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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 162 72 it is the complementary color RGB 32 93 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 162 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 162 72 shade: RGB 228 162 67, RGB 245 180 86, RGB 255 198 105, RGB 255 216 124 and RGB 255 234 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 162 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 162 72 shade: RGB 223 162 72, RGB 206 144 53, RGB 189 126 34, RGB 172 108 15 and RGB 155 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 162 72 shade: RGB 223 162 73, RGB 223 122 73, RGB 223 81 73 and RGB 223 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 162 72 shade: RGB 223 162 73, RGB 223 203 73, RGB 203 223 73, RGB 162 223 73 and RGB 122 223 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 162 72 shade matches the following richer shades: RGB 223 162 73 and RGB 240 166 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 162 72 shade: RGB 223 162 73, RGB 206 159 90, RGB 188 156 108, RGB 171 152 125 and RGB 154 149 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 162 72 shade: RGB 223 80 73, RGB 223 120 73, RGB 223 160 73, RGB 223 200 73 and RGB 205 223 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 162 72 shade: RGB 181 121 32, RGB 216 144 38, RGB 223 162 73, RGB 229 180 108 and RGB 235 198 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 162 72 shade: RGB 223 162 72, RGB 105 223 73 and RGB 100 73 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 162 72 shade: RGB 223 162 72, RGB 73 223 160 and RGB 160 73 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 162 72 shade: RGB 223 162 72, RGB 105 223 73, RGB 73 135 223 and RGB 190 73 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 162 72 shade: RGB 223 162 72, RGB 73 223 85, RGB 73 135 223 and RGB 223 73 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

Complementary color

CMYK 83 / 49 / 0 / 28

HEX #205DB7

RGB 32 93 183

HSL 215.76, 0.7%, 0.42%

LAB 40.5, 14.46, -53.03

 

CMYK 0 / 29 / 71 / 11

HEX #E4A243

RGB 228 162 67

HSL 35.4, 0.75%, 0.58%

LAB 71.38, 15.73, 57.11

 

CMYK 0 / 27 / 65 / 4

HEX #F5B456

RGB 245 180 86

HSL 35.47, 0.89%, 0.65%

LAB 77.71, 14.37, 55.93

 

CMYK 0 / 22 / 59 / 0

HEX #FFC669

RGB 255 198 105

HSL 37.2, 1%, 0.71%

LAB 83.27, 10.33, 53.63

 

CMYK 0 / 15 / 51 / 0

HEX #FFD87C

RGB 255 216 124

HSL 42.14, 1%, 0.74%

LAB 87.89, 2.53, 50.03

 

CMYK 0 / 8 / 44 / 0

HEX #FFEA8F

RGB 255 234 143

HSL 48.75, 1%, 0.78%

LAB 92.61, -4.85, 46.65

 

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

CMYK 0 / 30 / 74 / 19

HEX #CE9035

RGB 206 144 53

HSL 35.69, 0.61%, 0.51%

LAB 64.42, 15.34, 55.25

 

CMYK 0 / 33 / 82 / 26

HEX #BD7E22

RGB 189 126 34

HSL 35.61, 0.7%, 0.44%

LAB 57.9, 17.05, 55.84

 

CMYK 0 / 37 / 91 / 33

HEX #AC6C0F

RGB 172 108 15

HSL 35.54, 0.84%, 0.37%

LAB 51.3, 19.03, 55.38

 

CMYK 0 / 42 / 100 / 39

HEX #9B5A00

RGB 155 90 0

HSL 34.84, 1%, 0.3%

LAB 44.63, 21.32, 53.11

 

CMYK 0 / 27 / 67 / 13

HEX #DFA249

RGB 223 162 73

HSL 35.6, 0.7%, 0.58%

LAB 70.88, 13.93, 53.73

 

CMYK 0 / 45 / 67 / 13

HEX #DF7A49

RGB 223 122 73

HSL 19.6, 0.7%, 0.58%

LAB 61.73, 35.21, 43.55

 

CMYK 0 / 64 / 67 / 13

HEX #DF5149

RGB 223 81 73

HSL 3.2, 0.7%, 0.58%

LAB 54.08, 54.84, 34.57

 

CMYK 0 / 67 / 67 / 13

HEX #DF4949

RGB 223 73 73

HSL 0, 0.7%, 0.58%

LAB 52.88, 58.11, 33.11

 

CMYK 0 / 27 / 67 / 13

HEX #DFA249

RGB 223 162 73

HSL 35.6, 0.7%, 0.58%

LAB 70.88, 13.93, 53.73

 

CMYK 0 / 9 / 67 / 13

HEX #DFCB49

RGB 223 203 73

HSL 52, 0.7%, 0.58%

LAB 81.23, -7.56, 64.62

 

CMYK 9 / 0 / 67 / 13

HEX #CBDF49

RGB 203 223 73

HSL 68, 0.7%, 0.58%

LAB 84.97, -25.71, 67.94

 

CMYK 27 / 0 / 67 / 13

HEX #A2DF49

RGB 162 223 73

HSL 84.4, 0.7%, 0.58%

LAB 82.35, -41.59, 64.4

 

CMYK 45 / 0 / 67 / 13

HEX #7ADF49

RGB 122 223 73

HSL 100.4, 0.7%, 0.58%

LAB 80.4, -55.05, 61.77

 

CMYK 0 / 27 / 67 / 13

HEX #DFA249

RGB 223 162 73

HSL 35.6, 0.7%, 0.58%

LAB 70.88, 13.93, 53.73

 

