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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 225 197 it is the complementary color RGB 34 30 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 225 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 225 197 shade: RGB 226 225 192, RGB 243 243 211, RGB 255 255 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 225 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 225 197 shade: RGB 221 225 197, RGB 204 207 178, RGB 187 189 159, RGB 170 171 140 and RGB 153 153 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 225 197 shade: RGB 222 226 198, RGB 226 222 198, RGB 226 215 198, RGB 226 207 198 and RGB 226 200 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 225 197 shade: RGB 222 226 198, RGB 214 226 198, RGB 207 226 198, RGB 199 226 198 and RGB 198 226 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 225 197 shade matches the following richer shades: RGB 222 226 198, RGB 227 233 191, RGB 232 240 184, RGB 237 247 177 and RGB 242 254 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 225 197 shade: RGB 222 226 198, RGB 217 219 205, RGB 212 211 212, RGB 207 204 219 and RGB 202 197 226

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 225 197 shade: RGB 226 214 198, RGB 226 222 198, RGB 222 226 198, RGB 214 226 198 and RGB 207 226 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 225 197 shade: RGB 190 197 143, RGB 206 211 171, RGB 222 226 198, RGB 237 240 225 and RGB 253 254 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 225 197 shade: RGB 221 225 197, RGB 198 226 207 and RGB 218 198 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 225 197 shade: RGB 221 225 197, RGB 198 222 226 and RGB 226 198 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 225 197 shade: RGB 221 225 197, RGB 198 226 207, RGB 201 198 226 and RGB 226 198 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 225 197 shade: RGB 221 225 197, RGB 198 226 215, RGB 201 198 226 and RGB 226 198 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

Complementary color

CMYK 41 / 48 / 0 / 77

HEX #221E3A

RGB 34 30 58

HSL 248.57, 0.32%, 0.17%

LAB 13.07, 10.1, -17.49

 

CMYK 0 / 0 / 15 / 11

HEX #E2E1C0

RGB 226 225 192

HSL 58.24, 0.37%, 0.82%

LAB 88.84, -5.13, 16.29

 

CMYK 0 / 0 / 13 / 5

HEX #F3F3D3

RGB 243 243 211

HSL 60, 0.57%, 0.89%

LAB 95.1, -5.29, 15.45

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 1 / 0 / 14 / 19

HEX #CCCFB2

RGB 204 207 178

HSL 66.21, 0.23%, 0.75%

LAB 82.2, -6.01, 14.08

 

CMYK 1 / 0 / 16 / 26

HEX #BBBD9F

RGB 187 189 159

HSL 64, 0.19%, 0.68%

LAB 75.74, -5.87, 14.96

 

CMYK 1 / 0 / 18 / 33

HEX #AAAB8C

RGB 170 171 140

HSL 61.94, 0.16%, 0.61%

LAB 69.16, -5.72, 15.88

 

CMYK 0 / 0 / 21 / 40

HEX #999979

RGB 153 153 121

HSL 60, 0.14%, 0.54%

LAB 62.45, -5.55, 16.87

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 0 / 2 / 12 / 11

HEX #E2DEC6

RGB 226 222 198

HSL 51.43, 0.33%, 0.83%

LAB 88.2, -2.67, 12.26

 

CMYK 0 / 5 / 12 / 11

HEX #E2D7C6

RGB 226 215 198

HSL 36.43, 0.33%, 0.83%

LAB 86.43, 0.94, 9.73

 

CMYK 0 / 8 / 12 / 11

HEX #E2CFC6

RGB 226 207 198

HSL 19.29, 0.33%, 0.83%

LAB 84.42, 5.11, 6.85

 

CMYK 0 / 12 / 12 / 11

HEX #E2C8C6

RGB 226 200 198

HSL 4.29, 0.33%, 0.83%

LAB 82.68, 8.8, 4.34

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 5 / 0 / 12 / 11

HEX #D6E2C6

RGB 214 226 198

HSL 85.71, 0.33%, 0.83%

LAB 88.34, -8.94, 12.32

 

CMYK 8 / 0 / 12 / 11

HEX #CFE2C6

RGB 207 226 198

HSL 100.71, 0.33%, 0.83%

LAB 87.84, -11.36, 11.55

 

CMYK 12 / 0 / 12 / 11

HEX #C7E2C6

RGB 199 226 198

HSL 117.86, 0.33%, 0.83%

LAB 87.3, -14.09, 10.7

 

CMYK 12 / 0 / 10 / 11

HEX #C6E2CC

RGB 198 226 204

HSL 132.86, 0.33%, 0.83%

LAB 87.37, -13.36, 7.64

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 3 / 0 / 18 / 9

HEX #E3E9BF

RGB 227 233 191

HSL 68.57, 0.49%, 0.83%

LAB 90.95, -8.98, 19.78

 

CMYK 3 / 0 / 23 / 6

HEX #E8F0B8

RGB 232 240 184

HSL 68.57, 0.65%, 0.83%

LAB 92.99, -11.69, 26.25

 

