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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 72 103 it is the complementary color RGB 30 183 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 72 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 72 103 shade: RGB 230 72 98, RGB 247 90 117, RGB 255 108 136, RGB 255 126 155 and RGB 255 144 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 72 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 72 103 shade: RGB 225 72 103, RGB 208 54 84, RGB 191 36 65, RGB 174 18 46 and RGB 157 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 72 103 shade: RGB 225 71 102 and RGB 225 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 72 103 shade: RGB 225 71 102, RGB 225 71 144, RGB 225 71 185, RGB 223 71 225 and RGB 182 71 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 72 103 shade matches the following richer shades: RGB 225 71 102 and RGB 242 53 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 72 103 shade: RGB 225 71 102, RGB 208 88 112, RGB 190 105 123, RGB 173 123 133 and RGB 156 140 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 72 103 shade: RGB 225 71 186, RGB 225 71 145, RGB 225 71 104, RGB 225 78 71 and RGB 225 120 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 72 103 shade: RGB 183 30 61, RGB 219 36 73, RGB 225 71 102, RGB 231 106 132 and RGB 237 142 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 72 103 shade: RGB 225 72 103, RGB 225 222 71 and RGB 71 166 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 72 103 shade: RGB 225 72 103, RGB 104 225 71 and RGB 71 104 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 72 103 shade: RGB 225 72 103, RGB 225 222 71, RGB 71 225 192 and RGB 71 73 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 72 103 shade: RGB 225 72 103, RGB 181 225 71, RGB 71 225 192 and RGB 114 71 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

Complementary color

CMYK 84 / 0 / 17 / 28

HEX #1EB798

RGB 30 183 152

HSL 167.84, 0.72%, 0.42%

LAB 66.83, -44.84, 5.14

 

CMYK 0 / 69 / 57 / 10

HEX #E64862

RGB 230 72 98

HSL 350.13, 0.76%, 0.59%

LAB 54.39, 62.21, 20.63

 

CMYK 0 / 64 / 53 / 3

HEX #F75A75

RGB 247 90 117

HSL 349.68, 0.91%, 0.66%

LAB 60.22, 61.8, 17.88

 

CMYK 0 / 58 / 47 / 0

HEX #FF6C88

RGB 255 108 136

HSL 348.57, 1%, 0.71%

LAB 64.77, 58.26, 13.43

 

CMYK 0 / 51 / 39 / 0

HEX #FF7E9B

RGB 255 126 155

HSL 346.51, 1%, 0.75%

LAB 68.42, 51.8, 7.81

 

CMYK 0 / 44 / 32 / 0

HEX #FF90AE

RGB 255 144 174

HSL 343.78, 1%, 0.78%

LAB 72.4, 45.12, 2.91

 

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

CMYK 0 / 74 / 60 / 18

HEX #D03654

RGB 208 54 84

HSL 348.31, 0.62%, 0.51%

LAB 47.86, 61.06, 19.63

 

CMYK 0 / 81 / 66 / 25

HEX #BF2441

RGB 191 36 65

HSL 348.77, 0.68%, 0.45%

LAB 42.34, 60.44, 23.47

 

CMYK 0 / 90 / 74 / 32

HEX #AE122E

RGB 174 18 46

HSL 349.23, 0.81%, 0.38%

LAB 37.17, 58.84, 28.16

 

CMYK 0 / 100 / 83 / 38

HEX #9D001B

RGB 157 0 27

HSL 349.68, 1%, 0.31%

LAB 32.36, 56.24, 33.47

 

CMYK 0 / 68 / 55 / 12

HEX #E14766

RGB 225 71 102

HSL 347.92, 0.72%, 0.58%

LAB 53.46, 61.35, 16.86

 

CMYK 0 / 68 / 68 / 12

HEX #E14747

RGB 225 71 71

HSL 0, 0.72%, 0.58%

LAB 52.92, 59.42, 34.38

 

CMYK 0 / 68 / 55 / 12

HEX #E14766

RGB 225 71 102

HSL 347.92, 0.72%, 0.58%

LAB 53.46, 61.35, 16.86

 

CMYK 0 / 68 / 36 / 12

HEX #E14790

RGB 225 71 144

HSL 331.56, 0.72%, 0.58%

LAB 54.58, 65.2, -6.56

 

CMYK 0 / 68 / 18 / 12

HEX #E147B9

RGB 225 71 185

HSL 315.58, 0.72%, 0.58%

LAB 56.1, 70.23, -28.23

 

CMYK 1 / 68 / 0 / 12

HEX #DF47E1

RGB 223 71 225

HSL 299.22, 0.72%, 0.58%

LAB 57.68, 75.74, -48.59

 

CMYK 19 / 68 / 0 / 12

HEX #B647E1

RGB 182 71 225

HSL 283.25, 0.72%, 0.58%

LAB 51.71, 66.99, -58.48

 

CMYK 0 / 68 / 55 / 12

HEX #E14766

RGB 225 71 102

HSL 347.92, 0.72%, 0.58%

LAB 53.46, 61.35, 16.86

 

CMYK 0 / 78 / 62 / 5

HEX #F2355C

RGB 242 53 92

HSL 347.62, 0.88%, 0.58%

LAB 54.23, 71.41, 24.38

 

