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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223.1 144 125 it is the complementary color RGB 31.9 111 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223.1 144 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223.1 144 125 shade: RGB 228.1 144 120, RGB 245.1 162 139, RGB 255 180 158, RGB 255 198 177 and RGB 255 216 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223.1 144 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223.1 144 125 shade: RGB 223.1 144 125, RGB 206.1 126 106, RGB 189.1 108 87, RGB 172.1 90 68 and RGB 155.1 72 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223.1 144 125 shade: RGB 223 143 124 and RGB 223 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223.1 144 125 shade: RGB 223 143 124, RGB 223 170 124, RGB 223 197 124, RGB 223 223 124 and RGB 196 223 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223.1 144 125 shade matches the following richer shades: RGB 223 143 124, RGB 236 135 110 and RGB 250 127 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223.1 144 125 shade: RGB 223 143 124, RGB 210 151 137, RGB 197 159 150, RGB 184 167 163 and RGB 170 175 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223.1 144 125 shade: RGB 223 124 158, RGB 223 124 132, RGB 223 142 124, RGB 223 168 124 and RGB 223 195 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223.1 144 125 shade: RGB 207 86 57, RGB 215 115 90, RGB 223 143 124, RGB 231 171 157 and RGB 239 200 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223.1 144 125 shade: RGB 223.1 144 125, RGB 185 223 124 and RGB 124 145 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223.1 144 125 shade: RGB 223.1 144 125, RGB 124 223 142 and RGB 142 124 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223.1 144 125 shade: RGB 223.1 144 125, RGB 185 223 124, RGB 124 205 223 and RGB 162 124 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223.1 144 125 shade: RGB 223.1 144 125, RGB 155 223 124, RGB 124 205 223 and RGB 192 124 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

Complementary color

CMYK 75 / 15 / 0 / 49

HEX #1F6F82

RGB 31.9 111 130

HSL 191.62, 0.61%, 0.32%

LAB 43.19, -16.71, -17.3

 

CMYK 0 / 37 / 47 / 11

HEX #E49078

RGB 228.1 144 120

HSL 13.32, 0.67%, 0.68%

LAB 67.88, 29.26, 26.08

 

CMYK 0 / 34 / 43 / 4

HEX #F5A28B

RGB 245.1 162 139

HSL 13.01, 0.84%, 0.75%

LAB 74.28, 28.22, 24.63

 

CMYK 0 / 29 / 38 / 0

HEX #FFB49E

RGB 255 180 158

HSL 13.61, 1%, 0.81%

LAB 79.82, 24.6, 22.13

 

CMYK 0 / 22 / 31 / 0

HEX #FFC6B1

RGB 255 198 177

HSL 16.15, 1%, 0.85%

LAB 84.39, 17.45, 18.33

 

CMYK 0 / 15 / 23 / 0

HEX #FFD8C4

RGB 255 216 196

HSL 20.34, 1%, 0.88%

LAB 89.09, 10.61, 14.9

 

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

CMYK 0 / 39 / 49 / 19

HEX #CE7E6A

RGB 206.1 126 106

HSL 11.99, 0.51%, 0.61%

LAB 60.87, 28.9, 24.04

 

CMYK 0 / 43 / 54 / 26

HEX #BD6C57

RGB 189.1 108 87

HSL 12.34, 0.44%, 0.54%

LAB 54.29, 30.11, 25.75

 

CMYK 0 / 48 / 60 / 33

HEX #AC5A44

RGB 172.1 90 68

HSL 12.68, 0.43%, 0.47%

LAB 47.64, 31.45, 27.7

 

CMYK 0 / 54 / 68 / 39

HEX #9B4831

RGB 155.1 72 49

HSL 13.01, 0.52%, 0.4%

LAB 40.95, 32.92, 29.95

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7C

RGB 223 143 124

HSL 11.52, 0.61%, 0.68%

LAB 67.12, 28.21, 22.74

 

CMYK 0 / 44 / 44 / 13

HEX #DF7C7C

RGB 223 124 124

HSL 0, 0.61%, 0.68%

LAB 62.98, 38.23, 17.08

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7C

RGB 223 143 124

HSL 11.52, 0.61%, 0.68%

LAB 67.12, 28.21, 22.74

 

CMYK 0 / 24 / 44 / 13

HEX #DFAA7C

RGB 223 170 124

HSL 27.88, 0.61%, 0.68%

LAB 73.48, 13.73, 31.19

 

CMYK 0 / 12 / 44 / 13

HEX #DFC57C

RGB 223 197 124

HSL 44.24, 0.61%, 0.68%

LAB 80.22, -0.54, 39.88

 

CMYK 0 / 0 / 44 / 13

HEX #DFDF7C

RGB 223 223 124

HSL 60, 0.61%, 0.68%

LAB 86.96, -13.78, 48.28

 

CMYK 12 / 0 / 44 / 13

HEX #C4DF7C

RGB 196 223 124

HSL 76.36, 0.61%, 0.68%

LAB 84.98, -24.25, 45.39

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7C

RGB 223 143 124

HSL 11.52, 0.61%, 0.68%

LAB 67.12, 28.21, 22.74

 

CMYK 0 / 43 / 53 / 7

HEX #EC876E

RGB 236 135 110

HSL 11.9, 0.77%, 0.68%

LAB 66.74, 36.13, 30.25

 

