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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 53 215 it is the complementary color RGB 31 202 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 53 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 53 215 shade: RGB 229 53 210, RGB 246 71 229, RGB 255 89 248, RGB 255 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 53 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 53 215 shade: RGB 224 53 215, RGB 207 35 196, RGB 190 17 177, RGB 173 0 158 and RGB 156 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 53 215 shade: RGB 223 52 214, RGB 223 52 168, RGB 223 52 122, RGB 223 52 76 and RGB 223 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 53 215 shade: RGB 223 52 214, RGB 186 52 223, RGB 140 52 223, RGB 94 52 223 and RGB 52 52 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 53 215 shade matches the following richer shades: RGB 223 52 214 and RGB 242 33 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 53 215 shade: RGB 223 52 214, RGB 204 71 197, RGB 185 90 180, RGB 166 109 163 and RGB 147 128 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 53 215 shade: RGB 141 52 223, RGB 186 52 223, RGB 223 52 215, RGB 223 52 169 and RGB 223 52 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 53 215 shade: RGB 167 26 159, RGB 203 32 194, RGB 223 52 214, RGB 229 88 221 and RGB 234 123 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 53 215 shade: RGB 224 53 215, RGB 223 95 52 and RGB 52 223 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 53 215 shade: RGB 224 53 215, RGB 215 223 52 and RGB 52 215 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 53 215 shade: RGB 224 53 215, RGB 223 95 52, RGB 52 223 61 and RGB 52 181 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 53 215 shade: RGB 224 53 215, RGB 223 146 52, RGB 52 223 61 and RGB 52 129 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

Complementary color

CMYK 85 / 0 / 80 / 21

HEX #1FCA28

RGB 31 202 40

HSL 123.16, 0.73%, 0.46%

LAB 71.34, -69.16, 63.2

 

CMYK 0 / 77 / 8 / 10

HEX #E535D2

RGB 229 53 210

HSL 306.48, 0.77%, 0.55%

LAB 55.94, 80.22, -42.79

 

CMYK 0 / 71 / 7 / 4

HEX #F647E5

RGB 246 71 229

HSL 305.83, 0.91%, 0.62%

LAB 61.44, 81.33, -44.67

 

CMYK 0 / 65 / 3 / 0

HEX #FF59F8

RGB 255 89 248

HSL 302.53, 1%, 0.67%

LAB 65.89, 80.09, -48.12

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

CMYK 0 / 83 / 5 / 19

HEX #CF23C4

RGB 207 35 196

HSL 303.84, 0.71%, 0.47%

LAB 50.04, 78.1, -44.32

 

CMYK 0 / 91 / 7 / 25

HEX #BE11B1

RGB 190 17 177

HSL 304.51, 0.84%, 0.41%

LAB 44.97, 75.22, -41.44

 

CMYK 0 / 100 / 9 / 32

HEX #AD009E

RGB 173 0 158

HSL 305.2, 1%, 0.34%

LAB 40.17, 71.29, -37.91

 

CMYK 0 / 100 / 11 / 39

HEX #9C008B

RGB 156 0 139

HSL 306.54, 1%, 0.31%

LAB 35.85, 65.58, -33.36

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D6

RGB 223 52 214

HSL 303.16, 0.73%, 0.54%

LAB 55.07, 79.85, -46.51

 

CMYK 0 / 77 / 25 / 13

HEX #DF34A8

RGB 223 52 168

HSL 319.3, 0.73%, 0.54%

LAB 52.92, 73.62, -23.28

 

CMYK 0 / 77 / 45 / 13

HEX #DF347A

RGB 223 52 122

HSL 335.44, 0.73%, 0.54%

LAB 51.32, 68.78, 1.76

 

CMYK 0 / 77 / 66 / 13

HEX #DF344C

RGB 223 52 76

HSL 351.58, 0.73%, 0.54%

LAB 50.29, 65.54, 28.15

 

CMYK 0 / 77 / 77 / 13

HEX #DF3434

RGB 223 52 52

HSL 0, 0.73%, 0.54%

LAB 49.97, 64.5, 41.66

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D6

RGB 223 52 214

HSL 303.16, 0.73%, 0.54%

LAB 55.07, 79.85, -46.51

 

CMYK 17 / 77 / 0 / 13

HEX #BA34DF

RGB 186 52 223

HSL 287.02, 0.73%, 0.54%

LAB 49.77, 74.22, -60.45

 

CMYK 37 / 77 / 0 / 13

HEX #8C34DF

RGB 140 52 223

HSL 270.88, 0.73%, 0.54%

LAB 43.3, 66.3, -71.24

 

CMYK 58 / 77 / 0 / 13

HEX #5E34DF

RGB 94 52 223

HSL 254.74, 0.73%, 0.54%

LAB 38.13, 59.85, -79.9

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D6

RGB 223 52 214

HSL 303.16, 0.73%, 0.54%

LAB 55.07, 79.85, -46.51

 

CMYK 0 / 86 / 5 / 5

HEX #F221E7

RGB 242 33 231

HSL 303.16, 0.89%, 0.54%

LAB 57.78, 89.81, -51.62

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D6

RGB 223 52 214

HSL 303.16, 0.73%, 0.54%

LAB 55.07, 79.85, -46.51

 

