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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 136 215 it is the complementary color RGB 30 119 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 136 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 136 215 shade: RGB 230 136 210, RGB 247 154 229, RGB 255 172 248, RGB 255 190 255 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 136 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 208 118 196, RGB 191 100 177, RGB 174 82 158 and RGB 157 64 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 225 136 191, RGB 225 136 167, RGB 225 136 143 and RGB 225 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 211 136 225, RGB 187 136 225, RGB 163 136 225 and RGB 139 136 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 136 215 shade matches the following richer shades: RGB 225 136 215, RGB 237 124 224 and RGB 249 112 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 213 148 206, RGB 201 160 196, RGB 189 172 187 and RGB 177 184 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 136 215 shade: RGB 186 136 225, RGB 210 136 225, RGB 225 136 216, RGB 225 136 192 and RGB 225 136 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 136 215 shade: RGB 208 70 193, RGB 217 103 204, RGB 225 136 215, RGB 233 169 226 and RGB 241 202 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 225 163 136 and RGB 136 225 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 216 225 136 and RGB 136 216 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 225 163 136, RGB 136 225 145 and RGB 136 198 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 136 215 shade: RGB 225 136 215, RGB 225 189 136, RGB 136 225 145 and RGB 136 172 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

Complementary color

CMYK 75 / 0 / 66 / 53

HEX #1E7728

RGB 30 119 40

HSL 126.74, 0.6%, 0.29%

LAB 43.69, -42.67, 35.11

 

CMYK 0 / 41 / 9 / 10

HEX #E688D2

RGB 230 136 210

HSL 312.77, 0.65%, 0.72%

LAB 68.81, 46.15, -22.79

 

CMYK 0 / 38 / 7 / 3

HEX #F79AE5

RGB 247 154 229

HSL 311.61, 0.85%, 0.79%

LAB 75.17, 45.42, -23.38

 

CMYK 0 / 33 / 3 / 0

HEX #FFACF8

RGB 255 172 248

HSL 305.06, 1%, 0.84%

LAB 80.48, 41.88, -25.47

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 43 / 6 / 18

HEX #D076C4

RGB 208 118 196

HSL 308, 0.49%, 0.64%

LAB 61.96, 46.19, -25.68

 

CMYK 0 / 48 / 7 / 25

HEX #BF64B1

RGB 191 100 177

HSL 309.23, 0.42%, 0.57%

LAB 55.45, 46.9, -25.03

 

CMYK 0 / 53 / 9 / 32

HEX #AE529E

RGB 174 82 158

HSL 310.43, 0.36%, 0.5%

LAB 48.89, 47.55, -24.24

 

CMYK 0 / 59 / 11 / 38

HEX #9D408B

RGB 157 64 139

HSL 311.61, 0.42%, 0.43%

LAB 42.31, 48.04, -23.24

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 40 / 15 / 12

HEX #E188BF

RGB 225 136 191

HSL 322.92, 0.6%, 0.71%

LAB 67.56, 41.46, -14.15

 

CMYK 0 / 40 / 26 / 12

HEX #E188A7

RGB 225 136 167

HSL 339.1, 0.6%, 0.71%

LAB 66.83, 37.89, -1.75

 

CMYK 0 / 40 / 36 / 12

HEX #E1888F

RGB 225 136 143

HSL 355.28, 0.6%, 0.71%

LAB 66.21, 34.79, 10.89

 

CMYK 0 / 40 / 40 / 12

HEX #E18888

RGB 225 136 136

HSL 0, 0.6%, 0.71%

LAB 66.05, 33.98, 14.61

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 6 / 40 / 0 / 12

HEX #D388E1

RGB 211 136 225

HSL 290.56, 0.6%, 0.71%

LAB 67.2, 43.01, -33.78

 

CMYK 17 / 40 / 0 / 12

HEX #BB88E1

RGB 187 136 225

HSL 274.38, 0.6%, 0.71%

LAB 64.65, 35.87, -37.94

 

CMYK 28 / 40 / 0 / 12

HEX #A388E1

RGB 163 136 225

HSL 258.2, 0.6%, 0.71%

LAB 62.36, 28.94, -41.68

 

CMYK 38 / 40 / 0 / 12

HEX #8B88E1

RGB 139 136 225

HSL 242.02, 0.6%, 0.71%

LAB 60.37, 22.4, -44.96

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 48 / 5 / 7

HEX #ED7CE0

RGB 237 124 224

HSL 306.9, 0.76%, 0.71%

LAB 67.87, 56.61, -31.93

 

CMYK 0 / 55 / 6 / 2

HEX #F970EA

RGB 249 112 234

HSL 306.57, 0.92%, 0.71%

LAB 67.78, 67.13, -37.5

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 31 / 3 / 16

HEX #D594CE

RGB 213 148 206

HSL 306.46, 0.44%, 0.71%

LAB 69.31, 33.65, -19.99

 

