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Color name
RGB 223 145 209

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 145 209 it is the complementary color RGB 32 110 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 145 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 145 209 shade: RGB 228 145 204, RGB 245 163 223, RGB 255 181 242, RGB 255 199 255 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 145 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 145 209 shade: RGB 223 145 209, RGB 206 127 190, RGB 189 109 171, RGB 172 91 152 and RGB 155 73 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 145 209 shade: RGB 222 144 208, RGB 222 144 187, RGB 222 144 166, RGB 222 144 145 and RGB 222 144 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 145 209 shade: RGB 222 144 208, RGB 215 144 222, RGB 194 144 222, RGB 173 144 222 and RGB 152 144 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 145 209 shade matches the following richer shades: RGB 222 144 208, RGB 234 132 216 and RGB 245 121 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 145 209 shade: RGB 222 144 208, RGB 211 155 201, RGB 199 167 193, RGB 188 178 186 and RGB 176 190 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 145 209 shade: RGB 194 144 222, RGB 215 144 222, RGB 222 144 209, RGB 222 144 188 and RGB 222 144 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 145 209 shade: RGB 204 80 182, RGB 213 112 195, RGB 222 144 208, RGB 232 176 222 and RGB 241 208 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 145 209 shade: RGB 223 145 209, RGB 222 173 144 and RGB 144 222 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 145 209 shade: RGB 223 145 209, RGB 209 222 144 and RGB 144 209 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 145 209 shade: RGB 223 145 209, RGB 222 173 144, RGB 144 222 157 and RGB 144 194 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 145 209 shade: RGB 223 145 209, RGB 222 196 144, RGB 144 222 157 and RGB 144 170 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

Complementary color

CMYK 71 / 0 / 58 / 57

HEX #206E2E

RGB 32 110 46

HSL 130.77, 0.55%, 0.28%

LAB 40.66, -38.06, 28.63

 

CMYK 0 / 36 / 11 / 11

HEX #E491CC

RGB 228 145 204

HSL 317.35, 0.61%, 0.73%

LAB 70.25, 39.83, -17.3

 

CMYK 0 / 33 / 9 / 4

HEX #F5A3DF

RGB 245 163 223

HSL 316.1, 0.8%, 0.8%

LAB 76.64, 39.1, -17.9

 

CMYK 0 / 29 / 5 / 0

HEX #FFB5F2

RGB 255 181 242

HSL 310.54, 1%, 0.85%

LAB 82.23, 36.15, -19.61

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

CMYK 0 / 38 / 8 / 19

HEX #CE7FBE

RGB 206 127 190

HSL 312.15, 0.45%, 0.65%

LAB 63.36, 39.79, -20.17

 

CMYK 0 / 42 / 10 / 26

HEX #BD6DAB

RGB 189 109 171

HSL 313.5, 0.38%, 0.58%

LAB 56.78, 40.56, -19.54

 

CMYK 0 / 47 / 12 / 33

HEX #AC5B98

RGB 172 91 152

HSL 314.81, 0.33%, 0.52%

LAB 50.12, 41.32, -18.82

 

CMYK 0 / 53 / 14 / 39

HEX #9B4985

RGB 155 73 133

HSL 316.1, 0.36%, 0.45%

LAB 43.4, 42.02, -17.93

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D0

RGB 222 144 208

HSL 310.77, 0.54%, 0.72%

LAB 69.49, 39.08, -20.73

 

CMYK 0 / 35 / 16 / 13

HEX #DE90BB

RGB 222 144 187

HSL 326.92, 0.54%, 0.72%

LAB 68.8, 35.59, -10.1

 

CMYK 0 / 35 / 25 / 13

HEX #DE90A6

RGB 222 144 166

HSL 343.08, 0.54%, 0.72%

LAB 68.19, 32.45, 0.75

 

CMYK 0 / 35 / 35 / 13

HEX #DE9091

RGB 222 144 145

HSL 359.23, 0.54%, 0.72%

LAB 67.67, 29.67, 11.77

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D0

RGB 222 144 208

HSL 310.77, 0.54%, 0.72%

LAB 69.49, 39.08, -20.73

 

CMYK 3 / 35 / 0 / 13

HEX #D790DE

RGB 215 144 222

HSL 294.62, 0.54%, 0.72%

LAB 69.23, 39.4, -28.94

 

CMYK 13 / 35 / 0 / 13

HEX #C290DE

RGB 194 144 222

HSL 278.46, 0.54%, 0.72%

LAB 67.04, 32.92, -32.5

 

CMYK 22 / 35 / 0 / 13

HEX #AD90DE

RGB 173 144 222

HSL 262.31, 0.54%, 0.72%

LAB 65.05, 26.58, -35.76

 

CMYK 32 / 35 / 0 / 13

HEX #9890DE

RGB 152 144 222

HSL 246.15, 0.54%, 0.72%

LAB 63.26, 20.5, -38.68

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D0

RGB 222 144 208

HSL 310.77, 0.54%, 0.72%

LAB 69.49, 39.08, -20.73

 

CMYK 0 / 44 / 8 / 8

HEX #EA84D8

RGB 234 132 216

HSL 310.59, 0.71%, 0.72%

LAB 68.72, 50.43, -26.23

 

