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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 143 139 it is the complementary color RGB 32 112 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 143 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 143 139 shade: RGB 228 143 134, RGB 245 161 153, RGB 255 179 172, RGB 255 197 191 and RGB 255 215 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 143 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 143 139 shade: RGB 223 143 139, RGB 206 125 120, RGB 189 107 101, RGB 172 89 82 and RGB 155 71 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 143 139 shade: RGB 223 142 138 and RGB 223 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 143 139 shade: RGB 223 142 138, RGB 223 165 138, RGB 223 188 138, RGB 223 211 138 and RGB 212 223 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 143 139 shade matches the following richer shades: RGB 223 142 138, RGB 235 132 126 and RGB 247 121 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 143 139 shade: RGB 223 142 138, RGB 211 153 150, RGB 199 164 162, RGB 187 175 174 and RGB 175 186 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 143 139 shade: RGB 223 138 181, RGB 223 138 158, RGB 223 141 138, RGB 223 164 138 and RGB 223 186 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 143 139 shade: RGB 205 80 74, RGB 214 111 106, RGB 223 142 138, RGB 232 174 171 and RGB 240 205 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 143 139 shade: RGB 223 143 139, RGB 203 223 138 and RGB 138 169 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 143 139 shade: RGB 223 143 139, RGB 138 223 141 and RGB 141 138 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 143 139 shade: RGB 223 143 139, RGB 203 223 138, RGB 138 220 223 and RGB 158 138 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 143 139 shade: RGB 223 143 139, RGB 178 223 138, RGB 138 220 223 and RGB 183 138 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

Complementary color

CMYK 72 / 3 / 0 / 55

HEX #207074

RGB 32 112 116

HSL 182.86, 0.57%, 0.29%

LAB 43, -21.92, -9.17

 

CMYK 0 / 37 / 41 / 11

HEX #E48F86

RGB 228 143 134

HSL 5.74, 0.64%, 0.71%

LAB 67.92, 31.19, 18.37

 

CMYK 0 / 34 / 38 / 4

HEX #F5A199

RGB 245 161 153

HSL 5.22, 0.82%, 0.78%

LAB 74.32, 30.24, 17.06

 

CMYK 0 / 30 / 33 / 0

HEX #FFB3AC

RGB 255 179 172

HSL 5.06, 1%, 0.84%

LAB 79.89, 26.78, 14.69

 

CMYK 0 / 23 / 25 / 0

HEX #FFC5BF

RGB 255 197 191

HSL 5.63, 1%, 0.87%

LAB 84.46, 19.82, 10.98

 

CMYK 0 / 16 / 18 / 0

HEX #FFD7D2

RGB 255 215 210

HSL 6.67, 1%, 0.91%

LAB 89.16, 13.16, 7.65

 

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

CMYK 0 / 39 / 42 / 19

HEX #CE7D78

RGB 206 125 120

HSL 3.49, 0.47%, 0.64%

LAB 60.91, 30.85, 16.16

 

CMYK 0 / 43 / 47 / 26

HEX #BD6B65

RGB 189 107 101

HSL 4.09, 0.4%, 0.57%

LAB 54.32, 31.94, 17.7

 

CMYK 0 / 48 / 52 / 33

HEX #AC5952

RGB 172 89 82

HSL 4.67, 0.35%, 0.5%

LAB 47.66, 33.12, 19.49

 

CMYK 0 / 54 / 59 / 39

HEX #9B473F

RGB 155 71 63

HSL 5.22, 0.42%, 0.43%

LAB 40.95, 34.39, 21.63

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 38 / 38 / 13

HEX #DF8A8A

RGB 223 138 138

HSL 0, 0.57%, 0.71%

LAB 66.29, 32.41, 13.78

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 26 / 38 / 13

HEX #DFA58A

RGB 223 165 138

HSL 19.06, 0.57%, 0.71%

LAB 72.52, 17.94, 22.38

 

CMYK 0 / 16 / 38 / 13

HEX #DFBC8A

RGB 223 188 138

HSL 35.29, 0.57%, 0.71%

LAB 78.16, 5.67, 29.97

 

CMYK 0 / 5 / 38 / 13

HEX #DFD38A

RGB 223 211 138

HSL 51.53, 0.57%, 0.71%

LAB 84.02, -6.28, 37.64

 

CMYK 5 / 0 / 38 / 13

HEX #D4DF8A

RGB 212 223 138

HSL 67.76, 0.57%, 0.71%

LAB 86.31, -16.58, 40.41

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 44 / 46 / 8

HEX #EB847E

RGB 235 132 126

HSL 3.3, 0.73%, 0.71%

LAB 66.27, 38.75, 20.72

 

CMYK 0 / 51 / 54 / 3

HEX #F77972

RGB 247 121 114

HSL 3.16, 0.89%, 0.71%

LAB 65.49, 47.58, 26.67

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 27 / 29 / 17

HEX #D39996

RGB 211 153 150

HSL 2.95, 0.41%, 0.71%

LAB 68.63, 21.3, 10.17

 

