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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 198.4 144.4 it is the complementary color RGB 34 56.6 110.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 198.4 144.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 198.4 144.4 shade: RGB 226 198.4 139.4, RGB 243 216.4 158.4, RGB 255 234.4 177.4, RGB 255 252.4 196.4 and RGB 255 255 215.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 198.4 144.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 198.4 144.4 shade: RGB 221 198.4 144.4, RGB 204 180.4 125.4, RGB 187 162.4 106.4, RGB 170 144.4 87.4 and RGB 153 126.4 68.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 198.4 144.4 shade: RGB 221 199 146, RGB 221 179 146, RGB 221 158 146 and RGB 221 146 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 198.4 144.4 shade: RGB 221 199 146, RGB 221 220 146, RGB 203 221 146, RGB 183 221 146 and RGB 162 221 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 198.4 144.4 shade matches the following richer shades: RGB 221 199 146, RGB 233 204 134 and RGB 245 209 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 198.4 144.4 shade: RGB 221 199 146, RGB 210 194 157, RGB 198 190 169, RGB 187 185 180 and RGB 175 180 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 198.4 144.4 shade: RGB 221 158 146, RGB 221 179 146, RGB 221 199 146, RGB 221 219 146 and RGB 204 221 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 198.4 144.4 shade: RGB 202 167 83, RGB 212 183 114, RGB 221 199 146, RGB 231 215 177 and RGB 241 231 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 198.4 144.4 shade: RGB 221 198.4 144.4, RGB 153 221 146 and RGB 168 146 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 198.4 144.4 shade: RGB 221 198.4 144.4, RGB 146 221 199 and RGB 199 146 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 198.4 144.4 shade: RGB 221 198.4 144.4, RGB 153 221 146, RGB 146 168 221 and RGB 214 146 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 198.4 144.4 shade: RGB 221 198.4 144.4, RGB 146 221 161, RGB 146 168 221 and RGB 221 146 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

Complementary color

CMYK 69 / 49 / 0 / 57

HEX #22386E

RGB 34 56.6 110.6

HSL 222.3, 0.53%, 0.28%

LAB 24.85, 10.67, -34.02

 

CMYK 0 / 12 / 38 / 11

HEX #E2C68B

RGB 226 198.4 139.4

HSL 40.88, 0.6%, 0.72%

LAB 81.08, 1.56, 33.14

 

CMYK 0 / 11 / 35 / 5

HEX #F3D89E

RGB 243 216.4 158.4

HSL 41.13, 0.78%, 0.79%

LAB 87.41, 1.06, 31.99

 

CMYK 0 / 8 / 30 / 0

HEX #FFEAB1

RGB 255 234.4 177.4

HSL 44.07, 1%, 0.85%

LAB 93.24, -1.26, 30.26

 

CMYK 0 / 1 / 23 / 0

HEX #FFFCC4

RGB 255 252.4 196.4

HSL 57.34, 1%, 0.89%

LAB 98.09, -7.81, 27.2

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215.4

HSL 60, 1%, 0.92%

LAB 99.11, -6.4, 18.96

 

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

CMYK 0 / 12 / 39 / 20

HEX #CCB47D

RGB 204 180.4 125.4

HSL 41.98, 0.44%, 0.65%

LAB 74.27, 0.67, 31.15

 

CMYK 0 / 13 / 43 / 27

HEX #BBA26A

RGB 187 162.4 106.4

HSL 41.69, 0.37%, 0.58%

LAB 67.72, 1.25, 32.39

 

CMYK 0 / 15 / 49 / 33

HEX #AA9057

RGB 170 144.4 87.4

HSL 41.4, 0.33%, 0.5%

LAB 61.05, 1.94, 33.7

 

CMYK 0 / 17 / 55 / 40

HEX #997E44

RGB 153 126.4 68.4

HSL 41.13, 0.38%, 0.43%

LAB 54.26, 2.78, 35.07

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 19 / 34 / 13

HEX #DDB392

RGB 221 179 146

HSL 26.4, 0.52%, 0.72%

LAB 75.88, 10.62, 22.6

 

CMYK 0 / 29 / 34 / 13

HEX #DD9E92

RGB 221 158 146

HSL 9.6, 0.52%, 0.72%

LAB 70.8, 21.89, 15.6

 

CMYK 0 / 34 / 34 / 13

HEX #DD9292

RGB 221 146 146

HSL 0, 0.52%, 0.72%

LAB 68.02, 28.35, 11.7

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 0 / 34 / 13

HEX #DDDC92

RGB 221 220 146

HSL 59.2, 0.52%, 0.72%

LAB 86.32, -10.7, 36.54

 

CMYK 8 / 0 / 34 / 13

HEX #CBDD92

RGB 203 221 146

HSL 74.4, 0.52%, 0.72%

LAB 85.24, -18.04, 34.88

 

CMYK 17 / 0 / 34 / 13

HEX #B7DD92

RGB 183 221 146

HSL 90.4, 0.52%, 0.72%

LAB 83.89, -25.4, 32.84

 

CMYK 27 / 0 / 34 / 13

HEX #A2DD92

RGB 162 221 146

HSL 107.2, 0.52%, 0.72%

LAB 82.63, -32.72, 30.94

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 12 / 42 / 9

HEX #E9CC86

RGB 233 204 134

HSL 42.42, 0.69%, 0.72%

LAB 83.04, 0.84, 38.57

 

