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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225.7 128.6 165 it is the complementary color RGB 29.3 126.4 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225.7 128.6 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225.7 128.6 165 shade: RGB 230.7 128.6 160, RGB 247.7 146.6 179, RGB 255 164.6 198, RGB 255 182.6 217 and RGB 255 200.6 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225.7 128.6 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225.7 128.6 165 shade: RGB 225.7 128.6 165, RGB 208.7 110.6 146, RGB 191.7 92.6 127, RGB 174.7 74.6 108 and RGB 157.7 56.6 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225.7 128.6 165 shade: RGB 225 127 164, RGB 225 127 137 and RGB 225 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225.7 128.6 165 shade: RGB 225 127 164, RGB 225 127 190, RGB 225 127 217, RGB 207 127 225 and RGB 181 127 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225.7 128.6 165 shade matches the following richer shades: RGB 225 127 164, RGB 238 114 160 and RGB 251 101 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225.7 128.6 165 shade: RGB 225 127 164, RGB 212 140 167, RGB 199 153 170, RGB 187 165 173 and RGB 174 178 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225.7 128.6 165 shade: RGB 225 127 217, RGB 225 127 191, RGB 225 127 165, RGB 225 127 138 and RGB 225 142 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225.7 128.6 165 shade: RGB 209 60 116, RGB 217 94 140, RGB 225 127 164, RGB 233 160 188 and RGB 241 194 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225.7 128.6 165 shade: RGB 225.7 128.6 165, RGB 225 207 127 and RGB 127 204 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225.7 128.6 165 shade: RGB 225.7 128.6 165, RGB 165 225 127 and RGB 127 165 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225.7 128.6 165 shade: RGB 225.7 128.6 165, RGB 225 207 127, RGB 127 225 187 and RGB 127 145 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225.7 128.6 165 shade: RGB 225.7 128.6 165, RGB 214 225 127, RGB 127 225 187 and RGB 138 127 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

Complementary color

CMYK 77 / 0 / 29 / 50

HEX #1D7E5A

RGB 29.3 126.4 90

HSL 157.51, 0.62%, 0.31%

LAB 47.01, -36.56, 12.1

 

CMYK 0 / 44 / 31 / 10

HEX #E680A0

RGB 230.7 128.6 160

HSL 341.55, 0.68%, 0.7%

LAB 65.81, 42.78, 0.79

 

CMYK 0 / 41 / 28 / 3

HEX #F792B3

RGB 247.7 146.6 179

HSL 340.77, 0.87%, 0.77%

LAB 72.16, 41.92, -0.33

 

CMYK 0 / 35 / 22 / 0

HEX #FFA4C6

RGB 255 164.6 198

HSL 337.83, 1%, 0.82%

LAB 77.34, 37.76, -3.09

 

CMYK 0 / 28 / 15 / 0

HEX #FFB6D9

RGB 255 182.6 217

HSL 331.49, 1%, 0.86%

LAB 81.82, 31.2, -6.78

 

CMYK 0 / 21 / 7 / 0

HEX #FFC8EC

RGB 255 200.6 236

HSL 320.96, 1%, 0.89%

LAB 86.46, 24.84, -10.06

 

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

CMYK 0 / 47 / 30 / 18

HEX #D06E92

RGB 208.7 110.6 146

HSL 338.35, 0.51%, 0.63%

LAB 58.85, 42.57, -1.7

 

CMYK 0 / 52 / 34 / 25

HEX #BF5C7F

RGB 191.7 92.6 127

HSL 339.17, 0.44%, 0.56%

LAB 52.35, 43.42, -0.36

 

CMYK 0 / 57 / 38 / 31

HEX #AE4A6C

RGB 174.7 74.6 108

HSL 339.98, 0.4%, 0.49%

LAB 45.83, 44.22, 1.26

 

CMYK 0 / 64 / 44 / 38

HEX #9D3859

RGB 157.7 56.6 89

HSL 340.77, 0.47%, 0.42%

LAB 39.32, 44.84, 3.28

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA4

RGB 225 127 164

HSL 337.35, 0.62%, 0.69%

LAB 64.86, 42.16, -2.95

 

CMYK 0 / 44 / 39 / 12

HEX #E17F89

RGB 225 127 137

HSL 353.88, 0.62%, 0.69%

LAB 64.15, 38.81, 11.38

 

CMYK 0 / 44 / 44 / 12

HEX #E17F7F

RGB 225 127 127

HSL 0, 0.62%, 0.69%

LAB 63.93, 37.72, 16.74

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA4

RGB 225 127 164

HSL 337.35, 0.62%, 0.69%

LAB 64.86, 42.16, -2.95

 

CMYK 0 / 44 / 16 / 12

HEX #E17FBE

RGB 225 127 190

HSL 321.43, 0.62%, 0.69%

LAB 65.67, 45.95, -16.44

 

CMYK 0 / 44 / 4 / 12

HEX #E17FD9

RGB 225 127 217

HSL 304.9, 0.62%, 0.69%

LAB 66.67, 50.4, -30.03

 

CMYK 8 / 44 / 0 / 12

HEX #CF7FE1

RGB 207 127 225

HSL 288.98, 0.62%, 0.69%

LAB 64.87, 46.57, -37.44

 

CMYK 20 / 44 / 0 / 12

HEX #B57FE1

RGB 181 127 225

HSL 273.06, 0.62%, 0.69%

LAB 62.03, 39.09, -42.08

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA4

RGB 225 127 164

HSL 337.35, 0.62%, 0.69%

LAB 64.86, 42.16, -2.95

 

