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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 228 223 it is the complementary color RGB 33 27 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 228 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 228 223 shade: RGB 227 228 218 and RGB 244 246 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 228 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 228 223 shade: RGB 222 228 223, RGB 205 210 204, RGB 188 192 185, RGB 171 174 166 and RGB 154 156 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 228 223 shade: RGB 221 227 222, RGB 221 227 221, RGB 223 227 221, RGB 225 227 221 and RGB 226 227 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 228 223 shade: RGB 221 227 222, RGB 221 227 224, RGB 221 227 225, RGB 221 227 227 and RGB 221 225 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 228 223 shade matches the following richer shades: RGB 221 227 222, RGB 216 232 219, RGB 211 237 215, RGB 206 242 212 and RGB 201 247 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 228 223 shade: RGB 221 227 222, RGB 226 222 225, RGB 231 217 228, RGB 236 212 232 and RGB 241 207 235

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 228 223 shade: RGB 223 227 221, RGB 221 227 221, RGB 221 227 222, RGB 221 227 223 and RGB 221 227 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 228 223 shade: RGB 175 190 178, RGB 198 208 200, RGB 221 227 222 and RGB 244 246 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 228 223 shade: RGB 222 228 223, RGB 221 225 227 and RGB 227 221 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 228 223 shade: RGB 222 228 223, RGB 222 221 227 and RGB 227 222 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 228 223 shade: RGB 222 228 223, RGB 221 225 227, RGB 227 221 226 and RGB 227 223 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 228 223 shade: RGB 222 228 223, RGB 221 223 227, RGB 227 221 226 and RGB 227 225 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

Complementary color

CMYK 0 / 18 / 3 / 87

HEX #211B20

RGB 33 27 32

HSL 310, 0.1%, 0.12%

LAB 10.64, 4.12, -2.36

 

CMYK 0 / 0 / 4 / 11

HEX #E3E4DA

RGB 227 228 218

HSL 66, 0.16%, 0.87%

LAB 90.27, -2.09, 4.75

 

CMYK 1 / 0 / 4 / 4

HEX #F4F6ED

RGB 244 246 237

HSL 73.33, 0.33%, 0.95%

LAB 96.52, -2.23, 4.08

 

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

CMYK 2 / 0 / 3 / 18

HEX #CDD2CC

RGB 205 210 204

HSL 110, 0.06%, 0.81%

LAB 83.67, -2.79, 2.36

 

CMYK 2 / 0 / 4 / 25

HEX #BCC0B9

RGB 188 192 185

HSL 94.29, 0.05%, 0.74%

LAB 77.22, -2.67, 3.03

 

CMYK 2 / 0 / 5 / 32

HEX #ABAEA6

RGB 171 174 166

HSL 82.5, 0.05%, 0.67%

LAB 70.65, -2.55, 3.72

 

CMYK 1 / 0 / 6 / 39

HEX #9A9C93

RGB 154 156 147

HSL 73.33, 0.04%, 0.59%

LAB 63.96, -2.42, 4.45

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 3 / 0 / 3 / 11

HEX #DDE3DD

RGB 221 227 221

HSL 120, 0.1%, 0.88%

LAB 89.64, -3.09, 2.21

 

CMYK 2 / 0 / 3 / 11

HEX #DFE3DD

RGB 223 227 221

HSL 100, 0.1%, 0.88%

LAB 89.79, -2.41, 2.45

 

CMYK 1 / 0 / 3 / 11

HEX #E1E3DD

RGB 225 227 221

HSL 80, 0.1%, 0.88%

LAB 89.94, -1.74, 2.68

 

CMYK 0 / 0 / 3 / 11

HEX #E2E3DD

RGB 226 227 221

HSL 70, 0.1%, 0.88%

LAB 90.01, -1.4, 2.8

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 3 / 0 / 1 / 11

HEX #DDE3E0

RGB 221 227 224

HSL 150, 0.1%, 0.88%

LAB 89.72, -2.55, 0.75

 

CMYK 3 / 0 / 1 / 11

HEX #DDE3E1

RGB 221 227 225

HSL 160, 0.1%, 0.88%

LAB 89.74, -2.37, 0.26

 

CMYK 3 / 0 / 0 / 11

HEX #DDE3E3

RGB 221 227 227

HSL 180, 0.1%, 0.88%

LAB 89.79, -2, -0.71

 

CMYK 3 / 1 / 0 / 11

HEX #DDE1E3

RGB 221 225 227

HSL 200, 0.1%, 0.88%

LAB 89.28, -0.97, -1.45

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 7 / 0 / 6 / 9

HEX #D8E8DB

RGB 216 232 219

HSL 131.25, 0.26%, 0.88%

LAB 90.52, -7.68, 4.49

 

CMYK 11 / 0 / 9 / 7

HEX #D3EDD7

RGB 211 237 215

HSL 129.23, 0.42%, 0.88%

LAB 91.38, -12.58, 7.77

 

