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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 16 162 it is the complementary color RGB 30 239 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 16 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 16 162 shade: RGB 230 16 157, RGB 247 34 176, RGB 255 52 195, RGB 255 70 214 and RGB 255 88 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 16 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 16 162 shade: RGB 225 16 162, RGB 208 0 143, RGB 191 0 124, RGB 174 0 105 and RGB 157 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 16 162 shade: RGB 224 16 161, RGB 224 16 105, RGB 224 16 49 and RGB 224 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 16 162 shade: RGB 224 16 161, RGB 224 16 217, RGB 175 16 224, RGB 118 16 224 and RGB 62 16 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 16 162 shade matches the following richer shades: RGB 224 16 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 16 162 shade: RGB 224 16 161, RGB 205 35 154, RGB 185 54 146, RGB 166 74 138 and RGB 147 93 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 16 162 shade: RGB 175 16 224, RGB 224 16 217, RGB 224 16 162, RGB 224 16 106 and RGB 224 16 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 16 162 shade: RGB 147 10 106, RGB 186 13 133, RGB 224 16 161, RGB 240 41 180 and RGB 243 79 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 16 162 shade: RGB 225 16 162, RGB 224 120 16 and RGB 16 224 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 16 162 shade: RGB 225 16 162, RGB 162 224 16 and RGB 16 162 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 16 162 shade: RGB 225 16 162, RGB 224 120 16, RGB 16 224 78 and RGB 16 120 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 16 162 shade: RGB 225 16 162, RGB 224 182 16, RGB 16 224 78 and RGB 16 57 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

Complementary color

CMYK 87 / 0 / 61 / 6

HEX #1EEF5D

RGB 30 239 93

HSL 138.09, 0.87%, 0.53%

LAB 83.34, -75.42, 56.24

 

CMYK 0 / 93 / 32 / 10

HEX #E6109D

RGB 230 16 157

HSL 320.47, 0.87%, 0.48%

LAB 51.41, 80.66, -18.97

 

CMYK 0 / 86 / 29 / 3

HEX #F722B0

RGB 247 34 176

HSL 320, 0.93%, 0.55%

LAB 56.14, 83.78, -22.64

 

CMYK 0 / 80 / 24 / 0

HEX #FF34C3

RGB 255 52 195

HSL 317.73, 1%, 0.6%

LAB 59.58, 84.01, -28.21

 

CMYK 0 / 73 / 16 / 0

HEX #FF46D6

RGB 255 70 214

HSL 313.3, 1%, 0.64%

LAB 62.08, 81.54, -35.13

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E9

RGB 255 88 233

HSL 307.9, 1%, 0.67%

LAB 65.06, 78.18, -41.12

 

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

CMYK 0 / 100 / 31 / 18

HEX #D0008F

RGB 208 0 143

HSL 318.75, 1%, 0.41%

LAB 46.17, 76.1, -18.97

 

CMYK 0 / 100 / 35 / 25

HEX #BF007C

RGB 191 0 124

HSL 321.05, 1%, 0.37%

LAB 42.05, 70.68, -13.91

 

CMYK 0 / 100 / 40 / 32

HEX #AE0069

RGB 174 0 105

HSL 323.79, 1%, 0.34%

LAB 37.88, 65.2, -8.64

 

CMYK 0 / 100 / 45 / 38

HEX #9D0056

RGB 157 0 86

HSL 327.13, 1%, 0.31%

LAB 33.65, 59.67, -3.09

 

CMYK 0 / 93 / 28 / 12

HEX #E010A1

RGB 224 16 161

HSL 318.17, 0.87%, 0.47%

LAB 50.44, 79.87, -22.94

 

CMYK 0 / 93 / 53 / 12

HEX #E01069

RGB 224 16 105

HSL 334.33, 0.87%, 0.47%

LAB 48.56, 74.83, 8.18

 

CMYK 0 / 93 / 78 / 12

HEX #E01031

RGB 224 16 49

HSL 350.48, 0.87%, 0.47%

LAB 47.55, 72.04, 40.83

 

CMYK 0 / 93 / 93 / 12

HEX #E01010

RGB 224 16 16

HSL 0, 0.87%, 0.47%

LAB 47.31, 71.37, 56.44

 

CMYK 0 / 93 / 28 / 12

HEX #E010A1

RGB 224 16 161

HSL 318.17, 0.87%, 0.47%

LAB 50.44, 79.87, -22.94

 

CMYK 0 / 93 / 3 / 12

HEX #E010D9

RGB 224 16 217

HSL 302.02, 0.87%, 0.47%

LAB 53.2, 86.91, -51.19

 

CMYK 22 / 93 / 0 / 12

HEX #AF10E0

RGB 175 16 224

HSL 285.87, 0.87%, 0.47%

LAB 45.45, 80.48, -68.08

 

CMYK 47 / 93 / 0 / 12

HEX #7610E0

RGB 118 16 224

HSL 269.42, 0.87%, 0.47%

LAB 37.12, 73.83, -82.06

 

CMYK 72 / 93 / 0 / 12

HEX #3E10E0

RGB 62 16 224

HSL 253.27, 0.87%, 0.47%

LAB 31.29, 70.06, -91.9

 

