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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 143 187 it is the complementary color RGB 33 112 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 143 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 143 187 shade: RGB 227 143 182, RGB 244 161 201, RGB 255 179 220, RGB 255 197 239 and RGB 255 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 143 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 143 187 shade: RGB 222 143 187, RGB 205 125 168, RGB 188 107 149, RGB 171 89 130 and RGB 154 71 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 143 187 shade: RGB 222 145 187, RGB 222 145 167, RGB 222 145 146 and RGB 222 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 143 187 shade: RGB 222 145 187, RGB 222 145 208, RGB 214 145 222, RGB 193 145 222 and RGB 173 145 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 143 187 shade matches the following richer shades: RGB 222 145 187, RGB 233 133 189 and RGB 245 121 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 143 187 shade: RGB 222 145 187, RGB 210 156 186, RGB 199 168 185, RGB 187 179 184 and RGB 175 191 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 143 187 shade: RGB 214 145 222, RGB 222 145 209, RGB 222 145 188, RGB 222 145 168 and RGB 222 145 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 143 187 shade: RGB 203 81 149, RGB 212 113 168, RGB 222 145 187, RGB 231 176 207 and RGB 241 208 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 143 187 shade: RGB 222 143 187, RGB 222 193 145 and RGB 145 219 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 143 187 shade: RGB 222 143 187, RGB 188 222 145 and RGB 145 188 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 143 187 shade: RGB 222 143 187, RGB 222 193 145, RGB 145 222 178 and RGB 145 173 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 143 187 shade: RGB 222 143 187, RGB 222 217 145, RGB 145 222 178 and RGB 145 150 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

Complementary color

CMYK 71 / 0 / 39 / 56

HEX #217044

RGB 33 112 68

HSL 146.58, 0.54%, 0.28%

LAB 41.73, -34.73, 17.72

 

CMYK 0 / 37 / 20 / 11

HEX #E38FB6

RGB 227 143 182

HSL 332.14, 0.6%, 0.73%

LAB 69.01, 37.07, -6.93

 

CMYK 0 / 34 / 18 / 4

HEX #F4A1C9

RGB 244 161 201

HSL 331.08, 0.79%, 0.79%

LAB 75.41, 36.31, -7.72

 

CMYK 0 / 30 / 14 / 0

HEX #FFB3DC

RGB 255 179 220

HSL 327.63, 1%, 0.85%

LAB 81.11, 33.56, -9.46

 

CMYK 0 / 23 / 6 / 0

HEX #FFC5EF

RGB 255 197 239

HSL 316.55, 1%, 0.89%

LAB 85.72, 27.24, -12.76

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

CMYK 0 / 39 / 18 / 20

HEX #CD7DA8

RGB 205 125 168

HSL 327.75, 0.44%, 0.65%

LAB 62.06, 36.9, -9.65

 

CMYK 0 / 43 / 21 / 26

HEX #BC6B95

RGB 188 107 149

HSL 328.89, 0.38%, 0.58%

LAB 55.46, 37.72, -8.78

 

CMYK 0 / 48 / 24 / 33

HEX #AB5982

RGB 171 89 130

HSL 330, 0.33%, 0.51%

LAB 48.78, 38.54, -7.76

 

CMYK 0 / 54 / 28 / 40

HEX #9A476F

RGB 154 71 111

HSL 331.08, 0.37%, 0.44%

LAB 42.04, 39.34, -6.53

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BB

RGB 222 145 187

HSL 327.27, 0.54%, 0.72%

LAB 69.02, 35.06, -9.77

 

CMYK 0 / 35 / 25 / 13

HEX #DE91A7

RGB 222 145 167

HSL 342.86, 0.54%, 0.72%

LAB 68.44, 32.06, 0.56

 

CMYK 0 / 35 / 34 / 13

HEX #DE9192

RGB 222 145 146

HSL 359.22, 0.54%, 0.72%

LAB 67.91, 29.26, 11.56

 

CMYK 0 / 35 / 35 / 13

HEX #DE9191

RGB 222 145 145

HSL 0, 0.54%, 0.72%

LAB 67.89, 29.14, 12.09

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BB

RGB 222 145 187

HSL 327.27, 0.54%, 0.72%

LAB 69.02, 35.06, -9.77

 

CMYK 0 / 35 / 6 / 13

HEX #DE91D0

RGB 222 145 208

HSL 310.91, 0.54%, 0.72%

LAB 69.71, 38.55, -20.41

 

CMYK 4 / 35 / 0 / 13

HEX #D691DE

RGB 214 145 222

HSL 293.77, 0.54%, 0.72%

LAB 69.34, 38.56, -28.78

 

CMYK 13 / 35 / 0 / 13

HEX #C191DE

RGB 193 145 222

HSL 277.4, 0.54%, 0.72%

LAB 67.17, 32.06, -32.31

 

CMYK 22 / 35 / 0 / 13

HEX #AD91DE

RGB 173 145 222

HSL 261.82, 0.54%, 0.72%

LAB 65.29, 26.01, -35.39

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BB

RGB 222 145 187

HSL 327.27, 0.54%, 0.72%

LAB 69.02, 35.06, -9.77

 

CMYK 0 / 43 / 19 / 9

HEX #E985BD

RGB 233 133 189

HSL 326.4, 0.69%, 0.72%

LAB 67.85, 45.34, -12.49

 

