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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 92 133 it is the complementary color RGB 34 163 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 92 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 92 133 shade: RGB 226 92 128, RGB 243 110 147, RGB 255 128 166, RGB 255 146 185 and RGB 255 164 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 92 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 92 133 shade: RGB 221 92 133, RGB 204 74 114, RGB 187 56 95, RGB 170 38 76 and RGB 153 20 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 92 133 shade: RGB 220 90 131, RGB 220 90 97 and RGB 220 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 92 133 shade: RGB 220 90 131, RGB 220 90 166, RGB 220 90 201, RGB 203 90 220 and RGB 168 90 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 92 133 shade matches the following richer shades: RGB 220 90 131, RGB 236 74 126 and RGB 252 58 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 92 133 shade: RGB 220 90 131, RGB 204 106 137, RGB 188 123 143, RGB 171 139 149 and RGB 155 155 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 92 133 shade: RGB 220 90 202, RGB 220 90 168, RGB 220 90 134, RGB 220 90 99 and RGB 220 116 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 92 133 shade: RGB 188 40 87, RGB 212 56 106, RGB 220 90 131, RGB 227 124 157 and RGB 234 158 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 92 133 shade: RGB 221 92 133, RGB 220 202 90 and RGB 90 185 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 92 133 shade: RGB 221 92 133, RGB 134 220 90 and RGB 90 134 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 92 133 shade: RGB 221 92 133, RGB 220 202 90, RGB 90 220 177 and RGB 90 108 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 92 133 shade: RGB 221 92 133, RGB 198 220 90, RGB 90 220 177 and RGB 112 90 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

Complementary color

CMYK 79 / 0 / 25 / 36

HEX #22A37A

RGB 34 163 122

HSL 160.93, 0.65%, 0.39%

LAB 59.83, -43.68, 11.82

 

CMYK 0 / 59 / 43 / 11

HEX #E25C80

RGB 226 92 128

HSL 343.88, 0.7%, 0.62%

LAB 57.45, 55.25, 7.07

 

CMYK 0 / 55 / 40 / 5

HEX #F36E93

RGB 243 110 147

HSL 343.31, 0.85%, 0.69%

LAB 63.6, 54.52, 5.22

 

CMYK 0 / 50 / 35 / 0

HEX #FF80A6

RGB 255 128 166

HSL 342.05, 1%, 0.75%

LAB 69.08, 52.06, 2.56

 

CMYK 0 / 43 / 27 / 0

HEX #FF92B9

RGB 255 146 185

HSL 338.53, 1%, 0.79%

LAB 73.1, 45.51, -2.17

 

CMYK 0 / 36 / 20 / 0

HEX #FFA4CC

RGB 255 164 204

HSL 333.63, 1%, 0.82%

LAB 77.38, 38.94, -6.31

 

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

CMYK 0 / 64 / 44 / 20

HEX #CC4A72

RGB 204 74 114

HSL 341.54, 0.56%, 0.55%

LAB 50.63, 54.7, 5.16

 

CMYK 0 / 70 / 49 / 27

HEX #BB385F

RGB 187 56 95

HSL 342.14, 0.54%, 0.48%

LAB 44.55, 54.94, 7.69

 

CMYK 0 / 78 / 55 / 33

HEX #AA264C

RGB 170 38 76

HSL 342.73, 0.63%, 0.41%

LAB 38.65, 54.62, 10.88

 

CMYK 0 / 87 / 63 / 40

HEX #991439

RGB 153 20 57

HSL 343.31, 0.77%, 0.34%

LAB 33.07, 53.35, 15.01

 

CMYK 0 / 59 / 40 / 14

HEX #DC5A83

RGB 220 90 131

HSL 341.08, 0.65%, 0.61%

LAB 56.25, 54.52, 3.47

 

CMYK 0 / 59 / 56 / 14

HEX #DC5A61

RGB 220 90 97

HSL 356.77, 0.65%, 0.61%

LAB 55.47, 51.43, 22.37

 

CMYK 0 / 59 / 59 / 14

HEX #DC5A5A

RGB 220 90 90

HSL 0, 0.65%, 0.61%

LAB 55.35, 50.92, 26.28

 

CMYK 0 / 59 / 40 / 14

HEX #DC5A83

RGB 220 90 131

HSL 341.08, 0.65%, 0.61%

LAB 56.25, 54.52, 3.47

 

CMYK 0 / 59 / 25 / 14

HEX #DC5AA6

RGB 220 90 166

HSL 324.92, 0.65%, 0.61%

LAB 57.35, 58.71, -15.38

 

CMYK 0 / 59 / 9 / 14

HEX #DC5AC9

RGB 220 90 201

HSL 308.77, 0.65%, 0.61%

LAB 58.74, 63.8, -33.38

 

CMYK 8 / 59 / 0 / 14

HEX #CB5ADC

RGB 203 90 220

HSL 292.15, 0.65%, 0.61%

LAB 57.25, 62.7, -46.65

 

CMYK 24 / 59 / 0 / 14

HEX #A85ADC

RGB 168 90 220

HSL 276, 0.65%, 0.61%

LAB 52.73, 54.16, -54.11

 

CMYK 0 / 59 / 40 / 14

HEX #DC5A83

RGB 220 90 131

HSL 341.08, 0.65%, 0.61%

LAB 56.25, 54.52, 3.47

 

