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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 134 105 it is the complementary color RGB 30 121 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 134 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 134 105 shade: RGB 230 134 100, RGB 247 152 119, RGB 255 170 138, RGB 255 188 157 and RGB 255 206 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 134 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 208 116 86, RGB 191 98 67, RGB 174 80 48 and RGB 157 62 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 134 105 shade: RGB 225 134 105 and RGB 225 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 225 167 105, RGB 225 199 105, RGB 219 225 105 and RGB 187 225 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 134 105 shade matches the following richer shades: RGB 225 134 105, RGB 239 127 91 and RGB 254 119 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 211 142 120, RGB 196 149 134, RGB 182 157 149 and RGB 167 164 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 134 105 shade: RGB 225 105 141, RGB 225 105 109, RGB 225 133 105, RGB 225 165 105 and RGB 225 197 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 134 105 shade: RGB 207 81 41, RGB 218 107 71, RGB 225 134 105, RGB 232 162 140 and RGB 239 190 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 173 225 105 and RGB 105 125 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 105 225 133 and RGB 133 105 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 173 225 105, RGB 105 197 225 and RGB 157 105 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 134 105 shade: RGB 225 134 105, RGB 137 225 105, RGB 105 197 225 and RGB 193 105 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

Complementary color

CMYK 80 / 19 / 0 / 41

HEX #1E7996

RGB 30 121 150

HSL 194.5, 0.67%, 0.35%

LAB 47.17, -15.5, -23.06

 

CMYK 0 / 42 / 57 / 10

HEX #E68664

RGB 230 134 100

HSL 15.69, 0.72%, 0.65%

LAB 65.59, 33.53, 34.08

 

CMYK 0 / 38 / 52 / 3

HEX #F79877

RGB 247 152 119

HSL 15.47, 0.89%, 0.72%

LAB 71.94, 32.29, 32.38

 

CMYK 0 / 33 / 46 / 0

HEX #FFAA8A

RGB 255 170 138

HSL 16.41, 1%, 0.77%

LAB 77.19, 27.73, 29.27

 

CMYK 0 / 26 / 38 / 0

HEX #FFBC9D

RGB 255 188 157

HSL 18.98, 1%, 0.81%

LAB 81.65, 20.29, 25.16

 

CMYK 0 / 19 / 31 / 0

HEX #FFCEB0

RGB 255 206 176

HSL 22.78, 1%, 0.85%

LAB 86.27, 13.15, 21.47

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 44 / 59 / 18

HEX #D07456

RGB 208 116 86

HSL 14.75, 0.56%, 0.58%

LAB 58.58, 33.27, 32.31

 

CMYK 0 / 49 / 65 / 25

HEX #BF6243

RGB 191 98 67

HSL 15, 0.49%, 0.51%

LAB 52.08, 34.69, 34.33

 

CMYK 0 / 54 / 72 / 32

HEX #AE5030

RGB 174 80 48

HSL 15.24, 0.57%, 0.44%

LAB 45.56, 36.22, 36.58

 

CMYK 0 / 61 / 82 / 38

HEX #9D3E1D

RGB 157 62 29

HSL 15.47, 0.69%, 0.36%

LAB 39.07, 37.82, 38.94

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 53 / 53 / 12

HEX #E16969

RGB 225 105 105

HSL 0, 0.67%, 0.65%

LAB 59.1, 46.75, 22.71

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 26 / 53 / 12

HEX #E1A769

RGB 225 167 105

HSL 31, 0.67%, 0.65%

LAB 72.67, 14.36, 40.17

 

CMYK 0 / 12 / 53 / 12

HEX #E1C769

RGB 225 199 105

HSL 47, 0.67%, 0.65%

LAB 80.67, -2.5, 49.87

 

CMYK 3 / 0 / 53 / 12

HEX #DBE169

RGB 219 225 105

HSL 63, 0.67%, 0.65%

LAB 86.96, -18.04, 57.1

 

CMYK 17 / 0 / 53 / 12

HEX #BBE169

RGB 187 225 105

HSL 79, 0.67%, 0.65%

LAB 84.71, -30.54, 53.9

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 47 / 62 / 6

HEX #EF7F5B

RGB 239 127 91

HSL 14.59, 0.82%, 0.65%

LAB 65.19, 39.96, 38.7

 

CMYK 0 / 53 / 70 / 0

HEX #FE774D

RGB 254 119 77

HSL 14.24, 0.99%, 0.65%

LAB 65.59, 48.7, 47.06

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 33 / 43 / 17

HEX #D38E78

RGB 211 142 120

HSL 14.51, 0.51%, 0.65%

LAB 65.4, 23.62, 22.39

 

