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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 113 97 it is the complementary color RGB 32 142 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 113 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 113 97 shade: RGB 228 113 92, RGB 245 131 111, RGB 255 149 130, RGB 255 167 149 and RGB 255 185 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 113 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 113 97 shade: RGB 223 113 97, RGB 206 95 78, RGB 189 77 59, RGB 172 59 40 and RGB 155 41 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 113 97 shade: RGB 223 114 98 and RGB 223 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 113 97 shade: RGB 223 114 98, RGB 223 148 98, RGB 223 181 98, RGB 223 215 98 and RGB 197 223 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 113 97 shade matches the following richer shades: RGB 223 114 98, RGB 238 103 83 and RGB 253 91 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 113 97 shade: RGB 223 114 98, RGB 208 126 114, RGB 192 137 129, RGB 177 148 144 and RGB 162 160 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 113 97 shade: RGB 223 98 150, RGB 223 98 117, RGB 223 113 98, RGB 223 146 98 and RGB 223 179 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 113 97 shade: RGB 198 61 41, RGB 216 83 64, RGB 223 114 98, RGB 230 145 133 and RGB 237 176 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 113 97 shade: RGB 223 113 97, RGB 183 223 98 and RGB 98 134 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 113 97 shade: RGB 223 113 97, RGB 98 223 113 and RGB 113 98 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 113 97 shade: RGB 223 113 97, RGB 183 223 98, RGB 98 208 223 and RGB 138 98 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 113 97 shade: RGB 223 113 97, RGB 146 223 98, RGB 98 208 223 and RGB 175 98 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

Complementary color

CMYK 80 / 10 / 0 / 38

HEX #208E9E

RGB 32 142 158

HSL 187.62, 0.66%, 0.37%

LAB 54.16, -23.81, -17.02

 

CMYK 0 / 50 / 60 / 11

HEX #E4715C

RGB 228 113 92

HSL 9.26, 0.72%, 0.63%

LAB 60.85, 42.92, 32.43

 

CMYK 0 / 47 / 55 / 4

HEX #F5836F

RGB 245 131 111

HSL 8.96, 0.87%, 0.7%

LAB 67.12, 41.66, 30.43

 

CMYK 0 / 42 / 49 / 0

HEX #FF9582

RGB 255 149 130

HSL 9.12, 1%, 0.75%

LAB 72.47, 37.86, 27.31

 

CMYK 0 / 35 / 42 / 0

HEX #FFA795

RGB 255 167 149

HSL 10.19, 1%, 0.79%

LAB 76.72, 30.41, 22.72

 

CMYK 0 / 27 / 34 / 0

HEX #FFB9A8

RGB 255 185 168

HSL 11.72, 1%, 0.83%

LAB 81.17, 23.14, 18.64

 

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

CMYK 0 / 54 / 62 / 19

HEX #CE5F4E

RGB 206 95 78

HSL 7.97, 0.57%, 0.56%

LAB 53.87, 42.7, 30.85

 

CMYK 0 / 59 / 69 / 26

HEX #BD4D3B

RGB 189 77 59

HSL 8.31, 0.52%, 0.49%

LAB 47.55, 43.98, 33.36

 

CMYK 0 / 66 / 77 / 33

HEX #AC3B28

RGB 172 59 40

HSL 8.64, 0.62%, 0.42%

LAB 41.3, 45.17, 36.22

 

CMYK 0 / 74 / 86 / 39

HEX #9B2915

RGB 155 41 21

HSL 8.96, 0.76%, 0.35%

LAB 35.22, 46.06, 39.22

 

CMYK 0 / 49 / 56 / 13

HEX #DF7262

RGB 223 114 98

HSL 7.68, 0.66%, 0.63%

LAB 60.43, 41, 28.39

 

CMYK 0 / 56 / 56 / 13

HEX #DF6262

RGB 223 98 98

HSL 0, 0.66%, 0.63%

LAB 57.37, 48.84, 24.39

 

CMYK 0 / 49 / 56 / 13

HEX #DF7262

RGB 223 114 98

HSL 7.68, 0.66%, 0.63%

LAB 60.43, 41, 28.39

 

CMYK 0 / 34 / 56 / 13

HEX #DF9462

RGB 223 148 98

HSL 24, 0.66%, 0.63%

LAB 67.84, 23.15, 37.78

 

CMYK 0 / 19 / 56 / 13

HEX #DFB562

RGB 223 181 98

HSL 39.84, 0.66%, 0.63%

LAB 75.83, 5.52, 47.48

 

CMYK 0 / 4 / 56 / 13

HEX #DFD762

RGB 223 215 98

HSL 56.16, 0.66%, 0.63%

LAB 84.57, -12.01, 57.6

 

CMYK 12 / 0 / 56 / 13

HEX #C5DF62

RGB 197 223 98

HSL 72.48, 0.66%, 0.63%

LAB 84.75, -26.35, 57.28

 

CMYK 0 / 49 / 56 / 13

HEX #DF7262

RGB 223 114 98

HSL 7.68, 0.66%, 0.63%

LAB 60.43, 41, 28.39

 

CMYK 0 / 57 / 65 / 7

HEX #EE6753

RGB 238 103 83

HSL 7.74, 0.82%, 0.63%

LAB 60.34, 50.79, 37.11

 