CMYK 0 / 65 / 3 / 20

HEX #CC47C5

RGB 204 71 197

HSL 303.16, 0.57%, 0.54%

LAB 53.36, 66.89, -39.69

 

CMYK 0 / 51 / 3 / 27

HEX #B95AB4

RGB 185 90 180

HSL 303.16, 0.4%, 0.54%

LAB 52.86, 50.65, -30.83

 

CMYK 0 / 34 / 2 / 35

HEX #A66DA3

RGB 166 109 163

HSL 303.16, 0.24%, 0.54%

LAB 53.7, 31.51, -19.87

 

CMYK 0 / 13 / 1 / 42

HEX #938092

RGB 147 128 146

HSL 303.16, 0.08%, 0.54%

LAB 55.8, 10.61, -7

 

CMYK 37 / 77 / 0 / 13

HEX #8D34DF

RGB 141 52 223

HSL 271.23, 0.73%, 0.54%

LAB 43.43, 66.46, -71.02

 

CMYK 17 / 77 / 0 / 13

HEX #BA34DF

RGB 186 52 223

HSL 287.02, 0.73%, 0.54%

LAB 49.77, 74.22, -60.45

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D7

RGB 223 52 215

HSL 302.81, 0.73%, 0.54%

LAB 55.12, 80, -47

 

CMYK 0 / 77 / 24 / 13

HEX #DF34A9

RGB 223 52 169

HSL 318.95, 0.73%, 0.54%

LAB 52.96, 73.74, -23.8

 

CMYK 0 / 77 / 45 / 13

HEX #DF347B

RGB 223 52 123

HSL 335.09, 0.73%, 0.54%

LAB 51.35, 68.87, 1.2

 

CMYK 0 / 84 / 5 / 35

HEX #A71A9F

RGB 167 26 159

HSL 303.4, 0.73%, 0.38%

LAB 40.34, 66.75, -38.31

 

CMYK 0 / 84 / 4 / 20

HEX #CB20C2

RGB 203 32 194

HSL 303.16, 0.73%, 0.46%

LAB 49.04, 77.65, -44.8

 

CMYK 0 / 77 / 4 / 13

HEX #DF34D6

RGB 223 52 214

HSL 303.16, 0.73%, 0.54%

LAB 55.07, 79.85, -46.51

 

CMYK 0 / 62 / 3 / 10

HEX #E558DD

RGB 229 88 221

HSL 303.4, 0.73%, 0.62%

LAB 60.66, 70.11, -41.59

 

CMYK 0 / 47 / 2 / 8

HEX #EA7BE5

RGB 234 123 229

HSL 302.7, 0.73%, 0.7%

LAB 67.51, 57.08, -35.29

 

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

CMYK 0 / 57 / 77 / 13

HEX #DF5F34

RGB 223 95 52

HSL 15.09, 0.73%, 0.54%

LAB 56.21, 47.63, 48.17

 

CMYK 77 / 0 / 27 / 13

HEX #34DFA3

RGB 52 223 163

HSL 158.95, 0.73%, 0.54%

LAB 79.7, -56.12, 17.5

 

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

CMYK 4 / 0 / 77 / 13

HEX #D7DF34

RGB 215 223 52

HSL 62.81, 0.73%, 0.54%

LAB 85.74, -21.8, 76

 

CMYK 77 / 4 / 0 / 13

HEX #34D7DF

RGB 52 215 223

HSL 182.81, 0.73%, 0.54%

LAB 78.84, -37.15, -15.66

 

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

CMYK 0 / 57 / 77 / 13

HEX #DF5F34

RGB 223 95 52

HSL 15.09, 0.73%, 0.54%

LAB 56.21, 47.63, 48.17

 

CMYK 77 / 0 / 73 / 13

HEX #34DF3D

RGB 52 223 61

HSL 123.16, 0.73%, 0.54%

LAB 78.37, -71.53, 63.48

 

CMYK 77 / 19 / 0 / 13

HEX #34B5DF

RGB 52 181 223

HSL 194.74, 0.73%, 0.54%

LAB 68.83, -20.51, -30.93

 

CMYK 0 / 76 / 4 / 12

HEX #E035D7

RGB 224 53 215

HSL 303.16, 0.73%, 0.54%

LAB 55.38, 79.93, -46.58

 

CMYK 0 / 35 / 77 / 13

HEX #DF9234

RGB 223 146 52

HSL 32.98, 0.73%, 0.54%

LAB 66.9, 21.49, 58.76

 

CMYK 77 / 0 / 73 / 13

HEX #34DF3D

RGB 52 223 61

HSL 123.16, 0.73%, 0.54%

LAB 78.37, -71.53, 63.48

 

CMYK 77 / 42 / 0 / 13

HEX #3481DF

RGB 52 129 223

HSL 212.98, 0.73%, 0.54%

LAB 53.77, 8.96, -54.61

 

Description

Color code: RGB 224 53 215 | qconv.com Color code: RGB 224 53 215 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 53 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 53 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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