CMYK 0 / 68 / 55 / 12

HEX #E14766

RGB 225 71 102

HSL 347.92, 0.72%, 0.58%

LAB 53.46, 61.35, 16.86

 

CMYK 0 / 58 / 46 / 18

HEX #D05870

RGB 208 88 112

HSL 348, 0.56%, 0.58%

LAB 53.56, 49.56, 10.6

 

CMYK 0 / 45 / 35 / 25

HEX #BE697B

RGB 190 105 123

HSL 347.29, 0.4%, 0.58%

LAB 54.53, 35.89, 5.14

 

CMYK 0 / 29 / 23 / 32

HEX #AD7B85

RGB 173 123 133

HSL 348, 0.23%, 0.58%

LAB 56.82, 20.96, 2.34

 

CMYK 0 / 10 / 8 / 39

HEX #9C8C8F

RGB 156 140 143

HSL 348.75, 0.07%, 0.58%

LAB 59.71, 6.52, 0.58

 

CMYK 0 / 68 / 17 / 12

HEX #E147BA

RGB 225 71 186

HSL 315.19, 0.72%, 0.58%

LAB 56.15, 70.37, -28.74

 

CMYK 0 / 68 / 36 / 12

HEX #E14791

RGB 225 71 145

HSL 331.17, 0.72%, 0.58%

LAB 54.61, 65.31, -7.1

 

CMYK 0 / 68 / 54 / 12

HEX #E14768

RGB 225 71 104

HSL 347.14, 0.72%, 0.58%

LAB 53.51, 61.5, 15.72

 

CMYK 0 / 65 / 68 / 12

HEX #E14E47

RGB 225 78 71

HSL 2.73, 0.72%, 0.58%

LAB 53.93, 56.65, 35.6

 

CMYK 0 / 47 / 68 / 12

HEX #E17847

RGB 225 120 71

HSL 19.09, 0.72%, 0.58%

LAB 61.56, 36.92, 44.47

 

CMYK 0 / 84 / 67 / 28

HEX #B71E3D

RGB 183 30 61

HSL 347.84, 0.72%, 0.42%

LAB 40.14, 59.51, 22.83

 

CMYK 0 / 84 / 67 / 14

HEX #DB2449

RGB 219 36 73

HSL 347.87, 0.72%, 0.5%

LAB 48.01, 68.44, 26.91

 

CMYK 0 / 68 / 55 / 12

HEX #E14766

RGB 225 71 102

HSL 347.92, 0.72%, 0.58%

LAB 53.46, 61.35, 16.86

 

CMYK 0 / 54 / 43 / 9

HEX #E76A84

RGB 231 106 132

HSL 347.52, 0.72%, 0.66%

LAB 60.75, 50.85, 9.54

 

CMYK 0 / 40 / 32 / 7

HEX #ED8EA1

RGB 237 142 161

HSL 348, 0.73%, 0.74%

LAB 69.42, 38.21, 5.55

 

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

CMYK 0 / 1 / 68 / 12

HEX #E1DE47

RGB 225 222 71

HSL 58.83, 0.72%, 0.58%

LAB 86.36, -16.34, 70.61

 

CMYK 68 / 26 / 0 / 12

HEX #47A6E1

RGB 71 166 225

HSL 202.99, 0.72%, 0.58%

LAB 65, -9.37, -37.94

 

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

CMYK 54 / 0 / 68 / 12

HEX #68E147

RGB 104 225 71

HSL 107.14, 0.72%, 0.58%

LAB 80.32, -61.03, 62.25

 

CMYK 68 / 54 / 0 / 12

HEX #4768E1

RGB 71 104 225

HSL 227.14, 0.72%, 0.58%

LAB 47.85, 27.72, -65.23

 

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

CMYK 0 / 1 / 68 / 12

HEX #E1DE47

RGB 225 222 71

HSL 58.83, 0.72%, 0.58%

LAB 86.36, -16.34, 70.61

 

CMYK 68 / 0 / 15 / 12

HEX #47E1C0

RGB 71 225 192

HSL 167.14, 0.72%, 0.58%

LAB 81.29, -47.68, 4.5

 

CMYK 68 / 68 / 0 / 12

HEX #4749E1

RGB 71 73 225

HSL 239.22, 0.72%, 0.58%

LAB 40.48, 46.7, -77.26

 

CMYK 0 / 68 / 54 / 12

HEX #E14867

RGB 225 72 103

HSL 347.84, 0.72%, 0.58%

LAB 53.62, 61.05, 16.48

 

CMYK 20 / 0 / 68 / 12

HEX #B5E147

RGB 181 225 71

HSL 77.14, 0.72%, 0.58%

LAB 84.03, -35.46, 67.25

 

CMYK 68 / 0 / 15 / 12

HEX #47E1C0

RGB 71 225 192

HSL 167.14, 0.72%, 0.58%

LAB 81.29, -47.68, 4.5

 

CMYK 49 / 68 / 0 / 12

HEX #7247E1

RGB 114 71 225

HSL 256.75, 0.72%, 0.58%

LAB 43.54, 53.97, -72.11

 

Description

Color code: RGB 225 72 103 | qconv.com Color code: RGB 225 72 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 72 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 72 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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