CMYK 4 / 0 / 28 / 3

HEX #EDF7B1

RGB 237 247 177

HSL 68.57, 0.81%, 0.83%

LAB 95.03, -14.27, 32.63

 

CMYK 5 / 0 / 33 / 0

HEX #F2FEAA

RGB 242 254 170

HSL 68.57, 0.98%, 0.83%

LAB 97.09, -16.73, 38.92

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 1 / 0 / 6 / 14

HEX #D9DBCD

RGB 217 219 205

HSL 68.57, 0.16%, 0.83%

LAB 86.91, -3.14, 6.64

 

CMYK 0 / 0 / 0 / 17

HEX #D4D3D4

RGB 212 211 212

HSL 300, 0.01%, 0.83%

LAB 84.66, 0.53, -0.38

 

CMYK 5 / 7 / 0 / 14

HEX #CFCCDB

RGB 207 204 219

HSL 252, 0.17%, 0.83%

LAB 82.68, 3.83, -7.06

 

CMYK 11 / 13 / 0 / 11

HEX #CAC5E2

RGB 202 197 226

HSL 250.34, 0.33%, 0.83%

LAB 80.73, 7.29, -13.76

 

CMYK 0 / 5 / 12 / 11

HEX #E2D6C6

RGB 226 214 198

HSL 34.29, 0.33%, 0.83%

LAB 86.18, 1.46, 9.37

 

CMYK 0 / 2 / 12 / 11

HEX #E2DEC6

RGB 226 222 198

HSL 51.43, 0.33%, 0.83%

LAB 88.2, -2.67, 12.26

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 5 / 0 / 12 / 11

HEX #D6E2C6

RGB 214 226 198

HSL 85.71, 0.33%, 0.83%

LAB 88.34, -8.94, 12.32

 

CMYK 8 / 0 / 12 / 11

HEX #CFE2C6

RGB 207 226 198

HSL 100.71, 0.33%, 0.83%

LAB 87.84, -11.36, 11.55

 

CMYK 4 / 0 / 27 / 23

HEX #BEC58F

RGB 190 197 143

HSL 67.78, 0.32%, 0.67%

LAB 77.79, -11.27, 26.35

 

CMYK 2 / 0 / 19 / 17

HEX #CED3AB

RGB 206 211 171

HSL 67.5, 0.31%, 0.75%

LAB 83.26, -8.42, 19.28

 

CMYK 2 / 0 / 12 / 11

HEX #DEE2C6

RGB 222 226 198

HSL 68.57, 0.33%, 0.83%

LAB 88.92, -6.13, 13.23

 

CMYK 1 / 0 / 6 / 6

HEX #EDF0E1

RGB 237 240 225

HSL 72, 0.33%, 0.91%

LAB 94.21, -3.6, 6.89

 

CMYK 0 / 0 / 1 / 0

HEX #FDFEFC

RGB 253 254 252

HSL 90, 0.5%, 0.99%

LAB 99.53, -0.67, 0.83

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 12 / 0 / 8 / 11

HEX #C6E2CF

RGB 198 226 207

HSL 139.29, 0.33%, 0.83%

LAB 87.44, -12.81, 6.17

 

CMYK 4 / 12 / 0 / 11

HEX #DAC6E2

RGB 218 198 226

HSL 282.86, 0.33%, 0.83%

LAB 82.26, 12.02, -11.33

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 12 / 2 / 0 / 11

HEX #C6DEE2

RGB 198 222 226

HSL 188.57, 0.33%, 0.83%

LAB 86.87, -7.13, -4.66

 

CMYK 0 / 12 / 2 / 11

HEX #E2C6DE

RGB 226 198 222

HSL 308.57, 0.33%, 0.83%

LAB 82.82, 13.97, -8.29

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 12 / 0 / 8 / 11

HEX #C6E2CF

RGB 198 226 207

HSL 139.29, 0.33%, 0.83%

LAB 87.44, -12.81, 6.17

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 12 / 4 / 11

HEX #E2C6D8

RGB 226 198 216

HSL 321.43, 0.33%, 0.83%

LAB 82.65, 12.9, -5.32

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C5

RGB 221 225 197

HSL 68.57, 0.32%, 0.83%

LAB 88.57, -6.13, 13.25

 

CMYK 12 / 0 / 5 / 11

HEX #C6E2D7

RGB 198 226 215

HSL 156.43, 0.33%, 0.83%

LAB 87.63, -11.32, 2.25

 

CMYK 11 / 12 / 0 / 11

HEX #C9C6E2

RGB 201 198 226

HSL 246.43, 0.33%, 0.83%

LAB 80.9, 6.43, -13.51

 

CMYK 0 / 12 / 8 / 11

HEX #E2C6D0

RGB 226 198 208

HSL 338.57, 0.33%, 0.83%

LAB 82.44, 11.52, -1.36

 

Description

Color code: RGB 221 225 197 | qconv.com Color code: RGB 221 225 197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 225 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 225 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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