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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 136 2 it is the complementary color RGB 34 119 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 136 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 136 2 shade: RGB 226 136 0, RGB 243 154 16, RGB 255 172 35, RGB 255 190 54 and RGB 255 208 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 136 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 136 2 shade: RGB 221 136 2, RGB 204 118 0, RGB 187 100 0, RGB 170 82 0 and RGB 153 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 136 2 shade: RGB 222 136 2, RGB 222 77 2, RGB 222 18 2 and RGB 222 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 136 2 shade: RGB 222 136 2, RGB 222 196 2, RGB 188 222 2, RGB 129 222 2 and RGB 70 222 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 136 2 shade matches the following richer shades: RGB 222 136 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 136 2 shade: RGB 222 136 2, RGB 204 132 20, RGB 185 128 38, RGB 167 124 56 and RGB 149 120 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 136 2 shade: RGB 222 16 2, RGB 222 75 2, RGB 222 134 2, RGB 222 192 2 and RGB 192 222 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 136 2 shade: RGB 140 86 1, RGB 181 111 1, RGB 222 136 2, RGB 252 159 13 and RGB 252 175 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 136 2 shade: RGB 221 136 2, RGB 46 222 2 and RGB 46 2 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 136 2 shade: RGB 221 136 2, RGB 2 222 134 and RGB 134 2 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 136 2 shade: RGB 221 136 2, RGB 46 222 2, RGB 2 90 222 and RGB 178 2 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 136 2 shade: RGB 221 136 2, RGB 2 222 24, RGB 2 90 222 and RGB 222 2 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

Complementary color

CMYK 87 / 53 / 0 / 1

HEX #2277FD

RGB 34 119 253

HSL 216.71, 0.98%, 0.56%

LAB 52.54, 24.88, -73.34

 

CMYK 0 / 40 / 100 / 11

HEX #E28800

RGB 226 136 0

HSL 36.11, 1%, 0.44%

LAB 64.79, 27.01, 70.64

 

CMYK 0 / 37 / 93 / 5

HEX #F39A10

RGB 243 154 16

HSL 36.48, 0.9%, 0.51%

LAB 71.01, 24.81, 73.6

 

CMYK 0 / 33 / 86 / 0

HEX #FFAC23

RGB 255 172 35

HSL 37.36, 1%, 0.57%

LAB 76.61, 20.72, 74.38

 

CMYK 0 / 25 / 79 / 0

HEX #FFBE36

RGB 255 190 54

HSL 40.6, 1%, 0.61%

LAB 80.93, 11.86, 72.39

 

CMYK 0 / 18 / 71 / 0

HEX #FFD049

RGB 255 208 73

HSL 44.51, 1%, 0.64%

LAB 85.43, 3.32, 69.82

 

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

CMYK 0 / 42 / 100 / 20

HEX #CC7600

RGB 204 118 0

HSL 34.71, 1%, 0.4%

LAB 57.84, 27.29, 64.8

 

CMYK 0 / 47 / 100 / 27

HEX #BB6400

RGB 187 100 0

HSL 32.09, 1%, 0.37%

LAB 51.47, 29.75, 59.65

 

CMYK 0 / 52 / 100 / 33

HEX #AA5200

RGB 170 82 0

HSL 28.94, 1%, 0.33%

LAB 45.05, 32.21, 54.49

 

CMYK 0 / 58 / 100 / 40

HEX #994000

RGB 153 64 0

HSL 25.1, 1%, 0.3%

LAB 38.62, 34.6, 49.34

 

CMYK 0 / 39 / 99 / 13

HEX #DE8802

RGB 222 136 2

HSL 36.55, 0.98%, 0.44%

LAB 64.28, 25.34, 69.76

 

CMYK 0 / 65 / 99 / 13

HEX #DE4D02

RGB 222 77 2

HSL 20.45, 0.98%, 0.44%

LAB 52.78, 54.22, 62.88

 

CMYK 0 / 92 / 99 / 13

HEX #DE1202

RGB 222 18 2

HSL 4.36, 0.98%, 0.44%

LAB 46.93, 70.5, 60.14

 

CMYK 0 / 99 / 99 / 13

HEX #DE0202

RGB 222 2 2

HSL 0, 0.98%, 0.44%

LAB 46.42, 71.99, 59.94

 

CMYK 0 / 39 / 99 / 13

HEX #DE8802

RGB 222 136 2

HSL 36.55, 0.98%, 0.44%

LAB 64.28, 25.34, 69.76

 

CMYK 0 / 12 / 99 / 13

HEX #DEC402

RGB 222 196 2

HSL 52.91, 0.98%, 0.44%

LAB 79.05, -6.4, 79.95

 

CMYK 15 / 0 / 99 / 13

HEX #BCDE02

RGB 188 222 2

HSL 69.27, 0.98%, 0.44%

LAB 83.41, -33.46, 81.96

 

CMYK 42 / 0 / 99 / 13

HEX #81DE02

RGB 129 222 2

HSL 85.36, 0.98%, 0.44%

LAB 80.13, -55.34, 78.02

 

CMYK 68 / 0 / 99 / 13

HEX #46DE02

RGB 70 222 2

HSL 101.45, 0.98%, 0.44%

LAB 78.2, -70.75, 75.67

 

