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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225.14 108 89 it is the complementary color RGB 29.86 147 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225.14 108 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225.14 108 89 shade: RGB 230.14 108 84, RGB 247.14 126 103, RGB 255 144 122, RGB 255 162 141 and RGB 255 180 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225.14 108 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225.14 108 89 shade: RGB 225.14 108 89, RGB 208.14 90 70, RGB 191.14 72 51, RGB 174.14 54 32 and RGB 157.14 36 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225.14 108 89 shade: RGB 226 109 90 and RGB 226 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225.14 108 89 shade: RGB 226 109 90, RGB 226 146 90, RGB 226 182 90, RGB 226 219 90 and RGB 196 226 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225.14 108 89 shade matches the following richer shades: RGB 226 109 90 and RGB 242 98 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225.14 108 89 shade: RGB 226 109 90, RGB 210 120 106, RGB 195 132 122, RGB 179 143 137 and RGB 163 154 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225.14 108 89 shade: RGB 226 90 145, RGB 226 90 108, RGB 226 108 90, RGB 226 145 90 and RGB 226 181 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225.14 108 89 shade: RGB 199 58 35, RGB 220 78 55, RGB 226 109 90, RGB 232 140 125 and RGB 238 171 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225.14 108 89 shade: RGB 225.14 108 89, RGB 181 226 90 and RGB 90 126 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225.14 108 89 shade: RGB 225.14 108 89, RGB 90 226 108 and RGB 108 90 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225.14 108 89 shade: RGB 225.14 108 89, RGB 181 226 90, RGB 90 208 226 and RGB 135 90 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225.14 108 89 shade: RGB 225.14 108 89, RGB 140 226 90, RGB 90 208 226 and RGB 176 90 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

Complementary color

CMYK 82 / 11 / 0 / 35

HEX #1D93A6

RGB 29.86 147 166

HSL 188.37, 0.7%, 0.38%

LAB 55.98, -23.95, -18.83

 

CMYK 0 / 53 / 64 / 10

HEX #E66C54

RGB 230.14 108 84

HSL 9.85, 0.75%, 0.62%

LAB 60.08, 45.64, 35.97

 

CMYK 0 / 49 / 58 / 3

HEX #F77E67

RGB 247.14 126 103

HSL 9.57, 0.9%, 0.69%

LAB 66.29, 44.34, 33.81

 

CMYK 0 / 44 / 52 / 0

HEX #FF907A

RGB 255 144 122

HSL 9.92, 1%, 0.74%

LAB 71.29, 39.71, 30.1

 

CMYK 0 / 36 / 45 / 0

HEX #FFA28D

RGB 255 162 141

HSL 11.05, 1%, 0.78%

LAB 75.47, 32.19, 25.35

 

CMYK 0 / 29 / 37 / 0

HEX #FFB4A0

RGB 255 180 160

HSL 12.63, 1%, 0.81%

LAB 79.86, 24.83, 21.11

 

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

CMYK 0 / 57 / 66 / 18

HEX #D05A46

RGB 208.14 90 70

HSL 8.69, 0.6%, 0.55%

LAB 53.15, 45.42, 34.56

 

CMYK 0 / 62 / 73 / 25

HEX #BF4833

RGB 191.14 72 51

HSL 8.99, 0.58%, 0.47%

LAB 46.93, 46.67, 37.24

 

CMYK 0 / 69 / 82 / 32

HEX #AE3620

RGB 174.14 54 32

HSL 9.29, 0.69%, 0.4%

LAB 40.83, 47.75, 40.16

 

CMYK 0 / 77 / 92 / 38

HEX #9D240D

RGB 157.14 36 13

HSL 9.57, 0.85%, 0.33%

LAB 34.95, 48.39, 42.79

 

CMYK 0 / 52 / 60 / 11

HEX #E26D5A

RGB 226 109 90

HSL 8.38, 0.7%, 0.62%

LAB 59.75, 44.02, 32.1

 

CMYK 0 / 60 / 60 / 11

HEX #E25A5A

RGB 226 90 90

HSL 0, 0.7%, 0.62%

LAB 56.31, 52.97, 27.71

 

CMYK 0 / 52 / 60 / 11

HEX #E26D5A

RGB 226 109 90

HSL 8.38, 0.7%, 0.62%

LAB 59.75, 44.02, 32.1

 

CMYK 0 / 35 / 60 / 11

HEX #E2925A

RGB 226 146 90

HSL 24.71, 0.7%, 0.62%

LAB 67.62, 24.84, 41.78

 

CMYK 0 / 19 / 60 / 11

HEX #E2B65A

RGB 226 182 90

HSL 40.59, 0.7%, 0.62%

LAB 76.29, 5.65, 51.93

 

CMYK 0 / 3 / 60 / 11

HEX #E2DB5A

RGB 226 219 90

HSL 56.91, 0.7%, 0.62%

LAB 85.79, -13.34, 62.52

 

CMYK 13 / 0 / 60 / 11

HEX #C4E25A

RGB 196 226 90

HSL 73.24, 0.7%, 0.62%

LAB 85.44, -28.79, 61.49

 

CMYK 0 / 52 / 60 / 11

HEX #E26D5A

RGB 226 109 90

HSL 8.38, 0.7%, 0.62%

LAB 59.75, 44.02, 32.1

 

