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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 53 126 it is the complementary color RGB 30 202 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 53 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 53 126 shade: RGB 230 53 121, RGB 247 71 140, RGB 255 89 159, RGB 255 107 178 and RGB 255 125 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 53 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 53 126 shade: RGB 225 53 126, RGB 208 35 107, RGB 191 17 88, RGB 174 0 69 and RGB 157 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 53 126 shade: RGB 225 55 127, RGB 225 55 82 and RGB 225 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 53 126 shade: RGB 225 55 127, RGB 225 55 173, RGB 225 55 219, RGB 186 55 225 and RGB 140 55 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 53 126 shade matches the following richer shades: RGB 225 55 127 and RGB 244 37 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 53 126 shade: RGB 225 55 127, RGB 207 74 130, RGB 188 92 133, RGB 169 111 136 and RGB 151 130 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 53 126 shade: RGB 225 55 220, RGB 225 55 174, RGB 225 55 129, RGB 225 55 84 and RGB 225 72 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 53 126 shade: RGB 172 26 88, RGB 208 31 106, RGB 225 55 127, RGB 231 91 150 and RGB 236 127 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 53 126 shade: RGB 225 53 126, RGB 225 186 55 and RGB 55 197 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 53 126 shade: RGB 225 53 126, RGB 129 225 55 and RGB 55 129 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 53 126 shade: RGB 225 53 126, RGB 225 186 55, RGB 55 225 152 and RGB 55 95 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 53 126 shade: RGB 225 53 126, RGB 214 225 55, RGB 55 225 152 and RGB 67 55 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

Complementary color

CMYK 85 / 0 / 36 / 21

HEX #1ECA81

RGB 30 202 129

HSL 154.53, 0.74%, 0.45%

LAB 72.3, -57.61, 25.16

 

CMYK 0 / 77 / 47 / 10

HEX #E63579

RGB 230 53 121

HSL 336.95, 0.78%, 0.55%

LAB 52.67, 70.24, 4.48

 

CMYK 0 / 71 / 43 / 3

HEX #F7478C

RGB 247 71 140

HSL 336.48, 0.92%, 0.62%

LAB 58.2, 70.85, 1.55

 

CMYK 0 / 65 / 38 / 0

HEX #FF599F

RGB 255 89 159

HSL 334.7, 1%, 0.67%

LAB 62.43, 68.43, -3.17

 

CMYK 0 / 58 / 30 / 0

HEX #FF6BB2

RGB 255 107 178

HSL 331.22, 1%, 0.71%

LAB 65.74, 63.14, -9.14

 

CMYK 0 / 51 / 23 / 0

HEX #FF7DC5

RGB 255 125 197

HSL 326.77, 1%, 0.75%

LAB 69.44, 57.41, -14.3

 

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

CMYK 0 / 83 / 49 / 18

HEX #D0236B

RGB 208 35 107

HSL 335.03, 0.71%, 0.48%

LAB 46.54, 68.06, 3.65

 

CMYK 0 / 91 / 54 / 25

HEX #BF1158

RGB 191 17 88

HSL 335.52, 0.84%, 0.41%

LAB 41.5, 65.73, 7.87

 

CMYK 0 / 100 / 60 / 32

HEX #AE0045

RGB 174 0 69

HSL 336.21, 1%, 0.34%

LAB 36.8, 62.35, 12.97

 

CMYK 0 / 100 / 68 / 38

HEX #9D0032

RGB 157 0 50

HSL 340.89, 1%, 0.31%

LAB 32.7, 57.14, 19.28

 

CMYK 0 / 76 / 44 / 12

HEX #E1377F

RGB 225 55 127

HSL 334.59, 0.74%, 0.55%

LAB 52.14, 68.87, -0.01

 

CMYK 0 / 76 / 64 / 12

HEX #E13752

RGB 225 55 82

HSL 350.47, 0.74%, 0.55%

LAB 51.09, 65.53, 25.66

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 76 / 44 / 12

HEX #E1377F

RGB 225 55 127

HSL 334.59, 0.74%, 0.55%

LAB 52.14, 68.87, -0.01

 

CMYK 0 / 76 / 23 / 12

HEX #E137AD

RGB 225 55 173

HSL 318.35, 0.74%, 0.55%

LAB 53.77, 73.85, -24.87

 

CMYK 0 / 76 / 3 / 12

HEX #E137DB

RGB 225 55 219

HSL 302.12, 0.74%, 0.55%

LAB 55.94, 80.19, -47.95

 

CMYK 17 / 76 / 0 / 12

HEX #BA37E1

RGB 186 55 225

HSL 286.24, 0.74%, 0.55%

LAB 50.23, 73.63, -60.84

 

CMYK 38 / 76 / 0 / 12

HEX #8C37E1

RGB 140 55 225

HSL 270, 0.74%, 0.55%

LAB 43.86, 65.59, -71.45

 

CMYK 0 / 76 / 44 / 12

HEX #E1377F

RGB 225 55 127

HSL 334.59, 0.74%, 0.55%

LAB 52.14, 68.87, -0.01

 

CMYK 0 / 85 / 49 / 4

HEX #F4257D

RGB 244 37 125

HSL 334.49, 0.9%, 0.55%

LAB 54.07, 77.83, 4.41

 

