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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 226 231 it is the complementary color RGB 32 29 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 226 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 226 231 shade: RGB 228 226 226 and RGB 245 244 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 226 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 226 231 shade: RGB 223 226 231, RGB 206 208 212, RGB 189 190 193, RGB 172 172 174 and RGB 155 154 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 226 231 shade: RGB 223 225 230, RGB 223 223 230, RGB 224 223 230, RGB 226 223 230 and RGB 228 223 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 226 231 shade: RGB 223 225 230, RGB 223 223 230 and RGB 223 223 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 226 231 shade matches the following richer shades: RGB 223 225 230, RGB 218 224 235, RGB 213 223 239, RGB 209 222 244 and RGB 204 221 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 226 231 shade: RGB 223 225 230, RGB 227 227 226, RGB 232 228 221, RGB 236 229 217 and RGB 241 230 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 226 231 shade: RGB 223 230 230, RGB 223 228 230, RGB 223 226 230, RGB 223 223 230 and RGB 224 223 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 226 231 shade: RGB 175 183 195, RGB 199 204 213, RGB 223 225 230 and RGB 246 247 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 226 231 shade: RGB 223 226 231, RGB 229 223 230 and RGB 229 230 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 226 231 shade: RGB 223 226 231, RGB 230 223 226 and RGB 226 230 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 226 231 shade: RGB 223 226 231, RGB 229 223 230, RGB 230 227 223 and RGB 224 230 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 226 231 shade: RGB 223 226 231, RGB 230 223 229, RGB 230 227 223 and RGB 223 230 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

 

Complementary color

CMYK 0 / 9 / 25 / 87

HEX #201D18

RGB 32 29 24

HSL 37.5, 0.14%, 0.11%

LAB 10.93, 0.33, 3.97

 

CMYK 0 / 1 / 1 / 11

HEX #E4E2E2

RGB 228 226 226

HSL 0, 0.04%, 0.89%

LAB 90.03, 0.68, 0.23

 

CMYK 0 / 0 / 0 / 4

HEX #F5F4F5

RGB 245 244 245

HSL 300, 0.05%, 0.96%

LAB 96.29, 0.51, -0.37

 

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

RGB 223 226 231

CMYK 3 / 2 / 0 / 17

HEX #CED0D4

RGB 206 208 212

HSL 220, 0.07%, 0.82%

LAB 83.44, 0.06, -2.23

RGB 206 208 212

CMYK 2 / 2 / 0 / 24

HEX #BDBEC1

RGB 189 190 193

HSL 225, 0.03%, 0.75%

LAB 76.98, 0.22, -1.64

RGB 189 190 193

CMYK 1 / 1 / 0 / 32

HEX #ACACAE

RGB 172 172 174

HSL 240, 0.01%, 0.68%

LAB 70.41, 0.38, -1.03

RGB 172 172 174

CMYK 3 / 2 / 0 / 10

HEX #DFE1E6

RGB 223 225 230

HSL 222.86, 0.12%, 0.89%

LAB 89.51, 0.24, -2.68

 

CMYK 3 / 3 / 0 / 10

HEX #DFDFE6

RGB 223 223 230

HSL 240, 0.12%, 0.89%

LAB 89.01, 1.28, -3.42

 

CMYK 3 / 3 / 0 / 10

HEX #E0DFE6

RGB 224 223 230

HSL 248.57, 0.12%, 0.89%

LAB 89.08, 1.61, -3.3

 

CMYK 2 / 3 / 0 / 10

HEX #E2DFE6

RGB 226 223 230

HSL 265.71, 0.12%, 0.89%

LAB 89.23, 2.28, -3.06

 

CMYK 1 / 3 / 0 / 10

HEX #E4DFE6

RGB 228 223 230

HSL 282.86, 0.12%, 0.89%

LAB 89.38, 2.95, -2.82

 

CMYK 3 / 2 / 0 / 10

HEX #DFE1E6

RGB 223 225 230

HSL 222.86, 0.12%, 0.89%

LAB 89.51, 0.24, -2.68

 

CMYK 3 / 3 / 0 / 10

HEX #DFDFE6

RGB 223 223 230

HSL 240, 0.12%, 0.89%

LAB 89.01, 1.28, -3.42

 

CMYK 3 / 3 / 0 / 10

HEX #DFDFE6

RGB 223 223 230

HSL 240, 0.12%, 0.89%

LAB 89.01, 1.28, -3.42

 

CMYK 3 / 2 / 0 / 10

HEX #DFE1E6

RGB 223 225 230

HSL 222.86, 0.12%, 0.89%

LAB 89.51, 0.24, -2.68

 

CMYK 7 / 5 / 0 / 8

HEX #DAE0EB

RGB 218 224 235

HSL 218.82, 0.3%, 0.89%

LAB 89.02, 0.05, -6.07

 

CMYK 11 / 7 / 0 / 6

HEX #D5DFEF

RGB 213 223 239

HSL 216.92, 0.45%, 0.89%

LAB 88.52, -0.26, -8.95

 

CMYK 14 / 9 / 0 / 4

HEX #D1DEF4

RGB 209 222 244

HSL 217.71, 0.61%, 0.89%

LAB 88.13, -0, -12.2

 

CMYK 18 / 11 / 0 / 2

HEX #CCDDF9

RGB 204 221 249

HSL 217.33, 0.79%, 0.89%

LAB 87.67, 0.01, -15.54

 

