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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 23 114 it is the complementary color RGB 34 232 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 23 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 23 114 shade: RGB 226 23 109, RGB 243 41 128, RGB 255 59 147, RGB 255 77 166 and RGB 255 95 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 23 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 204 5 95, RGB 187 0 76, RGB 170 0 57 and RGB 153 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 221 23 60 and RGB 221 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 221 23 167, RGB 221 23 221, RGB 168 23 221 and RGB 114 23 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 23 114 shade matches the following richer shades: RGB 221 23 114 and RGB 241 3 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 201 43 115, RGB 181 62 117, RGB 162 82 119 and RGB 142 102 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 23 114 shade: RGB 221 23 221, RGB 221 23 168, RGB 221 23 115, RGB 221 23 62 and RGB 221 36 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 23 114 shade: RGB 146 15 75, RGB 184 19 95, RGB 221 23 114, RGB 233 52 135 and RGB 237 89 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 221 168 23 and RGB 23 195 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 115 221 23 and RGB 23 115 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 221 168 23, RGB 23 221 129 and RGB 23 76 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 23 114 shade: RGB 221 23 114, RGB 214 221 23, RGB 23 221 129 and RGB 29 23 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

Complementary color

CMYK 85 / 0 / 39 / 9

HEX #22E88D

RGB 34 232 141

HSL 152.42, 0.81%, 0.52%

LAB 81.83, -65.6, 31.7

 

CMYK 0 / 90 / 52 / 11

HEX #E2176D

RGB 226 23 109

HSL 334.58, 0.82%, 0.49%

LAB 49.36, 74.72, 6.91

 

CMYK 0 / 83 / 47 / 5

HEX #F32980

RGB 243 41 128

HSL 334.16, 0.89%, 0.56%

LAB 54.24, 77.03, 2.84

 

CMYK 0 / 77 / 42 / 0

HEX #FF3B93

RGB 255 59 147

HSL 333.06, 1%, 0.62%

LAB 58.5, 77.23, -1.95

 

CMYK 0 / 70 / 35 / 0

HEX #FF4DA6

RGB 255 77 166

HSL 330, 1%, 0.65%

LAB 61.06, 73.54, -9.24

 

CMYK 0 / 63 / 27 / 0

HEX #FF5FB9

RGB 255 95 185

HSL 326.25, 1%, 0.69%

LAB 64.12, 69.01, -15.55

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 98 / 53 / 20

HEX #CC055F

RGB 204 5 95

HSL 332.86, 0.95%, 0.41%

LAB 43.9, 70.56, 7.23

 

CMYK 0 / 100 / 59 / 27

HEX #BB004C

RGB 187 0 76

HSL 335.61, 1%, 0.37%

LAB 39.73, 65.85, 12.91

 

CMYK 0 / 100 / 66 / 33

HEX #AA0039

RGB 170 0 57

HSL 339.88, 1%, 0.33%

LAB 35.68, 60.7, 19.12

 

CMYK 0 / 100 / 75 / 40

HEX #990026

RGB 153 0 38

HSL 345.1, 1%, 0.3%

LAB 31.61, 55.59, 25.56

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 90 / 73 / 13

HEX #DD173C

RGB 221 23 60

HSL 348.79, 0.81%, 0.48%

LAB 47.38, 70.76, 34.06

 

CMYK 0 / 90 / 90 / 13

HEX #DD1717

RGB 221 23 23

HSL 0, 0.81%, 0.48%

LAB 47.04, 69.78, 53.3

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 90 / 24 / 13

HEX #DD17A7

RGB 221 23 167

HSL 316.36, 0.81%, 0.48%

LAB 50.42, 79.11, -26.57

 

CMYK 0 / 90 / 0 / 13

HEX #DD17DD

RGB 221 23 221

HSL 300, 0.81%, 0.48%

LAB 53.17, 86.2, -53.53

 

CMYK 24 / 90 / 0 / 13

HEX #A817DD

RGB 168 23 221

HSL 283.94, 0.81%, 0.48%

LAB 44.46, 77.96, -68.03

 

CMYK 48 / 90 / 0 / 13

HEX #7217DD

RGB 114 23 221

HSL 267.58, 0.81%, 0.48%

LAB 36.76, 71.43, -80.94

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 99 / 54 / 5

HEX #F10370

RGB 241 3 112

HSL 332.52, 0.98%, 0.48%

LAB 51.76, 80.2, 8.91

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 79 / 43 / 21

HEX #C92B73

RGB 201 43 115

HSL 332.66, 0.65%, 0.48%

LAB 46.15, 64.97, -2.01

 

