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Color name
RGB 222 198 78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 198 78 it is the complementary color RGB 33 57 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 198 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 198 78 shade: RGB 227 198 73, RGB 244 216 92, RGB 255 234 111, RGB 255 252 130 and RGB 255 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 198 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 198 78 shade: RGB 222 198 78, RGB 205 180 59, RGB 188 162 40, RGB 171 144 21 and RGB 154 126 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 198 78 shade: RGB 223 199 78, RGB 223 160 78, RGB 223 121 78, RGB 223 82 78 and RGB 223 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 198 78 shade: RGB 223 199 78, RGB 208 223 78, RGB 169 223 78, RGB 130 223 78 and RGB 91 223 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 198 78 shade matches the following richer shades: RGB 223 199 78 and RGB 240 210 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 198 78 shade: RGB 223 199 78, RGB 206 187 95, RGB 189 176 112, RGB 172 165 129 and RGB 155 153 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 198 78 shade: RGB 223 122 78, RGB 223 160 78, RGB 223 199 78, RGB 208 223 78 and RGB 170 223 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 198 78 shade: RGB 185 159 34, RGB 216 187 43, RGB 223 199 78, RGB 229 210 113 and RGB 235 221 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 198 78 shade: RGB 222 198 78, RGB 78 223 83 and RGB 141 78 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 198 78 shade: RGB 222 198 78, RGB 78 223 199 and RGB 199 78 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 198 78 shade: RGB 222 198 78, RGB 78 223 83, RGB 78 102 223 and RGB 223 78 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 198 78 shade: RGB 222 198 78, RGB 78 223 126, RGB 78 102 223 and RGB 223 78 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

Complementary color

CMYK 81 / 68 / 0 / 31

HEX #2139B1

RGB 33 57 177

HSL 230, 0.69%, 0.41%

LAB 30.46, 36, -65.84

 

CMYK 0 / 13 / 68 / 11

HEX #E3C649

RGB 227 198 73

HSL 48.7, 0.73%, 0.59%

LAB 80.29, -3.31, 63.78

 

CMYK 0 / 11 / 62 / 4

HEX #F4D85C

RGB 244 216 92

HSL 48.95, 0.87%, 0.66%

LAB 86.56, -4.3, 62.95

 

CMYK 0 / 8 / 56 / 0

HEX #FFEA6F

RGB 255 234 111

HSL 51.25, 1%, 0.72%

LAB 92.24, -7.57, 61.22

 

CMYK 0 / 1 / 49 / 0

HEX #FFFC82

RGB 255 252 130

HSL 58.56, 1%, 0.75%

LAB 97.02, -14.92, 58.19

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 0 / 12 / 71 / 20

HEX #CDB43B

RGB 205 180 59

HSL 49.73, 0.59%, 0.52%

LAB 73.5, -4.09, 61.81

 

CMYK 0 / 14 / 79 / 26

HEX #BCA228

RGB 188 162 40

HSL 49.46, 0.65%, 0.45%

LAB 67.04, -2.85, 61.95

 

CMYK 0 / 16 / 88 / 33

HEX #AB9015

RGB 171 144 21

HSL 49.2, 0.78%, 0.38%

LAB 60.48, -1.36, 61.1

 

CMYK 0 / 18 / 99 / 40

HEX #9A7E02

RGB 154 126 2

HSL 48.95, 0.97%, 0.31%

LAB 53.81, 0.39, 58.85

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04E

RGB 223 160 78

HSL 33.93, 0.69%, 0.59%

LAB 70.44, 15.3, 50.92

 

CMYK 0 / 46 / 65 / 13

HEX #DF794E

RGB 223 121 78

HSL 17.79, 0.69%, 0.59%

LAB 61.58, 36.02, 40.76

 

CMYK 0 / 63 / 65 / 13

HEX #DF524E

RGB 223 82 78

HSL 1.66, 0.69%, 0.59%

LAB 54.32, 54.7, 32

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4E

RGB 208 223 78

HSL 66.21, 0.69%, 0.59%

LAB 85.37, -23.4, 66.55

 

CMYK 24 / 0 / 65 / 13

HEX #A9DF4E

RGB 169 223 78

HSL 82.34, 0.69%, 0.59%

LAB 82.79, -38.65, 63.04

 

CMYK 42 / 0 / 65 / 13

HEX #82DF4E

RGB 130 223 78

HSL 98.48, 0.69%, 0.59%

LAB 80.78, -52.17, 60.3

 