CMYK 15 / 0 / 12 / 5

HEX #CEF2D4

RGB 206 242 212

HSL 130, 0.58%, 0.88%

LAB 92.3, -17.24, 10.6

 

CMYK 19 / 0 / 15 / 3

HEX #C9F7D1

RGB 201 247 209

HSL 130.43, 0.74%, 0.88%

LAB 93.25, -21.85, 13.46

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 0 / 2 / 0 / 11

HEX #E2DEE1

RGB 226 222 225

HSL 315, 0.06%, 0.88%

LAB 88.85, 1.89, -0.99

 

CMYK 0 / 6 / 1 / 9

HEX #E7D9E4

RGB 231 217 228

HSL 312.86, 0.23%, 0.88%

LAB 88.07, 6.72, -3.67

 

CMYK 0 / 10 / 2 / 7

HEX #ECD4E8

RGB 236 212 232

HSL 310, 0.39%, 0.88%

LAB 87.36, 11.74, -6.78

 

CMYK 0 / 14 / 2 / 5

HEX #F1CFEB

RGB 241 207 235

HSL 310.59, 0.55%, 0.88%

LAB 86.66, 16.59, -9.36

 

CMYK 2 / 0 / 3 / 11

HEX #DFE3DD

RGB 223 227 221

HSL 100, 0.1%, 0.88%

LAB 89.79, -2.41, 2.45

 

CMYK 3 / 0 / 3 / 11

HEX #DDE3DD

RGB 221 227 221

HSL 120, 0.1%, 0.88%

LAB 89.64, -3.09, 2.21

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DF

RGB 221 227 223

HSL 140, 0.1%, 0.88%

LAB 89.69, -2.73, 1.24

 

CMYK 3 / 0 / 1 / 11

HEX #DDE3E1

RGB 221 227 225

HSL 160, 0.1%, 0.88%

LAB 89.74, -2.37, 0.26

 

CMYK 8 / 0 / 6 / 25

HEX #AFBEB2

RGB 175 190 178

HSL 132, 0.1%, 0.72%

LAB 75.55, -7.44, 4.28

 

CMYK 5 / 0 / 4 / 18

HEX #C6D0C8

RGB 198 208 200

HSL 132, 0.1%, 0.8%

LAB 82.53, -4.87, 2.78

 

CMYK 3 / 0 / 2 / 11

HEX #DDE3DE

RGB 221 227 222

HSL 130, 0.1%, 0.88%

LAB 89.67, -2.91, 1.73

 

CMYK 1 / 0 / 1 / 4

HEX #F4F6F4

RGB 244 246 244

HSL 120, 0.1%, 0.96%

LAB 96.69, -1.01, 0.72

 

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

CMYK 3 / 1 / 0 / 11

HEX #DDE1E3

RGB 221 225 227

HSL 200, 0.1%, 0.88%

LAB 89.28, -0.97, -1.45

 

CMYK 0 / 3 / 2 / 11

HEX #E3DDDE

RGB 227 221 222

HSL 350, 0.1%, 0.88%

LAB 88.6, 2.22, 0.23

 

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

CMYK 2 / 3 / 0 / 11

HEX #DEDDE3

RGB 222 221 227

HSL 250, 0.1%, 0.88%

LAB 88.35, 1.43, -2.82

 

CMYK 0 / 2 / 3 / 11

HEX #E3DEDD

RGB 227 222 221

HSL 10, 0.1%, 0.88%

LAB 88.82, 1.52, 1.08

 

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

CMYK 3 / 1 / 0 / 11

HEX #DDE1E3

RGB 221 225 227

HSL 200, 0.1%, 0.88%

LAB 89.28, -0.97, -1.45

 

CMYK 0 / 3 / 0 / 11

HEX #E3DDE2

RGB 227 221 226

HSL 310, 0.1%, 0.88%

LAB 88.7, 2.93, -1.73

 

CMYK 0 / 2 / 3 / 11

HEX #E3DFDD

RGB 227 223 221

HSL 20, 0.1%, 0.88%

LAB 89.08, 1.01, 1.45

 

CMYK 3 / 0 / 2 / 11

HEX #DEE4DF

RGB 222 228 223

HSL 130, 0.1%, 0.88%

LAB 90.02, -2.91, 1.72

 

CMYK 3 / 2 / 0 / 11

HEX #DDDFE3

RGB 221 223 227

HSL 220, 0.1%, 0.88%

LAB 88.78, 0.06, -2.2

 

CMYK 0 / 3 / 0 / 11

HEX #E3DDE2

RGB 227 221 226

HSL 310, 0.1%, 0.88%

LAB 88.7, 2.93, -1.73

 

CMYK 0 / 1 / 3 / 11

HEX #E3E1DD

RGB 227 225 221

HSL 40, 0.1%, 0.88%

LAB 89.58, -0.03, 2.18

 

Description

Color code: RGB 222 228 223 | qconv.com Color code: RGB 222 228 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 228 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 228 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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