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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 133 138 it is the complementary color RGB 32 122 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 133 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 133 138 shade: RGB 228 133 133, RGB 245 151 152, RGB 255 169 171, RGB 255 187 190 and RGB 255 205 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 133 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 133 138 shade: RGB 223 133 138, RGB 206 115 119, RGB 189 97 100, RGB 172 79 81 and RGB 155 61 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 133 138 shade: RGB 222 134 139 and RGB 222 134 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 133 138 shade: RGB 222 134 139, RGB 222 134 162, RGB 222 134 186, RGB 222 134 210 and RGB 210 134 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 133 138 shade matches the following richer shades: RGB 222 134 139, RGB 235 121 128 and RGB 247 109 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 133 138 shade: RGB 222 134 139, RGB 210 146 150, RGB 198 158 161, RGB 185 171 172 and RGB 173 183 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 133 138 shade: RGB 222 134 187, RGB 222 134 163, RGB 222 134 140, RGB 222 151 134 and RGB 222 175 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 133 138 shade: RGB 205 68 76, RGB 214 101 107, RGB 222 134 139, RGB 231 166 170 and RGB 240 199 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 133 138 shade: RGB 223 133 138, RGB 211 222 134 and RGB 134 175 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 133 138 shade: RGB 223 133 138, RGB 140 222 134 and RGB 134 140 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 133 138 shade: RGB 223 133 138, RGB 211 222 134, RGB 134 222 216 and RGB 145 134 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 133 138 shade: RGB 223 133 138, RGB 184 222 134, RGB 134 222 216 and RGB 172 134 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

Complementary color

CMYK 74 / 0 / 4 / 52

HEX #207A75

RGB 32 122 117

HSL 176.67, 0.58%, 0.3%

LAB 46.33, -26.72, -4.8

 

CMYK 0 / 42 / 42 / 11

HEX #E48585

RGB 228 133 133

HSL 0, 0.64%, 0.71%

LAB 65.72, 36.35, 15.89

 

CMYK 0 / 38 / 38 / 4

HEX #F59798

RGB 245 151 152

HSL 359.36, 0.82%, 0.78%

LAB 72.1, 35.36, 14.51

 

CMYK 0 / 34 / 33 / 0

HEX #FFA9AB

RGB 255 169 171

HSL 358.6, 1%, 0.83%

LAB 77.62, 31.89, 12.04

 

CMYK 0 / 27 / 25 / 0

HEX #FFBBBE

RGB 255 187 190

HSL 357.35, 1%, 0.87%

LAB 82.12, 24.93, 8.17

 

CMYK 0 / 20 / 18 / 0

HEX #FFCDD1

RGB 255 205 209

HSL 355.2, 1%, 0.9%

LAB 86.76, 18.23, 4.72

 

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

CMYK 0 / 44 / 42 / 19

HEX #CE7377

RGB 206 115 119

HSL 357.36, 0.48%, 0.63%

LAB 58.71, 36.06, 13.68

 

CMYK 0 / 49 / 47 / 26

HEX #BD6164

RGB 189 97 100

HSL 358.04, 0.41%, 0.56%

LAB 52.16, 37.15, 15.34

 

CMYK 0 / 54 / 53 / 33

HEX #AC4F51

RGB 172 79 81

HSL 358.71, 0.37%, 0.49%

LAB 45.57, 38.27, 17.31

 

CMYK 0 / 61 / 60 / 39

HEX #9B3D3E

RGB 155 61 62

HSL 359.36, 0.44%, 0.42%

LAB 38.99, 39.37, 19.7

 

CMYK 0 / 40 / 37 / 13

HEX #DE868B

RGB 222 134 139

HSL 356.59, 0.57%, 0.7%

LAB 65.31, 34.27, 11.82

 

CMYK 0 / 40 / 40 / 13

HEX #DE8686

RGB 222 134 134

HSL 0, 0.57%, 0.7%

LAB 65.2, 33.69, 14.49

 

CMYK 0 / 40 / 37 / 13

HEX #DE868B

RGB 222 134 139

HSL 356.59, 0.57%, 0.7%

LAB 65.31, 34.27, 11.82

 

CMYK 0 / 40 / 27 / 13

HEX #DE86A2

RGB 222 134 162

HSL 340.91, 0.57%, 0.7%

LAB 65.9, 37.19, -0.34

 

CMYK 0 / 40 / 16 / 13

HEX #DE86BA

RGB 222 134 186

HSL 324.55, 0.57%, 0.7%

LAB 66.62, 40.72, -12.8

 

CMYK 0 / 40 / 5 / 13

HEX #DE86D2

RGB 222 134 210

HSL 308.18, 0.57%, 0.7%

LAB 67.45, 44.68, -24.96

 

CMYK 5 / 40 / 0 / 13

HEX #D286DE

RGB 210 134 222

HSL 291.82, 0.57%, 0.7%

LAB 66.54, 43.19, -33.15

 

CMYK 0 / 40 / 37 / 13

HEX #DE868B

RGB 222 134 139

HSL 356.59, 0.57%, 0.7%

LAB 65.31, 34.27, 11.82

 

CMYK 0 / 49 / 46 / 8

HEX #EB7980

RGB 235 121 128

HSL 356.32, 0.74%, 0.7%

LAB 64.08, 44.53, 16.58

 

