

RGB 228 72 26

HSL 13.66, 0.8%, 0.5%

LAB 53.17, 58.51, 57.21

 

CMYK 0 / 59 / 77 / 19

HEX #CF542F

RGB 207 84 47

HSL 13.88, 0.63%, 0.5%

LAB 51.62, 46.73, 45.15

 

CMYK 0 / 49 / 63 / 27

HEX #BA5F44

RGB 186 95 68

HSL 13.73, 0.46%, 0.5%

LAB 50.73, 34.35, 31.98

 

CMYK 0 / 36 / 47 / 35

HEX #A66A58

RGB 166 106 88

HSL 13.85, 0.31%, 0.5%

LAB 50.83, 21.9, 20.06

 

CMYK 0 / 19 / 25 / 43

HEX #91756D

RGB 145 117 109

HSL 13.33, 0.14%, 0.5%

LAB 51.66, 9.65, 8.54

 

CMYK 0 / 89 / 61 / 11

HEX #E41A5A

RGB 228 26 90

HSL 340.99, 0.8%, 0.5%

LAB 49.46, 73.51, 18.77

 

CMYK 0 / 89 / 84 / 11

HEX #E41A24

RGB 228 26 36

HSL 357.03, 0.8%, 0.5%

LAB 48.71, 71.37, 49.23

 

CMYK 0 / 69 / 89 / 11

HEX #E4461A

RGB 228 70 26

HSL 13.07, 0.8%, 0.5%

LAB 52.89, 59.27, 57

 

CMYK 0 / 46 / 89 / 11

HEX #E47C1A

RGB 228 124 26

HSL 29.11, 0.8%, 0.5%

LAB 62.49, 34.44, 64.28

 

CMYK 0 / 22 / 89 / 11

HEX #E4B11A

RGB 228 177 26

HSL 44.85, 0.8%, 0.5%

LAB 74.83, 6.38, 73.83

 

CMYK 0 / 68 / 88 / 40

HEX #9A3112

RGB 154 49 18

HSL 13.68, 0.79%, 0.34%

LAB 36.2, 42.39, 41.37

 

CMYK 0 / 68 / 88 / 25

HEX #BF3D16

RGB 191 61 22

HSL 13.85, 0.79%, 0.42%

LAB 44.9, 50.42, 49.52

 

CMYK 0 / 68 / 89 / 11

HEX #E4481A

RGB 228 72 26

HSL 13.66, 0.8%, 0.5%

LAB 53.17, 58.51, 57.21

 

CMYK 0 / 56 / 73 / 9

HEX #E8663F

RGB 232 102 63

HSL 13.85, 0.79%, 0.58%

LAB 58.99, 48.08, 46

 

CMYK 0 / 44 / 58 / 7

HEX #EC8364

RGB 236 131 100

HSL 13.68, 0.78%, 0.66%

LAB 65.74, 37.41, 34.43

 

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

CMYK 37 / 0 / 89 / 11

HEX #90E41A

RGB 144 228 26

HSL 84.95, 0.8%, 0.5%

LAB 82.64, -52.27, 77.58

 

CMYK 89 / 72 / 0 / 11

HEX #1A3FE4

RGB 26 63 228

HSL 229.01, 0.8%, 0.5%

LAB 36.7, 50.11, -85.26

 

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

CMYK 89 / 0 / 69 / 11

HEX #1AE446

RGB 26 228 70

HSL 133.07, 0.8%, 0.5%

LAB 79.7, -74.83, 61.5

 

CMYK 69 / 89 / 0 / 11

HEX #461AE4

RGB 70 26 228

HSL 253.07, 0.8%, 0.5%

LAB 33.23, 68.97, -90.95

 

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

CMYK 37 / 0 / 89 / 11

HEX #90E41A

RGB 144 228 26

HSL 84.95, 0.8%, 0.5%

LAB 82.64, -52.27, 77.58

 

CMYK 89 / 19 / 0 / 11

HEX #1AB8E4

RGB 26 184 228

HSL 193.07, 0.8%, 0.5%

LAB 69.54, -22.45, -32.59

 

CMYK 52 / 89 / 0 / 11

HEX #6E1AE4

RGB 110 26 228

HSL 264.95, 0.8%, 0.5%

LAB 37.22, 71.94, -84.22

 

CMYK 0 / 68 / 89 / 11

HEX #E3481A

RGB 227 72 26

HSL 13.73, 0.79%, 0.5%

LAB 52.99, 58.18, 57

 

CMYK 64 / 0 / 89 / 11

HEX #53E41A

RGB 83 228 26

HSL 103.07, 0.8%, 0.5%

LAB 80.4, -69.53, 74.8

 

CMYK 89 / 19 / 0 / 11

HEX #1AB8E4

RGB 26 184 228

HSL 193.07, 0.8%, 0.5%

LAB 69.54, -22.45, -32.59

 

CMYK 25 / 89 / 0 / 11

HEX #AB1AE4

RGB 171 26 228

HSL 283.07, 0.8%, 0.5%

LAB 45.63, 79.14, -70.09

 

Description

Color code: RGB 227 72 26 | qconv.com Color code: RGB 227 72 26 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 72 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 72 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 89 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 89% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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