CMYK 0 / 24 / 32 / 23

HEX #C49586

RGB 196 149 134

HSL 14.52, 0.34%, 0.65%

LAB 65.71, 15.54, 14.76

 

CMYK 0 / 14 / 18 / 29

HEX #B69D95

RGB 182 157 149

HSL 14.55, 0.18%, 0.65%

LAB 66.69, 7.89, 7.57

 

CMYK 0 / 2 / 2 / 35

HEX #A7A4A3

RGB 167 164 163

HSL 15, 0.02%, 0.65%

LAB 67.58, 0.89, 0.89

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 53 / 52 / 12

HEX #E1696D

RGB 225 105 109

HSL 358, 0.67%, 0.65%

LAB 59.17, 47.09, 20.51

 

CMYK 0 / 41 / 53 / 12

HEX #E18569

RGB 225 133 105

HSL 14, 0.67%, 0.65%

LAB 64.81, 32.5, 30.22

 

CMYK 0 / 27 / 53 / 12

HEX #E1A569

RGB 225 165 105

HSL 30, 0.67%, 0.65%

LAB 72.19, 15.43, 39.57

 

CMYK 0 / 12 / 53 / 12

HEX #E1C569

RGB 225 197 105

HSL 46, 0.67%, 0.65%

LAB 80.16, -1.46, 49.26

 

CMYK 0 / 61 / 80 / 19

HEX #CF5129

RGB 207 81 41

HSL 14.46, 0.67%, 0.49%

LAB 51.05, 47.89, 47.53

 

CMYK 0 / 51 / 67 / 15

HEX #DA6B47

RGB 218 107 71

HSL 14.69, 0.67%, 0.57%

LAB 57.92, 40.82, 40.02

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 0 / 30 / 40 / 9

HEX #E8A28C

RGB 232 162 140

HSL 14.35, 0.67%, 0.73%

LAB 72.82, 23.28, 21.86

 

CMYK 0 / 21 / 27 / 6

HEX #EFBEAE

RGB 239 190 174

HSL 14.77, 0.67%, 0.81%

LAB 80.87, 15.28, 14.76

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 23 / 0 / 53 / 12

HEX #ADE169

RGB 173 225 105

HSL 86, 0.67%, 0.65%

LAB 83.84, -35.77, 52.66

 

CMYK 53 / 44 / 0 / 12

HEX #697DE1

RGB 105 125 225

HSL 230, 0.67%, 0.65%

LAB 55.18, 20.85, -53.34

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 53 / 0 / 41 / 12

HEX #69E185

RGB 105 225 133

HSL 134, 0.67%, 0.65%

LAB 81.04, -53.25, 34.98

 

CMYK 41 / 53 / 0 / 12

HEX #8569E1

RGB 133 105 225

HSL 254, 0.67%, 0.65%

LAB 52.43, 38.99, -57.63

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 23 / 0 / 53 / 12

HEX #ADE169

RGB 173 225 105

HSL 86, 0.67%, 0.65%

LAB 83.84, -35.77, 52.66

 

CMYK 53 / 12 / 0 / 12

HEX #69C5E1

RGB 105 197 225

HSL 194, 0.67%, 0.65%

LAB 75.06, -19.74, -22.33

 

CMYK 30 / 53 / 0 / 12

HEX #9D69E1

RGB 157 105 225

HSL 266, 0.67%, 0.65%

LAB 54.77, 44.76, -53.75

 

CMYK 0 / 40 / 53 / 12

HEX #E18669

RGB 225 134 105

HSL 14.5, 0.67%, 0.65%

LAB 65.02, 31.98, 30.5

 

CMYK 39 / 0 / 53 / 12

HEX #89E169

RGB 137 225 105

HSL 104, 0.67%, 0.65%

LAB 81.94, -48.12, 49.95

 

CMYK 53 / 12 / 0 / 12

HEX #69C5E1

RGB 105 197 225

HSL 194, 0.67%, 0.65%

LAB 75.06, -19.74, -22.33

 

CMYK 14 / 53 / 0 / 12

HEX #C169E1

RGB 193 105 225

HSL 284, 0.67%, 0.65%

LAB 58.86, 53.99, -46.99

 

Description

Color code: RGB 225 134 105 | qconv.com Color code: RGB 225 134 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 134 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 134 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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