CMYK 0 / 49 / 61 / 2

HEX #FA7F61

RGB 250 127 97

HSL 11.76, 0.94%, 0.68%

LAB 66.8, 44.5, 37.8

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7C

RGB 223 143 124

HSL 11.52, 0.61%, 0.68%

LAB 67.12, 28.21, 22.74

 

CMYK 0 / 28 / 35 / 18

HEX #D29789

RGB 210 151 137

HSL 11.51, 0.45%, 0.68%

LAB 67.76, 20.31, 16.16

 

CMYK 0 / 19 / 24 / 23

HEX #C59F96

RGB 197 159 150

HSL 11.49, 0.29%, 0.68%

LAB 68.66, 12.68, 10.01

 

CMYK 0 / 9 / 11 / 28

HEX #B8A7A3

RGB 184 167 163

HSL 11.43, 0.13%, 0.68%

LAB 69.8, 5.46, 4.29

 

CMYK 3 / 1 / 0 / 31

HEX #AAAFB0

RGB 170 175 176

HSL 190, 0.04%, 0.68%

LAB 71.11, -1.56, -1.13

 

CMYK 0 / 44 / 29 / 13

HEX #DF7C9E

RGB 223 124 158

HSL 339.39, 0.61%, 0.68%

LAB 63.81, 42.21, -1.1

 

CMYK 0 / 44 / 41 / 13

HEX #DF7C84

RGB 223 124 132

HSL 355.15, 0.61%, 0.68%

LAB 63.15, 39.07, 12.77

 

CMYK 0 / 36 / 44 / 13

HEX #DF8E7C

RGB 223 142 124

HSL 10.91, 0.61%, 0.68%

LAB 66.89, 28.74, 22.43

 

CMYK 0 / 25 / 44 / 13

HEX #DFA87C

RGB 223 168 124

HSL 26.67, 0.61%, 0.68%

LAB 72.99, 14.8, 30.56

 

CMYK 0 / 13 / 44 / 13

HEX #DFC37C

RGB 223 195 124

HSL 43.03, 0.61%, 0.68%

LAB 79.71, 0.5, 39.24

 

CMYK 0 / 58 / 72 / 19

HEX #CF5639

RGB 207 86 57

HSL 11.6, 0.61%, 0.52%

LAB 52.08, 46.22, 40.43

 

CMYK 0 / 47 / 58 / 16

HEX #D7735A

RGB 215 115 90

HSL 12, 0.61%, 0.6%

LAB 59.39, 36.83, 31.31

 

CMYK 0 / 36 / 44 / 13

HEX #DF8F7C

RGB 223 143 124

HSL 11.52, 0.61%, 0.68%

LAB 67.12, 28.21, 22.74

 

CMYK 0 / 26 / 32 / 9

HEX #E7AB9D

RGB 231 171 157

HSL 11.35, 0.61%, 0.76%

LAB 75.17, 20.13, 15.83

 

CMYK 0 / 16 / 21 / 6

HEX #EFC8BE

RGB 239 200 190

HSL 12.24, 0.6%, 0.84%

LAB 83.64, 12.26, 10.14

 

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

CMYK 17 / 0 / 44 / 13

HEX #B9DF7C

RGB 185 223 124

HSL 83.03, 0.61%, 0.68%

LAB 84.25, -28.39, 44.33

 

CMYK 44 / 35 / 0 / 13

HEX #7C91DF

RGB 124 145 223

HSL 227.27, 0.61%, 0.68%

LAB 61.54, 12.74, -42.08

 

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

CMYK 44 / 0 / 36 / 13

HEX #7CDF8E

RGB 124 223 142

HSL 130.91, 0.61%, 0.68%

LAB 81.3, -46.01, 30.89

 

CMYK 36 / 44 / 0 / 13

HEX #8E7CDF

RGB 142 124 223

HSL 250.91, 0.61%, 0.68%

LAB 57.55, 29.64, -48.28

 

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

CMYK 17 / 0 / 44 / 13

HEX #B9DF7C

RGB 185 223 124

HSL 83.03, 0.61%, 0.68%

LAB 84.25, -28.39, 44.33

 

CMYK 44 / 8 / 0 / 13

HEX #7CCDDF

RGB 124 205 223

HSL 190.91, 0.61%, 0.68%

LAB 78.04, -20.12, -16.67

 

CMYK 27 / 44 / 0 / 13

HEX #A27CDF

RGB 162 124 223

HSL 263.03, 0.61%, 0.68%

LAB 59.37, 34.98, -45.3

 

CMYK 0 / 35 / 44 / 13

HEX #DF907D

RGB 223.1 144 125

HSL 11.62, 0.61%, 0.68%

LAB 67.38, 27.82, 22.53

 

CMYK 30 / 0 / 44 / 13

HEX #9BDF7C

RGB 155 223 124

HSL 101.21, 0.61%, 0.68%

LAB 82.49, -39.06, 41.74

 

CMYK 44 / 8 / 0 / 13

HEX #7CCDDF

RGB 124 205 223

HSL 190.91, 0.61%, 0.68%

LAB 78.04, -20.12, -16.67

 

CMYK 14 / 44 / 0 / 13

HEX #C07CDF

RGB 192 124 223

HSL 281.21, 0.61%, 0.68%

LAB 62.46, 43.43, -40.21

 

Description

Color code: RGB 223.1 144 125 | qconv.com Color code: RGB 223.1 144 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223.1 red, 144 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223.1 144 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 44% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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