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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 198.8 204.4 it is the complementary color RGB 30 56.2 50.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 198.8 204.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 198.8 204.4 shade: RGB 230 198.8 199.4, RGB 247 216.8 218.4, RGB 255 234.8 237.4, RGB 255 252.8 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 198.8 204.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 198.8 204.4 shade: RGB 225 198.8 204.4, RGB 208 180.8 185.4, RGB 191 162.8 166.4, RGB 174 144.8 147.4 and RGB 157 126.8 128.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 198.8 204.4 shade: RGB 225 199 204 and RGB 225 199 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 198.8 204.4 shade: RGB 225 199 204, RGB 225 199 211, RGB 225 199 218, RGB 224 199 225 and RGB 217 199 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 198.8 204.4 shade matches the following richer shades: RGB 225 199 204, RGB 232 192 200, RGB 239 185 196, RGB 246 178 192 and RGB 253 171 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 198.8 204.4 shade: RGB 225 199 204, RGB 218 206 208, RGB 211 213 212, RGB 204 220 216 and RGB 197 227 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 198.8 204.4 shade: RGB 225 199 218, RGB 225 199 211, RGB 225 199 204, RGB 225 200 199 and RGB 225 207 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 198.8 204.4 shade: RGB 196 145 156, RGB 210 172 180, RGB 225 199 204, RGB 239 225 228 and RGB 254 252 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 198.8 204.4 shade: RGB 225 198.8 204.4, RGB 225 224 199 and RGB 199 215 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 198.8 204.4 shade: RGB 225 198.8 204.4, RGB 204 225 199 and RGB 199 204 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 198.8 204.4 shade: RGB 225 198.8 204.4, RGB 225 224 199, RGB 199 225 219 and RGB 199 199 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 198.8 204.4 shade: RGB 225 198.8 204.4, RGB 217 225 199, RGB 199 225 219 and RGB 206 199 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

Complementary color

CMYK 47 / 0 / 10 / 78

HEX #1E3832

RGB 30 56.2 50.6

HSL 167.18, 0.3%, 0.17%

LAB 21.43, -11.69, 0.34

 

CMYK 0 / 14 / 13 / 10

HEX #E6C6C7

RGB 230 198.8 199.4

HSL 358.85, 0.38%, 0.84%

LAB 82.76, 11.08, 3.76

 

CMYK 0 / 12 / 12 / 3

HEX #F7D8DA

RGB 247 216.8 218.4

HSL 356.82, 0.65%, 0.91%

LAB 89.1, 10.7, 3.05

 

CMYK 0 / 8 / 7 / 0

HEX #FFEAED

RGB 255 234.8 237.4

HSL 352.28, 1%, 0.96%

LAB 94.61, 7.27, 1.21

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252.8 255

HSL 300, 1%, 1%

LAB 99.46, 1.12, -0.8

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

CMYK 0 / 13 / 11 / 18

HEX #D0B4B9

RGB 208 180.8 185.4

HSL 349.85, 0.22%, 0.76%

LAB 76.01, 10.51, 1.26

 

CMYK 0 / 15 / 13 / 25

HEX #BFA2A6

RGB 191 162.8 166.4

HSL 352.34, 0.18%, 0.69%

LAB 69.45, 10.92, 1.97

 

CMYK 0 / 17 / 15 / 32

HEX #AE9093

RGB 174 144.8 147.4

HSL 354.66, 0.15%, 0.63%

LAB 62.77, 11.37, 2.72

 

CMYK 0 / 19 / 18 / 38

HEX #9D7E80

RGB 157 126.8 128.4

HSL 356.82, 0.13%, 0.56%

LAB 55.95, 11.88, 3.53

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 12 / 12 / 12

HEX #E1C7C7

RGB 225 199 199

HSL 0, 0.3%, 0.83%

LAB 82.37, 9.13, 3.34

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 12 / 6 / 12

HEX #E1C7D3

RGB 225 199 211

HSL 332.31, 0.3%, 0.83%

LAB 82.68, 11.15, -2.63

 

CMYK 0 / 12 / 3 / 12

HEX #E1C7DA

RGB 225 199 218

HSL 316.15, 0.3%, 0.83%

LAB 82.87, 12.38, -6.09

 

CMYK 0 / 12 / 0 / 12

HEX #E0C7E1

RGB 224 199 225

HSL 297.69, 0.3%, 0.83%

LAB 82.98, 13.31, -9.67

 

CMYK 4 / 12 / 0 / 12

HEX #D9C7E1

RGB 217 199 225

HSL 281.54, 0.3%, 0.83%

LAB 82.4, 10.97, -10.6

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 17 / 14 / 9

HEX #E8C0C8

RGB 232 192 200

HSL 348, 0.47%, 0.83%

LAB 81.31, 15.5, 1.34

 

CMYK 0 / 23 / 18 / 6

HEX #EFB9C4

RGB 239 185 196

HSL 347.78, 0.63%, 0.83%

LAB 80.2, 21.09, 1.97

 

CMYK 0 / 28 / 22 / 4

HEX #F6B2C0

RGB 246 178 192

HSL 347.65, 0.79%, 0.83%

LAB 79.18, 26.71, 2.74

 

