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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225.3 180.4 180 it is the complementary color RGB 29.7 74.6 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225.3 180.4 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225.3 180.4 180 shade: RGB 230.3 180.4 175, RGB 247.3 198.4 194, RGB 255 216.4 213, RGB 255 234.4 232 and RGB 255 252.4 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225.3 180.4 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225.3 180.4 180 shade: RGB 225.3 180.4 180, RGB 208.3 162.4 161, RGB 191.3 144.4 142, RGB 174.3 126.4 123 and RGB 157.3 108.4 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225.3 180.4 180 shade: RGB 224 179 178 and RGB 224 178 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225.3 180.4 180 shade: RGB 224 179 178, RGB 224 191 178, RGB 224 204 178, RGB 224 216 178 and RGB 220 224 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225.3 180.4 180 shade matches the following richer shades: RGB 224 179 178, RGB 233 170 170, RGB 242 162 161 and RGB 250 153 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225.3 180.4 180 shade: RGB 224 179 178, RGB 216 187 187, RGB 207 196 196, RGB 198 204 204 and RGB 190 213 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225.3 180.4 180 shade: RGB 224 178 203, RGB 224 178 191, RGB 224 178 178, RGB 224 191 178 and RGB 224 203 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225.3 180.4 180 shade: RGB 201 120 119, RGB 213 149 149, RGB 224 179 178, RGB 236 208 208 and RGB 248 238 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225.3 180.4 180 shade: RGB 225.3 180.4 180, RGB 215 224 178 and RGB 178 197 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225.3 180.4 180 shade: RGB 225.3 180.4 180, RGB 178 224 178 and RGB 178 178 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225.3 180.4 180 shade: RGB 225.3 180.4 180, RGB 215 224 178, RGB 178 224 224 and RGB 188 178 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225.3 180.4 180 shade: RGB 225.3 180.4 180, RGB 201 224 178, RGB 178 224 224 and RGB 201 178 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

Complementary color

CMYK 60 / 1 / 0 / 71

HEX #1D4A4B

RGB 29.7 74.6 75

HSL 180.53, 0.43%, 0.21%

LAB 28.79, -15.11, -4.91

 

CMYK 0 / 22 / 24 / 10

HEX #E6B4AF

RGB 230.3 180.4 175

HSL 5.86, 0.53%, 0.79%

LAB 77.74, 17.27, 9.68

 

CMYK 0 / 20 / 22 / 3

HEX #F7C6C2

RGB 247.3 198.4 194

HSL 4.95, 0.78%, 0.87%

LAB 84.12, 16.71, 8.8

 

CMYK 0 / 15 / 16 / 0

HEX #FFD8D5

RGB 255 216.4 213

HSL 4.86, 1%, 0.92%

LAB 89.57, 12.89, 6.66

 

CMYK 0 / 8 / 9 / 0

HEX #FFEAE8

RGB 255 234.4 232

HSL 6.26, 1%, 0.95%

LAB 94.38, 6.59, 3.68

 

CMYK 0 / 1 / 2 / 0

HEX #FFFCFB

RGB 255 252.4 251

HSL 21, 1%, 0.99%

LAB 99.26, 0.62, 0.96

 

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

CMYK 0 / 22 / 23 / 18

HEX #D0A2A1

RGB 208.3 162.4 161

HSL 1.78, 0.34%, 0.72%

LAB 70.88, 16.73, 7.23

 

CMYK 0 / 25 / 26 / 25

HEX #BF908E

RGB 191.3 144.4 142

HSL 2.92, 0.28%, 0.65%

LAB 64.27, 17.36, 8.16

 

CMYK 0 / 27 / 29 / 32

HEX #AE7E7B

RGB 174.3 126.4 123

HSL 3.98, 0.24%, 0.58%

LAB 57.55, 18.08, 9.18

 

CMYK 0 / 31 / 34 / 38

HEX #9D6C68

RGB 157.3 108.4 104

HSL 4.95, 0.21%, 0.51%

LAB 50.7, 18.89, 10.31

 

CMYK 0 / 20 / 21 / 12

HEX #E0B3B2

RGB 224 179 178

HSL 1.3, 0.43%, 0.79%

LAB 76.86, 16.13, 6.71

 

CMYK 0 / 21 / 21 / 12

HEX #E0B2B2

RGB 224 178 178

HSL 0, 0.43%, 0.79%

LAB 76.62, 16.67, 6.36

 

CMYK 0 / 20 / 21 / 12

HEX #E0B3B2

RGB 224 179 178

HSL 1.3, 0.43%, 0.79%

LAB 76.86, 16.13, 6.71

 

CMYK 0 / 15 / 21 / 12

HEX #E0BFB2

RGB 224 191 178

HSL 16.96, 0.43%, 0.79%

LAB 79.8, 9.73, 10.9

 

CMYK 0 / 9 / 21 / 12

HEX #E0CCB2

RGB 224 204 178

HSL 33.91, 0.43%, 0.79%

LAB 83.04, 2.88, 15.49

 

CMYK 0 / 4 / 21 / 12

HEX #E0D8B2

RGB 224 216 178

HSL 49.57, 0.43%, 0.79%

LAB 86.09, -3.34, 19.75

 

CMYK 2 / 0 / 21 / 12

HEX #DCE0B2

RGB 220 224 178

HSL 65.22, 0.43%, 0.79%

LAB 87.84, -8.89, 22.13

 

CMYK 0 / 20 / 21 / 12

HEX #E0B3B2

RGB 224 179 178

HSL 1.3, 0.43%, 0.79%

LAB 76.86, 16.13, 6.71

 

CMYK 0 / 27 / 27 / 9

HEX #E9AAAA

RGB 233 170 170

HSL 0, 0.59%, 0.79%

LAB 75.44, 23.13, 9.15

 