CMYK 0 / 93 / 28 / 12

HEX #E010A1

RGB 224 16 161

HSL 318.17, 0.87%, 0.47%

LAB 50.44, 79.87, -22.94

 

CMYK 0 / 93 / 28 / 12

HEX #E010A1

RGB 224 16 161

HSL 318.17, 0.87%, 0.47%

LAB 50.44, 79.87, -22.94

 

CMYK 0 / 83 / 25 / 20

HEX #CD239A

RGB 205 35 154

HSL 318, 0.71%, 0.47%

LAB 47.64, 72.1, -23.37

 

CMYK 0 / 71 / 21 / 27

HEX #B93692

RGB 185 54 146

HSL 317.86, 0.55%, 0.47%

LAB 45.67, 60.87, -21.9

 

CMYK 0 / 55 / 17 / 35

HEX #A64A8A

RGB 166 74 138

HSL 318.26, 0.38%, 0.47%

LAB 45.41, 45.79, -17.73

 

CMYK 0 / 37 / 12 / 42

HEX #935D82

RGB 147 93 130

HSL 318.89, 0.23%, 0.47%

LAB 46.5, 27.87, -11.49

 

CMYK 22 / 93 / 0 / 12

HEX #AF10E0

RGB 175 16 224

HSL 285.87, 0.87%, 0.47%

LAB 45.45, 80.48, -68.08

 

CMYK 0 / 93 / 3 / 12

HEX #E010D9

RGB 224 16 217

HSL 302.02, 0.87%, 0.47%

LAB 53.2, 86.91, -51.19

 

CMYK 0 / 93 / 28 / 12

HEX #E010A2

RGB 224 16 162

HSL 317.88, 0.87%, 0.47%

LAB 50.48, 79.98, -23.47

 

CMYK 0 / 93 / 53 / 12

HEX #E0106A

RGB 224 16 106

HSL 334.04, 0.87%, 0.47%

LAB 48.58, 74.9, 7.6

 

CMYK 0 / 93 / 78 / 12

HEX #E01032

RGB 224 16 50

HSL 350.19, 0.87%, 0.47%

LAB 47.56, 72.07, 40.27

 

CMYK 0 / 93 / 28 / 42

HEX #930A6A

RGB 147 10 106

HSL 317.96, 0.87%, 0.31%

LAB 32.83, 58.16, -17.46

 

CMYK 0 / 93 / 28 / 27

HEX #BA0D85

RGB 186 13 133

HSL 318.38, 0.87%, 0.39%

LAB 41.88, 69.29, -19.82

 

CMYK 0 / 93 / 28 / 12

HEX #E010A1

RGB 224 16 161

HSL 318.17, 0.87%, 0.47%

LAB 50.44, 79.87, -22.94

 

CMYK 0 / 83 / 25 / 6

HEX #F029B4

RGB 240 41 180

HSL 318.09, 0.87%, 0.55%

LAB 55.49, 81.46, -26.08

 

CMYK 0 / 67 / 20 / 5

HEX #F34FC2

RGB 243 79 194

HSL 317.93, 0.87%, 0.63%

LAB 60.38, 73.06, -26.57

 

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

CMYK 0 / 46 / 93 / 12

HEX #E07810

RGB 224 120 16

HSL 30, 0.87%, 0.47%

LAB 61.06, 34.72, 65.45

 

CMYK 93 / 0 / 9 / 12

HEX #10E0CB

RGB 16 224 203

HSL 173.94, 0.87%, 0.47%

LAB 80.59, -49.13, -2.43

 

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

CMYK 28 / 0 / 93 / 12

HEX #A2E010

RGB 162 224 16

HSL 77.88, 0.87%, 0.47%

LAB 82.39, -44.34, 79.19

 

CMYK 93 / 28 / 0 / 12

HEX #10A2E0

RGB 16 162 224

HSL 197.88, 0.87%, 0.47%

LAB 62.79, -12.6, -40.92

 

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

CMYK 0 / 46 / 93 / 12

HEX #E07810

RGB 224 120 16

HSL 30, 0.87%, 0.47%

LAB 61.06, 34.72, 65.45

 

CMYK 93 / 0 / 65 / 12

HEX #10E04E

RGB 16 224 78

HSL 137.88, 0.87%, 0.47%

LAB 78.45, -73.43, 57

 

CMYK 93 / 46 / 0 / 12

HEX #1078E0

RGB 16 120 224

HSL 210, 0.87%, 0.47%

LAB 50.6, 12.22, -60.3

 

CMYK 0 / 93 / 28 / 12

HEX #E110A2

RGB 225 16 162

HSL 318.09, 0.87%, 0.47%

LAB 50.67, 80.18, -23.16

 

CMYK 0 / 19 / 93 / 12

HEX #E0B610

RGB 224 182 16

HSL 47.88, 0.87%, 0.47%

LAB 75.66, 1.86, 76.03

 

CMYK 93 / 0 / 65 / 12

HEX #10E04E

RGB 16 224 78

HSL 137.88, 0.87%, 0.47%

LAB 78.45, -73.43, 57

 

CMYK 93 / 75 / 0 / 12

HEX #1039E0

RGB 16 57 224

HSL 228.17, 0.87%, 0.47%

LAB 34.84, 51.85, -86.06

 

Description

Color code: RGB 225 16 162 | qconv.com Color code: RGB 225 16 162 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 16 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 16 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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