CMYK 0 / 31 / 77 / 6

HEX #F0A638

RGB 240 166 56

HSL 35.87, 0.86%, 0.58%

LAB 73.6, 18.19, 64.29

 

CMYK 0 / 27 / 67 / 13

HEX #DFA249

RGB 223 162 73

HSL 35.6, 0.7%, 0.58%

LAB 70.88, 13.93, 53.73

 

CMYK 0 / 23 / 56 / 19

HEX #CE9F5A

RGB 206 159 90

HSL 35.69, 0.54%, 0.58%

LAB 68.5, 9.52, 42.3

 

CMYK 0 / 17 / 43 / 26

HEX #BC9C6C

RGB 188 156 108

HSL 36, 0.37%, 0.58%

LAB 66.18, 5.32, 29.55

 

CMYK 0 / 11 / 27 / 33

HEX #AB987D

RGB 171 152 125

HSL 35.22, 0.21%, 0.58%

LAB 63.83, 2.73, 16.79

 

CMYK 0 / 3 / 8 / 40

HEX #9A958E

RGB 154 149 142

HSL 35, 0.06%, 0.58%

LAB 61.93, 0.54, 4.34

 

CMYK 0 / 64 / 67 / 13

HEX #DF5049

RGB 223 80 73

HSL 2.8, 0.7%, 0.58%

LAB 53.93, 55.27, 34.38

 

CMYK 0 / 46 / 67 / 13

HEX #DF7849

RGB 223 120 73

HSL 18.8, 0.7%, 0.58%

LAB 61.31, 36.24, 43.07

 

CMYK 0 / 28 / 67 / 13

HEX #DFA049

RGB 223 160 73

HSL 34.8, 0.7%, 0.58%

LAB 70.39, 15.01, 53.2

 

CMYK 0 / 10 / 67 / 13

HEX #DFC849

RGB 223 200 73

HSL 50.8, 0.7%, 0.58%

LAB 80.45, -6.03, 63.82

 

CMYK 8 / 0 / 67 / 13

HEX #CDDF49

RGB 205 223 73

HSL 67.2, 0.7%, 0.58%

LAB 85.12, -24.91, 68.13

 

CMYK 0 / 33 / 82 / 29

HEX #B57920

RGB 181 121 32

HSL 35.84, 0.7%, 0.42%

LAB 55.69, 16.22, 54.23

 

CMYK 0 / 33 / 82 / 15

HEX #D89026

RGB 216 144 38

HSL 35.73, 0.7%, 0.5%

LAB 65.5, 19.1, 62.39

 

CMYK 0 / 27 / 67 / 13

HEX #DFA249

RGB 223 162 73

HSL 35.6, 0.7%, 0.58%

LAB 70.88, 13.93, 53.73

 

CMYK 0 / 21 / 53 / 10

HEX #E5B46C

RGB 229 180 108

HSL 35.7, 0.7%, 0.66%

LAB 76.3, 9.34, 43.21

 

CMYK 0 / 16 / 39 / 8

HEX #EBC68F

RGB 235 198 143

HSL 35.87, 0.7%, 0.74%

LAB 81.86, 5.72, 32.45

 

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

CMYK 53 / 0 / 67 / 13

HEX #69DF49

RGB 105 223 73

HSL 107.2, 0.7%, 0.58%

LAB 79.76, -59.87, 60.9

 

CMYK 55 / 67 / 0 / 13

HEX #6449DF

RGB 100 73 223

HSL 250.8, 0.7%, 0.58%

LAB 42.46, 50.07, -72.78

 

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

CMYK 67 / 0 / 28 / 13

HEX #49DFA0

RGB 73 223 160

HSL 154.8, 0.7%, 0.58%

LAB 80.03, -53.9, 19.59

 

CMYK 28 / 67 / 0 / 13

HEX #A049DF

RGB 160 73 223

HSL 274.8, 0.7%, 0.58%

LAB 48.97, 61.16, -61.92

 

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

CMYK 53 / 0 / 67 / 13

HEX #69DF49

RGB 105 223 73

HSL 107.2, 0.7%, 0.58%

LAB 79.76, -59.87, 60.9

 

CMYK 67 / 39 / 0 / 13

HEX #4987DF

RGB 73 135 223

HSL 215.2, 0.7%, 0.58%

LAB 56.16, 8.17, -50.76

 

CMYK 15 / 67 / 0 / 13

HEX #BE49DF

RGB 190 73 223

HSL 286.8, 0.7%, 0.58%

LAB 52.99, 67.49, -55.23

 

CMYK 0 / 27 / 68 / 13

HEX #DFA248

RGB 223 162 72

HSL 35.76, 0.7%, 0.58%

LAB 70.87, 13.88, 54.18

 

CMYK 67 / 0 / 62 / 13

HEX #49DF55

RGB 73 223 85

HSL 124.8, 0.7%, 0.58%

LAB 78.95, -65.94, 54.85

 

CMYK 67 / 39 / 0 / 13

HEX #4987DF

RGB 73 135 223

HSL 215.2, 0.7%, 0.58%

LAB 56.16, 8.17, -50.76

 

CMYK 0 / 67 / 6 / 13

HEX #DF49D2

RGB 223 73 210

HSL 305.2, 0.7%, 0.58%

LAB 57.18, 72.67, -40.91

 

Description

Color code: RGB 223 162 72 | qconv.com Color code: RGB 223 162 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 162 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 162 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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