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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 136 31 it is the complementary color RGB 33 119 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 136 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 136 31 shade: RGB 227 136 26, RGB 244 154 45, RGB 255 172 64, RGB 255 190 83 and RGB 255 208 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 136 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 136 31 shade: RGB 222 136 31, RGB 205 118 12, RGB 188 100 0, RGB 171 82 0 and RGB 154 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 136 31 shade: RGB 223 136 31, RGB 223 85 31, RGB 223 33 31 and RGB 223 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 136 31 shade: RGB 223 136 31, RGB 223 188 31, RGB 206 223 31, RGB 154 223 31 and RGB 102 223 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 136 31 shade matches the following richer shades: RGB 223 136 31 and RGB 243 139 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 136 31 shade: RGB 223 136 31, RGB 202 134 52, RGB 181 132 73, RGB 161 130 93 and RGB 140 128 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 136 31 shade: RGB 223 31 31, RGB 223 82 31, RGB 223 133 31, RGB 223 184 31 and RGB 210 223 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 136 31 shade: RGB 150 92 21, RGB 187 114 26, RGB 223 136 31, RGB 228 156 67 and RGB 233 175 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 136 31 shade: RGB 222 136 31, RGB 82 223 31 and RGB 57 31 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 136 31 shade: RGB 222 136 31, RGB 31 223 133 and RGB 133 31 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 136 31 shade: RGB 222 136 31, RGB 82 223 31, RGB 31 121 223 and RGB 172 31 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 136 31 shade: RGB 222 136 31, RGB 31 223 38, RGB 31 121 223 and RGB 223 31 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

Complementary color

CMYK 85 / 47 / 0 / 12

HEX #2177E0

RGB 33 119 224

HSL 212.98, 0.75%, 0.5%

LAB 50.57, 13.79, -60.34

 

CMYK 0 / 40 / 89 / 11

HEX #E3881A

RGB 227 136 26

HSL 32.84, 0.79%, 0.5%

LAB 64.97, 27.75, 66.13

 

CMYK 0 / 37 / 82 / 4

HEX #F49A2D

RGB 244 154 45

HSL 32.86, 0.9%, 0.57%

LAB 71.24, 25.81, 66.32

 

CMYK 0 / 33 / 75 / 0

HEX #FFAC40

RGB 255 172 64

HSL 33.93, 1%, 0.63%

LAB 76.76, 21.61, 64.79

 

CMYK 0 / 25 / 67 / 0

HEX #FFBE53

RGB 255 190 83

HSL 37.33, 1%, 0.66%

LAB 81.13, 13.12, 61.3

 

CMYK 0 / 18 / 60 / 0

HEX #FFD066

RGB 255 208 102

HSL 41.57, 1%, 0.7%

LAB 85.67, 4.96, 57.8

 

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

CMYK 0 / 42 / 94 / 20

HEX #CD760C

RGB 205 118 12

HSL 32.95, 0.89%, 0.43%

LAB 58, 27.85, 62.88

 

CMYK 0 / 47 / 100 / 26

HEX #BC6400

RGB 188 100 0

HSL 31.91, 1%, 0.37%

LAB 51.62, 30.17, 59.81

 

CMYK 0 / 52 / 100 / 33

HEX #AB5200

RGB 171 82 0

HSL 28.77, 1%, 0.34%

LAB 45.21, 32.62, 54.66

 

CMYK 0 / 58 / 100 / 40

HEX #9A4000

RGB 154 64 0

HSL 24.94, 1%, 0.3%

LAB 38.79, 35, 49.53

 

CMYK 0 / 39 / 86 / 13

HEX #DF881F

RGB 223 136 31

HSL 32.81, 0.76%, 0.5%

LAB 64.48, 26.18, 64.11

 

CMYK 0 / 62 / 86 / 13

HEX #DF551F

RGB 223 85 31

HSL 16.88, 0.76%, 0.5%

LAB 54.33, 51.55, 55.84

 

CMYK 0 / 85 / 86 / 13

HEX #DF211F

RGB 223 33 31

HSL 0.63, 0.76%, 0.5%

LAB 48.1, 68.7, 50.74

 

CMYK 0 / 86 / 86 / 13

HEX #DF1F1F

RGB 223 31 31

HSL 0, 0.76%, 0.5%

LAB 47.96, 69.09, 50.63

 

CMYK 0 / 39 / 86 / 13

HEX #DF881F

RGB 223 136 31

HSL 32.81, 0.76%, 0.5%

LAB 64.48, 26.18, 64.11

 

CMYK 0 / 16 / 86 / 13

HEX #DFBC1F

RGB 223 188 31

HSL 49.06, 0.76%, 0.5%

LAB 77.13, -1.44, 74.36

 

CMYK 8 / 0 / 86 / 13

HEX #CEDF1F

RGB 206 223 31

HSL 65.31, 0.76%, 0.5%

LAB 84.99, -26.15, 80.17

 

CMYK 31 / 0 / 86 / 13

HEX #9ADF1F

RGB 154 223 31

HSL 81.56, 0.76%, 0.5%

LAB 81.7, -46.54, 76.09

 

CMYK 54 / 0 / 86 / 13

HEX #66DF1F

RGB 102 223 31

HSL 97.81, 0.76%, 0.5%

LAB 79.44, -63.14, 73.27

 

CMYK 0 / 39 / 86 / 13

HEX #DF881F

RGB 223 136 31

HSL 32.81, 0.76%, 0.5%

LAB 64.48, 26.18, 64.11

 