CMYK 0 / 32 / 26 / 1

HEX #FDABBC

RGB 253 171 188

HSL 347.56, 0.95%, 0.83%

LAB 78.25, 32.33, 3.66

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 6 / 5 / 15

HEX #DACED0

RGB 218 206 208

HSL 350, 0.14%, 0.83%

LAB 83.76, 4.5, 0.49

 

CMYK 1 / 0 / 0 / 16

HEX #D3D5D4

RGB 211 213 212

HSL 150, 0.02%, 0.83%

LAB 85.09, -0.86, 0.24

 

CMYK 7 / 0 / 2 / 14

HEX #CCDCD8

RGB 204 220 216

HSL 165, 0.19%, 0.83%

LAB 86.49, -6.09, 0.11

 

CMYK 13 / 0 / 3 / 11

HEX #C5E3DC

RGB 197 227 220

HSL 166, 0.35%, 0.83%

LAB 87.96, -11.19, 0.08

 

CMYK 0 / 12 / 3 / 12

HEX #E1C7DA

RGB 225 199 218

HSL 316.15, 0.3%, 0.83%

LAB 82.87, 12.38, -6.09

 

CMYK 0 / 12 / 6 / 12

HEX #E1C7D3

RGB 225 199 211

HSL 332.31, 0.3%, 0.83%

LAB 82.68, 11.15, -2.63

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 11 / 12 / 12

HEX #E1C8C7

RGB 225 200 199

HSL 2.31, 0.3%, 0.83%

LAB 82.61, 8.6, 3.7

 

CMYK 0 / 8 / 12 / 12

HEX #E1CFC7

RGB 225 207 199

HSL 18.46, 0.3%, 0.83%

LAB 84.36, 4.92, 6.22

 

CMYK 0 / 26 / 20 / 23

HEX #C4919C

RGB 196 145 156

HSL 347.06, 0.3%, 0.67%

LAB 65.27, 20.9, 1.77

 

CMYK 0 / 18 / 14 / 18

HEX #D2ACB4

RGB 210 172 180

HSL 347.37, 0.3%, 0.75%

LAB 73.87, 15.09, 1.12

 

CMYK 0 / 12 / 9 / 12

HEX #E1C7CC

RGB 225 199 204

HSL 348.46, 0.3%, 0.83%

LAB 82.49, 9.96, 0.85

 

CMYK 0 / 6 / 5 / 6

HEX #EFE1E4

RGB 239 225 228

HSL 347.14, 0.3%, 0.91%

LAB 90.69, 5.28, 0.24

 

CMYK 0 / 1 / 0 / 0

HEX #FEFCFD

RGB 254 252 253

HSL 330, 0.5%, 0.99%

LAB 99.14, 0.84, -0.25

 

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

CMYK 0 / 0 / 12 / 12

HEX #E1E0C7

RGB 225 224 199

HSL 57.69, 0.3%, 0.83%

LAB 88.66, -3.89, 12.37

 

CMYK 12 / 4 / 0 / 12

HEX #C7D7E1

RGB 199 215 225

HSL 203.08, 0.3%, 0.83%

LAB 85.09, -3.39, -6.76

 

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

CMYK 9 / 0 / 12 / 12

HEX #CCE1C7

RGB 204 225 199

HSL 108.46, 0.3%, 0.83%

LAB 87.39, -11.71, 10.36

 

CMYK 12 / 9 / 0 / 12

HEX #C7CCE1

RGB 199 204 225

HSL 228.46, 0.3%, 0.83%

LAB 82.25, 2.39, -10.97

 

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

CMYK 0 / 0 / 12 / 12

HEX #E1E0C7

RGB 225 224 199

HSL 57.69, 0.3%, 0.83%

LAB 88.66, -3.89, 12.37

 

CMYK 12 / 0 / 3 / 12

HEX #C7E1DB

RGB 199 225 219

HSL 166.15, 0.3%, 0.83%

LAB 87.54, -9.72, 0.01

 

CMYK 12 / 12 / 0 / 12

HEX #C7C7E1

RGB 199 199 225

HSL 240, 0.3%, 0.83%

LAB 80.97, 5.05, -12.88

 

CMYK 0 / 12 / 9 / 12

HEX #E1C6CC

RGB 225 198.8 204.4

HSL 347.18, 0.3%, 0.83%

LAB 82.45, 10.13, 0.58

 

CMYK 4 / 0 / 12 / 12

HEX #D9E1C7

RGB 217 225 199

HSL 78.46, 0.3%, 0.83%

LAB 88.32, -7.21, 11.8

 

CMYK 12 / 0 / 3 / 12

HEX #C7E1DB

RGB 199 225 219

HSL 166.15, 0.3%, 0.83%

LAB 87.54, -9.72, 0.01

 

CMYK 8 / 12 / 0 / 12

HEX #CEC7E1

RGB 206 199 225

HSL 256.15, 0.3%, 0.83%

LAB 81.51, 7.33, -12.02

 

Description

Color code: RGB 225 198.8 204.4 | qconv.com Color code: RGB 225 198.8 204.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 198.8 green and 204.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 198.8 204.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 9 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 9% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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