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Color name
RGB 224 203 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 203 198 it is the complementary color RGB 31 52 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 203 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 203 198 shade: RGB 229 203 193, RGB 246 221 212, RGB 255 239 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 203 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 207 185 179, RGB 190 167 160, RGB 173 149 141 and RGB 156 131 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 203 198 shade: RGB 224 203 198 and RGB 224 198 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 224 210 198, RGB 224 217 198, RGB 224 224 198 and RGB 217 224 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 203 198 shade matches the following richer shades: RGB 224 203 198, RGB 231 199 191, RGB 238 195 184, RGB 245 190 177 and RGB 252 186 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 217 207 205, RGB 210 212 212, RGB 203 216 219 and RGB 196 220 226

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 203 198 shade: RGB 224 198 207, RGB 224 198 200, RGB 224 203 198, RGB 224 210 198 and RGB 224 217 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 203 198 shade: RGB 195 154 145, RGB 210 179 171, RGB 224 203 198, RGB 239 228 225 and RGB 253 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 214 224 198 and RGB 198 204 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 198 224 203 and RGB 203 198 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 214 224 198, RGB 198 219 224 and RGB 208 198 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 203 198 shade: RGB 224 203 198, RGB 206 224 198, RGB 198 219 224 and RGB 216 198 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

Complementary color

CMYK 46 / 9 / 0 / 78

HEX #1F3439

RGB 31 52 57

HSL 191.54, 0.3%, 0.17%

LAB 20.21, -6.77, -5.8

 

CMYK 0 / 11 / 16 / 10

HEX #E5CBC1

RGB 229 203 193

HSL 16.67, 0.41%, 0.83%

LAB 83.56, 7.5, 8.31

 

CMYK 0 / 10 / 14 / 4

HEX #F6DDD4

RGB 246 221 212

HSL 15.88, 0.65%, 0.9%

LAB 89.89, 7.16, 7.54

 

CMYK 0 / 6 / 9 / 0

HEX #FFEFE7

RGB 255 239 231

HSL 20, 1%, 0.95%

LAB 95.48, 4.07, 5.79

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 11 / 14 / 19

HEX #CFB9B3

RGB 207 185 179

HSL 12.86, 0.23%, 0.76%

LAB 76.81, 6.83, 5.89

 

CMYK 0 / 12 / 16 / 25

HEX #BEA7A0

RGB 190 167 160

HSL 14, 0.19%, 0.69%

LAB 70.26, 7.2, 6.68

 

CMYK 0 / 14 / 18 / 32

HEX #AD958D

RGB 173 149 141

HSL 15, 0.16%, 0.62%

LAB 63.59, 7.6, 7.51

 

CMYK 0 / 16 / 22 / 39

HEX #9C837A

RGB 156 131 122

HSL 15.88, 0.15%, 0.55%

LAB 56.79, 8.06, 8.41

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 12 / 12 / 12

HEX #E0C6C6

RGB 224 198 198

HSL 0, 0.3%, 0.83%

LAB 82.01, 9.14, 3.35

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 6 / 12 / 12

HEX #E0D2C6

RGB 224 210 198

HSL 27.69, 0.3%, 0.83%

LAB 85.01, 2.83, 7.67

 

CMYK 0 / 3 / 12 / 12

HEX #E0D9C6

RGB 224 217 198

HSL 43.85, 0.3%, 0.83%

LAB 86.78, -0.8, 10.2

 

CMYK 0 / 0 / 12 / 12

HEX #E0E0C6

RGB 224 224 198

HSL 60, 0.3%, 0.83%

LAB 88.56, -4.4, 12.74

 

CMYK 3 / 0 / 12 / 12

HEX #D9E0C6

RGB 217 224 198

HSL 76.15, 0.3%, 0.83%

LAB 88.04, -6.87, 11.93

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 14 / 17 / 9

HEX #E7C7BF

RGB 231 199 191

HSL 12, 0.45%, 0.83%

LAB 82.7, 10.02, 8.16

 

CMYK 0 / 18 / 23 / 7

HEX #EEC3B8

RGB 238 195 184

HSL 12.22, 0.61%, 0.83%

LAB 82.2, 13.66, 11.28

 

CMYK 0 / 22 / 28 / 4

HEX #F5BEB1

RGB 245 190 177

HSL 11.47, 0.77%, 0.83%

LAB 81.52, 17.92, 14.16

 

