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Color name
RGB 222 176 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 176 78 it is the complementary color RGB 33 79 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 176 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 176 78 shade: RGB 227 176 73, RGB 244 194 92, RGB 255 212 111, RGB 255 230 130 and RGB 255 248 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 176 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 205 158 59, RGB 188 140 40, RGB 171 122 21 and RGB 154 104 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 222 137 78, RGB 222 98 78 and RGB 222 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 222 215 78, RGB 190 222 78, RGB 151 222 78 and RGB 113 222 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 176 78 shade matches the following richer shades: RGB 222 176 78 and RGB 239 182 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 205 170 95, RGB 188 164 112, RGB 171 158 129 and RGB 154 152 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 176 78 shade: RGB 222 97 78, RGB 222 136 78, RGB 222 174 78, RGB 222 212 78 and RGB 193 222 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 176 78 shade: RGB 184 136 33, RGB 216 161 43, RGB 222 176 78, RGB 228 191 113 and RGB 235 207 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 97 222 78 and RGB 116 78 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 78 222 174 and RGB 174 78 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 97 222 78, RGB 78 126 222 and RGB 203 78 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 176 78 shade: RGB 222 176 78, RGB 78 222 102, RGB 78 126 222 and RGB 222 78 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

Complementary color

CMYK 81 / 55 / 0 / 31

HEX #214FB1

RGB 33 79 177

HSL 220.83, 0.69%, 0.41%

LAB 36.16, 21.47, -56.53

 

CMYK 0 / 22 / 68 / 11

HEX #E3B049

RGB 227 176 73

HSL 40.13, 0.73%, 0.59%

LAB 74.74, 8.18, 57.99

 

CMYK 0 / 20 / 62 / 4

HEX #F4C25C

RGB 244 194 92

HSL 40.26, 0.87%, 0.66%

LAB 81.07, 7.01, 56.88

 

CMYK 0 / 17 / 56 / 0

HEX #FFD46F

RGB 255 212 111

HSL 42.08, 1%, 0.72%

LAB 86.75, 3.55, 54.87

 

CMYK 0 / 10 / 49 / 0

HEX #FFE682

RGB 255 230 130

HSL 48, 1%, 0.75%

LAB 91.44, -4.05, 51.48

 

CMYK 0 / 3 / 42 / 0

HEX #FFF895

RGB 255 248 149

HSL 56.04, 1%, 0.79%

LAB 96.23, -11.21, 48.28

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 23 / 71 / 20

HEX #CD9E3B

RGB 205 158 59

HSL 40.68, 0.59%, 0.52%

LAB 67.83, 7.61, 56.12

 

CMYK 0 / 26 / 79 / 26

HEX #BC8C28

RGB 188 140 40

HSL 40.54, 0.65%, 0.45%

LAB 61.31, 9.09, 56.71

 

CMYK 0 / 29 / 88 / 33

HEX #AB7A15

RGB 171 122 21

HSL 40.4, 0.78%, 0.38%

LAB 54.69, 10.84, 56.41

 

CMYK 0 / 32 / 99 / 40

HEX #9A6802

RGB 154 104 2

HSL 40.26, 0.97%, 0.31%

LAB 47.98, 12.9, 54.76

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 38 / 65 / 13

HEX #DE894E

RGB 222 137 78

HSL 24.58, 0.69%, 0.59%

LAB 64.94, 27.2, 44.65

 

CMYK 0 / 56 / 65 / 13

HEX #DE624E

RGB 222 98 78

HSL 8.33, 0.69%, 0.59%

LAB 56.89, 47.12, 35.12

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4E

RGB 222 78 78

HSL 0, 0.69%, 0.59%

LAB 53.52, 56.04, 30.98

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 3 / 65 / 13

HEX #DED74E

RGB 222 215 78

HSL 57.08, 0.69%, 0.59%

LAB 84.32, -13.74, 65.8

 

CMYK 14 / 0 / 65 / 13

HEX #BEDE4E

RGB 190 222 78

HSL 73.33, 0.69%, 0.59%

LAB 83.83, -30.12, 64.55

 

CMYK 32 / 0 / 65 / 13

HEX #97DE4E

RGB 151 222 78

HSL 89.58, 0.69%, 0.59%

LAB 81.5, -44.74, 61.37

 

CMYK 49 / 0 / 65 / 13

HEX #71DE4E

RGB 113 222 78

HSL 105.42, 0.69%, 0.59%

LAB 79.79, -56.87, 59.02

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 24 / 74 / 6

HEX #EFB63D

RGB 239 182 61

HSL 40.79, 0.85%, 0.59%

LAB 77.37, 9.53, 65.95

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 17 / 54 / 20

HEX #CDAA5F

RGB 205 170 95

HSL 40.91, 0.52%, 0.59%

LAB 71.25, 3.59, 43.06

 