CMYK 0 / 20 / 2 / 21

HEX #C9A0C4

RGB 201 160 196

HSL 307.32, 0.28%, 0.71%

LAB 70.56, 21.24, -12.69

 

CMYK 0 / 9 / 1 / 26

HEX #BDACBB

RGB 189 172 187

HSL 307.06, 0.11%, 0.71%

LAB 72.17, 8.81, -5.44

 

CMYK 4 / 0 / 3 / 28

HEX #B1B8B2

RGB 177 184 178

HSL 128.57, 0.05%, 0.71%

LAB 74.09, -3.56, 2.19

 

CMYK 17 / 40 / 0 / 12

HEX #BA88E1

RGB 186 136 225

HSL 273.71, 0.6%, 0.71%

LAB 64.55, 35.58, -38.1

 

CMYK 7 / 40 / 0 / 12

HEX #D288E1

RGB 210 136 225

HSL 289.89, 0.6%, 0.71%

LAB 67.09, 42.71, -33.96

 

CMYK 0 / 40 / 4 / 12

HEX #E188D8

RGB 225 136 216

HSL 306.07, 0.6%, 0.71%

LAB 68.44, 45.62, -26.74

 

CMYK 0 / 40 / 15 / 12

HEX #E188C0

RGB 225 136 192

HSL 322.25, 0.6%, 0.71%

LAB 67.59, 41.61, -14.66

 

CMYK 0 / 40 / 25 / 12

HEX #E188A9

RGB 225 136 169

HSL 337.75, 0.6%, 0.71%

LAB 66.89, 38.17, -2.8

 

CMYK 0 / 66 / 7 / 18

HEX #D046C1

RGB 208 70 193

HSL 306.52, 0.59%, 0.55%

LAB 53.64, 67.6, -36.89

 

CMYK 0 / 53 / 6 / 15

HEX #D967CC

RGB 217 103 204

HSL 306.84, 0.6%, 0.63%

LAB 60.62, 57.62, -32.19

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 27 / 3 / 9

HEX #E9A9E2

RGB 233 169 226

HSL 306.56, 0.59%, 0.79%

LAB 76.79, 32.53, -19.41

 

CMYK 0 / 16 / 2 / 5

HEX #F1CAED

RGB 241 202 237

HSL 306.15, 0.58%, 0.87%

LAB 85.53, 19.59, -12.11

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 28 / 40 / 12

HEX #E1A388

RGB 225 163 136

HSL 18.2, 0.6%, 0.71%

LAB 72.21, 19.57, 23.09

 

CMYK 40 / 0 / 12 / 12

HEX #88E1C6

RGB 136 225 198

HSL 161.8, 0.6%, 0.71%

LAB 83.53, -32.85, 4.83

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 4 / 0 / 40 / 12

HEX #D8E188

RGB 216 225 136

HSL 66.07, 0.6%, 0.71%

LAB 87.11, -16.26, 42.48

 

CMYK 40 / 4 / 0 / 12

HEX #88D8E1

RGB 136 216 225

HSL 186.07, 0.6%, 0.71%

LAB 81.72, -22.21, -12.16

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 28 / 40 / 12

HEX #E1A388

RGB 225 163 136

HSL 18.2, 0.6%, 0.71%

LAB 72.21, 19.57, 23.09

 

CMYK 40 / 0 / 36 / 12

HEX #88E191

RGB 136 225 145

HSL 126.07, 0.6%, 0.71%

LAB 82.45, -42.94, 30.98

 

CMYK 40 / 12 / 0 / 12

HEX #88C6E1

RGB 136 198 225

HSL 198.2, 0.6%, 0.71%

LAB 76.71, -13.02, -19.69

 

CMYK 0 / 40 / 4 / 12

HEX #E188D7

RGB 225 136 215

HSL 306.74, 0.6%, 0.71%

LAB 68.4, 45.45, -26.25

 

CMYK 0 / 16 / 40 / 12

HEX #E1BD88

RGB 225 189 136

HSL 35.73, 0.6%, 0.71%

LAB 78.57, 5.71, 31.59

 

CMYK 40 / 0 / 36 / 12

HEX #88E191

RGB 136 225 145

HSL 126.07, 0.6%, 0.71%

LAB 82.45, -42.94, 30.98

 

CMYK 40 / 24 / 0 / 12

HEX #88ACE1

RGB 136 172 225

HSL 215.73, 0.6%, 0.71%

LAB 69.59, 1, -30.58

 

Description

Color code: RGB 225 136 215 | qconv.com Color code: RGB 225 136 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 136 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 136 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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