CMYK 0 / 33 / 33 / 5

HEX #F2A2A1

RGB 242 162 161

HSL 0.74, 0.76%, 0.79%

LAB 74.38, 29.54, 12.7

 

CMYK 0 / 39 / 39 / 2

HEX #FA9998

RGB 250 153 152

HSL 0.61, 0.91%, 0.79%

LAB 73.14, 36.16, 16.05

 

CMYK 0 / 20 / 21 / 12

HEX #E0B3B2

RGB 224 179 178

HSL 1.3, 0.43%, 0.79%

LAB 76.86, 16.13, 6.71

 

CMYK 0 / 13 / 13 / 15

HEX #D8BBBB

RGB 216 187 187

HSL 0, 0.27%, 0.79%

LAB 78.3, 10.33, 3.81

 

CMYK 0 / 5 / 5 / 19

HEX #CFC4C4

RGB 207 196 196

HSL 0, 0.1%, 0.79%

LAB 80.03, 3.84, 1.37

 

CMYK 3 / 0 / 0 / 20

HEX #C6CCCC

RGB 198 204 204

HSL 180, 0.06%, 0.79%

LAB 81.59, -2.04, -0.72

 

CMYK 11 / 0 / 0 / 16

HEX #BED5D5

RGB 190 213 213

HSL 180, 0.21%, 0.79%

LAB 83.62, -7.66, -2.62

 

CMYK 0 / 21 / 9 / 12

HEX #E0B2CB

RGB 224 178 203

HSL 327.39, 0.43%, 0.79%

LAB 77.28, 20.66, -6.28

 

CMYK 0 / 21 / 15 / 12

HEX #E0B2BF

RGB 224 178 191

HSL 343.04, 0.43%, 0.79%

LAB 76.95, 18.68, -0.23

 

CMYK 0 / 21 / 21 / 12

HEX #E0B2B2

RGB 224 178 178

HSL 0, 0.43%, 0.79%

LAB 76.62, 16.67, 6.36

 

CMYK 0 / 15 / 21 / 12

HEX #E0BFB2

RGB 224 191 178

HSL 16.96, 0.43%, 0.79%

LAB 79.8, 9.73, 10.9

 

CMYK 0 / 9 / 21 / 12

HEX #E0CBB2

RGB 224 203 178

HSL 32.61, 0.43%, 0.79%

LAB 82.79, 3.4, 15.14

 

CMYK 0 / 40 / 41 / 21

HEX #C97877

RGB 201 120 119

HSL 0.73, 0.43%, 0.63%

LAB 59.14, 31.51, 14.19

 

CMYK 0 / 30 / 30 / 16

HEX #D59595

RGB 213 149 149

HSL 0, 0.43%, 0.71%

LAB 67.88, 24.1, 9.69

 

CMYK 0 / 20 / 21 / 12

HEX #E0B3B2

RGB 224 179 178

HSL 1.3, 0.43%, 0.79%

LAB 76.86, 16.13, 6.71

 

CMYK 0 / 12 / 12 / 7

HEX #ECD0D0

RGB 236 208 208

HSL 0, 0.42%, 0.87%

LAB 85.76, 9.76, 3.58

 

CMYK 0 / 4 / 4 / 3

HEX #F8EEED

RGB 248 238 237

HSL 5.45, 0.44%, 0.95%

LAB 94.83, 3.19, 1.67

 

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

CMYK 4 / 0 / 21 / 12

HEX #D7E0B2

RGB 215 224 178

HSL 71.74, 0.43%, 0.79%

LAB 87.47, -10.7, 21.56

 

CMYK 21 / 12 / 0 / 12

HEX #B2C5E0

RGB 178 197 224

HSL 215.22, 0.43%, 0.79%

LAB 78.91, -0.75, -15.59

 

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

CMYK 21 / 0 / 21 / 12

HEX #B2E0B2

RGB 178 224 178

HSL 120, 0.43%, 0.79%

LAB 84.99, -23.63, 17.73

 

CMYK 21 / 21 / 0 / 12

HEX #B2B2E0

RGB 178 178 224

HSL 240, 0.43%, 0.79%

LAB 73.99, 9.55, -23.04

 

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

CMYK 4 / 0 / 21 / 12

HEX #D7E0B2

RGB 215 224 178

HSL 71.74, 0.43%, 0.79%

LAB 87.47, -10.7, 21.56

 

CMYK 21 / 0 / 0 / 12

HEX #B2E0E0

RGB 178 224 224

HSL 180, 0.43%, 0.79%

LAB 86.09, -14.78, -4.91

 

CMYK 16 / 21 / 0 / 12

HEX #BCB2E0

RGB 188 178 224

HSL 253.04, 0.43%, 0.79%

LAB 74.77, 12.68, -21.78

 

CMYK 0 / 20 / 20 / 12

HEX #E1B4B4

RGB 225.3 180.4 180

HSL 0.53, 0.43%, 0.79%

LAB 77.37, 16.16, 6.37

 

CMYK 10 / 0 / 21 / 12

HEX #C9E0B2

RGB 201 224 178

HSL 90, 0.43%, 0.79%

LAB 86.48, -15.72, 20.02

 

CMYK 21 / 0 / 0 / 12

HEX #B2E0E0

RGB 178 224 224

HSL 180, 0.43%, 0.79%

LAB 86.09, -14.78, -4.91

 

CMYK 10 / 21 / 0 / 12

HEX #C9B2E0

RGB 201 178 224

HSL 270, 0.43%, 0.79%

LAB 75.85, 16.84, -20.05

 

Description

Color code: RGB 225.3 180.4 180 | qconv.com Color code: RGB 225.3 180.4 180 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225.3 red, 180.4 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225.3 180.4 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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