CMYK 0 / 18 / 19 / 22

HEX #C7A4A2

RGB 199 164 162

HSL 3.24, 0.25%, 0.71%

LAB 70.39, 12.52, 5.86

 

CMYK 0 / 6 / 7 / 27

HEX #BBAFAE

RGB 187 175 174

HSL 4.62, 0.09%, 0.71%

LAB 72.42, 4.11, 2.04

 

CMYK 6 / 0 / 0 / 27

HEX #AFBABA

RGB 175 186 186

HSL 180, 0.07%, 0.71%

LAB 74.68, -3.79, -1.32

 

CMYK 0 / 38 / 19 / 13

HEX #DF8AB5

RGB 223 138 181

HSL 329.65, 0.57%, 0.71%

LAB 67.43, 38.18, -8.77

 

CMYK 0 / 38 / 29 / 13

HEX #DF8A9E

RGB 223 138 158

HSL 345.88, 0.57%, 0.71%

LAB 66.77, 34.9, 3.21

 

CMYK 0 / 37 / 38 / 13

HEX #DF8D8A

RGB 223 141 138

HSL 2.12, 0.57%, 0.71%

LAB 66.96, 30.81, 14.71

 

CMYK 0 / 26 / 38 / 13

HEX #DFA48A

RGB 223 164 138

HSL 18.35, 0.57%, 0.71%

LAB 72.28, 18.48, 22.05

 

CMYK 0 / 17 / 38 / 13

HEX #DFBA8A

RGB 223 186 138

HSL 33.88, 0.57%, 0.71%

LAB 77.66, 6.73, 29.3

 

CMYK 0 / 61 / 64 / 20

HEX #CD504A

RGB 205 80 74

HSL 2.75, 0.57%, 0.55%

LAB 50.93, 49.19, 29.45

 

CMYK 0 / 48 / 50 / 16

HEX #D66F6A

RGB 214 111 106

HSL 2.78, 0.57%, 0.63%

LAB 58.7, 39.84, 21.33

 

CMYK 0 / 36 / 38 / 13

HEX #DF8E8A

RGB 223 142 138

HSL 2.82, 0.57%, 0.71%

LAB 67.18, 30.28, 15.02

 

CMYK 0 / 25 / 26 / 9

HEX #E8AEAB

RGB 232 174 171

HSL 2.95, 0.57%, 0.79%

LAB 76.29, 20.76, 9.81

 

CMYK 0 / 15 / 15 / 6

HEX #F0CDCB

RGB 240 205 203

HSL 3.24, 0.55%, 0.87%

LAB 85.25, 11.96, 5.55

 

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

CMYK 9 / 0 / 38 / 13

HEX #CBDF8A

RGB 203 223 138

HSL 74.12, 0.57%, 0.71%

LAB 85.66, -20.01, 39.45

 

CMYK 38 / 24 / 0 / 13

HEX #8AA9DF

RGB 138 169 223

HSL 218.12, 0.57%, 0.71%

LAB 68.83, 2.66, -30.65

 

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

CMYK 38 / 0 / 37 / 13

HEX #8ADF8D

RGB 138 223 141

HSL 122.12, 0.57%, 0.71%

LAB 81.89, -42.1, 32.3

 

CMYK 37 / 38 / 0 / 13

HEX #8D8ADF

RGB 141 138 223

HSL 242.12, 0.57%, 0.71%

LAB 60.93, 21.22, -42.95

 

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

CMYK 9 / 0 / 38 / 13

HEX #CBDF8A

RGB 203 223 138

HSL 74.12, 0.57%, 0.71%

LAB 85.66, -20.01, 39.45

 

CMYK 38 / 1 / 0 / 13

HEX #8ADCDF

RGB 138 220 223

HSL 182.12, 0.57%, 0.71%

LAB 82.87, -24.17, -9.37

 

CMYK 29 / 38 / 0 / 13

HEX #9E8ADF

RGB 158 138 223

HSL 254.12, 0.57%, 0.71%

LAB 62.32, 25.89, -40.68

 

CMYK 0 / 36 / 38 / 13

HEX #DF8F8B

RGB 223 143 139

HSL 2.86, 0.57%, 0.71%

LAB 67.42, 29.86, 14.8

 

CMYK 20 / 0 / 38 / 13

HEX #B2DF8A

RGB 178 223 138

HSL 91.76, 0.57%, 0.71%

LAB 84, -29.23, 36.99

 

CMYK 38 / 1 / 0 / 13

HEX #8ADCDF

RGB 138 220 223

HSL 182.12, 0.57%, 0.71%

LAB 82.87, -24.17, -9.37

 

CMYK 18 / 38 / 0 / 13

HEX #B78ADF

RGB 183 138 223

HSL 271.76, 0.57%, 0.71%

LAB 64.62, 33.14, -36.9

 

Description

Color code: RGB 223 143 139 | qconv.com Color code: RGB 223 143 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 143 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 143 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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