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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223.14 90 31 it is the complementary color RGB 31.86 165 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223.14 90 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223.14 90 31 shade: RGB 228.14 90 26, RGB 245.14 108 45, RGB 255 126 64, RGB 255 144 83 and RGB 255 162 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223.14 90 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223.14 90 31 shade: RGB 223.14 90 31, RGB 206.14 72 12, RGB 189.14 54 0, RGB 172.14 36 0 and RGB 155.14 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223.14 90 31 shade: RGB 224 90 31, RGB 224 38 31 and RGB 224 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223.14 90 31 shade: RGB 224 90 31, RGB 224 142 31, RGB 224 195 31, RGB 202 224 31 and RGB 150 224 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223.14 90 31 shade matches the following richer shades: RGB 224 90 31 and RGB 245 82 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223.14 90 31 shade: RGB 224 90 31, RGB 204 98 51, RGB 183 106 72, RGB 163 114 92 and RGB 142 122 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223.14 90 31 shade: RGB 224 31 76, RGB 224 37 31, RGB 224 89 31, RGB 224 140 31 and RGB 224 192 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223.14 90 31 shade: RGB 152 61 21, RGB 188 76 26, RGB 224 90 31, RGB 229 117 67 and RGB 234 143 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223.14 90 31 shade: RGB 223.14 90 31, RGB 128 224 31 and RGB 31 50 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223.14 90 31 shade: RGB 223.14 90 31, RGB 31 224 89 and RGB 89 31 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223.14 90 31 shade: RGB 223.14 90 31, RGB 128 224 31, RGB 31 166 224 and RGB 128 31 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223.14 90 31 shade: RGB 223.14 90 31, RGB 69 224 31, RGB 31 166 224 and RGB 186 31 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

Complementary color

CMYK 86 / 26 / 0 / 12

HEX #1FA5E0

RGB 31.86 165 224

HSL 198.42, 0.76%, 0.5%

LAB 63.83, -13.4, -39.27

 

CMYK 0 / 61 / 89 / 11

HEX #E45A1A

RGB 228.14 90 26

HSL 19, 0.8%, 0.5%

LAB 55.99, 51.06, 59.34

 

CMYK 0 / 56 / 82 / 4

HEX #F56C2D

RGB 245.14 108 45

HSL 18.89, 0.91%, 0.57%

LAB 61.96, 49.42, 58.11

 

CMYK 0 / 51 / 75 / 0

HEX #FF7E40

RGB 255 126 64

HSL 19.48, 1%, 0.63%

LAB 66.94, 45.12, 54.95

 

CMYK 0 / 44 / 67 / 0

HEX #FF9053

RGB 255 144 83

HSL 21.28, 1%, 0.66%

LAB 70.75, 37.02, 49.91

 

CMYK 0 / 36 / 60 / 0

HEX #FFA266

RGB 255 162 102

HSL 23.53, 1%, 0.7%

LAB 74.86, 28.91, 45.16

 

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

CMYK 0 / 65 / 94 / 19

HEX #CE480C

RGB 206.14 72 12

HSL 18.54, 0.89%, 0.43%

LAB 49.26, 50.92, 57.11

 

CMYK 0 / 71 / 100 / 26

HEX #BD3600

RGB 189.14 54 0

HSL 17.13, 1%, 0.37%

LAB 43.47, 52.23, 55.42

 

CMYK 0 / 79 / 100 / 32

HEX #AC2400

RGB 172.14 36 0

HSL 12.55, 1%, 0.34%

LAB 37.93, 52.94, 50.99

 

CMYK 0 / 88 / 100 / 39

HEX #9B1200

RGB 155.14 18 0

HSL 6.96, 1%, 0.3%

LAB 32.73, 52.49, 46.34

 

CMYK 0 / 60 / 86 / 12

HEX #E05A1F

RGB 224 90 31

HSL 18.34, 0.76%, 0.5%

LAB 55.34, 49.67, 56.73

 

CMYK 0 / 83 / 86 / 12

HEX #E0261F

RGB 224 38 31

HSL 2.18, 0.76%, 0.5%

LAB 48.68, 67.9, 51.29

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 60 / 86 / 12

HEX #E05A1F

RGB 224 90 31

HSL 18.34, 0.76%, 0.5%

LAB 55.34, 49.67, 56.73

 

CMYK 0 / 37 / 86 / 12

HEX #E08E1F

RGB 224 142 31

HSL 34.51, 0.76%, 0.5%

LAB 65.98, 23.4, 65.38

 

CMYK 0 / 13 / 86 / 12

HEX #E0C31F

RGB 224 195 31

HSL 50.98, 0.76%, 0.5%

LAB 79.03, -4.63, 75.93

 

CMYK 10 / 0 / 86 / 12

HEX #CAE01F

RGB 202 224 31

HSL 66.84, 0.76%, 0.5%

LAB 84.98, -28.27, 80.04

 

CMYK 33 / 0 / 86 / 12

HEX #96E01F

RGB 150 224 31

HSL 83.01, 0.76%, 0.5%

LAB 81.78, -48.4, 76.08

 

CMYK 0 / 60 / 86 / 12

HEX #E05A1F

RGB 224 90 31

HSL 18.34, 0.76%, 0.5%

LAB 55.34, 49.67, 56.73

 

CMYK 0 / 67 / 96 / 4

HEX #F5520A

RGB 245 82 10

HSL 18.38, 0.92%, 0.5%

LAB 57.53, 60.02, 65.99

 