CMYK 0 / 39 / 99 / 13

HEX #DE8802

RGB 222 136 2

HSL 36.55, 0.98%, 0.44%

LAB 64.28, 25.34, 69.76

 

CMYK 0 / 39 / 99 / 13

HEX #DE8802

RGB 222 136 2

HSL 36.55, 0.98%, 0.44%

LAB 64.28, 25.34, 69.76

 

CMYK 0 / 35 / 90 / 20

HEX #CC8414

RGB 204 132 20

HSL 36.52, 0.82%, 0.44%

LAB 61.12, 19.98, 63.41

 

CMYK 0 / 31 / 79 / 27

HEX #B98026

RGB 185 128 38

HSL 36.73, 0.66%, 0.44%

LAB 57.93, 14.31, 54.21

 

CMYK 0 / 26 / 66 / 35

HEX #A77C38

RGB 167 124 56

HSL 36.76, 0.5%, 0.44%

LAB 54.99, 9.43, 42.62

 

CMYK 0 / 19 / 50 / 42

HEX #95784A

RGB 149 120 74

HSL 36.8, 0.34%, 0.44%

LAB 52.19, 5.17, 29.41

 

CMYK 0 / 93 / 99 / 13

HEX #DE1002

RGB 222 16 2

HSL 3.82, 0.98%, 0.44%

LAB 46.85, 70.74, 60.11

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 40 / 99 / 13

HEX #DE8602

RGB 222 134 2

HSL 36, 0.98%, 0.44%

LAB 63.82, 26.4, 69.47

 

CMYK 0 / 14 / 99 / 13

HEX #DEC002

RGB 222 192 2

HSL 51.82, 0.98%, 0.44%

LAB 78.01, -4.35, 79.2

 

CMYK 14 / 0 / 99 / 13

HEX #C0DE02

RGB 192 222 2

HSL 68.18, 0.98%, 0.44%

LAB 83.68, -31.84, 82.29

 

CMYK 0 / 39 / 99 / 45

HEX #8C5601

RGB 140 86 1

HSL 36.69, 0.99%, 0.28%

LAB 41.58, 16.78, 49.85

 

CMYK 0 / 39 / 99 / 29

HEX #B56F01

RGB 181 111 1

HSL 36.67, 0.99%, 0.36%

LAB 53.16, 21.16, 60.1

 

CMYK 0 / 39 / 99 / 13

HEX #DE8802

RGB 222 136 2

HSL 36.55, 0.98%, 0.44%

LAB 64.28, 25.34, 69.76

 

CMYK 0 / 37 / 95 / 1

HEX #FC9F0D

RGB 252 159 13

HSL 36.65, 0.98%, 0.52%

LAB 73.23, 25.92, 76.11

 

CMYK 0 / 31 / 79 / 1

HEX #FCAF35

RGB 252 175 53

HSL 36.78, 0.97%, 0.6%

LAB 77.05, 18.39, 69.09

 

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

CMYK 79 / 0 / 99 / 13

HEX #2EDE02

RGB 46 222 2

HSL 108, 0.98%, 0.44%

LAB 77.77, -74.46, 75.15

 

CMYK 79 / 99 / 0 / 13

HEX #2E02DE

RGB 46 2 222

HSL 252, 0.98%, 0.44%

LAB 29.15, 71.51, -94.34

 

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

CMYK 99 / 0 / 40 / 13

HEX #02DE86

RGB 2 222 134

HSL 156, 0.98%, 0.44%

LAB 78.45, -64.98, 30.75

 

CMYK 40 / 99 / 0 / 13

HEX #8602DE

RGB 134 2 222

HSL 276, 0.98%, 0.44%

LAB 38.53, 76.72, -78.52

 

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

CMYK 79 / 0 / 99 / 13

HEX #2EDE02

RGB 46 222 2

HSL 108, 0.98%, 0.44%

LAB 77.77, -74.46, 75.15

 

CMYK 99 / 59 / 0 / 13

HEX #025ADE

RGB 2 90 222

HSL 216, 0.98%, 0.44%

LAB 42.15, 30.31, -72.88

 

CMYK 20 / 99 / 0 / 13

HEX #B202DE

RGB 178 2 222

HSL 288, 0.98%, 0.44%

LAB 45.33, 81.88, -67.11

 

CMYK 0 / 38 / 99 / 13

HEX #DD8802

RGB 221 136 2

HSL 36.71, 0.98%, 0.44%

LAB 64.15, 24.91, 69.62

 

CMYK 99 / 0 / 89 / 13

HEX #02DE18

RGB 2 222 24

HSL 126, 0.98%, 0.44%

LAB 77.47, -77.03, 72.22

 

CMYK 99 / 59 / 0 / 13

HEX #025ADE

RGB 2 90 222

HSL 216, 0.98%, 0.44%

LAB 42.15, 30.31, -72.88

 

CMYK 0 / 99 / 10 / 13

HEX #DE02C8

RGB 222 2 200

HSL 306, 0.98%, 0.44%

LAB 51.55, 85.33, -44.08

 

Description

Color code: RGB 221 136 2 | qconv.com Color code: RGB 221 136 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 136 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 136 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 99 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 99% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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