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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 145 218 it is the complementary color RGB 32 110 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 145 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 145 218 shade: RGB 228 145 213, RGB 245 163 232, RGB 255 181 251, RGB 255 199 255 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 145 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 145 218 shade: RGB 223 145 218, RGB 206 127 199, RGB 189 109 180, RGB 172 91 161 and RGB 155 73 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 145 218 shade: RGB 222 144 217, RGB 222 144 196, RGB 222 144 175, RGB 222 144 154 and RGB 222 144 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 145 218 shade: RGB 222 144 217, RGB 206 144 222, RGB 185 144 222, RGB 164 144 222 and RGB 144 144 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 145 218 shade matches the following richer shades: RGB 222 144 217, RGB 234 132 227 and RGB 245 121 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 145 218 shade: RGB 222 144 217, RGB 211 155 207, RGB 199 167 197, RGB 188 178 187 and RGB 176 190 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 145 218 shade: RGB 184 144 222, RGB 205 144 222, RGB 222 144 218, RGB 222 144 197 and RGB 222 144 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 145 218 shade: RGB 204 80 196, RGB 213 112 207, RGB 222 144 217, RGB 232 176 228 and RGB 241 208 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 145 218 shade: RGB 223 145 218, RGB 222 163 144 and RGB 144 222 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 145 218 shade: RGB 223 145 218, RGB 218 222 144 and RGB 144 218 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 145 218 shade: RGB 223 145 218, RGB 222 163 144, RGB 144 222 148 and RGB 144 203 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 145 218 shade: RGB 223 145 218, RGB 222 187 144, RGB 144 222 148 and RGB 144 179 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

Complementary color

CMYK 71 / 0 / 66 / 57

HEX #206E25

RGB 32 110 37

HSL 123.85, 0.55%, 0.28%

LAB 40.56, -39.27, 33.06

 

CMYK 0 / 36 / 7 / 11

HEX #E491D5

RGB 228 145 213

HSL 310.84, 0.61%, 0.73%

LAB 70.56, 41.35, -21.81

 

CMYK 0 / 33 / 5 / 4

HEX #F5A3E8

RGB 245 163 232

HSL 309.51, 0.8%, 0.8%

LAB 76.94, 40.63, -22.33

 

CMYK 0 / 29 / 2 / 0

HEX #FFB5FB

RGB 255 181 251

HSL 303.24, 1%, 0.85%

LAB 82.53, 37.72, -23.97

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

CMYK 0 / 38 / 3 / 19

HEX #CE7FC7

RGB 206 127 199

HSL 305.32, 0.45%, 0.65%

LAB 63.69, 41.38, -24.73

 

CMYK 0 / 42 / 5 / 26

HEX #BD6DB4

RGB 189 109 180

HSL 306.75, 0.38%, 0.58%

LAB 57.13, 42.14, -24.2

 

CMYK 0 / 47 / 6 / 33

HEX #AC5BA1

RGB 172 91 161

HSL 308.15, 0.33%, 0.52%

LAB 50.48, 42.88, -23.57

 

CMYK 0 / 53 / 8 / 39

HEX #9B498E

RGB 155 73 142

HSL 309.51, 0.36%, 0.45%

LAB 43.78, 43.55, -22.79

 

CMYK 0 / 35 / 2 / 13

HEX #DE90D9

RGB 222 144 217

HSL 303.85, 0.54%, 0.72%

LAB 69.81, 40.67, -25.22

 

CMYK 0 / 35 / 12 / 13

HEX #DE90C4

RGB 222 144 196

HSL 320, 0.54%, 0.72%

LAB 69.08, 37.05, -14.68

 

CMYK 0 / 35 / 21 / 13

HEX #DE90AF

RGB 222 144 175

HSL 336.15, 0.54%, 0.72%

LAB 68.44, 33.75, -3.92

 

CMYK 0 / 35 / 31 / 13

HEX #DE909A

RGB 222 144 154

HSL 352.31, 0.54%, 0.72%

LAB 67.88, 30.81, 7.03

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 35 / 2 / 13

HEX #DE90D9

RGB 222 144 217

HSL 303.85, 0.54%, 0.72%

LAB 69.81, 40.67, -25.22

 

CMYK 7 / 35 / 0 / 13

HEX #CE90DE

RGB 206 144 222

HSL 287.69, 0.54%, 0.72%

LAB 68.27, 36.61, -30.5

 

CMYK 17 / 35 / 0 / 13

HEX #B990DE

RGB 185 144 222

HSL 271.54, 0.54%, 0.72%

LAB 66.16, 30.18, -33.94

 

CMYK 26 / 35 / 0 / 13

HEX #A490DE

RGB 164 144 222

HSL 255.38, 0.54%, 0.72%

LAB 64.25, 23.93, -37.06

 

CMYK 35 / 35 / 0 / 13

HEX #9090DE

RGB 144 144 222

HSL 240, 0.54%, 0.72%

LAB 62.63, 18.28, -39.7

 

CMYK 0 / 35 / 2 / 13

HEX #DE90D9

RGB 222 144 217

HSL 303.85, 0.54%, 0.72%

LAB 69.81, 40.67, -25.22

 

CMYK 0 / 44 / 3 / 8

HEX #EA84E3

RGB 234 132 227

HSL 304.12, 0.71%, 0.72%

LAB 69.14, 52.3, -31.66

 

