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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 189 103 it is the complementary color RGB 30 66 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 189 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 189 103 shade: RGB 230 189 98, RGB 247 207 117, RGB 255 225 136, RGB 255 243 155 and RGB 255 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 189 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 189 103 shade: RGB 225 189 103, RGB 208 171 84, RGB 191 153 65, RGB 174 135 46 and RGB 157 117 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 189 103 shade: RGB 225 188 102, RGB 225 155 102, RGB 225 122 102 and RGB 225 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 189 103 shade: RGB 225 188 102, RGB 225 222 102, RGB 195 225 102, RGB 161 225 102 and RGB 128 225 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 189 103 shade matches the following richer shades: RGB 225 188 102, RGB 240 195 87 and RGB 254 201 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 189 103 shade: RGB 225 188 102, RGB 210 182 117, RGB 195 176 131, RGB 180 170 146 and RGB 165 164 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 189 103 shade: RGB 225 122 102, RGB 225 155 102, RGB 225 188 102, RGB 225 221 102 and RGB 196 225 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 189 103 shade: RGB 204 155 40, RGB 218 173 67, RGB 225 188 102, RGB 232 203 136 and RGB 238 218 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 189 103 shade: RGB 225 189 103, RGB 114 225 102 and RGB 139 102 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 189 103 shade: RGB 225 189 103, RGB 102 225 188 and RGB 188 102 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 189 103 shade: RGB 225 189 103, RGB 114 225 102, RGB 102 139 225 and RGB 212 102 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 189 103 shade: RGB 225 189 103, RGB 102 225 126, RGB 102 139 225 and RGB 225 102 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

Complementary color

CMYK 80 / 57 / 0 / 40

HEX #1E4298

RGB 30 66 152

HSL 222.3, 0.67%, 0.36%

LAB 30.5, 20.08, -50.72

 

CMYK 0 / 18 / 57 / 10

HEX #E6BD62

RGB 230 189 98

HSL 41.36, 0.73%, 0.64%

LAB 78.52, 4.22, 50.81

 

CMYK 0 / 16 / 53 / 3

HEX #F7CF75

RGB 247 207 117

HSL 41.54, 0.89%, 0.71%

LAB 84.84, 3.34, 49.55

 

CMYK 0 / 12 / 47 / 0

HEX #FFE188

RGB 255 225 136

HSL 44.87, 1%, 0.77%

LAB 90.27, -0.99, 47.13

 

CMYK 0 / 5 / 39 / 0

HEX #FFF39B

RGB 255 243 155

HSL 52.8, 1%, 0.8%

LAB 95.05, -8.13, 43.85

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

CMYK 0 / 18 / 60 / 18

HEX #D0AB54

RGB 208 171 84

HSL 42.1, 0.57%, 0.57%

LAB 71.67, 3.46, 49.03

 

CMYK 0 / 20 / 66 / 25

HEX #BF9941

RGB 191 153 65

HSL 41.9, 0.5%, 0.5%

LAB 65.15, 4.55, 50.21

 

CMYK 0 / 22 / 74 / 32

HEX #AE872E

RGB 174 135 46

HSL 41.72, 0.58%, 0.43%

LAB 58.53, 5.85, 51.14

 

CMYK 0 / 25 / 83 / 38

HEX #9D751B

RGB 157 117 27

HSL 41.54, 0.71%, 0.36%

LAB 51.8, 7.42, 51.47

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 31 / 55 / 12

HEX #E19B66

RGB 225 155 102

HSL 25.85, 0.67%, 0.64%

LAB 69.76, 20.53, 38.12

 

CMYK 0 / 46 / 55 / 12

HEX #E17A66

RGB 225 122 102

HSL 9.76, 0.67%, 0.64%

LAB 62.41, 37.99, 28.77

 

CMYK 0 / 55 / 55 / 12

HEX #E16666

RGB 225 102 102

HSL 0, 0.67%, 0.64%

LAB 58.48, 47.96, 23.61

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 1 / 55 / 12

HEX #E1DE66

RGB 225 222 102

HSL 58.54, 0.67%, 0.64%

LAB 86.61, -14.38, 58.16

 

CMYK 13 / 0 / 55 / 12

HEX #C3E166

RGB 195 225 102

HSL 74.63, 0.67%, 0.64%

LAB 85.21, -27.74, 55.98

 

CMYK 28 / 0 / 55 / 12

HEX #A1E166

RGB 161 225 102

HSL 91.22, 0.67%, 0.64%

LAB 83.12, -40.38, 53.02

 

CMYK 43 / 0 / 55 / 12

HEX #80E166

RGB 128 225 102

HSL 107.32, 0.67%, 0.64%

LAB 81.51, -51.23, 50.73

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 19 / 64 / 6

HEX #F0C357

RGB 240 195 87

HSL 42.35, 0.84%, 0.64%

LAB 80.87, 4.51, 58.81

 

