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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 162 229 it is the complementary color RGB 32 93 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 162 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 162 229 shade: RGB 228 162 224, RGB 245 180 243, RGB 255 198 255, RGB 255 216 255 and RGB 255 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 162 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 162 229 shade: RGB 223 162 229, RGB 206 144 210, RGB 189 126 191, RGB 172 108 172 and RGB 155 90 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 162 229 shade: RGB 223 163 229, RGB 229 163 217, RGB 229 163 199, RGB 229 163 181 and RGB 229 163 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 162 229 shade: RGB 223 163 229, RGB 205 163 229, RGB 187 163 229, RGB 170 163 229 and RGB 163 163 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 162 229 shade matches the following richer shades: RGB 223 163 229, RGB 231 154 238 and RGB 238 144 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 162 229 shade: RGB 223 163 229, RGB 215 172 219, RGB 207 182 210, RGB 199 191 200 and RGB 192 201 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 162 229 shade: RGB 187 163 229, RGB 205 163 229, RGB 222 163 229, RGB 229 163 218 and RGB 229 163 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 162 229 shade: RGB 201 99 211, RGB 212 131 220, RGB 223 163 229, RGB 234 195 238 and RGB 245 227 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 162 229 shade: RGB 223 162 229, RGB 229 170 163 and RGB 163 229 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 162 229 shade: RGB 223 162 229, RGB 229 222 163 and RGB 163 229 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 162 229 shade: RGB 223 162 229, RGB 229 170 163, RGB 170 229 163 and RGB 163 222 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 162 229 shade: RGB 223 162 229, RGB 229 189 163, RGB 170 229 163 and RGB 163 202 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

Complementary color

CMYK 66 / 0 / 72 / 64

HEX #205D1A

RGB 32 93 26

HSL 114.63, 0.56%, 0.23%

LAB 34.42, -33.84, 31.52

 

CMYK 0 / 29 / 2 / 11

HEX #E4A2E0

RGB 228 162 224

HSL 303.64, 0.55%, 0.76%

LAB 74.65, 34.28, -21.63

 

CMYK 0 / 27 / 1 / 4

HEX #F5B4F3

RGB 245 180 243

HSL 301.85, 0.76%, 0.83%

LAB 81.03, 33.63, -22.05

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 2 / 31 / 0 / 18

HEX #CE90D2

RGB 206 144 210

HSL 296.36, 0.42%, 0.69%

LAB 67.81, 34.28, -24.56

 

CMYK 1 / 34 / 0 / 25

HEX #BD7EBF

RGB 189 126 191

HSL 298.15, 0.34%, 0.62%

LAB 61.22, 35.01, -24.17

 

CMYK 0 / 37 / 0 / 33

HEX #AC6CAC

RGB 172 108 172

HSL 300, 0.28%, 0.55%

LAB 54.53, 35.76, -23.75

 

CMYK 0 / 42 / 1 / 39

HEX #9B5A99

RGB 155 90 153

HSL 301.85, 0.27%, 0.48%

LAB 47.73, 36.54, -23.28

 

CMYK 3 / 29 / 0 / 10

HEX #DFA3E5

RGB 223 163 229

HSL 294.55, 0.56%, 0.77%

LAB 74.53, 33.07, -24.58

 

CMYK 0 / 29 / 5 / 10

HEX #E5A3D9

RGB 229 163 217

HSL 310.91, 0.56%, 0.77%

LAB 74.74, 32.83, -17.66

 

CMYK 0 / 29 / 13 / 10

HEX #E5A3C7

RGB 229 163 199

HSL 327.27, 0.56%, 0.77%

LAB 74.17, 29.78, -8.64

 

CMYK 0 / 29 / 21 / 10

HEX #E5A3B5

RGB 229 163 181

HSL 343.64, 0.56%, 0.77%

LAB 73.67, 26.98, 0.51

 

CMYK 0 / 29 / 28 / 10

HEX #E5A3A4

RGB 229 163 164

HSL 359.09, 0.56%, 0.77%

LAB 73.24, 24.57, 9.25

 

CMYK 3 / 29 / 0 / 10

HEX #DFA3E5

RGB 223 163 229

HSL 294.55, 0.56%, 0.77%

LAB 74.53, 33.07, -24.58

 

CMYK 10 / 29 / 0 / 10

HEX #CDA3E5

RGB 205 163 229

HSL 278.18, 0.56%, 0.77%

LAB 72.78, 27.36, -27.42

 

CMYK 18 / 29 / 0 / 10

HEX #BBA3E5

RGB 187 163 229

HSL 261.82, 0.56%, 0.77%

LAB 71.16, 21.76, -30.05

 

CMYK 26 / 29 / 0 / 10

HEX #AAA3E5

RGB 170 163 229

HSL 246.36, 0.56%, 0.77%

LAB 69.75, 16.63, -32.33

 

CMYK 29 / 29 / 0 / 10

HEX #A3A3E5

RGB 163 163 229

HSL 240, 0.56%, 0.77%

LAB 69.21, 14.59, -33.21

 

CMYK 3 / 29 / 0 / 10

HEX #DFA3E5

RGB 223 163 229

HSL 294.55, 0.56%, 0.77%

LAB 74.53, 33.07, -24.58

 

CMYK 3 / 35 / 0 / 7

HEX #E79AEE

RGB 231 154 238

HSL 295, 0.71%, 0.77%

LAB 73.72, 42.05, -30.65

 

