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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223.7 110.6 25 it is the complementary color RGB 31.3 144.4 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223.7 110.6 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223.7 110.6 25 shade: RGB 228.7 110.6 20, RGB 245.7 128.6 39, RGB 255 146.6 58, RGB 255 164.6 77 and RGB 255 182.6 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223.7 110.6 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223.7 110.6 25 shade: RGB 223.7 110.6 25, RGB 206.7 92.6 6, RGB 189.7 74.6 0, RGB 172.7 56.6 0 and RGB 155.7 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223.7 110.6 25 shade: RGB 225 111 25, RGB 225 57 25 and RGB 225 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223.7 110.6 25 shade: RGB 225 111 25, RGB 225 165 25, RGB 225 219 25, RGB 177 225 25 and RGB 123 225 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223.7 110.6 25 shade matches the following richer shades: RGB 225 111 25 and RGB 245 108 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223.7 110.6 25 shade: RGB 225 111 25, RGB 205 114 45, RGB 184 117 65, RGB 164 120 86 and RGB 144 122 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223.7 110.6 25 shade: RGB 225 25 48, RGB 225 55 25, RGB 225 108 25, RGB 225 162 25 and RGB 225 215 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223.7 110.6 25 shade: RGB 151 74 17, RGB 188 93 21, RGB 225 111 25, RGB 233 133 58 and RGB 237 156 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223.7 110.6 25 shade: RGB 223.7 110.6 25, RGB 102 225 25 and RGB 28 25 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223.7 110.6 25 shade: RGB 223.7 110.6 25, RGB 25 225 108 and RGB 108 25 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223.7 110.6 25 shade: RGB 223.7 110.6 25, RGB 102 225 25, RGB 25 142 225 and RGB 148 25 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223.7 110.6 25 shade: RGB 223.7 110.6 25, RGB 42 225 25, RGB 25 142 225 and RGB 208 25 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

Complementary color

CMYK 86 / 37 / 0 / 10

HEX #1F90E6

RGB 31.3 144.4 230

HSL 205.85, 0.8%, 0.51%

LAB 58.11, 0.45, -51.62

 

CMYK 0 / 52 / 91 / 10

HEX #E46E14

RGB 228.7 110.6 20

HSL 26.05, 0.84%, 0.49%

LAB 59.84, 41.42, 63.97

 

CMYK 0 / 48 / 84 / 4

HEX #F58027

RGB 245.7 128.6 39

HSL 26.01, 0.92%, 0.56%

LAB 65.97, 39.44, 63.96

 

CMYK 0 / 43 / 77 / 0

HEX #FF923A

RGB 255 146.6 58

HSL 26.98, 1%, 0.61%

LAB 71.08, 34.56, 61.72

 

CMYK 0 / 35 / 70 / 0

HEX #FFA44D

RGB 255 164.6 77

HSL 29.53, 1%, 0.65%

LAB 75.18, 26.06, 57.61

 

CMYK 0 / 28 / 62 / 0

HEX #FFB660

RGB 255 182.6 96

HSL 32.68, 1%, 0.69%

LAB 79.5, 17.75, 53.56

 

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

CMYK 0 / 55 / 97 / 19

HEX #CE5C06

RGB 206.7 92.6 6

HSL 25.89, 0.94%, 0.42%

LAB 52.94, 41.59, 60.79

 

CMYK 0 / 61 / 100 / 26

HEX #BD4A00

RGB 189.7 74.6 0

HSL 23.6, 1%, 0.37%

LAB 46.83, 43.68, 57.18

 

CMYK 0 / 67 / 100 / 32

HEX #AC3800

RGB 172.7 56.6 0

HSL 19.66, 1%, 0.34%

LAB 40.79, 45.54, 52.39

 

CMYK 0 / 75 / 100 / 39

HEX #9B2600

RGB 155.7 38.6 0

HSL 14.87, 1%, 0.31%

LAB 34.93, 46.81, 47.69

 

CMYK 0 / 51 / 89 / 12

HEX #E16F19

RGB 225 111 25

HSL 25.8, 0.8%, 0.49%

LAB 59.39, 39.85, 62.01

 

CMYK 0 / 75 / 89 / 12

HEX #E13919

RGB 225 57 25

HSL 9.6, 0.8%, 0.49%

LAB 50.69, 62.85, 55.5

 

CMYK 0 / 89 / 89 / 12

HEX #E11919

RGB 225 25 25

HSL 0, 0.8%, 0.49%

LAB 47.97, 70.54, 53.51

 

CMYK 0 / 51 / 89 / 12

HEX #E16F19

RGB 225 111 25

HSL 25.8, 0.8%, 0.49%

LAB 59.39, 39.85, 62.01

 

CMYK 0 / 27 / 89 / 12

HEX #E1A519

RGB 225 165 25

HSL 42, 0.8%, 0.49%

LAB 71.55, 11.42, 71.35

 

CMYK 0 / 3 / 89 / 12

HEX #E1DB19

RGB 225 219 25

HSL 58.2, 0.8%, 0.49%

LAB 85.37, -16.4, 82.14

 

CMYK 21 / 0 / 89 / 12

HEX #B1E119

RGB 177 225 25

HSL 74.4, 0.8%, 0.49%

LAB 83.58, -38.87, 79.26

 

CMYK 45 / 0 / 89 / 12

HEX #7BE119

RGB 123 225 25

HSL 90.6, 0.8%, 0.49%

LAB 80.81, -57.99, 75.84

 

CMYK 0 / 51 / 89 / 12

HEX #E16F19

RGB 225 111 25

HSL 25.8, 0.8%, 0.49%

LAB 59.39, 39.85, 62.01

 

