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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 14 140 it is the complementary color RGB 31 241 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 14 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 14 140 shade: RGB 229 14 135, RGB 246 32 154, RGB 255 50 173, RGB 255 68 192 and RGB 255 86 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 14 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 14 140 shade: RGB 224 14 140, RGB 207 0 121, RGB 190 0 102, RGB 173 0 83 and RGB 156 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 14 140 shade: RGB 225 14 140, RGB 225 14 84, RGB 225 14 27 and RGB 225 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 14 140 shade: RGB 225 14 140, RGB 225 14 197, RGB 195 14 225, RGB 139 14 225 and RGB 82 14 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 14 140 shade matches the following richer shades: RGB 225 14 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 14 140 shade: RGB 225 14 140, RGB 205 33 137, RGB 186 53 133, RGB 167 72 129 and RGB 147 91 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 14 140 shade: RGB 197 14 225, RGB 225 14 197, RGB 225 14 140, RGB 225 14 84 and RGB 225 14 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 14 140 shade: RGB 147 9 92, RGB 186 11 116, RGB 225 14 140, RGB 241 39 160 and RGB 243 78 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 14 140 shade: RGB 224 14 140, RGB 225 140 14 and RGB 14 225 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 14 140 shade: RGB 224 14 140, RGB 140 225 14 and RGB 14 140 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 14 140 shade: RGB 224 14 140, RGB 225 140 14, RGB 14 225 98 and RGB 14 98 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 14 140 shade: RGB 224 14 140, RGB 225 204 14, RGB 14 225 98 and RGB 14 35 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

Complementary color

CMYK 87 / 0 / 52 / 5

HEX #1FF173

RGB 31 241 115

HSL 144, 0.88%, 0.53%

LAB 84.19, -73.1, 47.4

 

CMYK 0 / 94 / 41 / 10

HEX #E50E87

RGB 229 14 135

HSL 326.23, 0.88%, 0.48%

LAB 50.36, 78.53, -7.39

 

CMYK 0 / 87 / 37 / 4

HEX #F6209A

RGB 246 32 154

HSL 325.79, 0.92%, 0.55%

LAB 55.03, 81.66, -11.42

 

CMYK 0 / 80 / 32 / 0

HEX #FF32AD

RGB 255 50 173

HSL 324, 1%, 0.6%

LAB 58.56, 82.03, -17.07

 

CMYK 0 / 73 / 25 / 0

HEX #FF44C0

RGB 255 68 192

HSL 320.21, 1%, 0.63%

LAB 60.96, 79.37, -24.36

 

CMYK 0 / 66 / 17 / 0

HEX #FF56D3

RGB 255 86 211

HSL 315.62, 1%, 0.67%

LAB 63.85, 75.79, -30.69

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 0 / 100 / 42 / 19

HEX #CF0079

RGB 207 0 121

HSL 324.93, 1%, 0.41%

LAB 45.15, 73.76, -7.08

 

CMYK 0 / 100 / 46 / 25

HEX #BE0066

RGB 190 0 102

HSL 327.79, 1%, 0.37%

LAB 41.07, 68.43, -1.64

 

CMYK 0 / 100 / 52 / 32

HEX #AD0053

RGB 173 0 83

HSL 331.21, 1%, 0.34%

LAB 36.95, 63.08, 4.07

 

CMYK 0 / 100 / 59 / 39

HEX #9C0040

RGB 156 0 64

HSL 335.38, 1%, 0.31%

LAB 32.78, 57.72, 10.11

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 94 / 63 / 12

HEX #E10E54

RGB 225 14 84

HSL 340.09, 0.88%, 0.47%

LAB 48.21, 73.97, 20.68

 

CMYK 0 / 94 / 88 / 12

HEX #E10E1B

RGB 225 14 27

HSL 356.3, 0.88%, 0.47%

LAB 47.5, 71.98, 52.27

 

CMYK 0 / 94 / 94 / 12

HEX #E10E0E

RGB 225 14 14

HSL 0, 0.88%, 0.47%

LAB 47.43, 71.81, 57.29

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 94 / 12 / 12

HEX #E10EC5

RGB 225 14 197

HSL 307.96, 0.88%, 0.47%

LAB 52.23, 84.56, -41.23

 

CMYK 13 / 94 / 0 / 12

HEX #C30EE1

RGB 195 14 225

HSL 291.47, 0.88%, 0.47%

LAB 48.7, 83.73, -63.23

 

CMYK 38 / 94 / 0 / 12

HEX #8B0EE1

RGB 139 14 225

HSL 275.55, 0.88%, 0.47%

LAB 39.98, 76.46, -77.82

 

