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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 214 128 it is the complementary color RGB 31 41 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 214 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 214 128 shade: RGB 229 214 123, RGB 246 232 142, RGB 255 250 161, RGB 255 255 180 and RGB 255 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 214 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 207 196 109, RGB 190 178 90, RGB 173 160 71 and RGB 156 142 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 224 188 128, RGB 224 162 128, RGB 224 136 128 and RGB 224 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 208 224 128, RGB 182 224 128, RGB 156 224 128 and RGB 130 224 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 214 128 shade matches the following richer shades: RGB 224 214 128, RGB 237 224 115 and RGB 250 234 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 211 204 141, RGB 199 194 153, RGB 186 184 166 and RGB 173 174 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 214 128 shade: RGB 224 161 128, RGB 224 187 128, RGB 224 213 128, RGB 210 224 128 and RGB 184 224 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 214 128 shade: RGB 208 193 61, RGB 216 203 95, RGB 224 214 128, RGB 232 225 161 and RGB 240 235 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 128 224 136 and RGB 174 128 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 128 224 213 and RGB 213 128 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 128 224 136, RGB 128 139 224 and RGB 224 128 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 214 128 shade: RGB 224 214 128, RGB 128 224 165, RGB 128 139 224 and RGB 224 128 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

Complementary color

CMYK 76 / 68 / 0 / 50

HEX #1F297F

RGB 31 41 127

HSL 233.75, 0.61%, 0.31%

LAB 21.61, 27.54, -49.71

 

CMYK 0 / 7 / 46 / 10

HEX #E5D67B

RGB 229 214 123

HSL 51.51, 0.67%, 0.69%

LAB 85.09, -6.96, 46.57

 

CMYK 0 / 6 / 42 / 4

HEX #F6E88E

RGB 246 232 142

HSL 51.92, 0.85%, 0.76%

LAB 91.35, -7.47, 45.39

 

CMYK 0 / 2 / 37 / 0

HEX #FFFAA1

RGB 255 250 161

HSL 56.81, 1%, 0.82%

LAB 96.9, -10.94, 43.3

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 0 / 5 / 47 / 19

HEX #CFC46D

RGB 207 196 109

HSL 53.27, 0.51%, 0.62%

LAB 78.37, -7.97, 44.79

 

CMYK 0 / 6 / 53 / 25

HEX #BEB25A

RGB 190 178 90

HSL 52.8, 0.43%, 0.55%

LAB 71.91, -7.38, 45.99

 

CMYK 0 / 8 / 59 / 32

HEX #ADA047

RGB 173 160 71

HSL 52.35, 0.42%, 0.48%

LAB 65.34, -6.66, 47.14

 

CMYK 0 / 9 / 67 / 39

HEX #9C8E34

RGB 156 142 52

HSL 51.92, 0.5%, 0.41%

LAB 58.66, -5.77, 48.11

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 0 / 16 / 43 / 12

HEX #E0BC80

RGB 224 188 128

HSL 37.5, 0.61%, 0.69%

LAB 78.09, 4.98, 35.12

 

CMYK 0 / 28 / 43 / 12

HEX #E0A280

RGB 224 162 128

HSL 21.25, 0.61%, 0.69%

LAB 71.72, 18.83, 26.75

 

CMYK 0 / 39 / 43 / 12

HEX #E08880

RGB 224 136 128

HSL 5, 0.61%, 0.69%

LAB 65.76, 32.73, 18.68

 

CMYK 0 / 43 / 43 / 12

HEX #E08080

RGB 224 128 128

HSL 0, 0.61%, 0.69%

LAB 64.03, 36.93, 16.3

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 7 / 0 / 43 / 12

HEX #D0E080

RGB 208 224 128

HSL 70, 0.61%, 0.69%

LAB 86.15, -19.72, 45.08

 

CMYK 19 / 0 / 43 / 12

HEX #B6E080

RGB 182 224 128

HSL 86.25, 0.61%, 0.69%

LAB 84.39, -29.5, 42.5

 

CMYK 30 / 0 / 43 / 12

HEX #9CE080

RGB 156 224 128

HSL 102.5, 0.61%, 0.69%

LAB 82.88, -38.65, 40.28

 

CMYK 42 / 0 / 43 / 12

HEX #82E080

RGB 130 224 128

HSL 118.75, 0.61%, 0.69%

LAB 81.63, -46.88, 38.42

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 0 / 5 / 51 / 7

HEX #EDE073

RGB 237 224 115

HSL 53.61, 0.77%, 0.69%

LAB 88.23, -9.51, 54.35

 

CMYK 0 / 6 / 59 / 2

HEX #FAEA66

RGB 250 234 102

HSL 53.51, 0.94%, 0.69%

LAB 91.74, -10.21, 64.48

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 0 / 3 / 33 / 17

HEX #D3CC8D

RGB 211 204 141

HSL 54, 0.44%, 0.69%

LAB 81.27, -7.03, 32.32

 