CMYK 0 / 60 / 69 / 5

HEX #F2624B

RGB 242 98 75

HSL 8.26, 0.87%, 0.62%

LAB 60, 54.03, 41.23

 

CMYK 0 / 52 / 60 / 11

HEX #E26D5A

RGB 226 109 90

HSL 8.38, 0.7%, 0.62%

LAB 59.75, 44.02, 32.1

 

CMYK 0 / 43 / 50 / 18

HEX #D2786A

RGB 210 120 106

HSL 8.08, 0.54%, 0.62%

LAB 60.05, 33.63, 23.04

 

CMYK 0 / 32 / 37 / 24

HEX #C3847A

RGB 195 132 122

HSL 8.22, 0.38%, 0.62%

LAB 61.23, 22.99, 15.26

 

CMYK 0 / 20 / 23 / 30

HEX #B38F89

RGB 179 143 137

HSL 8.57, 0.22%, 0.62%

LAB 62.54, 12.65, 8.34

 

CMYK 0 / 6 / 6 / 36

HEX #A39A99

RGB 163 154 153

HSL 6, 0.05%, 0.62%

LAB 64.32, 3.1, 1.69

 

CMYK 0 / 60 / 36 / 11

HEX #E25A91

RGB 226 90 145

HSL 335.74, 0.7%, 0.62%

LAB 57.58, 57.93, -2.69

 

CMYK 0 / 60 / 52 / 11

HEX #E25A6C

RGB 226 90 108

HSL 352.06, 0.7%, 0.62%

LAB 56.65, 54.32, 17.69

 

CMYK 0 / 52 / 60 / 11

HEX #E26C5A

RGB 226 108 90

HSL 7.94, 0.7%, 0.62%

LAB 59.55, 44.51, 31.85

 

CMYK 0 / 36 / 60 / 11

HEX #E2915A

RGB 226 145 90

HSL 24.26, 0.7%, 0.62%

LAB 67.4, 25.37, 41.51

 

CMYK 0 / 20 / 60 / 11

HEX #E2B55A

RGB 226 181 90

HSL 40.15, 0.7%, 0.62%

LAB 76.04, 6.18, 51.65

 

CMYK 0 / 71 / 82 / 22

HEX #C73A23

RGB 199 58 35

HSL 8.41, 0.7%, 0.46%

LAB 46.03, 54.57, 45.2

 

CMYK 0 / 65 / 75 / 14

HEX #DC4E37

RGB 220 78 55

HSL 8.36, 0.7%, 0.54%

LAB 52.88, 54.26, 42.99

 

CMYK 0 / 52 / 60 / 11

HEX #E26D5A

RGB 226 109 90

HSL 8.38, 0.7%, 0.62%

LAB 59.75, 44.02, 32.1

 

CMYK 0 / 40 / 46 / 9

HEX #E88C7D

RGB 232 140 125

HSL 8.41, 0.7%, 0.7%

LAB 67.57, 33.36, 22.98

 

CMYK 0 / 28 / 33 / 7

HEX #EEABA0

RGB 238 171 160

HSL 8.46, 0.7%, 0.78%

LAB 75.97, 23.16, 15.43

 

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

CMYK 20 / 0 / 60 / 11

HEX #B5E25A

RGB 181 226 90

HSL 79.85, 0.7%, 0.62%

LAB 84.46, -34.58, 60.14

 

CMYK 60 / 44 / 0 / 11

HEX #5A7EE2

RGB 90 126 226

HSL 224.12, 0.7%, 0.62%

LAB 54.64, 17.58, -54.81

 

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

CMYK 60 / 0 / 52 / 11

HEX #5AE26C

RGB 90 226 108

HSL 127.94, 0.7%, 0.62%

LAB 80.54, -60.78, 46.46

 

CMYK 52 / 60 / 0 / 11

HEX #6C5AE2

RGB 108 90 226

HSL 247.94, 0.7%, 0.62%

LAB 46.96, 42.73, -67.12

 

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

CMYK 20 / 0 / 60 / 11

HEX #B5E25A

RGB 181 226 90

HSL 79.85, 0.7%, 0.62%

LAB 84.46, -34.58, 60.14

 

CMYK 60 / 8 / 0 / 11

HEX #5AD0E2

RGB 90 208 226

HSL 187.94, 0.7%, 0.62%

LAB 77.74, -27.82, -18.85

 

CMYK 40 / 60 / 0 / 11

HEX #875AE2

RGB 135 90 226

HSL 259.85, 0.7%, 0.62%

LAB 49.44, 48.13, -62.99

 

CMYK 0 / 52 / 60 / 12

HEX #E16C59

RGB 225.14 108 89

HSL 8.37, 0.7%, 0.62%

LAB 59.41, 44.13, 32.21

 

CMYK 38 / 0 / 60 / 11

HEX #8CE25A

RGB 140 226 90

HSL 97.94, 0.7%, 0.62%

LAB 82.22, -49.12, 57.02

 

CMYK 60 / 8 / 0 / 11

HEX #5AD0E2

RGB 90 208 226

HSL 187.94, 0.7%, 0.62%

LAB 77.74, -27.82, -18.85

 

CMYK 22 / 60 / 0 / 11

HEX #B05AE2

RGB 176 90 226

HSL 277.94, 0.7%, 0.62%

LAB 54.06, 57.37, -55.32

 

Description

Color code: RGB 225.14 108 89 | qconv.com Color code: RGB 225.14 108 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225.14 red, 108 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225.14 108 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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