CMYK 0 / 51 / 9 / 4

HEX #F579DF

RGB 245 121 223

HSL 310.65, 0.86%, 0.72%

LAB 68.33, 60.17, -30.59

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D0

RGB 222 144 208

HSL 310.77, 0.54%, 0.72%

LAB 69.49, 39.08, -20.73

 

CMYK 0 / 27 / 5 / 17

HEX #D39BC9

RGB 211 155 201

HSL 310.71, 0.39%, 0.72%

LAB 70.53, 28.29, -15.4

 

CMYK 0 / 16 / 3 / 22

HEX #C7A7C1

RGB 199 167 193

HSL 311.25, 0.22%, 0.72%

LAB 71.98, 16.16, -8.93

 

CMYK 0 / 5 / 1 / 26

HEX #BCB2BA

RGB 188 178 186

HSL 312, 0.07%, 0.72%

LAB 73.6, 5.01, -2.8

 

CMYK 7 / 0 / 6 / 25

HEX #B0BEB3

RGB 176 190 179

HSL 132.86, 0.1%, 0.72%

LAB 75.64, -6.9, 3.89

 

CMYK 13 / 35 / 0 / 13

HEX #C290DE

RGB 194 144 222

HSL 278.46, 0.54%, 0.72%

LAB 67.04, 32.92, -32.5

 

CMYK 3 / 35 / 0 / 13

HEX #D790DE

RGB 215 144 222

HSL 294.62, 0.54%, 0.72%

LAB 69.23, 39.4, -28.94

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D1

RGB 222 144 209

HSL 310, 0.54%, 0.72%

LAB 69.53, 39.26, -21.23

 

CMYK 0 / 35 / 15 / 13

HEX #DE90BC

RGB 222 144 188

HSL 326.15, 0.54%, 0.72%

LAB 68.83, 35.75, -10.61

 

CMYK 0 / 35 / 25 / 13

HEX #DE90A7

RGB 222 144 167

HSL 342.31, 0.54%, 0.72%

LAB 68.22, 32.59, 0.23

 

CMYK 0 / 61 / 11 / 20

HEX #CC50B6

RGB 204 80 182

HSL 310.65, 0.55%, 0.56%

LAB 53.98, 60.86, -30.06

 

CMYK 0 / 47 / 8 / 16

HEX #D570C3

RGB 213 112 195

HSL 310.69, 0.55%, 0.64%

LAB 61.37, 50.59, -25.96

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D0

RGB 222 144 208

HSL 310.77, 0.54%, 0.72%

LAB 69.49, 39.08, -20.73

 

CMYK 0 / 24 / 4 / 9

HEX #E8B0DE

RGB 232 176 222

HSL 310.71, 0.55%, 0.8%

LAB 78.16, 27.75, -15.2

 

CMYK 0 / 14 / 2 / 5

HEX #F1D0EB

RGB 241 208 235

HSL 310.91, 0.54%, 0.88%

LAB 86.9, 16.06, -9

 

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

CMYK 0 / 22 / 35 / 13

HEX #DEAD90

RGB 222 173 144

HSL 22.31, 0.54%, 0.72%

LAB 74.46, 13.97, 21.77

 

CMYK 35 / 0 / 8 / 13

HEX #90DECC

RGB 144 222 204

HSL 166.15, 0.54%, 0.72%

LAB 83.2, -27.96, 1.22

 

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

CMYK 6 / 0 / 35 / 13

HEX #D1DE90

RGB 209 222 144

HSL 70, 0.54%, 0.72%

LAB 85.91, -16.52, 36.84

 

CMYK 35 / 6 / 0 / 13

HEX #90D1DE

RGB 144 209 222

HSL 190, 0.54%, 0.72%

LAB 80.07, -17.34, -12.99

 

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

CMYK 0 / 22 / 35 / 13

HEX #DEAD90

RGB 222 173 144

HSL 22.31, 0.54%, 0.72%

LAB 74.46, 13.97, 21.77

 

CMYK 35 / 0 / 29 / 13

HEX #90DE9D

RGB 144 222 157

HSL 130, 0.54%, 0.72%

LAB 82.17, -37.2, 24.49

 

CMYK 35 / 13 / 0 / 13

HEX #90C2DE

RGB 144 194 222

HSL 201.54, 0.54%, 0.72%

LAB 75.94, -9.56, -19.21

 

CMYK 0 / 35 / 6 / 13

HEX #DF91D1

RGB 223 145 209

HSL 310.77, 0.55%, 0.72%

LAB 69.85, 39.05, -20.73

 

CMYK 0 / 12 / 35 / 13

HEX #DEC490

RGB 222 196 144

HSL 40, 0.54%, 0.72%

LAB 80.19, 1.78, 29.5

 

CMYK 35 / 0 / 29 / 13

HEX #90DE9D

RGB 144 222 157

HSL 130, 0.54%, 0.72%

LAB 82.17, -37.2, 24.49

 

CMYK 35 / 23 / 0 / 13

HEX #90AADE

RGB 144 170 222

HSL 220, 0.54%, 0.72%

LAB 69.44, 3.48, -29.14

 

Description

Color code: RGB 223 145 209 | qconv.com Color code: RGB 223 145 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 145 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 145 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 6 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 6% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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