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Color name
RGB 223 149 6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 149 6 it is the complementary color RGB 32 106 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 149 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 149 6 shade: RGB 228 149 1, RGB 245 167 20, RGB 255 185 39, RGB 255 203 58 and RGB 255 221 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 149 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 149 6 shade: RGB 223 149 6, RGB 206 131 0, RGB 189 113 0, RGB 172 95 0 and RGB 155 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 149 6 shade: RGB 223 149 5, RGB 223 90 5, RGB 223 31 5 and RGB 223 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 149 6 shade: RGB 223 149 5, RGB 223 208 5, RGB 180 223 5, RGB 121 223 5 and RGB 62 223 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 149 6 shade matches the following richer shades: RGB 223 149 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 149 6 shade: RGB 223 149 5, RGB 205 143 24, RGB 186 137 42, RGB 168 131 61 and RGB 149 125 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 149 6 shade: RGB 223 31 5, RGB 223 89 5, RGB 223 147 5, RGB 223 205 5 and RGB 183 223 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 149 6 shade: RGB 143 95 3, RGB 183 122 4, RGB 223 149 5, RGB 249 171 21 and RGB 250 185 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 149 6 shade: RGB 223 149 6, RGB 38 223 5 and RGB 60 5 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 149 6 shade: RGB 223 149 6, RGB 5 223 147 and RGB 147 5 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 149 6 shade: RGB 223 149 6, RGB 38 223 5, RGB 5 82 223 and RGB 191 5 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 149 6 shade: RGB 223 149 6, RGB 5 223 38, RGB 5 82 223 and RGB 223 5 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

Complementary color

CMYK 87 / 57 / 0 / 2

HEX #206AF9

RGB 32 106 249

HSL 219.54, 0.95%, 0.55%

LAB 48.83, 31.46, -77.16

 

CMYK 0 / 35 / 100 / 11

HEX #E49501

RGB 228 149 1

HSL 39.12, 0.99%, 0.45%

LAB 68.01, 20.96, 72.72

 

CMYK 0 / 32 / 92 / 4

HEX #F5A714

RGB 245 167 20

HSL 39.2, 0.92%, 0.52%

LAB 74.25, 18.86, 75.36

 

CMYK 0 / 27 / 85 / 0

HEX #FFB927

RGB 255 185 39

HSL 40.56, 1%, 0.58%

LAB 79.67, 14.03, 75.81

 

CMYK 0 / 20 / 77 / 0

HEX #FFCB3A

RGB 255 203 58

HSL 44.16, 1%, 0.61%

LAB 84.11, 5.27, 73.94

 

CMYK 0 / 13 / 70 / 0

HEX #FFDD4D

RGB 255 221 77

HSL 48.54, 1%, 0.65%

LAB 88.69, -3.1, 71.55

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 0 / 36 / 100 / 19

HEX #CE8300

RGB 206 131 0

HSL 38.16, 1%, 0.4%

LAB 61.09, 21.14, 67.01

 

CMYK 0 / 40 / 100 / 26

HEX #BD7100

RGB 189 113 0

HSL 35.87, 1%, 0.37%

LAB 54.69, 23.55, 61.8

 

CMYK 0 / 45 / 100 / 33

HEX #AC5F00

RGB 172 95 0

HSL 33.14, 1%, 0.34%

LAB 48.2, 26.04, 56.55

 

CMYK 0 / 50 / 100 / 39

HEX #9B4D00

RGB 155 77 0

HSL 29.81, 1%, 0.3%

LAB 41.65, 28.56, 51.27

 

CMYK 0 / 33 / 98 / 13

HEX #DF9505

RGB 223 149 5

HSL 39.63, 0.96%, 0.45%

LAB 67.42, 18.85, 71.5

 

CMYK 0 / 60 / 98 / 13

HEX #DF5A05

RGB 223 90 5

HSL 23.39, 0.96%, 0.45%

LAB 55.08, 48.94, 63.62

 

CMYK 0 / 86 / 98 / 13

HEX #DF1F05

RGB 223 31 5

HSL 7.16, 0.96%, 0.45%

LAB 47.85, 68.76, 59.79

 

CMYK 0 / 98 / 98 / 13

HEX #DF0505

RGB 223 5 5

HSL 0, 0.96%, 0.45%

LAB 46.72, 72.01, 59.29

 

CMYK 0 / 33 / 98 / 13

HEX #DF9505

RGB 223 149 5

HSL 39.63, 0.96%, 0.45%

LAB 67.42, 18.85, 71.5

 

CMYK 0 / 7 / 98 / 13

HEX #DFD005

RGB 223 208 5

HSL 55.87, 0.96%, 0.45%

LAB 82.28, -12.03, 82.04

 

CMYK 19 / 0 / 98 / 13

HEX #B4DF05

RGB 180 223 5

HSL 71.83, 0.96%, 0.45%

LAB 83.17, -37.09, 81.29

 

CMYK 46 / 0 / 98 / 13

HEX #79DF05

RGB 121 223 5

HSL 88.07, 0.96%, 0.45%

LAB 80.1, -58.23, 77.57

 

CMYK 72 / 0 / 98 / 13

HEX #3EDF05

RGB 62 223 5

HSL 104.31, 0.96%, 0.45%

LAB 78.35, -72.41, 75.45

 