CMYK 3 / 2 / 0 / 10

HEX #DFE1E6

RGB 223 225 230

HSL 222.86, 0.12%, 0.89%

LAB 89.51, 0.24, -2.68

 

CMYK 0 / 0 / 0 / 11

HEX #E3E3E2

RGB 227 227 226

HSL 60, 0.02%, 0.89%

LAB 90.21, -0.17, 0.48

 

CMYK 0 / 2 / 5 / 9

HEX #E8E4DD

RGB 232 228 221

HSL 38.18, 0.19%, 0.89%

LAB 90.72, 0.14, 3.88

 

CMYK 0 / 3 / 8 / 7

HEX #ECE5D9

RGB 236 229 217

HSL 37.89, 0.33%, 0.89%

LAB 91.18, 0.33, 6.68

 

CMYK 0 / 5 / 12 / 5

HEX #F1E6D4

RGB 241 230 212

HSL 37.24, 0.51%, 0.89%

LAB 91.71, 0.76, 10.09

 

CMYK 3 / 0 / 0 / 10

HEX #DFE6E6

RGB 223 230 230

HSL 180, 0.12%, 0.89%

LAB 90.78, -2.33, -0.82

 

CMYK 3 / 1 / 0 / 10

HEX #DFE4E6

RGB 223 228 230

HSL 197.14, 0.12%, 0.89%

LAB 90.27, -1.3, -1.57

 

CMYK 3 / 2 / 0 / 10

HEX #DFE2E6

RGB 223 226 230

HSL 214.29, 0.12%, 0.89%

LAB 89.76, -0.27, -2.31

 

CMYK 3 / 3 / 0 / 10

HEX #DFDFE6

RGB 223 223 230

HSL 240, 0.12%, 0.89%

LAB 89.01, 1.28, -3.42

 

CMYK 3 / 3 / 0 / 10

HEX #E0DFE6

RGB 224 223 230

HSL 248.57, 0.12%, 0.89%

LAB 89.08, 1.61, -3.3

 

CMYK 10 / 6 / 0 / 24

HEX #AFB7C3

RGB 175 183 195

HSL 216, 0.14%, 0.73%

LAB 74.14, -0.39, -7.03

 

CMYK 7 / 4 / 0 / 16

HEX #C7CCD5

RGB 199 204 213

HSL 218.57, 0.14%, 0.81%

LAB 81.91, 0.01, -5.06

 

CMYK 3 / 2 / 0 / 10

HEX #DFE1E6

RGB 223 225 230

HSL 222.86, 0.12%, 0.89%

LAB 89.51, 0.24, -2.68

 

CMYK 1 / 0 / 0 / 3

HEX #F6F7F8

RGB 246 247 248

HSL 210, 0.13%, 0.97%

LAB 97.18, -0.15, -0.61

 

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

RGB 223 226 231

CMYK 0 / 3 / 0 / 10

HEX #E5DFE6

RGB 229 223 230

HSL 291.43, 0.12%, 0.89%

LAB 89.46, 3.28, -2.7

RGB 229 223 230

CMYK 0 / 0 / 3 / 10

HEX #E5E6DF

RGB 229 230 223

HSL 68.57, 0.12%, 0.89%

LAB 91.04, -1.57, 3.28

RGB 229 230 223

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

RGB 223 226 231

CMYK 0 / 3 / 2 / 10

HEX #E6DFE2

RGB 230 223 226

HSL 334.29, 0.12%, 0.89%

LAB 89.43, 2.91, -0.63

RGB 230 223 226

CMYK 2 / 0 / 3 / 10

HEX #E2E6DF

RGB 226 230 223

HSL 94.29, 0.12%, 0.89%

LAB 90.82, -2.58, 2.93

RGB 226 230 223

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

RGB 223 226 231

CMYK 0 / 3 / 0 / 10

HEX #E5DFE6

RGB 229 223 230

HSL 291.43, 0.12%, 0.89%

LAB 89.46, 3.28, -2.7

RGB 229 223 230

CMYK 0 / 1 / 3 / 10

HEX #E6E3DF

RGB 230 227 223

HSL 34.29, 0.12%, 0.89%

LAB 90.36, 0.31, 2.3

RGB 230 227 223

CMYK 3 / 0 / 3 / 10

HEX #E0E6DF

RGB 224 230 223

HSL 111.43, 0.12%, 0.89%

LAB 90.67, -3.26, 2.69

RGB 224 230 223

CMYK 3 / 2 / 0 / 9

HEX #DFE2E7

RGB 223 226 231

HSL 217.5, 0.14%, 0.89%

LAB 89.79, -0.09, -2.8

RGB 223 226 231

CMYK 0 / 3 / 0 / 10

HEX #E6DFE5

RGB 230 223 229

HSL 308.57, 0.12%, 0.89%

LAB 89.51, 3.44, -2.09

RGB 230 223 229

CMYK 0 / 1 / 3 / 10

HEX #E6E3DF

RGB 230 227 223

HSL 34.29, 0.12%, 0.89%

LAB 90.36, 0.31, 2.3

RGB 230 227 223

CMYK 3 / 0 / 3 / 10

HEX #DFE6DF

RGB 223 230 223

HSL 120, 0.12%, 0.89%

LAB 90.6, -3.59, 2.58

RGB 223 230 223

Description

Color code: RGB 223 226 231 | qconv.com Color code: RGB 223 226 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 226 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 226 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 2 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 2% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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