CMYK 0 / 64 / 73 / 1

HEX #FD5B44

RGB 253 91 68

HSL 7.46, 0.98%, 0.63%

LAB 60.59, 60.42, 46.12

 

CMYK 0 / 49 / 56 / 13

HEX #DF7262

RGB 223 114 98

HSL 7.68, 0.66%, 0.63%

LAB 60.43, 41, 28.39

 

CMYK 0 / 39 / 45 / 18

HEX #D07E72

RGB 208 126 114

HSL 7.66, 0.5%, 0.63%

LAB 61.26, 30.44, 20.09

 

CMYK 0 / 29 / 33 / 25

HEX #C08981

RGB 192 137 129

HSL 7.62, 0.33%, 0.63%

LAB 62.24, 19.93, 12.65

 

CMYK 0 / 16 / 19 / 31

HEX #B19490

RGB 177 148 144

HSL 7.27, 0.17%, 0.63%

LAB 63.79, 10.17, 6.15

 

CMYK 0 / 1 / 2 / 36

HEX #A2A09F

RGB 162 160 159

HSL 20, 0.02%, 0.63%

LAB 66, 0.53, 0.77

 

CMYK 0 / 56 / 33 / 13

HEX #DF6296

RGB 223 98 150

HSL 335.04, 0.66%, 0.63%

LAB 58.63, 53.98, -4.12

 

CMYK 0 / 56 / 48 / 13

HEX #DF6275

RGB 223 98 117

HSL 350.88, 0.66%, 0.63%

LAB 57.76, 50.45, 13.88

 

CMYK 0 / 49 / 56 / 13

HEX #DF7162

RGB 223 113 98

HSL 7.2, 0.66%, 0.63%

LAB 60.23, 41.5, 28.13

 

CMYK 0 / 35 / 56 / 13

HEX #DF9262

RGB 223 146 98

HSL 23.04, 0.66%, 0.63%

LAB 67.37, 24.22, 37.2

 

CMYK 0 / 20 / 56 / 13

HEX #DFB362

RGB 223 179 98

HSL 38.88, 0.66%, 0.63%

LAB 75.33, 6.58, 46.88

 

CMYK 0 / 69 / 79 / 22

HEX #C63D29

RGB 198 61 41

HSL 7.64, 0.66%, 0.47%

LAB 46.32, 53.28, 42.35

 

CMYK 0 / 62 / 70 / 15

HEX #D85340

RGB 216 83 64

HSL 7.5, 0.66%, 0.55%

LAB 53.12, 51.13, 38.18

 

CMYK 0 / 49 / 56 / 13

HEX #DF7262

RGB 223 114 98

HSL 7.68, 0.66%, 0.63%

LAB 60.43, 41, 28.39

 

CMYK 0 / 37 / 42 / 10

HEX #E69185

RGB 230 145 133

HSL 7.42, 0.66%, 0.71%

LAB 68.58, 30.79, 19.88

 

CMYK 0 / 26 / 30 / 7

HEX #EDB0A7

RGB 237 176 167

HSL 7.71, 0.66%, 0.79%

LAB 77.19, 21.02, 13.32

 

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

CMYK 18 / 0 / 56 / 13

HEX #B7DF62

RGB 183 223 98

HSL 79.2, 0.66%, 0.63%

LAB 83.82, -31.76, 55.97

 

CMYK 56 / 40 / 0 / 13

HEX #6286DF

RGB 98 134 223

HSL 222.72, 0.66%, 0.63%

LAB 57.05, 13.33, -49.27

 

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

CMYK 56 / 0 / 49 / 13

HEX #62DF71

RGB 98 223 113

HSL 127.2, 0.66%, 0.63%

LAB 79.93, -57.17, 43.38

 

CMYK 49 / 56 / 0 / 13

HEX #7162DF

RGB 113 98 223

HSL 247.2, 0.66%, 0.63%

LAB 48.98, 38.13, -62.15

 

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

CMYK 18 / 0 / 56 / 13

HEX #B7DF62

RGB 183 223 98

HSL 79.2, 0.66%, 0.63%

LAB 83.82, -31.76, 55.97

 

CMYK 56 / 7 / 0 / 13

HEX #62D0DF

RGB 98 208 223

HSL 187.2, 0.66%, 0.63%

LAB 77.9, -27.2, -16.98

 

CMYK 38 / 56 / 0 / 13

HEX #8A62DF

RGB 138 98 223

HSL 259.2, 0.66%, 0.63%

LAB 51.23, 43.58, -58.4

 

CMYK 0 / 49 / 57 / 13

HEX #DF7161

RGB 223 113 97

HSL 7.62, 0.66%, 0.63%

LAB 60.21, 41.42, 28.68

 

CMYK 35 / 0 / 56 / 13

HEX #92DF62

RGB 146 223 98

HSL 96.96, 0.66%, 0.63%

LAB 81.71, -45.09, 52.99

 

CMYK 56 / 7 / 0 / 13

HEX #62D0DF

RGB 98 208 223

HSL 187.2, 0.66%, 0.63%

LAB 77.9, -27.2, -16.98

 

CMYK 22 / 56 / 0 / 13

HEX #AF62DF

RGB 175 98 223

HSL 276.96, 0.66%, 0.63%

LAB 55.25, 52.5, -51.73

 

Description

Color code: RGB 223 113 97 | qconv.com Color code: RGB 223 113 97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 113 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 113 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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