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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 1 248 it is the complementary color RGB 33 254 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 1 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 1 248 shade: RGB 227 1 243, RGB 244 19 255, RGB 255 37 255, RGB 255 55 255 and RGB 255 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 1 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 205 0 229, RGB 188 0 210, RGB 171 0 191 and RGB 154 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 248 1 207, RGB 248 1 141, RGB 248 1 74 and RGB 248 1 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 155 1 248, RGB 89 1 248, RGB 22 1 248 and RGB 1 1 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 1 248 shade matches the following richer shades: RGB 222 1 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 206 21 228, RGB 190 41 208, RGB 174 61 187 and RGB 158 82 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 1 248 shade: RGB 87 1 248, RGB 153 1 248, RGB 219 1 248, RGB 248 1 211 and RGB 248 1 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 1 248 shade: RGB 149 0 166, RGB 185 1 207, RGB 222 1 248, RGB 231 37 253 and RGB 235 78 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 248 21 1 and RGB 1 248 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 248 219 1 and RGB 1 248 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 248 21 1, RGB 30 248 1 and RGB 1 228 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 1 248 shade: RGB 222 1 248, RGB 248 96 1, RGB 30 248 1 and RGB 1 153 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

Complementary color

CMYK 87 / 0 / 97 / 0

HEX #21FE07

RGB 33 254 7

HSL 113.68, 0.99%, 0.51%

LAB 87.59, -84.4, 82.6

 

CMYK 7 / 100 / 0 / 5

HEX #E301F3

RGB 227 1 243

HSL 296.03, 0.99%, 0.48%

LAB 54.89, 92.24, -63.13

 

CMYK 4 / 93 / 0 / 0

HEX #F413FF

RGB 244 19 255

HSL 297.2, 1%, 0.54%

LAB 58.9, 95.3, -63.22

 

CMYK 0 / 85 / 0 / 0

HEX #FF25FF

RGB 255 37 255

HSL 300, 1%, 0.57%

LAB 61.48, 94.82, -58.98

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 10 / 100 / 0 / 10

HEX #CD00E5

RGB 205 0 229

HSL 293.71, 1%, 0.45%

LAB 50.26, 86.96, -62.9

 

CMYK 10 / 100 / 0 / 18

HEX #BC00D2

RGB 188 0 210

HSL 293.71, 1%, 0.41%

LAB 46.1, 81.49, -58.9

 

CMYK 10 / 100 / 0 / 25

HEX #AB00BF

RGB 171 0 191

HSL 293.72, 1%, 0.37%

LAB 41.88, 75.94, -54.83

 

CMYK 10 / 100 / 0 / 33

HEX #9A00AC

RGB 154 0 172

HSL 293.72, 1%, 0.34%

LAB 37.57, 70.28, -50.68

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 0 / 100 / 17 / 3

HEX #F801CF

RGB 248 1 207

HSL 309.96, 0.99%, 0.49%

LAB 56.57, 90.79, -39.87

 

CMYK 0 / 100 / 43 / 3

HEX #F8018D

RGB 248 1 141

HSL 325.99, 0.99%, 0.49%

LAB 53.92, 84.02, -5.3

 

CMYK 0 / 100 / 70 / 3

HEX #F8014A

RGB 248 1 74

HSL 342.27, 0.99%, 0.49%

LAB 52.37, 79.88, 32.99

 

CMYK 0 / 100 / 97 / 3

HEX #F80107

RGB 248 1 7

HSL 358.54, 0.99%, 0.49%

LAB 51.83, 78.41, 64.03

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 38 / 100 / 0 / 3

HEX #9B01F8

RGB 155 1 248

HSL 277.41, 0.99%, 0.49%

LAB 43.9, 84.03, -84.33

 

CMYK 64 / 100 / 0 / 3

HEX #5901F8

RGB 89 1 248

HSL 261.38, 0.99%, 0.49%

LAB 35.84, 79.2, -97.92

 

CMYK 91 / 100 / 0 / 3

HEX #1601F8

RGB 22 1 248

HSL 245.1, 0.99%, 0.49%

LAB 31.74, 77.51, -104.86

 

CMYK 100 / 100 / 0 / 3

HEX #0101F8

RGB 1 1 248

HSL 240, 0.99%, 0.49%

LAB 31.36, 77.39, -105.5

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 10 / 91 / 0 / 11

HEX #CE15E4

RGB 206 21 228

HSL 293.62, 0.83%, 0.49%

LAB 50.99, 85.09, -61.15

 

