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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 151 74 it is the complementary color RGB 32 104 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 151 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 151 74: RGB 228 151 69, RGB 245 169 88, RGB 255 187 107, RGB 255 205 126 and RGB 255 223 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 151 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 151 74: RGB 223 151 74, RGB 206 133 55, RGB 189 115 36, RGB 172 97 17 and RGB 155 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

Complementary color

CMYK 82 / 43 / 0 / 29

HEX #2068B5

RGB 32 104 181

HSL 211.01, 0.7%, 0.42%

LAB 43.57, 6.57, -46.92

 

CMYK 0 / 34 / 70 / 11

HEX #E49745

RGB 228 151 69

HSL 30.94, 0.75%, 0.58%

LAB 68.79, 21.7, 53.49

 

CMYK 0 / 31 / 64 / 4

HEX #F5A958

RGB 245 169 88

HSL 30.96, 0.89%, 0.65%

LAB 75.13, 20.28, 52.1

 

CMYK 0 / 27 / 58 / 0

HEX #FFBB6B

RGB 255 187 107

HSL 32.43, 1%, 0.71%

LAB 80.66, 16.2, 49.61

 

CMYK 0 / 20 / 51 / 0

HEX #FFCD7E

RGB 255 205 126

HSL 36.74, 1%, 0.75%

LAB 85.21, 8.36, 45.77

 

CMYK 0 / 13 / 43 / 0

HEX #FFDF91

RGB 255 223 145

HSL 42.55, 1%, 0.78%

LAB 89.9, 0.9, 42.22

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 0 / 35 / 73 / 19

HEX #CE8537

RGB 206 133 55

HSL 30.99, 0.61%, 0.51%

LAB 61.8, 21.42, 51.73

 

CMYK 0 / 39 / 81 / 26

HEX #BD7324

RGB 189 115 36

HSL 30.98, 0.68%, 0.44%

LAB 55.29, 23.18, 52.74

 

CMYK 0 / 44 / 90 / 33

HEX #AC6111

RGB 172 97 17

HSL 30.97, 0.82%, 0.37%

LAB 48.71, 25.2, 52.86

 

CMYK 0 / 49 / 100 / 39

HEX #9B4F00

RGB 155 79 0

HSL 30.58, 1%, 0.3%

LAB 42.09, 27.47, 51.54

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 0 / 21 / 68 / 13

HEX #DEAF48

RGB 222 175 72

HSL 41.2, 0.69%, 0.58%

LAB 73.97, 6.53, 57.46

 

CMYK 0 / 10 / 68 / 13

HEX #DEC848

RGB 222 200 72

HSL 51.2, 0.69%, 0.58%

LAB 80.35, -6.5, 64.1

 

CMYK 1 / 0 / 68 / 13

HEX #DCDE48

RGB 220 222 72

HSL 60.8, 0.69%, 0.58%

LAB 85.97, -18.36, 69.73

 

CMYK 12 / 0 / 68 / 13

HEX #C3DE48

RGB 195 222 72

HSL 70.8, 0.69%, 0.58%

LAB 84.13, -28.51, 67.27

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 0 / 32 / 68 / 93

HEX #130D06

RGB 19 13 6

HSL 32.31, 0.52%, 0.05%

LAB 3.97, 1.13, 3.5

 

CMYK 0 / 33 / 67 / 73

HEX #462F17

RGB 70 47 23

HSL 30.64, 0.51%, 0.18%

LAB 21.57, 7.48, 19.4

 

CMYK 0 / 32 / 67 / 53

HEX #795228

RGB 121 82 40

HSL 31.11, 0.5%, 0.32%

LAB 38.29, 11.73, 30.68

 

CMYK 0 / 33 / 67 / 33

HEX #AC7439

RGB 172 116 57

HSL 30.78, 0.5%, 0.45%

LAB 53.55, 16.22, 40.7

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 48 / 0 / 68 / 13

HEX #73DE48

RGB 115 222 72

HSL 102.8, 0.69%, 0.58%

LAB 79.82, -56.81, 61.45

 

CMYK 59 / 68 / 0 / 13

HEX #5A48DE

RGB 90 72 222

HSL 247.2, 0.69%, 0.58%

LAB 41.35, 48.81, -74.07

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 68 / 0 / 32 / 13

HEX #48DE96

RGB 72 222 150

HSL 151.2, 0.69%, 0.58%

LAB 79.51, -55.72, 24.09

 

CMYK 32 / 68 / 0 / 13

HEX #9648DE

RGB 150 72 222

HSL 271.2, 0.69%, 0.58%

LAB 47.49, 59.36, -63.8

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 48 / 0 / 68 / 13

HEX #73DE48

RGB 115 222 72

HSL 102.8, 0.69%, 0.58%

LAB 79.82, -56.81, 61.45

 

CMYK 68 / 35 / 0 / 13

HEX #4891DE

RGB 72 145 222

HSL 210.8, 0.69%, 0.58%

LAB 58.88, 1.73, -45.88

 

CMYK 19 / 68 / 0 / 13

HEX #B448DE

RGB 180 72 222

HSL 283.2, 0.69%, 0.58%

LAB 51.4, 65.56, -57.3

 

CMYK 0 / 32 / 67 / 13

HEX #DF974A

RGB 223 151 74

HSL 31.01, 0.7%, 0.58%

LAB 68.25, 19.89, 50.39

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4B

RGB 72 222 75

HSL 121.2, 0.69%, 0.58%

LAB 78.54, -66.81, 58.52

 

CMYK 68 / 35 / 0 / 13

HEX #4891DE

RGB 72 145 222

HSL 210.8, 0.69%, 0.58%

LAB 58.88, 1.73, -45.88

 

CMYK 0 / 68 / 1 / 13

HEX #DE48DC

RGB 222 72 220

HSL 300.8, 0.69%, 0.58%

LAB 57.4, 74.37, -46.24

 

Description

Color code: RGB 223 151 74 | qconv.com Color code: RGB 223 151 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 151 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 151 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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