CMYK 64 / 94 / 0 / 12

HEX #520EE1

RGB 82 14 225

HSL 259.34, 0.88%, 0.47%

LAB 33.01, 71.69, -89.56

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 84 / 33 / 20

HEX #CD2189

RGB 205 33 137

HSL 323.72, 0.72%, 0.47%

LAB 46.81, 70.6, -14.4

 

CMYK 0 / 72 / 28 / 27

HEX #BA3585

RGB 186 53 133

HSL 323.91, 0.56%, 0.47%

LAB 45.19, 59.8, -14.75

 

CMYK 0 / 57 / 23 / 35

HEX #A74881

RGB 167 72 129

HSL 324, 0.4%, 0.47%

LAB 44.85, 45.71, -13.12

 

CMYK 0 / 38 / 15 / 42

HEX #935B7D

RGB 147 91 125

HSL 323.57, 0.24%, 0.47%

LAB 45.86, 28.13, -9.45

 

CMYK 12 / 94 / 0 / 12

HEX #C50EE1

RGB 197 14 225

HSL 292.04, 0.88%, 0.47%

LAB 49.03, 84.02, -62.68

 

CMYK 0 / 94 / 12 / 12

HEX #E10EC5

RGB 225 14 197

HSL 307.96, 0.88%, 0.47%

LAB 52.23, 84.56, -41.23

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 94 / 63 / 12

HEX #E10E54

RGB 225 14 84

HSL 340.09, 0.88%, 0.47%

LAB 48.21, 73.97, 20.68

 

CMYK 0 / 94 / 88 / 12

HEX #E10E1C

RGB 225 14 28

HSL 356.02, 0.88%, 0.47%

LAB 47.5, 72, 51.83

 

CMYK 0 / 94 / 37 / 42

HEX #93095C

RGB 147 9 92

HSL 323.91, 0.88%, 0.31%

LAB 32.19, 56.72, -9.4

 

CMYK 0 / 94 / 38 / 27

HEX #BA0B74

RGB 186 11 116

HSL 324, 0.89%, 0.39%

LAB 41.12, 67.71, -10.44

 

CMYK 0 / 94 / 38 / 12

HEX #E10E8C

RGB 225 14 140

HSL 324.17, 0.88%, 0.47%

LAB 49.76, 78.14, -11.39

 

CMYK 0 / 84 / 34 / 5

HEX #F127A0

RGB 241 39 160

HSL 324.06, 0.88%, 0.55%

LAB 54.75, 79.9, -15.48

 

CMYK 0 / 68 / 27 / 5

HEX #F34EB1

RGB 243 78 177

HSL 324, 0.87%, 0.63%

LAB 59.6, 71.28, -18

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 0 / 38 / 94 / 12

HEX #E18C0E

RGB 225 140 14

HSL 35.83, 0.88%, 0.47%

LAB 65.59, 24.6, 69.07

 

CMYK 94 / 0 / 0 / 12

HEX #0EE1E1

RGB 14 225 225

HSL 180, 0.88%, 0.47%

LAB 81.5, -43.4, -12.78

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 38 / 0 / 94 / 12

HEX #8CE10E

RGB 140 225 14

HSL 84.17, 0.88%, 0.47%

LAB 81.54, -52.68, 78.25

 

CMYK 94 / 38 / 0 / 12

HEX #0E8CE1

RGB 14 140 225

HSL 204.17, 0.88%, 0.47%

LAB 56.37, 0.3, -51.61

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 0 / 38 / 94 / 12

HEX #E18C0E

RGB 225 140 14

HSL 35.83, 0.88%, 0.47%

LAB 65.59, 24.6, 69.07

 

CMYK 94 / 0 / 56 / 12

HEX #0EE162

RGB 14 225 98

HSL 143.89, 0.88%, 0.47%

LAB 78.94, -71.42, 48.89

 

CMYK 94 / 56 / 0 / 12

HEX #0E62E1

RGB 14 98 225

HSL 216.11, 0.88%, 0.47%

LAB 44.61, 26.62, -70.57

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 0 / 9 / 94 / 12

HEX #E1CC0E

RGB 225 204 14

HSL 54.03, 0.88%, 0.47%

LAB 81.42, -9.07, 80.62

 

CMYK 94 / 0 / 56 / 12

HEX #0EE162

RGB 14 225 98

HSL 143.89, 0.88%, 0.47%

LAB 78.94, -71.42, 48.89

 

CMYK 94 / 84 / 0 / 12

HEX #0E23E1

RGB 14 35 225

HSL 234.03, 0.88%, 0.47%

LAB 31.19, 62.98, -92.7

 

Description

Color code: RGB 224 14 140 | qconv.com Color code: RGB 224 14 140 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 14 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 14 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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