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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 97 103 it is the complementary color RGB 32 158 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 97 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 97 103 shade: RGB 228 97 98, RGB 245 115 117, RGB 255 133 136, RGB 255 151 155 and RGB 255 169 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 97 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 97 103 shade: RGB 223 97 103, RGB 206 79 84, RGB 189 61 65, RGB 172 43 46 and RGB 155 25 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 97 103 shade: RGB 223 98 104 and RGB 223 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 97 103 shade: RGB 223 98 104, RGB 223 98 138, RGB 223 98 171, RGB 223 98 205 and RGB 207 98 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 97 103 shade matches the following richer shades: RGB 223 98 104, RGB 238 83 91 and RGB 253 68 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 97 103 shade: RGB 223 98 104, RGB 208 114 118, RGB 192 129 132, RGB 177 144 146 and RGB 162 159 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 97 103 shade: RGB 223 98 171, RGB 223 98 138, RGB 223 98 105, RGB 223 125 98 and RGB 223 159 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 97 103 shade: RGB 198 41 48, RGB 216 64 71, RGB 223 98 104, RGB 230 133 137 and RGB 237 167 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 97 103 shade: RGB 223 97 103, RGB 204 223 98 and RGB 98 154 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 97 103 shade: RGB 223 97 103, RGB 105 223 98 and RGB 98 105 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 97 103 shade: RGB 223 97 103, RGB 204 223 98, RGB 98 223 217 and RGB 117 98 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 97 103 shade: RGB 223 97 103, RGB 167 223 98, RGB 98 223 217 and RGB 154 98 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

Complementary color

CMYK 80 / 0 / 4 / 38

HEX #209E98

RGB 32 158 152

HSL 177.14, 0.66%, 0.37%

LAB 59, -33.56, -6.31

 

CMYK 0 / 57 / 57 / 11

HEX #E46162

RGB 228 97 98

HSL 359.54, 0.71%, 0.64%

LAB 57.97, 51.05, 25.32

 

CMYK 0 / 53 / 52 / 4

HEX #F57375

RGB 245 115 117

HSL 359.08, 0.87%, 0.71%

LAB 64.13, 50.01, 23.12

 

CMYK 0 / 48 / 47 / 0

HEX #FF8588

RGB 255 133 136

HSL 358.52, 1%, 0.76%

LAB 69.34, 46.47, 19.76

 

CMYK 0 / 41 / 39 / 0

HEX #FF979B

RGB 255 151 155

HSL 357.69, 1%, 0.8%

LAB 73.39, 39.34, 14.84

 

CMYK 0 / 34 / 32 / 0

HEX #FFA9AE

RGB 255 169 174

HSL 356.51, 1%, 0.83%

LAB 77.69, 32.26, 10.51

 

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

CMYK 0 / 62 / 59 / 19

HEX #CE4F54

RGB 206 79 84

HSL 357.64, 0.56%, 0.56%

LAB 51.1, 50.64, 23.83

 

CMYK 0 / 68 / 66 / 26

HEX #BD3D41

RGB 189 61 65

HSL 358.13, 0.51%, 0.49%

LAB 44.99, 51.4, 26.75

 

CMYK 0 / 75 / 73 / 33

HEX #AC2B2E

RGB 172 43 46

HSL 358.6, 0.6%, 0.42%

LAB 39.06, 51.75, 30.27

 

CMYK 0 / 84 / 83 / 39

HEX #9B191B

RGB 155 25 27

HSL 359.08, 0.72%, 0.35%

LAB 33.44, 51.34, 34.39

 

CMYK 0 / 56 / 53 / 13

HEX #DF6268

RGB 223 98 104

HSL 357.12, 0.66%, 0.63%

LAB 57.49, 49.31, 21.08

 

CMYK 0 / 56 / 56 / 13

HEX #DF6262

RGB 223 98 98

HSL 0, 0.66%, 0.63%

LAB 57.37, 48.84, 24.39

 

CMYK 0 / 56 / 53 / 13

HEX #DF6268

RGB 223 98 104

HSL 357.12, 0.66%, 0.63%

LAB 57.49, 49.31, 21.08

 

CMYK 0 / 56 / 38 / 13

HEX #DF628A

RGB 223 98 138

HSL 340.8, 0.66%, 0.63%

LAB 58.28, 52.59, 2.36

 

CMYK 0 / 56 / 23 / 13

HEX #DF62AB

RGB 223 98 171

HSL 324.96, 0.66%, 0.63%

LAB 59.31, 56.68, -15.27

 

CMYK 0 / 56 / 8 / 13

HEX #DF62CD

RGB 223 98 205

HSL 308.64, 0.66%, 0.63%

LAB 60.63, 61.73, -32.67

 

CMYK 7 / 56 / 0 / 13

HEX #CF62DF

RGB 207 98 223

HSL 292.32, 0.66%, 0.63%

LAB 59.28, 60.61, -45.1

 

CMYK 0 / 56 / 53 / 13

HEX #DF6268

RGB 223 98 104

HSL 357.12, 0.66%, 0.63%

LAB 57.49, 49.31, 21.08

 

CMYK 0 / 65 / 62 / 7

HEX #EE535B

RGB 238 83 91

HSL 356.9, 0.82%, 0.63%

LAB 57.19, 59.97, 28.67

 