CMYK 0 / 56 / 53 / 3

HEX #F76D75

RGB 247 109 117

HSL 356.52, 0.9%, 0.7%

LAB 63.34, 53.51, 22.11

 

CMYK 0 / 40 / 37 / 13

HEX #DE868B

RGB 222 134 139

HSL 356.59, 0.57%, 0.7%

LAB 65.31, 34.27, 11.82

 

CMYK 0 / 30 / 29 / 18

HEX #D29296

RGB 210 146 150

HSL 356.25, 0.42%, 0.7%

LAB 66.87, 24.73, 7.65

 

CMYK 0 / 20 / 19 / 22

HEX #C69EA1

RGB 198 158 161

HSL 355.5, 0.26%, 0.7%

LAB 68.77, 15.27, 4.08

 

CMYK 0 / 8 / 7 / 27

HEX #B9ABAC

RGB 185 171 172

HSL 355.71, 0.09%, 0.7%

LAB 71.16, 5.21, 1.3

 

CMYK 5 / 0 / 0 / 28

HEX #ADB7B7

RGB 173 183 183

HSL 180, 0.06%, 0.7%

LAB 73.66, -3.46, -1.21

 

CMYK 0 / 40 / 16 / 13

HEX #DE86BB

RGB 222 134 187

HSL 323.86, 0.57%, 0.7%

LAB 66.65, 40.88, -13.32

 

CMYK 0 / 40 / 27 / 13

HEX #DE86A3

RGB 222 134 163

HSL 340.23, 0.57%, 0.7%

LAB 65.92, 37.33, -0.87

 

CMYK 0 / 40 / 37 / 13

HEX #DE868C

RGB 222 134 140

HSL 355.91, 0.57%, 0.7%

LAB 65.34, 34.38, 11.29

 

CMYK 0 / 32 / 40 / 13

HEX #DE9786

RGB 222 151 134

HSL 11.59, 0.57%, 0.7%

LAB 69.03, 24.62, 19.78

 

CMYK 0 / 21 / 40 / 13

HEX #DEAF86

RGB 222 175 134

HSL 27.95, 0.57%, 0.7%

LAB 74.77, 11.73, 27.55

 

CMYK 0 / 67 / 63 / 20

HEX #CD444C

RGB 205 68 76

HSL 356.5, 0.58%, 0.54%

LAB 49.05, 54.46, 25.89

 

CMYK 0 / 53 / 50 / 16

HEX #D6656B

RGB 214 101 107

HSL 356.81, 0.58%, 0.62%

LAB 56.75, 44.95, 18.11

 

CMYK 0 / 40 / 37 / 13

HEX #DE868B

RGB 222 134 139

HSL 356.59, 0.57%, 0.7%

LAB 65.31, 34.27, 11.82

 

CMYK 0 / 28 / 26 / 9

HEX #E7A6AA

RGB 231 166 170

HSL 356.31, 0.58%, 0.78%

LAB 74.29, 24.52, 7.49

 

CMYK 0 / 17 / 16 / 6

HEX #F0C7C9

RGB 240 199 201

HSL 357.07, 0.58%, 0.86%

LAB 83.75, 14.81, 4.45

 

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

CMYK 5 / 0 / 40 / 13

HEX #D3DE86

RGB 211 222 134

HSL 67.5, 0.57%, 0.7%

LAB 85.91, -16.92, 41.88

 

CMYK 40 / 21 / 0 / 13

HEX #86AFDE

RGB 134 175 222

HSL 212.05, 0.57%, 0.7%

LAB 70.18, -2, -28.05

 

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

CMYK 37 / 0 / 40 / 13

HEX #8CDE86

RGB 140 222 134

HSL 115.91, 0.57%, 0.7%

LAB 81.59, -42.11, 35.46

 

CMYK 40 / 37 / 0 / 13

HEX #868CDE

RGB 134 140 222

HSL 235.91, 0.57%, 0.7%

LAB 60.87, 17.93, -42.53

 

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

CMYK 5 / 0 / 40 / 13

HEX #D3DE86

RGB 211 222 134

HSL 67.5, 0.57%, 0.7%

LAB 85.91, -16.92, 41.88

 

CMYK 40 / 0 / 3 / 13

HEX #86DED8

RGB 134 222 216

HSL 175.91, 0.57%, 0.7%

LAB 83.06, -27.84, -5.4

 

CMYK 35 / 40 / 0 / 13

HEX #9186DE

RGB 145 134 222

HSL 247.5, 0.57%, 0.7%

LAB 60.2, 24.35, -43.52

 

CMYK 0 / 40 / 38 / 13

HEX #DF858A

RGB 223 133 138

HSL 356.67, 0.58%, 0.7%

LAB 65.2, 35.05, 12.25

 

CMYK 17 / 0 / 40 / 13

HEX #B8DE86

RGB 184 222 134

HSL 85.91, 0.57%, 0.7%

LAB 84.05, -27.09, 39.12

 

CMYK 40 / 0 / 3 / 13

HEX #86DED8

RGB 134 222 216

HSL 175.91, 0.57%, 0.7%

LAB 83.06, -27.84, -5.4

 

CMYK 23 / 40 / 0 / 13

HEX #AC86DE

RGB 172 134 222

HSL 265.91, 0.57%, 0.7%

LAB 62.59, 31.92, -39.6

 

Description

Color code: RGB 223 133 138 | qconv.com Color code: RGB 223 133 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 133 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 133 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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