CMYK 0 / 56 / 98 / 4

HEX #F56C05

RGB 245 108 5

HSL 25.75, 0.96%, 0.49%

LAB 61.78, 48.71, 69.36

 

CMYK 0 / 51 / 89 / 12

HEX #E16F19

RGB 225 111 25

HSL 25.8, 0.8%, 0.49%

LAB 59.39, 39.85, 62.01

 

CMYK 0 / 44 / 78 / 20

HEX #CD722D

RGB 205 114 45

HSL 25.88, 0.64%, 0.49%

LAB 57.27, 30.8, 51.61

 

CMYK 0 / 36 / 65 / 28

HEX #B87541

RGB 184 117 65

HSL 26.22, 0.48%, 0.49%

LAB 55.37, 21.37, 39.05

 

CMYK 0 / 27 / 48 / 36

HEX #A47856

RGB 164 120 86

HSL 26.15, 0.31%, 0.49%

LAB 54.02, 12.91, 25.38

 

CMYK 0 / 15 / 26 / 44

HEX #907A6A

RGB 144 122 106

HSL 25.26, 0.15%, 0.49%

LAB 52.83, 5.9, 11.92

 

CMYK 0 / 89 / 79 / 12

HEX #E11930

RGB 225 25 48

HSL 353.1, 0.8%, 0.49%

LAB 48.15, 71.06, 42.09

 

CMYK 0 / 76 / 89 / 12

HEX #E13719

RGB 225 55 25

HSL 9, 0.8%, 0.49%

LAB 50.46, 63.49, 55.33

 

CMYK 0 / 52 / 89 / 12

HEX #E16C19

RGB 225 108 25

HSL 24.9, 0.8%, 0.49%

LAB 58.79, 41.35, 61.56

 

CMYK 0 / 28 / 89 / 12

HEX #E1A219

RGB 225 162 25

HSL 41.1, 0.8%, 0.49%

LAB 70.81, 13.02, 70.78

 

CMYK 0 / 4 / 89 / 12

HEX #E1D719

RGB 225 215 25

HSL 57, 0.8%, 0.49%

LAB 84.32, -14.42, 81.31

 

CMYK 0 / 51 / 89 / 41

HEX #974A11

RGB 151 74 17

HSL 25.52, 0.8%, 0.33%

LAB 40.44, 28.8, 45.01

 

CMYK 0 / 51 / 89 / 26

HEX #BC5D15

RGB 188 93 21

HSL 25.87, 0.8%, 0.41%

LAB 50.19, 34.17, 53.79

 

CMYK 0 / 51 / 89 / 12

HEX #E16F19

RGB 225 111 25

HSL 25.8, 0.8%, 0.49%

LAB 59.39, 39.85, 62.01

 

CMYK 0 / 43 / 75 / 9

HEX #E9853A

RGB 233 133 58

HSL 25.71, 0.8%, 0.57%

LAB 65.28, 32.75, 55.03

 

CMYK 0 / 34 / 60 / 7

HEX #ED9C5F

RGB 237 156 95

HSL 25.77, 0.8%, 0.65%

LAB 71.29, 24.35, 43.92

 

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

CMYK 55 / 0 / 89 / 12

HEX #66E119

RGB 102 225 25

HSL 96.9, 0.8%, 0.49%

LAB 80.04, -64.02, 74.88

 

CMYK 88 / 89 / 0 / 12

HEX #1C19E1

RGB 28 25 225

HSL 240.9, 0.8%, 0.49%

LAB 30.35, 66.88, -94.09

 

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

CMYK 89 / 0 / 52 / 12

HEX #19E16C

RGB 25 225 108

HSL 144.9, 0.8%, 0.49%

LAB 79.12, -69.45, 44.47

 

CMYK 52 / 89 / 0 / 12

HEX #6C19E1

RGB 108 25 225

HSL 264.9, 0.8%, 0.49%

LAB 36.59, 71.31, -83.54

 

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

CMYK 55 / 0 / 89 / 12

HEX #66E119

RGB 102 225 25

HSL 96.9, 0.8%, 0.49%

LAB 80.04, -64.02, 74.88

 

CMYK 89 / 37 / 0 / 12

HEX #198EE1

RGB 25 142 225

HSL 204.9, 0.8%, 0.49%

LAB 57.06, -0.38, -50.51

 

CMYK 34 / 89 / 0 / 12

HEX #9419E1

RGB 148 25 225

HSL 276.9, 0.8%, 0.49%

LAB 41.89, 75.69, -74.64

 

CMYK 0 / 51 / 89 / 12

HEX #DF6E19

RGB 223.7 110.6 25

HSL 25.85, 0.8%, 0.49%

LAB 59.11, 39.54, 61.72

 

CMYK 81 / 0 / 89 / 12

HEX #2AE119

RGB 42 225 25

HSL 114.9, 0.8%, 0.49%

LAB 78.7, -75.29, 73.21

 

CMYK 89 / 37 / 0 / 12

HEX #198EE1

RGB 25 142 225

HSL 204.9, 0.8%, 0.49%

LAB 57.06, -0.38, -50.51

 

CMYK 8 / 89 / 0 / 12

HEX #D019E1

RGB 208 25 225

HSL 294.9, 0.8%, 0.49%

LAB 51.31, 84.39, -58.91

 

Description

Color code: RGB 223.7 110.6 25 | qconv.com Color code: RGB 223.7 110.6 25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223.7 red, 110.6 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223.7 110.6 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 89 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 89% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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