CMYK 0 / 73 / 70 / 1

HEX #FD444D

RGB 253 68 77

HSL 357.08, 0.98%, 0.63%

LAB 57.61, 69.25, 37.78

 

CMYK 0 / 56 / 53 / 13

HEX #DF6268

RGB 223 98 104

HSL 357.12, 0.66%, 0.63%

LAB 57.49, 49.31, 21.08

 

CMYK 0 / 45 / 43 / 18

HEX #D07276

RGB 208 114 118

HSL 357.45, 0.5%, 0.63%

LAB 58.74, 37.23, 14.35

 

CMYK 0 / 33 / 31 / 25

HEX #C08184

RGB 192 129 132

HSL 357.14, 0.33%, 0.63%

LAB 60.4, 24.75, 8.34

 

CMYK 0 / 19 / 18 / 31

HEX #B19092

RGB 177 144 146

HSL 356.36, 0.17%, 0.63%

LAB 62.82, 12.73, 3.63

 

CMYK 0 / 2 / 1 / 36

HEX #A29FA0

RGB 162 159 160

HSL 340, 0.02%, 0.63%

LAB 65.76, 1.27, -0.14

 

CMYK 0 / 56 / 23 / 13

HEX #DF62AB

RGB 223 98 171

HSL 324.96, 0.66%, 0.63%

LAB 59.31, 56.68, -15.27

 

CMYK 0 / 56 / 38 / 13

HEX #DF628A

RGB 223 98 138

HSL 340.8, 0.66%, 0.63%

LAB 58.28, 52.59, 2.36

 

CMYK 0 / 56 / 53 / 13

HEX #DF6269

RGB 223 98 105

HSL 356.64, 0.66%, 0.63%

LAB 57.5, 49.4, 20.52

 

CMYK 0 / 44 / 56 / 13

HEX #DF7D62

RGB 223 125 98

HSL 12.96, 0.66%, 0.63%

LAB 62.71, 35.34, 31.32

 

CMYK 0 / 29 / 56 / 13

HEX #DF9F62

RGB 223 159 98

HSL 29.28, 0.66%, 0.63%

LAB 70.43, 17.25, 40.98

 

CMYK 0 / 79 / 76 / 22

HEX #C62930

RGB 198 41 48

HSL 357.32, 0.66%, 0.47%

LAB 43.95, 60.29, 35.99

 

CMYK 0 / 70 / 67 / 15

HEX #D84047

RGB 216 64 71

HSL 357.24, 0.66%, 0.55%

LAB 50.36, 59.21, 30.91

 

CMYK 0 / 56 / 53 / 13

HEX #DF6268

RGB 223 98 104

HSL 357.12, 0.66%, 0.63%

LAB 57.49, 49.31, 21.08

 

CMYK 0 / 42 / 40 / 10

HEX #E68589

RGB 230 133 137

HSL 357.53, 0.66%, 0.71%

LAB 66.06, 37.52, 14.15

 

CMYK 0 / 30 / 28 / 7

HEX #EDA7AA

RGB 237 167 170

HSL 357.43, 0.66%, 0.79%

LAB 75.17, 26.2, 8.82

 

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

CMYK 9 / 0 / 56 / 13

HEX #CCDF62

RGB 204 223 98

HSL 69.12, 0.66%, 0.63%

LAB 85.25, -23.6, 57.97

 

CMYK 56 / 31 / 0 / 13

HEX #629ADF

RGB 98 154 223

HSL 213.12, 0.66%, 0.63%

LAB 62.54, 1.57, -40.61

 

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

CMYK 53 / 0 / 56 / 13

HEX #69DF62

RGB 105 223 98

HSL 116.64, 0.66%, 0.63%

LAB 79.99, -57.36, 50.54

 

CMYK 56 / 53 / 0 / 13

HEX #6269DF

RGB 98 105 223

HSL 236.64, 0.66%, 0.63%

LAB 49.53, 30.95, -61.31

 

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

CMYK 9 / 0 / 56 / 13

HEX #CCDF62

RGB 204 223 98

HSL 69.12, 0.66%, 0.63%

LAB 85.25, -23.6, 57.97

 

CMYK 56 / 0 / 3 / 13

HEX #62DFD9

RGB 98 223 217

HSL 177.12, 0.66%, 0.63%

LAB 82.05, -35.97, -7.57

 

CMYK 48 / 56 / 0 / 13

HEX #7562DF

RGB 117 98 223

HSL 249.12, 0.66%, 0.63%

LAB 49.31, 38.96, -61.59

 

CMYK 0 / 57 / 54 / 13

HEX #DF6167

RGB 223 97 103

HSL 357.14, 0.66%, 0.63%

LAB 57.29, 49.7, 21.39

 

CMYK 25 / 0 / 56 / 13

HEX #A7DF62

RGB 167 223 98

HSL 86.88, 0.66%, 0.63%

LAB 82.85, -37.73, 54.59

 

CMYK 56 / 0 / 3 / 13

HEX #62DFD9

RGB 98 223 217

HSL 177.12, 0.66%, 0.63%

LAB 82.05, -35.97, -7.57

 

CMYK 31 / 56 / 0 / 13

HEX #9A62DF

RGB 154 98 223

HSL 266.88, 0.66%, 0.63%

LAB 52.88, 47.34, -55.67

 

Description

Color code: RGB 223 97 103 | qconv.com Color code: RGB 223 97 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 97 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 97 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 54 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 54% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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