CMYK 0 / 13 / 40 / 26

HEX #BCA470

RGB 188 164 112

HSL 41.05, 0.36%, 0.59%

LAB 68.32, 1.42, 30.21

 

CMYK 0 / 8 / 25 / 33

HEX #AB9E81

RGB 171 158 129

HSL 41.43, 0.2%, 0.59%

LAB 65.51, 0.02, 16.89

 

CMYK 0 / 1 / 6 / 40

HEX #9A9891

RGB 154 152 145

HSL 46.67, 0.04%, 0.59%

LAB 62.82, -0.58, 3.93

 

CMYK 0 / 56 / 65 / 13

HEX #DE614E

RGB 222 97 78

HSL 7.92, 0.69%, 0.59%

LAB 56.71, 47.59, 34.9

 

CMYK 0 / 39 / 65 / 13

HEX #DE884E

RGB 222 136 78

HSL 24.17, 0.69%, 0.59%

LAB 64.71, 27.73, 44.39

 

CMYK 0 / 22 / 65 / 13

HEX #DEAE4E

RGB 222 174 78

HSL 40, 0.69%, 0.59%

LAB 73.77, 7.41, 54.57

 

CMYK 0 / 5 / 65 / 13

HEX #DED44E

RGB 222 212 78

HSL 55.83, 0.69%, 0.59%

LAB 83.53, -12.24, 64.98

 

CMYK 13 / 0 / 65 / 13

HEX #C1DE4E

RGB 193 222 78

HSL 72.08, 0.69%, 0.59%

LAB 84.03, -28.93, 64.82

 

CMYK 0 / 26 / 82 / 28

HEX #B88821

RGB 184 136 33

HSL 40.93, 0.7%, 0.43%

LAB 59.81, 9.26, 57.65

 

CMYK 0 / 25 / 80 / 15

HEX #D8A12B

RGB 216 161 43

HSL 40.92, 0.69%, 0.51%

LAB 69.66, 10.11, 64.37

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 0 / 16 / 50 / 11

HEX #E4BF71

RGB 228 191 113

HSL 40.7, 0.68%, 0.67%

LAB 79.01, 3.58, 44.01

 

CMYK 0 / 12 / 37 / 8

HEX #EBCF94

RGB 235 207 148

HSL 40.69, 0.69%, 0.75%

LAB 84.19, 1.6, 32.93

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 56 / 0 / 65 / 13

HEX #61DE4E

RGB 97 222 78

HSL 112.08, 0.69%, 0.59%

LAB 79.23, -61.12, 58.26

 

CMYK 48 / 65 / 0 / 13

HEX #744EDE

RGB 116 78 222

HSL 255.83, 0.69%, 0.59%

LAB 44.85, 49.79, -68.25

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 65 / 0 / 22 / 13

HEX #4EDEAE

RGB 78 222 174

HSL 160, 0.69%, 0.59%

LAB 80.13, -49.61, 12.39

 

CMYK 22 / 65 / 0 / 13

HEX #AE4EDE

RGB 174 78 222

HSL 280, 0.69%, 0.59%

LAB 51.52, 61.67, -57.14

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 56 / 0 / 65 / 13

HEX #61DE4E

RGB 97 222 78

HSL 112.08, 0.69%, 0.59%

LAB 79.23, -61.12, 58.26

 

CMYK 65 / 43 / 0 / 13

HEX #4E7EDE

RGB 78 126 222

HSL 220, 0.69%, 0.59%

LAB 53.83, 14.1, -53.9

 

CMYK 9 / 65 / 0 / 13

HEX #CB4EDE

RGB 203 78 222

HSL 292.08, 0.69%, 0.59%

LAB 55.5, 68.17, -50.55

 

CMYK 0 / 21 / 65 / 13

HEX #DEB04E

RGB 222 176 78

HSL 40.83, 0.69%, 0.59%

LAB 74.27, 6.35, 55.12

 

CMYK 65 / 0 / 54 / 13

HEX #4EDE66

RGB 78 222 102

HSL 130, 0.69%, 0.59%

LAB 78.94, -62.61, 47.25

 

CMYK 65 / 43 / 0 / 13

HEX #4E7EDE

RGB 78 126 222

HSL 220, 0.69%, 0.59%

LAB 53.83, 14.1, -53.9

 

CMYK 0 / 65 / 11 / 13

HEX #DE4EC6

RGB 222 78 198

HSL 310, 0.69%, 0.59%

LAB 57.13, 68.75, -34.15

 

Description

Color code: RGB 222 176 78 | qconv.com Color code: RGB 222 176 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 176 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 176 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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