CMYK 0 / 43 / 95 / 5

HEX #F38B0B

RGB 243 139 11

HSL 33.1, 0.91%, 0.5%

LAB 67.68, 32.58, 72.07

 

CMYK 0 / 39 / 86 / 13

HEX #DF881F

RGB 223 136 31

HSL 32.81, 0.76%, 0.5%

LAB 64.48, 26.18, 64.11

 

CMYK 0 / 34 / 74 / 21

HEX #CA8634

RGB 202 134 52

HSL 32.8, 0.59%, 0.5%

LAB 61.53, 19.02, 52.62

 

CMYK 0 / 27 / 60 / 29

HEX #B58449

RGB 181 132 73

HSL 32.78, 0.43%, 0.5%

LAB 58.8, 12.31, 38.8

 

CMYK 0 / 19 / 42 / 37

HEX #A1825D

RGB 161 130 93

HSL 32.65, 0.27%, 0.5%

LAB 56.42, 6.73, 24.51

 

CMYK 0 / 9 / 19 / 45

HEX #8C8072

RGB 140 128 114

HSL 32.31, 0.1%, 0.5%

LAB 54.27, 2.11, 9.25

 

CMYK 0 / 86 / 86 / 13

HEX #DF1F1F

RGB 223 31 31

HSL 0, 0.76%, 0.5%

LAB 47.96, 69.09, 50.63

 

CMYK 0 / 63 / 86 / 13

HEX #DF521F

RGB 223 82 31

HSL 15.94, 0.76%, 0.5%

LAB 53.84, 52.85, 55.44

 

CMYK 0 / 40 / 86 / 13

HEX #DF851F

RGB 223 133 31

HSL 31.88, 0.76%, 0.5%

LAB 63.8, 27.77, 63.56

 

CMYK 0 / 17 / 86 / 13

HEX #DFB81F

RGB 223 184 31

HSL 47.81, 0.76%, 0.5%

LAB 76.11, 0.64, 73.54

 

CMYK 6 / 0 / 86 / 13

HEX #D2DF1F

RGB 210 223 31

HSL 64.06, 0.76%, 0.5%

LAB 85.29, -24.5, 80.53

 

CMYK 0 / 39 / 86 / 41

HEX #965C15

RGB 150 92 21

HSL 33.02, 0.75%, 0.34%

LAB 44.51, 18.34, 46.9

 

CMYK 0 / 39 / 86 / 27

HEX #BB721A

RGB 187 114 26

HSL 32.8, 0.76%, 0.42%

LAB 54.73, 22.56, 55.77

 

CMYK 0 / 39 / 86 / 13

HEX #DF881F

RGB 223 136 31

HSL 32.81, 0.76%, 0.5%

LAB 64.48, 26.18, 64.11

 

CMYK 0 / 32 / 71 / 11

HEX #E49C43

RGB 228 156 67

HSL 33.17, 0.75%, 0.58%

LAB 69.95, 18.93, 55.62

 

CMYK 0 / 25 / 55 / 9

HEX #E9AF68

RGB 233 175 104

HSL 33.02, 0.75%, 0.66%

LAB 75.44, 13.31, 44.27

 

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

CMYK 63 / 0 / 86 / 13

HEX #52DF1F

RGB 82 223 31

HSL 104.06, 0.76%, 0.5%

LAB 78.85, -67.97, 72.52

 

CMYK 74 / 86 / 0 / 13

HEX #391FDF

RGB 57 31 223

HSL 248.13, 0.76%, 0.5%

LAB 32.21, 65.36, -89.81

 

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

CMYK 86 / 0 / 40 / 13

HEX #1FDF85

RGB 31 223 133

HSL 151.88, 0.76%, 0.5%

LAB 78.9, -64.2, 31.89

 

CMYK 40 / 86 / 0 / 13

HEX #851FDF

RGB 133 31 223

HSL 271.88, 0.76%, 0.5%

LAB 40.07, 72.05, -76.56

 

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

CMYK 63 / 0 / 86 / 13

HEX #52DF1F

RGB 82 223 31

HSL 104.06, 0.76%, 0.5%

LAB 78.85, -67.97, 72.52

 

CMYK 86 / 46 / 0 / 13

HEX #1F79DF

RGB 31 121 223

HSL 211.88, 0.76%, 0.5%

LAB 51.03, 12.01, -59.03

 

CMYK 23 / 86 / 0 / 13

HEX #AC1FDF

RGB 172 31 223

HSL 284.06, 0.76%, 0.5%

LAB 45.74, 77.39, -67.06

 

CMYK 0 / 39 / 86 / 13

HEX #DE881F

RGB 222 136 31

HSL 32.98, 0.75%, 0.5%

LAB 64.35, 25.76, 63.95

 

CMYK 86 / 0 / 83 / 13

HEX #1FDF26

RGB 31 223 38

HSL 122.19, 0.76%, 0.5%

LAB 78, -75.25, 69.87

 

CMYK 86 / 46 / 0 / 13

HEX #1F79DF

RGB 31 121 223

HSL 211.88, 0.76%, 0.5%

LAB 51.03, 12.01, -59.03

 

CMYK 0 / 86 / 3 / 13

HEX #DF1FD8

RGB 223 31 216

HSL 302.19, 0.76%, 0.5%

LAB 53.63, 84.66, -49.94

 

Description

Color code: RGB 222 136 31 | qconv.com Color code: RGB 222 136 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 136 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 136 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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