CMYK 0 / 66 / 35 / 29

HEX #B53E75

RGB 181 62 117

HSL 332.27, 0.49%, 0.48%

LAB 45.02, 52.98, -5.32

 

CMYK 0 / 49 / 27 / 36

HEX #A25277

RGB 162 82 119

HSL 332.25, 0.33%, 0.48%

LAB 45.7, 37.51, -5.85

 

CMYK 0 / 28 / 15 / 44

HEX #8E6678

RGB 142 102 120

HSL 333, 0.16%, 0.48%

LAB 47.76, 19.02, -3.67

 

CMYK 0 / 90 / 0 / 13

HEX #DD17DD

RGB 221 23 221

HSL 300, 0.81%, 0.48%

LAB 53.17, 86.2, -53.53

 

CMYK 0 / 90 / 24 / 13

HEX #DD17A8

RGB 221 23 168

HSL 316.06, 0.81%, 0.48%

LAB 50.47, 79.22, -27.09

 

CMYK 0 / 90 / 48 / 13

HEX #DD1773

RGB 221 23 115

HSL 332.12, 0.81%, 0.48%

LAB 48.54, 74.01, 1.93

 

CMYK 0 / 90 / 72 / 13

HEX #DD173E

RGB 221 23 62

HSL 348.18, 0.81%, 0.48%

LAB 47.41, 70.84, 32.9

 

CMYK 0 / 84 / 90 / 13

HEX #DD2417

RGB 221 36 23

HSL 3.94, 0.81%, 0.48%

LAB 47.87, 67.38, 53.9

 

CMYK 0 / 90 / 49 / 43

HEX #920F4B

RGB 146 15 75

HSL 332.52, 0.81%, 0.32%

LAB 31.72, 53.87, 1.02

 

CMYK 0 / 90 / 48 / 28

HEX #B8135F

RGB 184 19 95

HSL 332.36, 0.81%, 0.4%

LAB 40.38, 64.28, 1.64

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 78 / 42 / 9

HEX #E93487

RGB 233 52 135

HSL 332.49, 0.8%, 0.56%

LAB 53.52, 72.53, -2.62

 

CMYK 0 / 62 / 34 / 7

HEX #ED599D

RGB 237 89 157

HSL 332.43, 0.8%, 0.64%

LAB 59.51, 63.01, -6.65

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 24 / 90 / 13

HEX #DDA817

RGB 221 168 23

HSL 43.94, 0.81%, 0.48%

LAB 71.85, 8.05, 71.82

 

CMYK 90 / 12 / 0 / 13

HEX #17C3DD

RGB 23 195 221

HSL 187.88, 0.81%, 0.48%

LAB 72.52, -30.4, -24.21

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 48 / 0 / 90 / 13

HEX #73DD17

RGB 115 221 23

HSL 92.12, 0.81%, 0.48%

LAB 79.28, -58.99, 74.76

 

CMYK 90 / 48 / 0 / 13

HEX #1773DD

RGB 23 115 221

HSL 212.12, 0.81%, 0.48%

LAB 49.09, 14.53, -61.04

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 0 / 24 / 90 / 13

HEX #DDA817

RGB 221 168 23

HSL 43.94, 0.81%, 0.48%

LAB 71.85, 8.05, 71.82

 

CMYK 90 / 0 / 42 / 13

HEX #17DD81

RGB 23 221 129

HSL 152.12, 0.81%, 0.48%

LAB 78.16, -64.77, 32.92

 

CMYK 90 / 66 / 0 / 13

HEX #174CDD

RGB 23 76 221

HSL 223.94, 0.81%, 0.48%

LAB 38.85, 39.59, -77.72

 

CMYK 0 / 90 / 48 / 13

HEX #DD1772

RGB 221 23 114

HSL 332.42, 0.81%, 0.48%

LAB 48.51, 73.93, 2.5

 

CMYK 3 / 0 / 90 / 13

HEX #D6DD17

RGB 214 221 23

HSL 62.12, 0.81%, 0.48%

LAB 85.03, -22.03, 81.81

 

CMYK 90 / 0 / 42 / 13

HEX #17DD81

RGB 23 221 129

HSL 152.12, 0.81%, 0.48%

LAB 78.16, -64.77, 32.92

 

CMYK 87 / 90 / 0 / 13

HEX #1D17DD

RGB 29 23 221

HSL 241.82, 0.81%, 0.48%

LAB 29.65, 66.44, -92.96

 

Description

Color code: RGB 221 23 114 | qconv.com Color code: RGB 221 23 114 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 23 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 23 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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