CMYK 0 / 76 / 44 / 12

HEX #E1377F

RGB 225 55 127

HSL 334.59, 0.74%, 0.55%

LAB 52.14, 68.87, -0.01

 

CMYK 0 / 64 / 37 / 19

HEX #CF4A82

RGB 207 74 130

HSL 334.74, 0.58%, 0.55%

LAB 51.58, 57.3, -3

 

CMYK 0 / 51 / 29 / 26

HEX #BC5C85

RGB 188 92 133

HSL 334.38, 0.42%, 0.55%

LAB 51.88, 43.24, -4.68

 

CMYK 0 / 34 / 20 / 34

HEX #A96F88

RGB 169 111 136

HSL 334.14, 0.25%, 0.55%

LAB 53.58, 26.69, -4.21

 

CMYK 0 / 14 / 8 / 41

HEX #97828B

RGB 151 130 139

HSL 334.29, 0.09%, 0.55%

LAB 56.49, 9.6, -1.89

 

CMYK 0 / 76 / 2 / 12

HEX #E137DC

RGB 225 55 220

HSL 301.76, 0.74%, 0.55%

LAB 55.99, 80.34, -48.43

 

CMYK 0 / 76 / 23 / 12

HEX #E137AE

RGB 225 55 174

HSL 318, 0.74%, 0.55%

LAB 53.81, 73.97, -25.39

 

CMYK 0 / 76 / 43 / 12

HEX #E13781

RGB 225 55 129

HSL 333.88, 0.74%, 0.55%

LAB 52.2, 69.06, -1.13

 

CMYK 0 / 76 / 63 / 12

HEX #E13754

RGB 225 55 84

HSL 349.76, 0.74%, 0.55%

LAB 51.13, 65.65, 24.51

 

CMYK 0 / 68 / 76 / 12

HEX #E14837

RGB 225 72 55

HSL 6, 0.74%, 0.55%

LAB 52.86, 58.33, 43.23

 

CMYK 0 / 85 / 49 / 33

HEX #AC1A58

RGB 172 26 88

HSL 334.52, 0.74%, 0.39%

LAB 38.22, 59.37, 2.67

 

CMYK 0 / 85 / 49 / 18

HEX #D01F6A

RGB 208 31 106

HSL 334.58, 0.74%, 0.47%

LAB 46.22, 68.83, 3.8

 

CMYK 0 / 76 / 44 / 12

HEX #E1377F

RGB 225 55 127

HSL 334.59, 0.74%, 0.55%

LAB 52.14, 68.87, -0.01

 

CMYK 0 / 61 / 35 / 9

HEX #E75B96

RGB 231 91 150

HSL 334.71, 0.74%, 0.63%

LAB 58.67, 59.59, -3.92

 

CMYK 0 / 46 / 27 / 7

HEX #EC7FAD

RGB 236 127 173

HSL 334.68, 0.74%, 0.71%

LAB 66.54, 47.1, -5.4

 

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

CMYK 0 / 17 / 76 / 12

HEX #E1BA37

RGB 225 186 55

HSL 46.24, 0.74%, 0.55%

LAB 76.92, 1.21, 67.24

 

CMYK 76 / 12 / 0 / 12

HEX #37C5E1

RGB 55 197 225

HSL 189.88, 0.74%, 0.55%

LAB 73.66, -27.64, -24.59

 

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

CMYK 43 / 0 / 76 / 12

HEX #81E137

RGB 129 225 55

HSL 93.88, 0.74%, 0.55%

LAB 81.18, -54.88, 68.99

 

CMYK 76 / 43 / 0 / 12

HEX #3781E1

RGB 55 129 225

HSL 213.88, 0.74%, 0.55%

LAB 53.97, 10.04, -55.4

 

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

CMYK 0 / 17 / 76 / 12

HEX #E1BA37

RGB 225 186 55

HSL 46.24, 0.74%, 0.55%

LAB 76.92, 1.21, 67.24

 

CMYK 76 / 0 / 32 / 12

HEX #37E198

RGB 55 225 152

HSL 154.24, 0.74%, 0.55%

LAB 80.14, -58.88, 23.85

 

CMYK 76 / 58 / 0 / 12

HEX #375FE1

RGB 55 95 225

HSL 225.88, 0.74%, 0.55%

LAB 44.85, 31.4, -70.14

 

CMYK 0 / 76 / 44 / 12

HEX #E1357E

RGB 225 53 126

HSL 334.53, 0.74%, 0.55%

LAB 51.91, 69.37, 0.24

 

CMYK 5 / 0 / 76 / 12

HEX #D6E137

RGB 214 225 55

HSL 63.88, 0.74%, 0.55%

LAB 86.22, -23.06, 75.52

 

CMYK 76 / 0 / 32 / 12

HEX #37E198

RGB 55 225 152

HSL 154.24, 0.74%, 0.55%

LAB 80.14, -58.88, 23.85

 

CMYK 70 / 76 / 0 / 12

HEX #4337E1

RGB 67 55 225

HSL 244.24, 0.74%, 0.55%

LAB 36.67, 56.17, -83.53

 

Description

Color code: RGB 225 53 126 | qconv.com Color code: RGB 225 53 126 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 53 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 53 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 44 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 44% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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