CMYK 0 / 33 / 98 / 13

HEX #DF9505

RGB 223 149 5

HSL 39.63, 0.96%, 0.45%

LAB 67.42, 18.85, 71.5

 

CMYK 0 / 33 / 98 / 13

HEX #DF9505

RGB 223 149 5

HSL 39.63, 0.96%, 0.45%

LAB 67.42, 18.85, 71.5

 

CMYK 0 / 30 / 88 / 20

HEX #CD8F18

RGB 205 143 24

HSL 39.45, 0.79%, 0.45%

LAB 63.91, 14.51, 64.66

 

CMYK 0 / 26 / 77 / 27

HEX #BA892A

RGB 186 137 42

HSL 39.58, 0.63%, 0.45%

LAB 60.34, 9.93, 54.96

 

CMYK 0 / 22 / 64 / 34

HEX #A8833D

RGB 168 131 61

HSL 39.25, 0.47%, 0.45%

LAB 56.97, 6.28, 42.41

 

CMYK 0 / 16 / 46 / 42

HEX #957D50

RGB 149 125 80

HSL 39.13, 0.3%, 0.45%

LAB 53.64, 2.95, 27.92

 

CMYK 0 / 86 / 98 / 13

HEX #DF1F05

RGB 223 31 5

HSL 7.16, 0.96%, 0.45%

LAB 47.85, 68.76, 59.79

 

CMYK 0 / 60 / 98 / 13

HEX #DF5905

RGB 223 89 5

HSL 23.12, 0.96%, 0.45%

LAB 54.91, 49.39, 63.52

 

CMYK 0 / 34 / 98 / 13

HEX #DF9305

RGB 223 147 5

HSL 39.08, 0.96%, 0.45%

LAB 66.95, 19.92, 71.18

 

CMYK 0 / 8 / 98 / 13

HEX #DFCD05

RGB 223 205 5

HSL 55.05, 0.96%, 0.45%

LAB 81.49, -10.52, 81.47

 

CMYK 18 / 0 / 98 / 13

HEX #B7DF05

RGB 183 223 5

HSL 71.01, 0.96%, 0.45%

LAB 83.37, -35.9, 81.53

 

CMYK 0 / 34 / 98 / 44

HEX #8F5F03

RGB 143 95 3

HSL 39.43, 0.96%, 0.29%

LAB 44.28, 12.98, 51.33

 

CMYK 0 / 33 / 98 / 28

HEX #B77A04

RGB 183 122 4

HSL 39.55, 0.96%, 0.37%

LAB 56.08, 15.98, 61.62

 

CMYK 0 / 33 / 98 / 13

HEX #DF9505

RGB 223 149 5

HSL 39.63, 0.96%, 0.45%

LAB 67.42, 18.85, 71.5

 

CMYK 0 / 31 / 92 / 2

HEX #F9AB15

RGB 249 171 21

HSL 39.47, 0.95%, 0.53%

LAB 75.65, 18.47, 76.42

 

CMYK 0 / 26 / 76 / 2

HEX #FAB93D

RGB 250 185 61

HSL 39.37, 0.95%, 0.61%

LAB 79.25, 12.61, 68.16

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 83 / 0 / 98 / 13

HEX #26DF05

RGB 38 223 5

HSL 110.92, 0.96%, 0.45%

LAB 77.99, -75.59, 75.01

 

CMYK 73 / 98 / 0 / 13

HEX #3C05DF

RGB 60 5 223

HSL 255.14, 0.96%, 0.45%

LAB 30.39, 71.65, -92.83

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 98 / 0 / 34 / 13

HEX #05DF93

RGB 5 223 147

HSL 159.08, 0.96%, 0.45%

LAB 78.99, -62.64, 24.81

 

CMYK 34 / 98 / 0 / 13

HEX #9305DF

RGB 147 5 223

HSL 279.08, 0.96%, 0.45%

LAB 40.64, 77.96, -75.55

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 83 / 0 / 98 / 13

HEX #26DF05

RGB 38 223 5

HSL 110.92, 0.96%, 0.45%

LAB 77.99, -75.59, 75.01

 

CMYK 98 / 63 / 0 / 13

HEX #0552DF

RGB 5 82 223

HSL 218.81, 0.96%, 0.45%

LAB 40.24, 35.95, -76.59

 

CMYK 14 / 98 / 0 / 13

HEX #BF05DF

RGB 191 5 223

HSL 291.19, 0.96%, 0.45%

LAB 47.64, 83.59, -63.84

 

CMYK 0 / 33 / 97 / 13

HEX #DF9506

RGB 223 149 6

HSL 39.54, 0.95%, 0.45%

LAB 67.42, 18.85, 71.37

 

CMYK 98 / 0 / 83 / 13

HEX #05DF26

RGB 5 223 38

HSL 129.08, 0.96%, 0.45%

LAB 77.84, -76.63, 69.68

 

CMYK 98 / 63 / 0 / 13

HEX #0552DF

RGB 5 82 223

HSL 218.81, 0.96%, 0.45%

LAB 40.24, 35.95, -76.59

 

CMYK 0 / 98 / 14 / 13

HEX #DF05BF

RGB 223 5 191

HSL 308.81, 0.96%, 0.45%

LAB 51.33, 84.12, -39.19

 

Description

Color code: RGB 223 149 6 | qconv.com Color code: RGB 223 149 6 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 149 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 149 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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