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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 159 39 it is the complementary color RGB 32 96 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 159 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 159 39: RGB 228 159 34, RGB 245 177 53, RGB 255 195 72, RGB 255 213 91 and RGB 255 231 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 159 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 159 39: RGB 223 159 39, RGB 206 141 20, RGB 189 123 1, RGB 172 105 0 and RGB 155 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

Complementary color

CMYK 85 / 56 / 0 / 15

HEX #2060D8

RGB 32 96 216

HSL 219.13, 0.74%, 0.49%

LAB 43.7, 25.35, -66.92

 

CMYK 0 / 30 / 85 / 11

HEX #E49F22

RGB 228 159 34

HSL 38.66, 0.78%, 0.51%

LAB 70.46, 16.11, 68.38

 

CMYK 0 / 28 / 78 / 4

HEX #F5B135

RGB 245 177 53

HSL 38.75, 0.91%, 0.58%

LAB 76.75, 14.39, 68.53

 

CMYK 0 / 24 / 72 / 0

HEX #FFC348

RGB 255 195 72

HSL 40.33, 1%, 0.64%

LAB 82.25, 9.97, 67.04

 

CMYK 0 / 16 / 64 / 0

HEX #FFD55B

RGB 255 213 91

HSL 44.63, 1%, 0.68%

LAB 86.8, 1.7, 63.93

 

CMYK 0 / 9 / 57 / 0

HEX #FFE76E

RGB 255 231 110

HSL 50.07, 1%, 0.72%

LAB 91.48, -6.14, 60.79

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 0 / 32 / 90 / 19

HEX #CE8D14

RGB 206 141 20

HSL 39.03, 0.82%, 0.44%

LAB 63.53, 15.95, 65.35

 

CMYK 0 / 35 / 99 / 26

HEX #BD7B01

RGB 189 123 1

HSL 38.94, 0.99%, 0.37%

LAB 57.06, 18.06, 63.16

 

CMYK 0 / 39 / 100 / 33

HEX #AC6900

RGB 172 105 0

HSL 36.63, 1%, 0.34%

LAB 50.54, 20.49, 58.03

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 0 / 15 / 83 / 13

HEX #DEBC25

RGB 222 188 37

HSL 48.97, 0.74%, 0.51%

LAB 77.06, -1.73, 72.8

 

CMYK 0 / 1 / 83 / 13

HEX #DEDB25

RGB 222 219 37

HSL 59.03, 0.74%, 0.51%

LAB 85.16, -17.4, 79.57

 

CMYK 13 / 0 / 83 / 13

HEX #C2DE25

RGB 194 222 37

HSL 69.08, 0.74%, 0.51%

LAB 83.89, -30.43, 77.66

 

CMYK 27 / 0 / 83 / 13

HEX #A3DE25

RGB 163 222 37

HSL 79.14, 0.74%, 0.51%

LAB 81.93, -42.6, 75.21

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 0 / 26 / 84 / 93

HEX #130E03

RGB 19 14 3

HSL 41.25, 0.73%, 0.04%

LAB 4.15, 0.23, 4.98

 

CMYK 0 / 29 / 83 / 73

HEX #46320C

RGB 70 50 12

HSL 39.31, 0.71%, 0.16%

LAB 22.34, 4.71, 26.39

 

CMYK 0 / 29 / 83 / 53

HEX #795615

RGB 121 86 21

HSL 39, 0.7%, 0.28%

LAB 39.2, 8.28, 40.77

 

CMYK 0 / 28 / 83 / 33

HEX #AC7B1E

RGB 172 123 30

HSL 39.3, 0.7%, 0.4%

LAB 55.1, 10.99, 54.01

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 71 / 0 / 83 / 13

HEX #41DE25

RGB 65 222 37

HSL 110.92, 0.74%, 0.51%

LAB 78.17, -70.71, 70.45

 

CMYK 63 / 83 / 0 / 13

HEX #5325DE

RGB 83 37 222

HSL 254.92, 0.74%, 0.51%

LAB 34.88, 64.69, -84.75

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 83 / 0 / 29 / 13

HEX #25DE9D

RGB 37 222 157

HSL 158.92, 0.74%, 0.51%

LAB 79.08, -58.52, 19.76

 

CMYK 29 / 83 / 0 / 13

HEX #9D25DE

RGB 157 37 222

HSL 278.92, 0.74%, 0.51%

LAB 43.89, 73.54, -69.6

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 71 / 0 / 83 / 13

HEX #41DE25

RGB 65 222 37

HSL 110.92, 0.74%, 0.51%

LAB 78.17, -70.71, 70.45

 

CMYK 83 / 54 / 0 / 13

HEX #2566DE

RGB 37 102 222

HSL 218.92, 0.74%, 0.51%

LAB 45.87, 24.14, -66.81

 

CMYK 13 / 83 / 0 / 13

HEX #C225DE

RGB 194 37 222

HSL 290.92, 0.74%, 0.51%

LAB 49.58, 79.42, -60.12

 

CMYK 0 / 29 / 83 / 13

HEX #DF9F27

RGB 223 159 39

HSL 39.13, 0.74%, 0.51%

LAB 69.92, 14.09, 66.2

 

CMYK 83 / 0 / 71 / 13

HEX #25DE41

RGB 37 222 65

HSL 129.08, 0.74%, 0.51%

LAB 77.89, -72.63, 61.49

 

CMYK 83 / 54 / 0 / 13

HEX #2566DE

RGB 37 102 222

HSL 218.92, 0.74%, 0.51%

LAB 45.87, 24.14, -66.81

 

CMYK 0 / 83 / 13 / 13

HEX #DE25C2

RGB 222 37 194

HSL 309.08, 0.74%, 0.51%

LAB 52.67, 80.32, -38.83

 

Description

Color code: RGB 223 159 39 | qconv.com Color code: RGB 223 159 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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