CMYK 4 / 42 / 0 / 3

HEX #EE90F8

RGB 238 144 248

HSL 294.23, 0.88%, 0.77%

LAB 72.83, 51.17, -37.42

 

CMYK 3 / 29 / 0 / 10

HEX #DFA3E5

RGB 223 163 229

HSL 294.55, 0.56%, 0.77%

LAB 74.53, 33.07, -24.58

 

CMYK 2 / 21 / 0 / 14

HEX #D7ACDB

RGB 215 172 219

HSL 294.89, 0.39%, 0.77%

LAB 75.49, 23.71, -17.75

 

CMYK 1 / 13 / 0 / 18

HEX #CFB6D2

RGB 207 182 210

HSL 293.57, 0.24%, 0.77%

LAB 76.91, 13.9, -10.8

 

CMYK 0 / 5 / 0 / 22

HEX #C7BFC8

RGB 199 191 200

HSL 293.33, 0.08%, 0.77%

LAB 78.21, 4.44, -3.52

 

CMYK 4 / 0 / 5 / 21

HEX #C0C9BF

RGB 192 201 191

HSL 114, 0.08%, 0.77%

LAB 80.03, -4.92, 3.92

 

CMYK 18 / 29 / 0 / 10

HEX #BBA3E5

RGB 187 163 229

HSL 261.82, 0.56%, 0.77%

LAB 71.16, 21.76, -30.05

 

CMYK 10 / 29 / 0 / 10

HEX #CDA3E5

RGB 205 163 229

HSL 278.18, 0.56%, 0.77%

LAB 72.78, 27.36, -27.42

 

CMYK 3 / 29 / 0 / 10

HEX #DEA3E5

RGB 222 163 229

HSL 293.64, 0.56%, 0.77%

LAB 74.43, 32.75, -24.74

 

CMYK 0 / 29 / 5 / 10

HEX #E5A3DA

RGB 229 163 218

HSL 310, 0.56%, 0.77%

LAB 74.77, 33, -18.16

 

CMYK 0 / 29 / 13 / 10

HEX #E5A3C8

RGB 229 163 200

HSL 326.36, 0.56%, 0.77%

LAB 74.2, 29.94, -9.15

 

CMYK 5 / 53 / 0 / 17

HEX #C963D3

RGB 201 99 211

HSL 294.64, 0.56%, 0.61%

LAB 58.08, 56.34, -40.27

 

CMYK 4 / 40 / 0 / 14

HEX #D483DC

RGB 212 131 220

HSL 294.61, 0.56%, 0.69%

LAB 66.06, 44.99, -32.77

 

CMYK 3 / 29 / 0 / 10

HEX #DFA3E5

RGB 223 163 229

HSL 294.55, 0.56%, 0.77%

LAB 74.53, 33.07, -24.58

 

CMYK 2 / 18 / 0 / 7

HEX #EAC3EE

RGB 234 195 238

HSL 294.42, 0.56%, 0.85%

LAB 83.28, 21.17, -16.08

 

CMYK 1 / 8 / 0 / 3

HEX #F5E3F7

RGB 245 227 247

HSL 294, 0.56%, 0.93%

LAB 92.16, 9.61, -7.48

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 0 / 26 / 29 / 10

HEX #E5AAA3

RGB 229 170 163

HSL 6.36, 0.56%, 0.77%

LAB 74.86, 20.69, 12.09

 

CMYK 29 / 0 / 14 / 10

HEX #A3E5C4

RGB 163 229 196

HSL 150, 0.56%, 0.77%

LAB 85.91, -27.5, 9.48

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 0 / 3 / 29 / 10

HEX #E5DEA3

RGB 229 222 163

HSL 53.64, 0.56%, 0.77%

LAB 87.75, -6.58, 29.87

 

CMYK 29 / 0 / 3 / 10

HEX #A3E5DE

RGB 163 229 222

HSL 173.64, 0.56%, 0.77%

LAB 86.55, -22.1, -3.26

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 0 / 26 / 29 / 10

HEX #E5AAA3

RGB 229 170 163

HSL 6.36, 0.56%, 0.77%

LAB 74.86, 20.69, 12.09

 

CMYK 26 / 0 / 29 / 10

HEX #AAE5A3

RGB 170 229 163

HSL 113.64, 0.56%, 0.77%

LAB 85.62, -31.16, 26.31

 

CMYK 29 / 3 / 0 / 10

HEX #A3DEE5

RGB 163 222 229

HSL 186.36, 0.56%, 0.77%

LAB 84.84, -17.05, -9.49

 

CMYK 3 / 29 / 0 / 10

HEX #DFA2E5

RGB 223 162 229

HSL 294.63, 0.56%, 0.77%

LAB 74.31, 33.6, -24.92

 

CMYK 0 / 17 / 29 / 10

HEX #E5BDA3

RGB 229 189 163

HSL 23.64, 0.56%, 0.77%

LAB 79.44, 10.56, 18.52

 

CMYK 26 / 0 / 29 / 10

HEX #AAE5A3

RGB 170 229 163

HSL 113.64, 0.56%, 0.77%

LAB 85.62, -31.16, 26.31

 

CMYK 29 / 12 / 0 / 10

HEX #A3CAE5

RGB 163 202 229

HSL 204.55, 0.56%, 0.77%

LAB 79.43, -6.74, -17.59

 

Description

Color code: RGB 223 162 229 | qconv.com Color code: RGB 223 162 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 162 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 162 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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