CMYK 0 / 51 / 22 / 4

HEX #F579BE

RGB 245 121 190

HSL 326.61, 0.86%, 0.72%

LAB 67.13, 55.25, -13.98

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BB

RGB 222 145 187

HSL 327.27, 0.54%, 0.72%

LAB 69.02, 35.06, -9.77

 

CMYK 0 / 26 / 11 / 18

HEX #D29CBA

RGB 210 156 186

HSL 326.67, 0.38%, 0.72%

LAB 70.19, 24.79, -7.6

 

CMYK 0 / 16 / 7 / 22

HEX #C7A8B9

RGB 199 168 185

HSL 327.1, 0.22%, 0.72%

LAB 71.99, 14.17, -4.5

 

CMYK 0 / 4 / 2 / 27

HEX #BBB3B8

RGB 187 179 184

HSL 322.5, 0.06%, 0.72%

LAB 73.72, 3.75, -1.54

 

CMYK 8 / 0 / 5 / 25

HEX #AFBFB6

RGB 175 191 182

HSL 146.25, 0.11%, 0.72%

LAB 75.92, -7.21, 2.65

 

CMYK 4 / 35 / 0 / 13

HEX #D691DE

RGB 214 145 222

HSL 293.77, 0.54%, 0.72%

LAB 69.34, 38.56, -28.78

 

CMYK 0 / 35 / 6 / 13

HEX #DE91D1

RGB 222 145 209

HSL 310.13, 0.54%, 0.72%

LAB 69.74, 38.73, -20.91

 

CMYK 0 / 35 / 15 / 13

HEX #DE91BC

RGB 222 145 188

HSL 326.49, 0.54%, 0.72%

LAB 69.05, 35.22, -10.28

 

CMYK 0 / 35 / 24 / 13

HEX #DE91A8

RGB 222 145 168

HSL 342.08, 0.54%, 0.72%

LAB 68.47, 32.2, 0.04

 

CMYK 0 / 35 / 34 / 13

HEX #DE9193

RGB 222 145 147

HSL 358.44, 0.54%, 0.72%

LAB 67.94, 29.38, 11.03

 

CMYK 0 / 60 / 27 / 20

HEX #CB5195

RGB 203 81 149

HSL 326.56, 0.54%, 0.56%

LAB 52.68, 55.39, -12.74

 

CMYK 0 / 47 / 21 / 17

HEX #D471A8

RGB 212 113 168

HSL 326.67, 0.54%, 0.64%

LAB 60.46, 45.52, -11.96

 

CMYK 0 / 35 / 16 / 13

HEX #DE91BB

RGB 222 145 187

HSL 327.27, 0.54%, 0.72%

LAB 69.02, 35.06, -9.77

 

CMYK 0 / 24 / 10 / 9

HEX #E7B0CF

RGB 231 176 207

HSL 326.18, 0.53%, 0.8%

LAB 77.61, 24.83, -7.89

 

CMYK 0 / 14 / 6 / 5

HEX #F1D0E2

RGB 241 208 226

HSL 327.27, 0.54%, 0.88%

LAB 86.65, 14.5, -4.6

 

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

CMYK 0 / 13 / 35 / 13

HEX #DEC191

RGB 222 193 145

HSL 37.4, 0.54%, 0.72%

LAB 79.45, 3.47, 27.99

 

CMYK 35 / 1 / 0 / 13

HEX #91DBDE

RGB 145 219 222

HSL 182.34, 0.54%, 0.72%

LAB 82.89, -22.1, -8.77

 

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

CMYK 15 / 0 / 35 / 13

HEX #BCDE91

RGB 188 222 145

HSL 86.49, 0.54%, 0.72%

LAB 84.47, -24.21, 34.18

 

CMYK 35 / 15 / 0 / 13

HEX #91BCDE

RGB 145 188 222

HSL 206.49, 0.54%, 0.72%

LAB 74.36, -6.09, -21.6

 

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

CMYK 0 / 13 / 35 / 13

HEX #DEC191

RGB 222 193 145

HSL 37.4, 0.54%, 0.72%

LAB 79.45, 3.47, 27.99

 

CMYK 35 / 0 / 20 / 13

HEX #91DEB2

RGB 145 222 178

HSL 145.71, 0.54%, 0.72%

LAB 82.63, -33.06, 14.16

 

CMYK 35 / 22 / 0 / 13

HEX #91ADDE

RGB 145 173 222

HSL 218.18, 0.54%, 0.72%

LAB 70.3, 2.09, -27.8

 

CMYK 0 / 36 / 16 / 13

HEX #DE8FBB

RGB 222 143 187

HSL 326.58, 0.54%, 0.72%

LAB 68.58, 36.13, -10.42

 

CMYK 0 / 2 / 35 / 13

HEX #DED991

RGB 222 217 145

HSL 56.1, 0.54%, 0.72%

LAB 85.6, -8.92, 36.13

 

CMYK 35 / 0 / 20 / 13

HEX #91DEB2

RGB 145 222 178

HSL 145.71, 0.54%, 0.72%

LAB 82.63, -33.06, 14.16

 

CMYK 35 / 32 / 0 / 13

HEX #9196DE

RGB 145 150 222

HSL 236.1, 0.54%, 0.72%

LAB 64.25, 15.09, -37.18

 

Description

Color code: RGB 222 143 187 | qconv.com Color code: RGB 222 143 187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 143 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 143 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 16 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 16% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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