CMYK 0 / 21 / 72 / 0

HEX #FEC948

RGB 254 201 72

HSL 42.53, 0.99%, 0.64%

LAB 83.61, 6.45, 68.36

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 13 / 44 / 18

HEX #D2B675

RGB 210 182 117

HSL 41.94, 0.51%, 0.64%

LAB 75.1, 1.34, 36.72

 

CMYK 0 / 10 / 33 / 24

HEX #C3B083

RGB 195 176 131

HSL 42.19, 0.35%, 0.64%

LAB 72.42, 0.09, 25.57

 

CMYK 0 / 6 / 19 / 29

HEX #B4AA92

RGB 180 170 146

HSL 42.35, 0.18%, 0.64%

LAB 69.84, -0.43, 13.67

 

CMYK 0 / 1 / 2 / 35

HEX #A5A4A1

RGB 165 164 161

HSL 45, 0.02%, 0.64%

LAB 67.37, -0.2, 1.67

 

CMYK 0 / 46 / 55 / 12

HEX #E17A66

RGB 225 122 102

HSL 9.76, 0.67%, 0.64%

LAB 62.41, 37.99, 28.77

 

CMYK 0 / 31 / 55 / 12

HEX #E19B66

RGB 225 155 102

HSL 25.85, 0.67%, 0.64%

LAB 69.76, 20.53, 38.12

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 2 / 55 / 12

HEX #E1DD66

RGB 225 221 102

HSL 58.05, 0.67%, 0.64%

LAB 86.35, -13.89, 57.86

 

CMYK 13 / 0 / 55 / 12

HEX #C4E166

RGB 196 225 102

HSL 74.15, 0.67%, 0.64%

LAB 85.27, -27.35, 56.07

 

CMYK 0 / 24 / 80 / 20

HEX #CC9B28

RGB 204 155 40

HSL 42.07, 0.67%, 0.48%

LAB 66.85, 7.99, 62.38

 

CMYK 0 / 21 / 69 / 15

HEX #DAAD43

RGB 218 173 67

HSL 42.12, 0.67%, 0.56%

LAB 73.02, 5.61, 58.49

 

CMYK 0 / 16 / 55 / 12

HEX #E1BC66

RGB 225 188 102

HSL 41.95, 0.67%, 0.64%

LAB 77.84, 2.98, 47.95

 

CMYK 0 / 13 / 41 / 9

HEX #E8CB88

RGB 232 203 136

HSL 41.88, 0.68%, 0.72%

LAB 82.72, 1.17, 37.14

 

CMYK 0 / 8 / 28 / 7

HEX #EEDAAB

RGB 238 218 171

HSL 42.09, 0.66%, 0.8%

LAB 87.61, -0.11, 25.67

 

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

CMYK 49 / 0 / 55 / 12

HEX #72E166

RGB 114 225 102

HSL 114.15, 0.67%, 0.64%

LAB 80.95, -55.26, 49.93

 

CMYK 38 / 55 / 0 / 12

HEX #8B66E1

RGB 139 102 225

HSL 258.05, 0.67%, 0.64%

LAB 52.32, 42.09, -57.77

 

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

CMYK 55 / 0 / 16 / 12

HEX #66E1BC

RGB 102 225 188

HSL 161.95, 0.67%, 0.64%

LAB 82, -43.17, 7.75

 

CMYK 16 / 55 / 0 / 12

HEX #BC66E1

RGB 188 102 225

HSL 281.95, 0.67%, 0.64%

LAB 57.68, 54.2, -48.9

 

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

CMYK 49 / 0 / 55 / 12

HEX #72E166

RGB 114 225 102

HSL 114.15, 0.67%, 0.64%

LAB 80.95, -55.26, 49.93

 

CMYK 55 / 38 / 0 / 12

HEX #668BE1

RGB 102 139 225

HSL 221.95, 0.67%, 0.64%

LAB 58.72, 11.82, -47.72

 

CMYK 6 / 55 / 0 / 12

HEX #D466E1

RGB 212 102 225

HSL 293.66, 0.67%, 0.64%

LAB 60.73, 60.41, -43.89

 

CMYK 0 / 16 / 54 / 12

HEX #E1BD67

RGB 225 189 103

HSL 42.3, 0.67%, 0.64%

LAB 78.1, 2.54, 47.78

 

CMYK 55 / 0 / 44 / 12

HEX #66E17E

RGB 102 225 126

HSL 131.71, 0.67%, 0.64%

LAB 80.84, -55.08, 38.19

 

CMYK 55 / 38 / 0 / 12

HEX #668BE1

RGB 102 139 225

HSL 221.95, 0.67%, 0.64%

LAB 58.72, 11.82, -47.72

 

CMYK 0 / 55 / 11 / 12

HEX #E166C8

RGB 225 102 200

HSL 312.2, 0.67%, 0.64%

LAB 61.38, 59.69, -28.66

 

Description

Color code: RGB 225 189 103 | qconv.com Color code: RGB 225 189 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 189 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 189 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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