CMYK 0 / 15 / 50 / 4

HEX #F5D17B

RGB 245 209 123

HSL 42.3, 0.86%, 0.72%

LAB 85.22, 2.02, 47.05

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 8 / 25 / 18

HEX #D2C29D

RGB 210 194 157

HSL 41.89, 0.37%, 0.72%

LAB 78.88, -0.14, 20.68

 

CMYK 0 / 4 / 15 / 22

HEX #C6BEA9

RGB 198 190 169

HSL 43.45, 0.2%, 0.72%

LAB 77.1, -0.74, 11.61

 

CMYK 0 / 1 / 4 / 27

HEX #BBB9B4

RGB 187 185 180

HSL 42.86, 0.05%, 0.72%

LAB 75.18, -0.21, 2.77

 

CMYK 9 / 6 / 0 / 25

HEX #AFB4C0

RGB 175 180 192

HSL 222.35, 0.12%, 0.72%

LAB 73.26, 0.62, -6.7

 

CMYK 0 / 29 / 34 / 13

HEX #DD9E92

RGB 221 158 146

HSL 9.6, 0.52%, 0.72%

LAB 70.8, 21.89, 15.6

 

CMYK 0 / 19 / 34 / 13

HEX #DDB392

RGB 221 179 146

HSL 26.4, 0.52%, 0.72%

LAB 75.88, 10.62, 22.6

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 1 / 34 / 13

HEX #DDDB92

RGB 221 219 146

HSL 58.4, 0.52%, 0.72%

LAB 86.06, -10.2, 36.2

 

CMYK 8 / 0 / 34 / 13

HEX #CCDD92

RGB 204 221 146

HSL 73.6, 0.52%, 0.72%

LAB 85.31, -17.67, 34.98

 

CMYK 0 / 17 / 59 / 21

HEX #CAA753

RGB 202 167 83

HSL 42.35, 0.53%, 0.56%

LAB 70.05, 2.97, 47.49

 

CMYK 0 / 14 / 46 / 17

HEX #D4B772

RGB 212 183 114

HSL 42.24, 0.53%, 0.64%

LAB 75.5, 1.33, 38.81

 

CMYK 0 / 10 / 34 / 13

HEX #DDC792

RGB 221 199 146

HSL 42.4, 0.52%, 0.72%

LAB 80.9, 0.06, 29.39

 

CMYK 0 / 7 / 23 / 9

HEX #E7D7B1

RGB 231 215 177

HSL 42.22, 0.53%, 0.8%

LAB 86.39, -0.38, 20.77

 

CMYK 0 / 4 / 13 / 5

HEX #F1E7D1

RGB 241 231 209

HSL 41.25, 0.53%, 0.88%

LAB 91.89, -0.22, 11.91

 

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

CMYK 31 / 0 / 34 / 13

HEX #99DD92

RGB 153 221 146

HSL 114.4, 0.52%, 0.72%

LAB 82.14, -35.7, 30.21

 

CMYK 24 / 34 / 0 / 13

HEX #A892DD

RGB 168 146 221

HSL 257.6, 0.52%, 0.72%

LAB 65.04, 23.73, -35.24

 

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

CMYK 34 / 0 / 10 / 13

HEX #92DDC7

RGB 146 221 199

HSL 162.4, 0.52%, 0.72%

LAB 82.89, -28, 3.43

 

CMYK 10 / 34 / 0 / 13

HEX #C792DD

RGB 199 146 221

HSL 282.4, 0.52%, 0.72%

LAB 67.96, 33.16, -30.49

 

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

CMYK 31 / 0 / 34 / 13

HEX #99DD92

RGB 153 221 146

HSL 114.4, 0.52%, 0.72%

LAB 82.14, -35.7, 30.21

 

CMYK 34 / 24 / 0 / 13

HEX #92A8DD

RGB 146 168 221

HSL 222.4, 0.52%, 0.72%

LAB 68.99, 4.9, -29.26

 

CMYK 3 / 34 / 0 / 13

HEX #D692DD

RGB 214 146 221

HSL 294.4, 0.52%, 0.72%

LAB 69.52, 37.83, -27.95

 

CMYK 0 / 10 / 35 / 13

HEX #DDC690

RGB 221 198.4 144.4

HSL 42.3, 0.53%, 0.72%

LAB 80.72, 0.18, 29.98

 

CMYK 34 / 0 / 27 / 13

HEX #92DDA1

RGB 146 221 161

HSL 132, 0.52%, 0.72%

LAB 82.05, -35.43, 22.27

 

CMYK 34 / 24 / 0 / 13

HEX #92A8DD

RGB 146 168 221

HSL 222.4, 0.52%, 0.72%

LAB 68.99, 4.9, -29.26

 

CMYK 0 / 34 / 7 / 13

HEX #DD92CE

RGB 221 146 206

HSL 312, 0.52%, 0.72%

LAB 69.74, 37.35, -19.25

 

Description

Color code: RGB 221 198.4 144.4 | qconv.com Color code: RGB 221 198.4 144.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 198.4 green and 144.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 198.4 144.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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