CMYK 0 / 3 / 23 / 22

HEX #C7C299

RGB 199 194 153

HSL 53.48, 0.29%, 0.69%

LAB 77.89, -4.89, 21.3

 

CMYK 0 / 1 / 11 / 27

HEX #BAB8A6

RGB 186 184 166

HSL 54, 0.13%, 0.69%

LAB 74.49, -2.46, 9.39

 

CMYK 3 / 3 / 0 / 30

HEX #ADAEB3

RGB 173 174 179

HSL 230, 0.04%, 0.69%

LAB 71.15, 0.61, -2.69

 

CMYK 0 / 28 / 43 / 12

HEX #E0A180

RGB 224 161 128

HSL 20.63, 0.61%, 0.69%

LAB 71.48, 19.37, 26.43

 

CMYK 0 / 17 / 43 / 12

HEX #E0BB80

RGB 224 187 128

HSL 36.88, 0.61%, 0.69%

LAB 77.84, 5.51, 34.8

 

CMYK 0 / 5 / 43 / 12

HEX #E0D580

RGB 224 213 128

HSL 53.13, 0.61%, 0.69%

LAB 84.48, -7.96, 43.26

 

CMYK 6 / 0 / 43 / 12

HEX #D2E080

RGB 210 224 128

HSL 68.75, 0.61%, 0.69%

LAB 86.29, -18.94, 45.29

 

CMYK 18 / 0 / 43 / 12

HEX #B8E080

RGB 184 224 128

HSL 85, 0.61%, 0.69%

LAB 84.51, -28.77, 42.69

 

CMYK 0 / 7 / 71 / 18

HEX #D0C13D

RGB 208 193 61

HSL 53.88, 0.61%, 0.53%

LAB 77.21, -9.43, 64.8

 

CMYK 0 / 6 / 56 / 15

HEX #D8CB5F

RGB 216 203 95

HSL 53.55, 0.61%, 0.61%

LAB 80.81, -9.05, 54.53

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 0 / 3 / 31 / 9

HEX #E8E1A1

RGB 232 225 161

HSL 54.08, 0.61%, 0.77%

LAB 88.72, -7.21, 32.24

 

CMYK 0 / 2 / 19 / 6

HEX #F0EBC2

RGB 240 235 194

HSL 53.48, 0.61%, 0.85%

LAB 92.5, -4.87, 20.54

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 43 / 0 / 39 / 12

HEX #80E088

RGB 128 224 136

HSL 125, 0.61%, 0.69%

LAB 81.66, -46.26, 34.45

 

CMYK 22 / 43 / 0 / 12

HEX #AE80E0

RGB 174 128 224

HSL 268.75, 0.61%, 0.69%

LAB 61.5, 36.32, -42.42

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 43 / 0 / 5 / 12

HEX #80E0D5

RGB 128 224 213

HSL 173.13, 0.61%, 0.69%

LAB 83.29, -30.99, -3.5

 

CMYK 5 / 43 / 0 / 12

HEX #D580E0

RGB 213 128 224

HSL 293.13, 0.61%, 0.69%

LAB 65.72, 47.61, -35.5

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 43 / 0 / 39 / 12

HEX #80E088

RGB 128 224 136

HSL 125, 0.61%, 0.69%

LAB 81.66, -46.26, 34.45

 

CMYK 43 / 38 / 0 / 12

HEX #808BE0

RGB 128 139 224

HSL 233.13, 0.61%, 0.69%

LAB 60.28, 17.54, -44.6

 

CMYK 0 / 43 / 4 / 12

HEX #E080D8

RGB 224 128 216

HSL 305, 0.61%, 0.69%

LAB 66.71, 49.42, -29.43

 

CMYK 0 / 4 / 43 / 12

HEX #E0D680

RGB 224 214 128

HSL 53.75, 0.61%, 0.69%

LAB 84.74, -8.47, 43.59

 

CMYK 43 / 0 / 26 / 12

HEX #80E0A5

RGB 128 224 165

HSL 143.13, 0.61%, 0.69%

LAB 82.17, -41.27, 20.22

 

CMYK 43 / 38 / 0 / 12

HEX #808BE0

RGB 128 139 224

HSL 233.13, 0.61%, 0.69%

LAB 60.28, 17.54, -44.6

 

CMYK 0 / 43 / 17 / 12

HEX #E080BB

RGB 224 128 187

HSL 323.13, 0.61%, 0.69%

LAB 65.65, 44.65, -14.79

 

Description

Color code: RGB 224 214 128 | qconv.com Color code: RGB 224 214 128 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 214 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 214 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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