CMYK 9 / 80 / 0 / 18

HEX #BE29D0

RGB 190 41 208

HSL 293.53, 0.67%, 0.49%

LAB 48.37, 75.43, -54.08

 

CMYK 7 / 67 / 0 / 27

HEX #AE3DBB

RGB 174 61 187

HSL 293.81, 0.51%, 0.49%

LAB 46.87, 62.05, -44.45

 

CMYK 5 / 51 / 0 / 35

HEX #9E52A7

RGB 158 82 167

HSL 293.65, 0.34%, 0.49%

LAB 47.1, 44.47, -32.51

 

CMYK 65 / 100 / 0 / 3

HEX #5701F8

RGB 87 1 248

HSL 260.89, 0.99%, 0.49%

LAB 35.65, 79.11, -98.24

 

CMYK 38 / 100 / 0 / 3

HEX #9901F8

RGB 153 1 248

HSL 276.92, 0.99%, 0.49%

LAB 43.61, 83.83, -84.81

 

CMYK 12 / 100 / 0 / 3

HEX #DB01F8

RGB 219 1 248

HSL 292.96, 0.99%, 0.49%

LAB 53.88, 91.84, -67.63

 

CMYK 0 / 100 / 15 / 3

HEX #F801D3

RGB 248 1 211

HSL 308.99, 0.99%, 0.49%

LAB 56.76, 91.28, -41.84

 

CMYK 0 / 100 / 42 / 3

HEX #F80191

RGB 248 1 145

HSL 325.02, 0.99%, 0.49%

LAB 54.05, 84.36, -7.5

 

CMYK 10 / 100 / 0 / 35

HEX #9500A6

RGB 149 0 166

HSL 293.86, 1%, 0.33%

LAB 36.26, 68.52, -49.25

 

CMYK 11 / 100 / 0 / 19

HEX #B901CF

RGB 185 1 207

HSL 293.59, 0.99%, 0.41%

LAB 45.42, 80.49, -58.3

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 9 / 85 / 0 / 1

HEX #E725FD

RGB 231 37 253

HSL 293.89, 0.98%, 0.57%

LAB 57.47, 90.55, -64.53

 

CMYK 7 / 69 / 0 / 0

HEX #EB4EFE

RGB 235 78 254

HSL 293.52, 0.99%, 0.65%

LAB 61.88, 80.63, -57.97

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 0 / 92 / 100 / 3

HEX #F81501

RGB 248 21 1

HSL 4.86, 0.99%, 0.49%

LAB 52.39, 76.7, 65.77

 

CMYK 100 / 0 / 52 / 3

HEX #01F878

RGB 1 248 120

HSL 148.91, 0.99%, 0.49%

LAB 86.25, -75.77, 47.56

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 0 / 12 / 100 / 3

HEX #F8DB01

RGB 248 219 1

HSL 52.96, 0.99%, 0.49%

LAB 87.3, -6.91, 87.02

 

CMYK 100 / 0 / 12 / 3

HEX #01F8DB

RGB 1 248 219

HSL 172.96, 0.99%, 0.49%

LAB 88.09, -55.07, 0.12

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 0 / 92 / 100 / 3

HEX #F81501

RGB 248 21 1

HSL 4.86, 0.99%, 0.49%

LAB 52.39, 76.7, 65.77

 

CMYK 88 / 0 / 100 / 3

HEX #1EF801

RGB 30 248 1

HSL 112.96, 0.99%, 0.49%

LAB 85.71, -83.1, 81.54

 

CMYK 100 / 8 / 0 / 3

HEX #01E4F8

RGB 1 228 248

HSL 184.86, 0.99%, 0.49%

LAB 83.06, -38.14, -22.62

 

CMYK 10 / 100 / 0 / 3

HEX #DE01F8

RGB 222 1 248

HSL 293.68, 0.99%, 0.49%

LAB 54.37, 92.27, -66.8

 

CMYK 0 / 61 / 100 / 3

HEX #F86001

RGB 248 96 1

HSL 23.08, 0.99%, 0.49%

LAB 60.18, 55.17, 69.4

 

CMYK 88 / 0 / 100 / 3

HEX #1EF801

RGB 30 248 1

HSL 112.96, 0.99%, 0.49%

LAB 85.71, -83.1, 81.54

 

CMYK 100 / 38 / 0 / 3

HEX #0199F8

RGB 1 153 248

HSL 203.08, 0.99%, 0.49%

LAB 61.28, 0.97, -56.54

 

Description

Color code: RGB 222 1 248 | qconv.com Color code: RGB 222 1 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 1 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 1 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 100 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 100% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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