CMYK 0 / 51 / 3 / 4

HEX #F579ED

RGB 245 121 237

HSL 303.87, 0.86%, 0.72%

LAB 68.9, 62.46, -37.45

 

CMYK 0 / 35 / 2 / 13

HEX #DE90D9

RGB 222 144 217

HSL 303.85, 0.54%, 0.72%

LAB 69.81, 40.67, -25.22

 

CMYK 0 / 27 / 2 / 17

HEX #D39BCF

RGB 211 155 207

HSL 304.29, 0.39%, 0.72%

LAB 70.73, 29.38, -18.41

 

CMYK 0 / 16 / 1 / 22

HEX #C7A7C5

RGB 199 167 197

HSL 303.75, 0.22%, 0.72%

LAB 72.1, 16.9, -10.95

 

CMYK 0 / 5 / 1 / 26

HEX #BCB2BB

RGB 188 178 187

HSL 306, 0.07%, 0.72%

LAB 73.62, 5.2, -3.31

 

CMYK 7 / 0 / 7 / 25

HEX #B0BEB1

RGB 176 190 177

HSL 124.29, 0.1%, 0.72%

LAB 75.6, -7.27, 4.9

 

CMYK 17 / 35 / 0 / 13

HEX #B890DE

RGB 184 144 222

HSL 270.77, 0.54%, 0.72%

LAB 66.07, 29.88, -34.09

 

CMYK 8 / 35 / 0 / 13

HEX #CD90DE

RGB 205 144 222

HSL 286.92, 0.54%, 0.72%

LAB 68.17, 36.31, -30.67

 

CMYK 0 / 35 / 2 / 13

HEX #DE90DA

RGB 222 144 218

HSL 303.08, 0.54%, 0.72%

LAB 69.85, 40.85, -25.72

 

CMYK 0 / 35 / 11 / 13

HEX #DE90C5

RGB 222 144 197

HSL 319.23, 0.54%, 0.72%

LAB 69.12, 37.21, -15.19

 

CMYK 0 / 35 / 20 / 13

HEX #DE90B1

RGB 222 144 177

HSL 334.62, 0.54%, 0.72%

LAB 68.5, 34.05, -4.95

 

CMYK 0 / 61 / 4 / 20

HEX #CC50C4

RGB 204 80 196

HSL 303.87, 0.55%, 0.56%

LAB 54.62, 63.1, -37.13

 

CMYK 0 / 47 / 3 / 16

HEX #D570CF

RGB 213 112 207

HSL 303.56, 0.55%, 0.64%

LAB 61.86, 52.64, -31.99

 

CMYK 0 / 35 / 2 / 13

HEX #DE90D9

RGB 222 144 217

HSL 303.85, 0.54%, 0.72%

LAB 69.81, 40.67, -25.22

 

CMYK 0 / 24 / 2 / 9

HEX #E8B0E4

RGB 232 176 228

HSL 304.29, 0.55%, 0.8%

LAB 78.35, 28.83, -18.16

 

CMYK 0 / 14 / 1 / 5

HEX #F1D0EF

RGB 241 208 239

HSL 303.64, 0.54%, 0.88%

LAB 87.02, 16.78, -10.95

 

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

CMYK 0 / 27 / 35 / 13

HEX #DEA390

RGB 222 163 144

HSL 14.62, 0.54%, 0.72%

LAB 72.05, 19.34, 18.45

 

CMYK 35 / 0 / 12 / 13

HEX #90DEC3

RGB 144 222 195

HSL 159.23, 0.54%, 0.72%

LAB 82.97, -29.9, 5.66

 

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

CMYK 2 / 0 / 35 / 13

HEX #DADE90

RGB 218 222 144

HSL 63.08, 0.54%, 0.72%

LAB 86.58, -13.09, 37.85

 

CMYK 35 / 2 / 0 / 13

HEX #90DADE

RGB 144 218 222

HSL 183.08, 0.54%, 0.72%

LAB 82.56, -21.87, -9.26

 

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

CMYK 0 / 27 / 35 / 13

HEX #DEA390

RGB 222 163 144

HSL 14.62, 0.54%, 0.72%

LAB 72.05, 19.34, 18.45

 

CMYK 35 / 0 / 33 / 13

HEX #90DE94

RGB 144 222 148

HSL 123.08, 0.54%, 0.72%

LAB 82.01, -38.7, 28.92

 

CMYK 35 / 9 / 0 / 13

HEX #90CBDE

RGB 144 203 222

HSL 194.62, 0.54%, 0.72%

LAB 78.41, -14.27, -15.47

 

CMYK 0 / 35 / 2 / 13

HEX #DF91DA

RGB 223 145 218

HSL 303.85, 0.55%, 0.72%

LAB 70.18, 40.64, -25.21

 

CMYK 0 / 16 / 35 / 13

HEX #DEBB90

RGB 222 187 144

HSL 33.08, 0.54%, 0.72%

LAB 77.92, 6.51, 26.46

 

CMYK 35 / 0 / 33 / 13

HEX #90DE94

RGB 144 222 148

HSL 123.08, 0.54%, 0.72%

LAB 82.01, -38.7, 28.92

 

CMYK 35 / 19 / 0 / 13

HEX #90B3DE

RGB 144 179 222

HSL 213.08, 0.54%, 0.72%

LAB 71.85, -1.49, -25.42

 

Description

Color code: RGB 223 145 218 | qconv.com Color code: RGB 223 145 218 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 145 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 145 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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