CMYK 0 / 52 / 33 / 7

HEX #EE72A0

RGB 238 114 160

HSL 337.74, 0.78%, 0.69%

LAB 63.96, 52.48, -1.79

 

CMYK 0 / 60 / 37 / 2

HEX #FB659D

RGB 251 101 157

HSL 337.6, 0.95%, 0.69%

LAB 63.55, 62.14, -0.45

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA4

RGB 225 127 164

HSL 337.35, 0.62%, 0.69%

LAB 64.86, 42.16, -2.95

 

CMYK 0 / 34 / 21 / 17

HEX #D48CA7

RGB 212 140 167

HSL 337.5, 0.46%, 0.69%

LAB 66.17, 31.15, -2.9

 

CMYK 0 / 23 / 15 / 22

HEX #C799AA

RGB 199 153 170

HSL 337.83, 0.29%, 0.69%

LAB 67.89, 19.83, -2.21

 

CMYK 0 / 12 / 7 / 27

HEX #BBA5AD

RGB 187 165 173

HSL 338.18, 0.14%, 0.69%

LAB 69.82, 9.39, -1.19

 

CMYK 2 / 0 / 1 / 30

HEX #AEB2B0

RGB 174 178 176

HSL 150, 0.03%, 0.69%

LAB 72.21, -1.78, 0.52

 

CMYK 0 / 44 / 4 / 12

HEX #E17FD9

RGB 225 127 217

HSL 304.9, 0.62%, 0.69%

LAB 66.67, 50.4, -30.03

 

CMYK 0 / 44 / 15 / 12

HEX #E17FBF

RGB 225 127 191

HSL 320.82, 0.62%, 0.69%

LAB 65.71, 46.11, -16.95

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA5

RGB 225 127 165

HSL 336.73, 0.62%, 0.69%

LAB 64.89, 42.3, -3.48

 

CMYK 0 / 44 / 39 / 12

HEX #E17F8A

RGB 225 127 138

HSL 353.27, 0.62%, 0.69%

LAB 64.18, 38.92, 10.84

 

CMYK 0 / 37 / 44 / 12

HEX #E18E7F

RGB 225 142 127

HSL 9.18, 0.62%, 0.69%

LAB 67.19, 29.83, 21.21

 

CMYK 0 / 71 / 44 / 18

HEX #D13C74

RGB 209 60 116

HSL 337.45, 0.62%, 0.53%

LAB 49.55, 61.84, 2.51

 

CMYK 0 / 57 / 35 / 15

HEX #D95E8C

RGB 217 94 140

HSL 337.56, 0.62%, 0.61%

LAB 56.73, 52.73, -1.17

 

CMYK 0 / 44 / 27 / 12

HEX #E17FA4

RGB 225 127 164

HSL 337.35, 0.62%, 0.69%

LAB 64.86, 42.16, -2.95

 

CMYK 0 / 31 / 19 / 9

HEX #E9A0BC

RGB 233 160 188

HSL 336.99, 0.62%, 0.77%

LAB 73.61, 31.05, -3.38

 

CMYK 0 / 20 / 12 / 5

HEX #F1C2D3

RGB 241 194 211

HSL 338.3, 0.63%, 0.85%

LAB 82.91, 19.39, -2.12

 

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

CMYK 0 / 8 / 44 / 12

HEX #E1CF7F

RGB 225 207 127

HSL 48.98, 0.62%, 0.69%

LAB 83, -4.6, 41.92

 

CMYK 44 / 9 / 0 / 12

HEX #7FCCE1

RGB 127 204 225

HSL 192.86, 0.62%, 0.69%

LAB 77.95, -18.37, -17.86

 

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

CMYK 27 / 0 / 44 / 12

HEX #A5E17F

RGB 165 225 127

HSL 96.73, 0.62%, 0.69%

LAB 83.64, -36.16, 41.84

 

CMYK 44 / 27 / 0 / 12

HEX #7FA5E1

RGB 127 165 225

HSL 216.73, 0.62%, 0.69%

LAB 67.17, 2.59, -34.37

 

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

CMYK 0 / 8 / 44 / 12

HEX #E1CF7F

RGB 225 207 127

HSL 48.98, 0.62%, 0.69%

LAB 83, -4.6, 41.92

 

CMYK 44 / 0 / 17 / 12

HEX #7FE1BB

RGB 127 225 187

HSL 156.73, 0.62%, 0.69%

LAB 82.89, -37.56, 9.67

 

CMYK 44 / 36 / 0 / 12

HEX #7F91E1

RGB 127 145 225

HSL 228.98, 0.62%, 0.69%

LAB 61.83, 14.07, -42.72

 

CMYK 0 / 43 / 27 / 11

HEX #E180A5

RGB 225.7 128.6 165

HSL 337.51, 0.62%, 0.69%

LAB 65.3, 41.71, -2.85

 

CMYK 5 / 0 / 44 / 12

HEX #D6E17F

RGB 214 225 127

HSL 66.73, 0.62%, 0.69%

LAB 86.84, -17.99, 46.53

 

CMYK 44 / 0 / 17 / 12

HEX #7FE1BB

RGB 127 225 187

HSL 156.73, 0.62%, 0.69%

LAB 82.89, -37.56, 9.67

 

CMYK 39 / 44 / 0 / 12

HEX #8A7FE1

RGB 138 127 225

HSL 246.73, 0.62%, 0.69%

LAB 58.05, 27.4, -48.63

 

Description

Color code: RGB 225.7 128.6 165 | qconv.com Color code: RGB 225.7 128.6 165 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225.7 red, 128.6 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225.7 128.6 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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