CMYK 0 / 60 / 86 / 12

HEX #E05A1F

RGB 224 90 31

HSL 18.34, 0.76%, 0.5%

LAB 55.34, 49.67, 56.73

 

CMYK 0 / 52 / 75 / 20

HEX #CC6233

RGB 204 98 51

HSL 18.43, 0.6%, 0.5%

LAB 53.83, 38.95, 45.28

 

CMYK 0 / 42 / 61 / 28

HEX #B76A48

RGB 183 106 72

HSL 18.38, 0.44%, 0.5%

LAB 52.78, 27.5, 32.14

 

CMYK 0 / 30 / 44 / 36

HEX #A3725C

RGB 163 114 92

HSL 18.59, 0.28%, 0.5%

LAB 52.5, 16.55, 19.92

 

CMYK 0 / 14 / 20 / 44

HEX #8E7A71

RGB 142 122 113

HSL 18.62, 0.11%, 0.5%

LAB 52.8, 6.18, 7.77

 

CMYK 0 / 86 / 66 / 12

HEX #E01F4C

RGB 224 31 76

HSL 346.01, 0.76%, 0.5%

LAB 48.7, 70.9, 26.17

 

CMYK 0 / 83 / 86 / 12

HEX #E0251F

RGB 224 37 31

HSL 1.87, 0.76%, 0.5%

LAB 48.6, 68.12, 51.23

 

CMYK 0 / 60 / 86 / 12

HEX #E0591F

RGB 224 89 31

HSL 18.03, 0.76%, 0.5%

LAB 55.17, 50.13, 56.59

 

CMYK 0 / 38 / 86 / 12

HEX #E08C1F

RGB 224 140 31

HSL 33.89, 0.76%, 0.5%

LAB 65.52, 24.47, 65

 

CMYK 0 / 14 / 86 / 12

HEX #E0C01F

RGB 224 192 31

HSL 50.05, 0.76%, 0.5%

LAB 78.25, -3.08, 75.31

 

CMYK 0 / 60 / 86 / 40

HEX #983D15

RGB 152 61 21

HSL 18.32, 0.76%, 0.34%

LAB 37.96, 36.11, 41.39

 

CMYK 0 / 60 / 86 / 26

HEX #BC4C1A

RGB 188 76 26

HSL 18.52, 0.76%, 0.42%

LAB 46.89, 42.79, 49.3

 

CMYK 0 / 60 / 86 / 12

HEX #E05A1F

RGB 224 90 31

HSL 18.34, 0.76%, 0.5%

LAB 55.34, 49.67, 56.73

 

CMYK 0 / 49 / 71 / 10

HEX #E57543

RGB 229 117 67

HSL 18.52, 0.76%, 0.58%

LAB 61.47, 39.8, 46.55

 

CMYK 0 / 39 / 56 / 8

HEX #EA8F67

RGB 234 143 103

HSL 18.32, 0.76%, 0.66%

LAB 68.11, 30.61, 35.75

 

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

CMYK 43 / 0 / 86 / 12

HEX #80E01F

RGB 128 224 31

HSL 89.84, 0.76%, 0.5%

LAB 80.74, -55.87, 74.77

 

CMYK 86 / 78 / 0 / 12

HEX #1F32E0

RGB 31 50 224

HSL 234.09, 0.76%, 0.5%

LAB 33.89, 56.13, -87.63

 

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

CMYK 86 / 0 / 60 / 12

HEX #1FE059

RGB 31 224 89

HSL 138.03, 0.76%, 0.5%

LAB 78.65, -71.28, 52.6

 

CMYK 60 / 86 / 0 / 12

HEX #591FE0

RGB 89 31 224

HSL 258.03, 0.76%, 0.5%

LAB 34.97, 67.76, -85.71

 

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

CMYK 43 / 0 / 86 / 12

HEX #80E01F

RGB 128 224 31

HSL 89.84, 0.76%, 0.5%

LAB 80.74, -55.87, 74.77

 

CMYK 86 / 26 / 0 / 12

HEX #1FA6E0

RGB 31 166 224

HSL 198.03, 0.76%, 0.5%

LAB 64.12, -14.01, -38.83

 

CMYK 43 / 86 / 0 / 12

HEX #801FE0

RGB 128 31 224

HSL 270.16, 0.76%, 0.5%

LAB 39.5, 71.67, -78.1

 

CMYK 0 / 60 / 86 / 12

HEX #DF5A1F

RGB 223.14 90 31

HSL 18.42, 0.76%, 0.5%

LAB 55.2, 49.36, 56.56

 

CMYK 69 / 0 / 86 / 12

HEX #45E01F

RGB 69 224 31

HSL 108.19, 0.76%, 0.5%

LAB 78.85, -70.87, 72.41

 

CMYK 86 / 26 / 0 / 12

HEX #1FA6E0

RGB 31 166 224

HSL 198.03, 0.76%, 0.5%

LAB 64.12, -14.01, -38.83

 

CMYK 17 / 86 / 0 / 12

HEX #BA1FE0

RGB 186 31 224

HSL 288.19, 0.76%, 0.5%

LAB 48.01, 79.71, -63.85

 

Description

Color code: RGB 223.14 90 31 | qconv.com Color code: RGB 223.14 90 31 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223.14 red, 90 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223.14 90 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 86 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 86% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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