CMYK 59 / 0 / 65 / 13

HEX #5BDF4E

RGB 91 223 78

HSL 114.62, 0.69%, 0.59%

LAB 79.36, -62.91, 58.34

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 0 / 13 / 75 / 6

HEX #F0D23D

RGB 240 210 61

HSL 49.94, 0.86%, 0.59%

LAB 84.46, -4.52, 72.75

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5F

RGB 206 187 95

HSL 49.73, 0.53%, 0.59%

LAB 75.75, -4.96, 48.45

 

CMYK 0 / 7 / 41 / 26

HEX #BDB070

RGB 189 176 112

HSL 49.87, 0.37%, 0.59%

LAB 71.58, -4.58, 34.43

 

CMYK 0 / 4 / 25 / 33

HEX #ACA581

RGB 172 165 129

HSL 50.23, 0.21%, 0.59%

LAB 67.48, -3.38, 19.61

 

CMYK 0 / 1 / 6 / 39

HEX #9B9992

RGB 155 153 146

HSL 46.67, 0.04%, 0.59%

LAB 63.2, -0.58, 3.92

 

CMYK 0 / 45 / 65 / 13

HEX #DF7A4E

RGB 223 122 78

HSL 18.21, 0.69%, 0.59%

LAB 61.79, 35.5, 41.01

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04E

RGB 223 160 78

HSL 33.93, 0.69%, 0.59%

LAB 70.44, 15.3, 50.92

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4E

RGB 208 223 78

HSL 66.21, 0.69%, 0.59%

LAB 85.37, -23.4, 66.55

 

CMYK 24 / 0 / 65 / 13

HEX #AADF4E

RGB 170 223 78

HSL 81.93, 0.69%, 0.59%

LAB 82.85, -38.27, 63.12

 

CMYK 0 / 14 / 82 / 27

HEX #B99F22

RGB 185 159 34

HSL 49.67, 0.69%, 0.43%

LAB 65.92, -2.79, 62.73

 

CMYK 0 / 13 / 80 / 15

HEX #D8BB2B

RGB 216 187 43

HSL 49.94, 0.69%, 0.51%

LAB 76.26, -3.63, 70.23

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74E

RGB 223 199 78

HSL 50.07, 0.69%, 0.59%

LAB 80.23, -5.23, 61.54

 

CMYK 0 / 8 / 51 / 10

HEX #E5D271

RGB 229 210 113

HSL 50.17, 0.69%, 0.67%

LAB 83.94, -5.83, 50.02

 

CMYK 0 / 6 / 37 / 8

HEX #EBDD94

RGB 235 221 148

HSL 50.34, 0.69%, 0.75%

LAB 87.73, -5.57, 37.58

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 65 / 0 / 63 / 13

HEX #4EDF53

RGB 78 223 83

HSL 122.07, 0.69%, 0.59%

LAB 79.05, -65.2, 55.84

 

CMYK 37 / 65 / 0 / 13

HEX #8D4EDF

RGB 141 78 223

HSL 266.07, 0.69%, 0.59%

LAB 47.55, 54.9, -64.33

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 65 / 0 / 11 / 13

HEX #4EDFC7

RGB 78 223 199

HSL 170.07, 0.69%, 0.59%

LAB 81.03, -44.03, 0.43

 

CMYK 11 / 65 / 0 / 13

HEX #C74EDF

RGB 199 78 223

HSL 290.07, 0.69%, 0.59%

LAB 54.99, 67.45, -51.97

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 65 / 0 / 63 / 13

HEX #4EDF53

RGB 78 223 83

HSL 122.07, 0.69%, 0.59%

LAB 79.05, -65.2, 55.84

 

CMYK 65 / 54 / 0 / 13

HEX #4E66DF

RGB 78 102 223

HSL 230.07, 0.69%, 0.59%

LAB 47.56, 29.32, -64.55

 

CMYK 0 / 65 / 2 / 13

HEX #DF4EDA

RGB 223 78 218

HSL 302.07, 0.69%, 0.59%

LAB 58.23, 72.09, -43.79

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 65 / 0 / 43 / 13

HEX #4EDF7E

RGB 78 223 126

HSL 139.86, 0.69%, 0.59%

LAB 79.56, -59.42, 36.41

 

CMYK 65 / 54 / 0 / 13

HEX #4E66DF

RGB 78 102 223

HSL 230.07, 0.69%, 0.59%

LAB 47.56, 29.32, -64.55

 

CMYK 0 / 65 / 22 / 13

HEX #DF4EAE

RGB 223 78 174

HSL 320.28, 0.69%, 0.59%

LAB 56.28, 65.61, -21.62

 

Description

Color code: RGB 222 198 78 | qconv.com Color code: RGB 222 198 78 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 198 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 198 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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