CMYK 0 / 69 / 47 / 7

HEX #EC4A7E

RGB 236 74 126

HSL 340.74, 0.81%, 0.61%

LAB 56.32, 65.45, 6.87

 

CMYK 0 / 77 / 52 / 1

HEX #FC3A78

RGB 252 58 120

HSL 340.82, 0.97%, 0.61%

LAB 57.15, 74.53, 11.99

 

CMYK 0 / 59 / 40 / 14

HEX #DC5A83

RGB 220 90 131

HSL 341.08, 0.65%, 0.61%

LAB 56.25, 54.52, 3.47

 

CMYK 0 / 48 / 33 / 20

HEX #CC6A89

RGB 204 106 137

HSL 341.02, 0.49%, 0.61%

LAB 57.03, 42.14, 0.79

 

CMYK 0 / 35 / 24 / 26

HEX #BC7B8F

RGB 188 123 143

HSL 341.54, 0.33%, 0.61%

LAB 58.83, 28.11, -0.32

 

CMYK 0 / 19 / 13 / 33

HEX #AB8B95

RGB 171 139 149

HSL 341.25, 0.16%, 0.61%

LAB 61.04, 13.77, -0.74

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 0 / 59 / 8 / 14

HEX #DC5ACA

RGB 220 90 202

HSL 308.31, 0.65%, 0.61%

LAB 58.78, 63.96, -33.88

 

CMYK 0 / 59 / 24 / 14

HEX #DC5AA8

RGB 220 90 168

HSL 324, 0.65%, 0.61%

LAB 57.42, 58.98, -16.44

 

CMYK 0 / 59 / 39 / 14

HEX #DC5A86

RGB 220 90 134

HSL 339.69, 0.65%, 0.61%

LAB 56.34, 54.84, 1.83

 

CMYK 0 / 59 / 55 / 14

HEX #DC5A63

RGB 220 90 99

HSL 355.85, 0.65%, 0.61%

LAB 55.51, 51.58, 21.26

 

CMYK 0 / 47 / 59 / 14

HEX #DC745A

RGB 220 116 90

HSL 12, 0.65%, 0.61%

LAB 60.29, 38.24, 32.59

 

CMYK 0 / 79 / 54 / 26

HEX #BC2857

RGB 188 40 87

HSL 340.95, 0.65%, 0.45%

LAB 42.61, 59.94, 9.97

 

CMYK 0 / 74 / 50 / 17

HEX #D4386A

RGB 212 56 106

HSL 340.77, 0.64%, 0.53%

LAB 49.33, 63.18, 8.35

 

CMYK 0 / 59 / 40 / 14

HEX #DC5A83

RGB 220 90 131

HSL 341.08, 0.65%, 0.61%

LAB 56.25, 54.52, 3.47

 

CMYK 0 / 45 / 31 / 11

HEX #E37C9D

RGB 227 124 157

HSL 340.78, 0.65%, 0.69%

LAB 64.31, 43.47, 0.25

 

CMYK 0 / 32 / 22 / 8

HEX #EA9EB7

RGB 234 158 183

HSL 340.26, 0.64%, 0.77%

LAB 73.13, 31.72, -1.31

 

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

CMYK 0 / 8 / 59 / 14

HEX #DCCA5A

RGB 220 202 90

HSL 51.69, 0.65%, 0.61%

LAB 80.85, -7.25, 56.93

 

CMYK 59 / 16 / 0 / 14

HEX #5AB9DC

RGB 90 185 220

HSL 196.15, 0.65%, 0.61%

LAB 70.9, -17.95, -26.02

 

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

CMYK 39 / 0 / 59 / 14

HEX #86DC5A

RGB 134 220 90

HSL 99.69, 0.65%, 0.61%

LAB 80.18, -48.58, 54.63

 

CMYK 59 / 39 / 0 / 14

HEX #5A86DC

RGB 90 134 220

HSL 219.69, 0.65%, 0.61%

LAB 56.48, 10.75, -48.52

 

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

CMYK 0 / 8 / 59 / 14

HEX #DCCA5A

RGB 220 202 90

HSL 51.69, 0.65%, 0.61%

LAB 80.85, -7.25, 56.93

 

CMYK 59 / 0 / 20 / 14

HEX #5ADCB1

RGB 90 220 177

HSL 160.15, 0.65%, 0.61%

LAB 79.92, -45.92, 10.54

 

CMYK 59 / 51 / 0 / 14

HEX #5A6CDC

RGB 90 108 220

HSL 231.69, 0.65%, 0.61%

LAB 49.58, 26.64, -59.56

 

CMYK 0 / 58 / 40 / 13

HEX #DD5C85

RGB 221 92 133

HSL 340.93, 0.65%, 0.61%

LAB 56.8, 54.15, 3.11

 

CMYK 10 / 0 / 59 / 14

HEX #C6DC5A

RGB 198 220 90

HSL 70.15, 0.65%, 0.61%

LAB 83.93, -25.16, 59.87

 

CMYK 59 / 0 / 20 / 14

HEX #5ADCB1

RGB 90 220 177

HSL 160.15, 0.65%, 0.61%

LAB 79.92, -45.92, 10.54

 

CMYK 49 / 59 / 0 / 14

HEX #705ADC

RGB 112 90 220

HSL 250.15, 0.65%, 0.61%

LAB 46.88, 41.72, -63.84

 

Description

Color code: RGB 221 92 133 | qconv.com Color code: RGB 221 92 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 92 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 92 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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