CMYK 0 / 26 / 33 / 1

HEX #FCBAAA

RGB 252 186 170

HSL 11.71, 0.93%, 0.83%

LAB 81.13, 21.74, 17.47

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 5 / 6 / 15

HEX #D9CFCD

RGB 217 207 205

HSL 10, 0.14%, 0.83%

LAB 83.85, 3.11, 2.22

 

CMYK 1 / 0 / 0 / 17

HEX #D2D4D4

RGB 210 212 212

HSL 180, 0.02%, 0.83%

LAB 84.76, -0.68, -0.25

 

CMYK 7 / 1 / 0 / 14

HEX #CBD8DB

RGB 203 216 219

HSL 191.25, 0.18%, 0.83%

LAB 85.46, -3.79, -2.99

 

CMYK 13 / 3 / 0 / 11

HEX #C4DCE2

RGB 196 220 226

HSL 192, 0.34%, 0.83%

LAB 86.21, -6.74, -5.65

 

CMYK 0 / 12 / 8 / 12

HEX #E0C6CF

RGB 224 198 207

HSL 339.23, 0.3%, 0.83%

LAB 82.24, 10.65, -1.14

 

CMYK 0 / 12 / 11 / 12

HEX #E0C6C8

RGB 224 198 200

HSL 355.38, 0.3%, 0.83%

LAB 82.06, 9.47, 2.35

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 6 / 12 / 12

HEX #E0D2C6

RGB 224 210 198

HSL 27.69, 0.3%, 0.83%

LAB 85.01, 2.83, 7.67

 

CMYK 0 / 3 / 12 / 12

HEX #E0D9C6

RGB 224 217 198

HSL 43.85, 0.3%, 0.83%

LAB 86.78, -0.8, 10.2

 

CMYK 0 / 21 / 26 / 24

HEX #C39A91

RGB 195 154 145

HSL 10.8, 0.29%, 0.67%

LAB 67.09, 13.92, 10.55

 

CMYK 0 / 15 / 19 / 18

HEX #D2B3AB

RGB 210 179 171

HSL 12.31, 0.3%, 0.75%

LAB 75.38, 9.89, 8.21

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 0 / 5 / 6 / 6

HEX #EFE4E1

RGB 239 228 225

HSL 12.86, 0.3%, 0.91%

LAB 91.36, 3.22, 2.78

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 4 / 0 / 12 / 12

HEX #D6E0C6

RGB 214 224 198

HSL 83.08, 0.3%, 0.83%

LAB 87.82, -7.92, 11.58

 

CMYK 12 / 9 / 0 / 12

HEX #C6CCE0

RGB 198 204 224

HSL 226.15, 0.3%, 0.83%

LAB 82.15, 1.86, -10.6

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 12 / 0 / 9 / 12

HEX #C6E0CB

RGB 198 224 203

HSL 131.54, 0.3%, 0.83%

LAB 86.81, -12.53, 7.38

 

CMYK 9 / 12 / 0 / 12

HEX #CBC6E0

RGB 203 198 224

HSL 251.54, 0.3%, 0.83%

LAB 81, 6.68, -12.28

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 4 / 0 / 12 / 12

HEX #D6E0C6

RGB 214 224 198

HSL 83.08, 0.3%, 0.83%

LAB 87.82, -7.92, 11.58

 

CMYK 12 / 2 / 0 / 12

HEX #C6DBE0

RGB 198 219 224

HSL 191.54, 0.3%, 0.83%

LAB 86.03, -5.99, -4.84

 

CMYK 7 / 12 / 0 / 12

HEX #D0C6E0

RGB 208 198 224

HSL 263.08, 0.3%, 0.83%

LAB 81.39, 8.32, -11.65

 

CMYK 0 / 9 / 12 / 12

HEX #E0CBC6

RGB 224 203 198

HSL 11.54, 0.3%, 0.83%

LAB 83.25, 6.5, 5.14

 

CMYK 8 / 0 / 12 / 12

HEX #CEE0C6

RGB 206 224 198

HSL 101.54, 0.3%, 0.83%

LAB 87.25, -10.69, 10.69

 

CMYK 12 / 2 / 0 / 12

HEX #C6DBE0

RGB 198 219 224

HSL 191.54, 0.3%, 0.83%

LAB 86.03, -5.99, -4.84

 

CMYK 4 / 12 / 0 / 12

HEX #D8C6E0

RGB 216 198 224

HSL 281.54, 0.3%, 0.83%

LAB 82.04, 10.98, -10.61

 

Description

Color code: RGB 224 203 198 | qconv.com Color code: RGB 224 203 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 203 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 203 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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